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Varun Dhawan should weaponise his David Dhawan DNA before Bollywood forgets how to make entertainers

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Varun Dhawan turns a year older today, but perhaps the more interesting question is not where he stands at this moment. It is where he goes from here. Because Varun is now at a fascinating stage in his career. He is no longer the young, energetic star kid trying to prove that he belongs. He is also not yet at that distant, over-curated stage where a star begins to look more like an idea than a performer. He is somewhere in between: experienced, tested, loved, trolled, successful, wounded, hungry and still capable of surprising the audience.

And that is why this birthday is a good time to say something that perhaps needs to be said more openly. Varun Dhawan should not run away from his David Dhawan DNA. He should weaponise it.

For years, being David Dhawan’s son has been seen both as Varun’s privilege and his burden. The privilege is obvious. He comes from a film family. He grew up around cinema. He understands sets, songs, comedy, rhythm, timing and the madness of mainstream Hindi filmmaking in a way that cannot be taught in a workshop. But the burden is equally real. Every time Varun embraces comedy, colour, songs, dance or massy entertainment, there is a tendency to reduce it to genetics, as if he is simply doing what comes naturally because of his surname.

But maybe that is exactly the point. Maybe what comes naturally to Varun is precisely what Bollywood is struggling to manufacture today.

David Dhawan’s cinema was never built on silence, stillness or carefully preserved aura. It was built on chaos, pace, music, confusion, humour, family appeal and a deep understanding of what the common audience wanted from a Friday night at the movies. His films did not ask the audience to admire them from a distance. They pulled the audience into the madness. They made people laugh, whistle, hum songs, repeat dialogues and forget their problems for two and a half hours. That is not a small cinematic achievement. That is a language.

And Varun Dhawan is one of the few current mainstream actors who can still speak that language without looking like a tourist.

This is where his real advantage lies. Varun can dance without seeming self-conscious. He can do comedy without looking embarrassed by it. He can play to the gallery without appearing condescending. He can romance, cry, fight, overreact, underplay and surrender to the demands of a full-blown Hindi film entertainer. In an era where many stars are busy protecting their image, Varun still performs like someone who wants to win over the last row of the balcony. That instinct is rare. More importantly, it is useful.

The problem is that Bollywood, in its constant effort to look cooler and bigger, has often started looking suspicious of its own strengths. Songs are treated like marketing units. Comedy is treated like a risky zone. Family entertainers are dismissed as old-fashioned until one of them works. Stars are encouraged to be intense, silent, brooding, mysterious and premium. But Hindi cinema was never built only on aura. It was built on accessibility. It was built on stars who could enter homes, weddings, television screens, music playlists and family conversations.

That is the zone Varun can own.

This does not mean he should simply recreate the 90s. That would be lazy. It does not mean he should blindly repeat the David Dhawan-Govinda grammar either. That world belonged to its time, its audience and its rhythm. But what Varun can do is take the emotional engine of that cinema and repackage it for today. The confusion comedy can become sharper. The romance can become more contemporary. The songs can become bigger digital moments. The family drama can become more rooted. The hero can be funny without becoming foolish, vulnerable without becoming weak and massy without becoming outdated.

That is where the word weaponise becomes important. Legacy should not be treated like nostalgia alone. It should be treated like strategy. That is why the next phase matters.

With Hai Jawani Toh Ishq Hona Hai, the David Dhawan-Varun Dhawan combination carries more than just trade curiosity. It carries emotion. The fact that Varun reportedly spent two nights in the studio during the recreation of the title track also says something about his involvement and hunger. This is not just a son doing another film with his father. It is possibly a moment where one generation of Hindi film entertainment passes the baton to another.

And that baton should not be carried apologetically.

For Varun, the challenge now is not to prove that he can be different from David Dhawan’s cinema. He has already done that. The bigger challenge is to prove that he can modernise what David Dhawan represented. The colour, the madness, the music, the comedy, the family pull, the theatrical energy and these are not outdated tools. They are underused tools. In the right hands, they can still create magic.

The industry also needs this version of Varun. And Varun, when aligned with the right material, can be one of the strongest faces of that space. This is where his David Dhawan DNA becomes his edge, not his limitation. He has inherited not just a surname, but a sense of rhythm. A belief that cinema should move. A belief that the audience should not be bored. A belief that songs matter, laughter matters, mothers and fathers in the audience matter, children matter, frontbenchers matter and repeat value matters. In today’s Bollywood, that belief system is not old-fashioned. It is almost rebellious.

So yes, Varun Dhawan should experiment. He should do action. He should do intense roles. He should surprise people. He should work with new directors, new writers and new formats. But he should never be made to feel that embracing the entertainer within him is a step backwards. For him, it may actually be the smartest way forward.

Because the son of David Dhawan does not have to become a copy of his father’s cinema. He can become its upgraded version. Faster, younger, slicker, more emotional, more self-aware and more in tune with today’s audience.

That is the opportunity in front of him. Not to run away from the Dhawan DNA, but to weaponise it.

And if he does that well, Varun Dhawan may not just protect his own stardom. He may end up reminding Bollywood of a genre, a grammar and a kind of hero it has been foolishly underestimating for far too long.

Also Read: Hai Jawani Toh Ishq Hona Hai First look: Varun Dhawan is caught in a double love twist with Pooja Hedge and Mrunal Thakur

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Ranveer Singh teams up with adidas Originals to launch India-inspired Superstar sneaker

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Actor Ranveer Singh has collaborated with adidas Originals to introduce a special India-focused edition of the iconic Adidas Superstar, marking what the brand describes as its first hyperlocal statement from the country. The launch positions Indian creative influence within the global sneaker conversation while celebrating a silhouette that has remained culturally relevant for more than five decades.

The newly unveiled Ranveer Singh Superstar draws directly from the actor’s personality and visual identity. The design takes inspiration from the Royal Bengal Tiger, which Singh describes as his spirit animal. This influence appears across several elements of the sneaker, including tiger-inspired detailing along the signature three stripes. The shoe features a bold black-and-white base palette, layered with jewel-like accents and a custom “Ranveer Singh” insignia that adds depth and texture to the silhouette.

According to the brand, the collaboration represents more than a celebrity design partnership. It signals a shift toward recognising India as an important contributor to global sneaker culture. The campaign introducing the sneaker is set in what is described as an “urban jungle” environment, reflecting instinct, individuality, and creative expression. At the centre of the narrative is Ranveer Singh, whose presence anchors the campaign’s exploration of contrasts such as restraint and freedom, precision and chaos.

 

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Speaking about the launch, Bhawna Sikka, Senior Brand Director at adidas India, said, “We are proud to unveil the adidas Originals Ranveer Singh Superstar, a landmark moment for the brand in India. For over 50 years, the Superstar has stood as a symbol of originality across generations. This first co-created drop from India reinforces its place at the heart of global sneaker culture, while highlighting India’s growing influence in shaping what comes next. Our decade-long partnership with Ranveer Singh makes this moment even more meaningful as he becomes the first collaborator from India to reinterpret this iconic silhouette.”

Ranveer Singh also reflected on the collaboration as a personal milestone. He shared, “The Superstar has always been a part of my journey. From my first pair in college to co-creating my own today, this feels like a full circle moment. This design is an extension of who I am. The Royal Bengal tiger, my spirit animal, represents a raw, instinctive energy that felt natural to bring into the design. ‘Unleash the Original’ is something I deeply believe in, owning who you are. I am excited to share my take on this iconic silhouette with the community and be part of a legacy that continues to inspire originals around the world.”

With this release, adidas Originals strengthens the legacy of the Superstar while bringing Indian storytelling and design perspectives into sharper global focus through one of its most recognisable silhouettes.

Also Read: Ranveer Singh features in mysterious new Adidas campaign; teases fans online with cryptic post

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Mithoon reunites with Mohit Suri for the next Ahaan Panday - Aneet Padda starrer; composer begins work on intense love story

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The much-awaited collaboration between filmmaker Mohit Suri and composer Mithoon is set to continue with a new romantic project starring Ahaan Panday and Aneet Padda. The upcoming film, backed by Yash Raj Films, has already generated strong buzz, and the latest update about Mithoon joining the team has only heightened excitement among music lovers.

Known for creating some of Bollywood’s most iconic romantic soundtracks, Mithoon has officially come on board the yet-untitled project, which is currently in the pre-production stage. The film is being backed by Akshaye Widhani, CEO of Yash Raj Films, who was also associated with Saiyaara.

According to a source close to the development, the composer has already started work on the music for the film. “It is going to be an intense love story with YRF, and the music will reflect that emotional depth. There’s also buzz that the team is keen on introducing a new voice with this album,” the source revealed.

The Mohit Suri-Mithoon partnership has long been regarded as one of Hindi cinema’s most successful filmmaker-composer collaborations. Their journey began with Zeher, which featured the unforgettable track ‘Woh Lamhe’. Over the years, the duo has consistently delivered music that connected deeply with audiences and helped define the romantic genre in Bollywood.

Some of their most popular collaborations include Murder 2, Aashiqui 2, Ek Villain, Half Girlfriend, and Malang. Songs from these films continue to enjoy massive popularity, with several tracks becoming timeless additions to Bollywood playlists. Their recent success with Saiyaara further strengthened their reputation as a dependable creative pairing known for emotionally resonant music. Speaking about the expectations surrounding their latest collaboration, the source added, “One can expect nothing short of extraordinary from this collaboration, especially after the response to Saiyaara.”

The upcoming film also marks another important step in the careers of Ahaan Panday and Aneet Padda, who are being positioned as a loved on-screen pair in the romantic space. With Mohit Suri at the helm and Mithoon crafting the soundtrack, the project is expected to rely heavily on emotion, storytelling, and memorable music.

As the film moves closer to production, industry watchers and fans alike will be eager to see how Mohit Suri and Mithoon once again recreate the magic that has made them one of Bollywood’s most celebrated creative duos.

Also Read: SCOOP: After Saiyaara, Mohit Suri and Ahaan Panday’s next is a twisted love story for Aditya Chopra

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Drishyam 3 gets boost as PEN Studios backs Mohanlal starrer with Rs 100 crores investment

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Trade analyst Taran Adarsh has shared a key update about the upcoming Malayalam film Drishyam 3, confirming a major financial development ahead of its release. In a tweet posted on April 24, 2026, he revealed that PEN Studios will invest Rs 100 crores in Aashirvad Cinemas through Panorama Studios for the much-anticipated third instalment of the franchise starring Mohanlal.

The investment signals strong confidence from the Hindi film distribution ecosystem in the Malayalam original, which has historically served as the foundation for multiple successful remakes across languages. The upcoming film is directed by Jeethu Joseph and is scheduled for a worldwide theatrical release on May 21, 2026. The date also coincides with Mohanlal’s birthday, adding further significance to the launch.

As previously reported, the Malayalam version of Drishyam 3 has already wrapped filming and is currently in the final stages of post-production. Principal photography began on September 22, 2025, and concluded on December 2, 2025. The project is positioned as the final chapter in the widely followed thriller franchise that began in 2013 and later expanded into several language adaptations, including the Hindi versions starring Ajay Devgn.

Director Jeethu Joseph had earlier shared that he approached the writing process of the third part differently by crafting the climax first before building the narrative around it. This detail has increased curiosity among audiences who closely followed the layered storytelling of the earlier films.

The core family cast returns for the concluding chapter, with Mohanlal reprising his role as Georgekutty alongside Meena as Rani, Ansiba Hassan as Anju and Esther Anil as Anu. Their continuity has remained central to the emotional thread of the franchise.

Taran Adarsh also mentioned that producers Antony Perumbavoor, Kumar Mangat Pathak and Jayantilal Gada are associated with the project.

With a confirmed release date, completed shoot schedule and fresh investment backing, Drishyam 3 is moving steadily toward its theatrical debut as expectations continue to build around how the story of Georgekutty reaches its conclusion.

Also Read: Drishyam 2 set for theatrical release on April 10 ahead of Drishyam 3 release in May

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EXCLUSIVE: A hush-hush screening for The Devil Wears Prada 2 is being planned; will Karan Johar be among the first to watch it?

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The Devil Wears Prada 2 is not just creating a storm globally, but sources say Mumbai is gearing up for an exclusive, hush-hush celebration and screening. Bollywood Hungama has exclusively learned that a special event ahead of the film’s theatrical release in India is being planned, with a guest list said to include some of the biggest names from Bollywood and the fashion world.

The sequel to the 2006 cult classic has already generated massive global excitement, and the buzz now appears to have reached India in a big way. According to sources, Karan Johar, who has long been an admirer of the original film, will be among the first to watch it along with a select group of guests in Mumbai. Karan’s love for The Devil Wears Prada is well known in industry circles. The filmmaker has often spoken about his admiration for the film and recently met stars Meryl Streep and Anne Hathaway during the promotional tour in Tokyo. During the interaction, Johar had shared that meeting the two icons left him starstruck. Sources close to the development claim that the upcoming Mumbai celebration will be more than just a film screening. The evening is expected to feature an intimate guest list of around 50 carefully selected names, including Bollywood celebrities known for their fashion game, designers, stylists, and influential personalities from India’s luxury and couture space. Insiders also suggest the evening is designed as a celebration of cinema and style. If reports are to be believed, the event could become one of the most talked-about social gatherings in Mumbai this season. The Devil Wears Prada 2 is slated to release in Indian theatres on May 1, 2026. The film reunites much of the beloved original cast, including Meryl Streep as Miranda Priestly, Anne Hathaway as Andy Sachs, Emily Blunt as Emily, and Stanley Tucci as Nigel.

Directed by David Frankel, the sequel reportedly explores the evolving media landscape, and the challenges traditional fashion journalism faces in the age of social media and influencers. The new chapter also features fresh additions to the cast, including Bridgerton star Simone Ashley, Kenneth Branagh, and Lucy Liu.

While audiences across the country wait for the theatrical release, it appears a lucky few in Mumbai may get an early look at one of the most anticipated sequels of the year.

Also Read: The Devil Wears Prada 2: Karan Johar drops his phone while meeting Meryl Streep in Tokyo as he turns ultimate fanboy

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Shah Rukh Khan’s manager Pooja Dadlani buys Rs.38 crores sea-facing apartments in Bandra

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Pooja Dadlani, Shah Rukh Khan’s longtime manager and one of the most trusted members of his inner circle, has reportedly made a major real estate investment in Mumbai. According to property registration documents reviewed by CRE Matrix, Dadlani and her family have purchased three luxury sea-facing apartments in Bandra for a combined value of Rs.38.21 crores.

The reported purchase has quickly become one of the most talked-about celebrity property deals of the year. The apartments are located in an upscale redevelopment project on Carter Road, one of Mumbai’s most sought-after residential stretches known for its premium sea-facing properties and celebrity residents.

As per the reports, the ownership of the three apartments has been divided between Pooja Dadlani, her husband Hitesh Prakash Gurnani, and her father Mohan Seoram Dadlani, with one unit registered in each of their names. The homes are situated on one of the higher floors of a building named Varun, which is being developed by Tryksha Real Estate Private Limited, a subsidiary of Lotus Developers.

Each apartment reportedly features a carpet area of 1,511.15 sq. ft., along with an 81.16 sq. ft. private balcony. Collectively, the three units span approximately 4,776 sq. ft. The transaction was officially registered on April 21, 2026. Reports further state that the buyers paid Rs.2.16 crore in stamp duty and Rs.90,000 in registration charges. The project is currently under construction, with possession expected by December 2028. The deal also includes six dedicated parking spaces.

Pooja Dadlani has been associated with Shah Rukh Khan for several years and plays a key role in managing the superstar’s professional commitments. Since joining Red Chillies Entertainment in 2012, she has handled film schedules, brand endorsements, business interests, and multiple day-to-day operations linked to the actor’s career.

Over the years, Dadlani has become a familiar face to Shah Rukh Khan’s fans and is often seen accompanying the actor at public appearances, events, and family occasions. She also earned widespread recognition for standing firmly with the Khan family during Aryan Khan’s legal case in 2021.

Her latest investment further highlights the growing prominence of celebrity managers in Bollywood, many of whom have built influential careers behind the scenes. With this Rs.38 crores Bandra purchase, Pooja Dadlani has now added an impressive real estate milestone to her journey.

Also Read: Shah Rukh Khan’s manager Pooja Dadlani mourns the loss of mother-in-law Jyoti Gurnani

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Kartik Aaryan starrer Captain India locks Independence Day 2027 release

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Kartik Aaryan’s long-awaited Captain India has officially locked its theatrical release date. The aviation-themed drama, which marks the actor’s first collaboration with filmmaker Shimit Amin, is scheduled to arrive in cinemas on August 13, 2027, strategically timed for the Independence Day weekend.

Presented by T-Series and Baweja Studios in association with Midnight Chai Films Ltd., Captain India has been one of the more closely followed projects in Kartik Aaryan’s upcoming slate. The film had originally been announced in 2021, but there were multiple ups and downs the film underwent.

The project carries added interest because it marks the return of director Shimit Amin after a 17-year gap from feature filmmaking. Amin’s filmography may be compact, but it has earned a loyal following over the years. He made his directorial debut with the gritty crime drama Ab Tak Chhappan (2004), followed it up with the widely loved sports drama Chak De! India (2007), and later directed Rocket Singh: Salesman of the Year (2009), which went on to gain a strong cult following over time.

#BreakingNews... KARTIK AARYAN - SHIMIT AMIN FILM 'CAPTAIN INDIA' LOCKS RELEASE DATE... #CaptainIndia – which marks the first collaboration of #KartikAaryan and director #ShimitAmin – will release on 13 August 2027 [#IndependenceDay, weekend].#CaptainIndia is presented by… pic.twitter.com/iKdvs9P3n4 — taran adarsh (@taran_adarsh) April 23, 2026

According to industry reports, Captain India has completed location recce and is expected to go on floors in the second quarter of 2026. The film is reportedly planned to be shot across India and Morocco, indicating a large-scale production design suited to its action-thriller setup.

The film is written and produced by Harman Baweja. While plot details remain under wraps, previous reports have suggested that the story is inspired by true events and revolves around a major rescue mission, with Kartik Aaryan reportedly playing a pilot.

Interestingly, when Captain India was first announced in 2021, filmmaker Hansal Mehta had been attached to direct the project. With Shimit Amin now helming the film, the project has undergone a significant creative shift since its original launch.

For Kartik Aaryan, Captain India adds another major title to an increasingly packed lineup. The actor is also associated with an untitled musical saga directed by Anurag Basu, expected in the second half of 2026, while he is currently working on Naagzilla, directed by Mrighdeep Singh Lamba.

The Independence Day weekend release slot has traditionally been a lucrative period for Hindi cinema, and Captain India now positions itself as a potentially big-ticket patriotic entertainer in 2027. The title itself, combined with the aviation backdrop and real-event inspiration, suggests that the film may aim for a mix of action, emotion and large-scale spectacle.

For audiences, however, one of the biggest draws will likely be the pairing of Kartik Aaryan with Shimit Amin. With production expected to begin next year and a prime festive-weekend release now secured, Captain India has officially moved from speculation to active countdown mode.

Also Read: Vijay Varma names Kartik Aaryan ‘King of PR’ during rapid-fire segment

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Aamir Khan suggested Japan as shooting location for Ek Din? Here’s what we know

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Aamir Khan Productions’ upcoming film Ek Din has been generating interest ahead of its theatrical release, with its recently unveiled trailer and songs drawing attention for both their emotional tone and visually striking backdrop. The romantic drama, starring Sai Pallavi and Junaid Khan, has been shot extensively in Japan, and new details suggest that the decision to film there came from Aamir Khan himself.

According to an independent industry source, “While Ek Din has been extensively shot in Japan, it was mainly Aamir Khan’s idea to film it amidst the country’s scenic beauty. Having had an amazing experience with Japan through his films 3 Idiots and Dangal, which were released there, he wanted this time to capture the nation’s mesmerising landscapes and natural beauty.”

The Japanese locations have already become a talking point among viewers, with the trailer showcasing serene cityscapes, scenic countryside visuals and a softer aesthetic that complements the film’s romantic narrative. The songs released so far have also highlighted the film’s picturesque setting, adding to audience curiosity about the story.

Ek Din also marks the reunion of Aamir Khan with filmmaker Mansoor Khan after a long gap, reviving one of Hindi cinema’s most noted creative collaborations. The duo has previously been associated with films such as Qayamat Se Qayamat Tak, Jo Jeeta Wohi Sikandar, Akele Hum Akele Tum and Jaane Tu... Ya Jaane Na. Their coming together again for a romantic project has naturally drawn attention from fans of their earlier work.

While Sunil Pandey directs the film, the association of Aamir Khan and Mansoor Khan has added another layer of anticipation around the project. Many industry watchers are keen to see whether Ek Din captures the same emotional connect that audiences have associated with their earlier collaborations.

Produced under the banner of Aamir Khan Productions, the film stars Sai Pallavi alongside Junaid Khan in the lead roles. It is produced by Aamir Khan, Mansoor Khan and Aparna Purohit.

With its overseas setting, fresh pairing and renewed collaboration between familiar names, Ek Din is shaping up to be one of the notable romantic releases on the upcoming calendar. The film is slated to release in theatres on May 1, 2026.

Also Read: Shraddha Kapoor joins Aamir Khan in Rahul Mody’s Ashneer Grover biopic: Report

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EXCLUSIVE: Michael crosses 1 lakh ticket sales mark for opening weekend; paid previews set to open at Rs. 1 cr plus; Hyderabad's Prasads and ALLU Cinemas in overdrive

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Yesterday, Bollywood Hungama reported that the much-awaited Hollywood musical, Michael, had sold 78,000 tickets for the opening weekend and paid previews, indicating a promising start for the film in India. In less than 24 hours, the momentum has grown even stronger.

Bollywood Hungama has now learned that Michael has crossed the significant 1 lakh ticket sales mark for the weekend and paid previews, underlining the tremendous excitement surrounding the Michael Jackson biopic. As per the latest trends, the film has sold around 28,500 tickets for the paid previews alone, with the gross collection for these shows standing at an impressive Rs. 97 lakhs gross. As a result, the paid preview collections are now expected to go past the Rs. 1 crore nett mark since spot booking will also take place today for the paid previews.

Meanwhile, the total ticket sales for the weekend and paid previews have reached 1.13 lakh tickets, amounting to a strong Rs. 4.30 crore gross and counting. One of the biggest highlights of the advance booking is the phenomenal response in Hyderabad. The iconic Prasads multiplex alone has sold 7,300 tickets for the weekend, which is an extraordinary number for just one cinema. Adding to the surprise, Allu Arjun’s standalone property, ALLU Cinemas, has sold 6,500 tickets, a figure that is higher than the combined advances in properties run by exhibition chains such as MovieTime, Asian Cinemas and MovieMax.

The only factor that could have played spoilsport was the impact of the negative reviews from the West. However, that hasn’t dampened the excitement one bit, as tickets continue to be sold with each passing hour. The special screening of Michael, held yesterday in Mumbai’s IMAX Wadala, received a tremendous response. In fact, the most common question asked by those stepping out of the screening was how the reviews in the West could be so harsh. Word about the overwhelmingly positive reaction at the screening has spread quickly, and the initial reviews emerging locally have further indicated that the aam junta is likely to embrace the film with open arms once it releases.

Also Read: BREAKING: Michael ends on a surprising note; Michael Jackson biopic hints at Part 2

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SCOOP: Rakesh Bedi gets Rs. 1 crore bonus from Dhurandhar producers after winning hearts as Jameel Jamali

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The blockbuster success of Dhurandhar (2025) and Dhurandhar The Revenge (2026) has benefitted everyone associated with the franchise. Veteran actor Rakesh Bedi is no exception. Long admired for his impeccable comic timing and remarkable body of work, the actor has scaled new heights of popularity with the Dhurandhar series. Bollywood Hungama has exclusively learned that the producers of the Ranveer Singh-starrer were so overwhelmed by his performance and the love his character received that they rewarded him with a massive amount over and above his agreed-upon fee.

A source told Bollywood Hungama, “As Jameel Jamali, Rakesh Bedi impressed, entertained and completely won over the audience. His dialogues have become immortal in the meme world, while the twist surrounding his character in the sequel further amplified his impact. The producers were deeply touched by the hard work he put into making the character so memorable. As a token of gratitude, they decided to pay him additional remuneration.”

The source further revealed, “Rakesh Bedi was paid Rs. 50 lakhs for Dhurandhar and Dhurandhar The Revenge. After the release of the second part and its historic success, Aditya Dhar, who directed the films and is also one of the producers, along with his brother and partner Lokesh Dhar, handed him a cheque of Rs. 1 crore. In short, it was double the fee he had charged for the franchise.”

The source added, “With the Dhurandhar series and Uri: The Surgical Strike (2019), Aditya Dhar has already proved that he is a one-of-a-kind filmmaker. With this gesture, he has also shown that he is a one-of-a-kind human being. It is rare for any producer to make such a generous move.”

Apart from Aditya Dhar and Lokesh Dhar’s B62 Studios, Dhurandhar and Dhurandhar The Revenge are also produced by Jyoti Deshpande’s Jio Studios. The franchise stars Ranveer Singh along with Akshaye Khanna, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun and others. The first part told the story of a spy infiltrating Pakistan’s mafia and political system and creating havoc from within. The sequel carried the story forward as he continued to serve his country selflessly. Rakesh Bedi played the role of Jameel Jamali, a shrewd politician from Pakistan’s Awami Party and a Member of the National Assembly of Pakistan.

Also Read: Dhurandhar actress Sara Arjun praises Ranveer Singh: “Nobody will ever top Ranveer as a co-actor”

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Akshay Kumar and Vidya Balan head to Kerala for Anees Bazmee film schedule: “Hope the good luck charm of our jodi continues”

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Actor Akshay Kumar has begun the next schedule of his upcoming film with filmmaker Anees Bazmee, marking a significant step forward in their much-awaited reunion after nearly 15 years. The actor recently shared that he is heading to Kerala for a scenic outdoor shoot along with co-star Vidya Balan.

Taking to social media, Akshay posted a video from his journey and wrote, “Next stop: God’s own country, the magical Keralam. Anees Bazmi’s next is my fourth film with the ever fabulous Vidya Balan and I hope the good luck charm of our jodi continues.”

The project marks Akshay Kumar’s reunion with Anees Bazmee after their 2011 collaboration Thank You. It also brings him back on screen with Vidya Balan for the fourth time, following their earlier successful pairings.

Next stop: God’s own country, the magical Keralam 🌴✈️ Anees Bazmi’s next is my fourth film with the ever fabulous @vidya_balan and I hope the good luck charm of our jodi continues 🤞🏻 pic.twitter.com/HHdK5MeIIk — Akshay Kumar (@akshaykumar) April 23, 2026

Earlier, Bollywood Hungama had reported that the upcoming film is being developed as a Hindi adaptation inspired by the core premise of the Telugu hit Sankranthiki Vasthunam. A source told us, “Anees and Akshay loved the plot of the lead character stuck between his wife and ex-girlfriend that Sankranthiki Vasthunam rides on. However, the original had a lot of Telugu flavour. To make the film palatable for the Hindi audience, Anees Bazmee is reimagining the film, keeping the core plot intact.”

The Kerala schedule is expected to feature key outdoor sequences as part of the film’s narrative progression. The project has already generated interest due to the creative reunion between Akshay Kumar and Anees Bazmee, whose earlier collaboration had been well received.

Meanwhile, Akshay Kumar is currently seen in Bhooth Bangla, directed by Priyadarshan and co-starring Paresh Rawal, Rajpal Yadav, Wamiqa Gabbi, Jisshu Sengupta, Mithila Palkar and Tabu. Released on April 16, the film recorded a strong opening weekend collection of ₹65.25 crore and has continued to benefit from positive word of mouth.

Also Read: Anees Bazmee CONFIRMS casting of his next film: “It stars Akshay Kumar, Vidya Balan, Raashii Khanna, Vijay Raaz…”; CLARIFIES on Sankranthiki Vasthunam remake rumours

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EXCLUSIVE: Himesh Reshammiya’s label bags music rights of Sooraj Barjatya’s Yeh Prem Mol Liya

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Earlier this month, Bollywood Hungama exclusively revealed that after Prem Ratan Dhan Payo (2015), Himesh Reshammiya and Sooraj Barjatya have reunited for the latter’s highly awaited next directorial, Yeh Prem Mol Liya. We also reported in the same article that the ace music composer has composed 7 melodious songs for the Ayushmann Khurrana-Sharvari starrer. Bollywood Hungama now brings you another significant update on the film’s music.

A source told us, “Himesh Reshammiya’s music label, Himesh Reshammiya Melodies, has acquired the music rights of Yeh Prem Mol Liya. Himesh is extremely confident about the film’s songs and believes that they will receive an additional boost due to the film’s association with the Rajshri brand. Hence, he offered to release the music under his own label. The head honchos at Rajshri, including Sooraj Barjatya, evaluated the offer and then decided to go ahead with it.”

The source continued, “This is a big boost for Himesh Reshammiya Melodies as it will now release songs that are not part of Himesh Reshammiya’s home production.” Last year, the songs of Badass Ravi Kumar (2025) were released by Himesh Reshammiya Melodies. The film starred Himesh and was produced under his banner. Every song was a chartbuster, adding significantly to the label’s subscriber base.

In 2025, Himesh Reshammiya Melodies also released the songs of the Marathi film Sakaal Tar Hou Dya (2025). This year, the music company has acquired the rights not just for Yeh Prem Mol Liya but also for Gunmaaster G9. The latter reunites Himesh with the Aashiq Banaya Aapne (2005) team – actor Emraan Hashmi and director Aditya Datt. It also stars Genelia Deshmukh and Aparshakti Khurana and is produced by Deepak Mukut and Hunar Mukut.

Coming back to Yeh Prem Mol Liya, the romantic musical saga is produced by Rajshri Productions and Mahaveer Jain Films and releases in cinemas on November 27.

The music labels behind Sooraj Barjatya’s films

The music of Sooraj Barjatya’s first three films – Maine Pyar Kiya (1989), Hum Aapke Hain Koun (1994) and Hum Saath-Saath Hain (1999) – was released under HMV. With Main Prem Ki Diwani Hoon (2003) and Vivah (2006), he switched to Saregama. T-Series then acquired the music rights of Prem Ratan Dhan Payo (2015), while Zee Music Company bought the songs of Uunchai (2022).

Also Read: Sharvari calls Yeh Prem Mol Liya ‘very very special’; says working with Sooraj Barjatya is her ‘biggest dream come true’

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Varanasi to make global showcase at Comic Con Experience Mexico 2026

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Filmmaker S. S. Rajamouli’s upcoming action adventure film Varanasi is set to make its first major global showcase at Comic Con Experience Mexico 2026, marking a significant milestone in the film’s international promotional journey ahead of its theatrical release in 2027.

Producer S. S. Karthikeya will present a special segment titled “Varanasi to the World” at the event’s Thunder Stage on April 24. The session will include a video message from Rajamouli along with never-before-seen behind-the-scenes footage from the film. It will conclude with a live interaction offering audiences a closer look at the scale and vision behind the project.

Headlined by Mahesh Babu, Priyanka Chopra Jonas and Prithviraj Sukumaran, the film has already emerged as one of the most anticipated Indian releases currently in production. The Comic Con Experience Mexico appearance is expected to further strengthen its visibility among global audiences.

 

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Even before this international showcase, the film generated strong reactions during its earlier presentation at the Trailer Festival at Le Grand Rex in Europe, where the first glimpse drew enthusiastic responses from viewers present at the screening.

The makers have also revealed the primary character looks from the film, including Mahesh Babu as Rudhra, Prithviraj Sukumaran as Kumbha and Priyanka Chopra Jonas as Mandakini. These reveals sparked widespread discussion online and contributed to growing anticipation around the project.

Following the global success of Baahubali: The Beginning, Baahubali 2: The Conclusion and RRR, Rajamouli’s next film is expected to continue his large scale storytelling approach while expanding his international reach further.

Varanasi is currently scheduled for a theatrical release on April 7, 2027.

Also Read: SS Rajamouli’s Varanasi to release in 2 parts

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Anurag Basu CLARIFIES status of Kartik Aaryan, Sreeleela film: “Majority of the shooting is done is a myth”

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Filmmaker Anurag Basu has clarified that his much-anticipated musical romantic drama starring Kartik Aaryan and Sreeleela is still in the early stages of production, dismissing reports that most of the shoot had already been completed.

In a recent interaction with Variety India, Basu revealed that only a limited portion of the film has been shot so far. Addressing speculation about the project’s progress, he said, “That the majority of the shooting is done is a myth. I've not shot more than 45 days for this film. The shooting has just started.”

The film had generated significant buzz when its promo was unveiled in February last year with an initial release target of December 2025. However, the schedule was later pushed back due to multiple factors. Current estimates suggest the project may now arrive in theatres in late 2026 or early 2027.

During the same conversation, Basu also spoke about his eagerness to move on to his long-planned biopic on Kishore Kumar once the Kartik Aaryan and Sreeleela starrer is completed.

“I'm dying to jump into that film as soon as I get over with the film which I'm doing right now, and I'm galloping with it. I want to finish it because I really want to get into Kishore as soon as possible. Kishore has been in my system for a very long time. I want to get it out right now. I'm shooting a film which has Kartik Aaryan, and as soon as I finish that, I'll get into Kishore,” he said.

The upcoming romantic drama has been widely discussed since early speculation linked it to Aashiqui’s legacy. However, the project is moving forward as a standalone film following creative and legal complications related to the franchise.

Despite that, the film is expected to retain the nostalgic musical tone associated with classic Hindi romantic dramas. Early glimpses from the sets have also suggested a more intense and grounded look for Kartik Aaryan compared to his earlier romantic roles, adding to curiosity around the project.

Also Read: Trade experts predict that Tu Meri Main Tera Main Tera Tu Meri will fold under Rs. 50 cr but believe that Kartik Aaryan’s Naagzilla and Anurag Basu’s next won’t be affected: “Both films will take him to centres where mass heroes are born and worshipped”

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Ramayana first battle revealed: Ravana takes on Kubera near Kailash

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Ramayana has already generated significant buzz with its visually striking glimpse, but a deeper look reveals an intriguing detail about its opening sequence, one that moves beyond the expected narrative. Rather than beginning with the familiar face-off between Rama and Ravana, the film is set to open with a powerful and lesser-known chapter from the epic: Ravana’s confrontation with Kubera.

Backed by Namit Malhotra’s Prime Focus Studios, along with global VFX company DNEG and Yash’s Monster Mind Creations, the film is helmed by Nitesh Tiwari and promises a scale designed for global audiences.

The opening sequence draws from a significant yet relatively underexplored portion of the Ramayana. Before the events involving Rama unfold, the story traces Ravana’s rise to power. After seizing Lanka from his half-brother Kubera, the original ruler of the golden city, Ravana’s ambition pushes him further. He is said to have pursued Kubera to Alakapuri near Mount Kailash, turning the conflict into a defining display of dominance.

This episode offers a cinematic foundation rich in scale and mythology. Set against the divine backdrop of Mount Kailash, the sequence has the potential to combine visual spectacle with narrative depth, introducing audiences to Ravana not just as an antagonist, but as a layered character shaped by conquest and ambition.

By choosing to spotlight this moment, the film signals an attempt to explore lesser-known aspects of the epic while expanding its storytelling scope. It also reflects a broader effort to present the Ramayana in a way that resonates with both traditional and global audiences.

Planned as a two-part theatrical experience, Ramayana is slated for an IMAX release worldwide, with Part 1 arriving in Diwali 2026 and Part 2 in Diwali 2027.

Also Read: Prakash Raj faces legal complaint over alleged remarks on Ramayana

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Salman Khan begins filming Vamshi Paidipally directorial in Mumbai amid Maatrubhumi delay

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Actors Salman Khan and Nayanthara have officially begun shooting for their upcoming untitled action entertainer directed by Vamshi Paidipally. The film went on floors in Mumbai on April 22, 2026, marking the start of a major new collaboration backed by producer Dil Raju.

Trade analyst Taran Adarsh confirmed the development on social media, writing, “SALMAN KHAN - NAYANTHARA BEGIN SHOOT FOR VAMSHI PAIDIPALLY - DIL RAJU FILM... The makers of the Salman Khan - Nayanthara starrer have commenced shooting for their high-octane entertainer in Mumbai. Directed by Vamshi Paidipally, the film is presented by Dil Raju.”

The film is produced under the banner of Sri Venkateswara Creations by Shirish and Kuldeep Rathore and co-produced by Rafi Kazi. The team began the shoot with a traditional pooja ceremony before moving into a month-long schedule planned on a specially constructed set in Mumbai for large-scale action sequences.

The yet-untitled project is being described as a commercial entertainer with a strong emotional core and is expected to present Salman Khan in a larger-than-life avatar. The makers are reportedly targeting an Eid 2027 theatrical release.

The development comes at a time when Salman Khan’s previously announced film Maatrubhumi, earlier titled Battle of Galwan, continues to face delays. The project was initially conceived as a drama inspired by the 2020 India-China conflict in the Galwan Valley, but underwent significant changes following reported advisories to avoid direct references to the conflict.

The film’s narrative was subsequently reworked into a broader human drama, and its title was changed. Reports have also suggested that a substantial portion of the film underwent reshoots. As of April 2026, the project has not yet been submitted to the Central Board of Film Certification and is also awaiting a No Objection Certificate from the Ministry of Defence and the Indian Army.

Also Read: Salman Khan’s Maatrubhumi transformation involving gruelling high-altitude training in Ladakh

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Top Gun turns 40: Tom Cruise starrers set for one-week theatrical re-release in India from May 15

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In celebration of the 40th anniversary of the iconic 1986 blockbuster Top Gun, Paramount Pictures is all set to bring back the original and sequel on the big screen for a special one-week-only theatrical run. Beginning 15 May in India, a new generation of moviegoers and longtime fans will have the opportunity to enjoy the high-octane spectacle in theatres again.

A class of elite, hotshot Navy pilots at the Fighter Weapons School known as Top Gun push their aircraft and each other to the limits as they compete to be the best of the best. Tom Cruise stars as Pete "Maverick" Mitchell in the iconic 1986 blockbuster that defined a generation.

The re-release will be paired with Top Gun: Maverick—which earned over $1.5B at the worldwide box office and was the #1 movie of 2022 and the highest-grossing film in Paramount Pictures’ history—creating a must-see, back-to-back theatrical event that brings together two of the most celebrated aviation films of all time.

 

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In Top Gun: Maverick, after more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen, Maverick encounters Lt. Bradley Bradshaw (Miles Teller), call sign: “Rooster,” the son of Maverick’s late friend and Radar Intercept Officer Lt. Nick Bradshaw, aka “Goose.”

Directed by Tony Scott, Top Gun stars Tom Cruise in the leading role, with Val Kilmer, Anthony Edwards, Kelly McGillis, Meg Ryan and Tom Skerritt also appearing in supporting roles. The sequel, Top Gun: Maverick is directed by Joseph Kosinski, with Tom Cruise reprising his starring role as the naval aviator Pete "Maverick" Mitchell. The ensemble cast also features Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Monica Barbaro, Lewis Pullman, Ed Harris, and Val Kilmer.

Paramount Pictures India is all set to re-release Top Gun and Top Gun: Maverick in Indian cinemas on 15th May 2026 for one week only.

Also Read: “Shah Rukh Khan has become super international star”: Terry Crews compares his stardom to Tom Cruise, Cristiano Ronaldo

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BREAKING: Michael ends on a surprising note; Michael Jackson biopic hints at Part 2

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The exciting Hollywood musical, Michael, based on the life of Michael Jackson, will have paid previews starting tonight, Thursday, April 23, with a full-fledged release on Friday, April 24. The film is set to rock the box office, including in India. Interestingly, fans who would venture to watch the biopic will be in for a surprise. This is because the film ends with the promise of a sequel.

Michael ends at a decisive point in Michael Jackson’s life. The text ‘His Story Continues’ appears on the screen, followed by the end credits. This strongly indicates that a potential sequel could be in the offing, though the film was not initially planned as a two-part story.

Two weeks before Michael’s release, Adam Fogelson, the Chair of Lionsgate Motion Picture Group, told The Hollywood Reporter, “This first movie stops well short of telling the full story of Michael Jackson. There is a lot of amazing music in this catalogue that this part of the story doesn’t get to. So, we have said that there is room for another film, and I can tell you that the filmmaking team has been hard at work being ready for a second film, and when the right moment comes, we would be excited to announce that it is definitively happening. … I’m encouraged that there is more story to tell and that we have a really good shot at being in a position to deliver.”

Ideally, a sequel can be officially announced if the box office performance is healthy and audience reactions are positive. The former is guaranteed as the film is expected to globally collect $140 million to $150 million by Sunday. The only challenge remaining is how the audience reacts to it, considering that some early reviews were not positive.

Meanwhile, Bollywood Hungama reported yesterday, on April 22, that Michael has sold a whopping 78,000 tickets for the weekend and paid previews. Hence, it is expected to be another surprise success at the box office in 2026 after Project Hail Mary.

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Anurag Kashyap, Nikkhil Advani, Vikramaditya Motwane, Vasan Bala-backed Dug Dug locks May 8 India release

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Filmmaker Ritwik Pareek’s comedy mystery satire Dug Dug is set to release in Indian theatres on May 8 following a widely appreciated run across international film festivals. The film now has the backing of filmmakers Anurag Kashyap, Nikkhil Advani, Vikramaditya Motwane and Vasan Bala, who have come on board as executive producers ahead of its India release.

Inspired by true events, Dug Dug follows a strange development in a village where a deceased man’s motorbike begins to be worshipped after locals believe it can grant wishes if devotees pray to it and offer alcohol. As reports of wishes being fulfilled spread, the belief gradually turns into a full-fledged commercialised religion.

The feature is produced by Bottle Rocket Pictures, led by Prerna Pareek and Ritwik Pareek, and will be released theatrically in India in association with Ranjan Singh’s Flip Films.

Speaking about the film, Anurag Kashyap said, “I was blown away by Dug Dug, its storytelling, cinematography and music. It was like a visual rave. I am stumped by the fact that this film hadn’t released theatrically. That got the four of us together along with Ranjan to release it. Fingers crossed it will receive the same love.”

Calling it one of the strongest debuts he has seen, Vikramaditya Motwane said, “Dug Dug is a fantastic and genuine Indian story about our society and our belief systems. Ritwik has told it with the perfect amount of irreverence and humour. I hope that the film can reach a wider audience.”

After its world premiere at the Toronto International Film Festival in 2021, the film travelled to several international platforms including the Santa Barbara International Film Festival, Indian Film Festival of Melbourne, Indian Film Festival of Los Angeles, MAMI Mumbai Film Festival and the International Film Festival of Kerala.

Nikkhil Advani described the film as “as authentic and a genuine Indian film as it can be,” adding that Ritwik Pareek’s storytelling approach stood out to him. “His flair for taking a simple story and telling it with a pragmatic and yet humorous take is what impressed me the most. I feel the audience will also love it as much as I did.”

Sharing his response to the film, Vasan Bala said, “There is nothing absurd in Ritwik’s Dug Dug, if anything it’s the world as he sees it not what he assumes it could be. I am totally captivated by its telling and visualization. Hope to see more of his splendour being unleashed in cinema.”

The film stars Altaf Khan, Gaurav Soni, Yogendra Singh and Durga Lal Saini in key roles.

Reflecting on the theatrical release, Ritwik Pareek said Dug Dug is meant to be experienced on the big screen. “We’ve waited a long time for this and finally it’s happening. Not just happening, but happening with Anurag Kashyap, Vikramaditya Motwane, Nikkhil Advani and Vasan Bala coming on board, filmmakers I have grown up watching and learning from, which makes it very special for me. I feel grateful and eternally thankful for all the support they are giving.”

Also Read: Guneet Monga feels Vikramaditya Motwane should direct Gangs of Wasseypur 3: “Anurag Kashyap will be happy with it”

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Riteish Deshmukh and Genelia Deshmukh appointed brand ambassadors of Maharashtra State Road Transport Corporation for five years

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The Maharashtra State Road Transport Corporation (MSRTC) has appointed actor couple Riteish Deshmukh and Genelia Deshmukh as its new brand ambassadors for a period of five years. The announcement was made through an official release on Wednesday, with the duo expected to participate in campaigns focused on road safety, passenger awareness and social messaging.

The agreement formalising their appointment was signed at Mantralaya in the presence of Devendra Fadnavis, Eknath Shinde and Transport Minister Pratap Sarnaik, who also serves as chairman of MSRTC. Officials stated that Riteish and Genelia will actively support outreach initiatives undertaken by the public transport body in the coming years.

MSRTC is the country’s largest state-run road transport corporation, operating a fleet of more than 16,000 buses with a workforce of approximately 86,000 employees. The network serves over 55 lakh passengers every day across Maharashtra.

Speaking to the media after the announcement, Riteish Deshmukh reflected on his personal connection with the organisation and its legacy. He said, “It means a lot to have been chosen as the MSRTC, ST brand ambassador. My father travelled in these buses in his early days. I too travelled in state buses during my childhood. I am committed to the progress of state transport. My priority will be to send a clear message to the people, making them aware of the importance of avoiding drink and drive for their safety.”

🗓️ २२ एप्रिल २०२६ 📍 मंत्रालय एसटी महामंडळाच्या जनजागृती उपक्रमासाठी रितेश-जेनेलिया देशमुख ब्रँड ॲम्बेसेडर

महाराष्ट्र राज्य मार्ग परिवहन महामंडळ (एसटी) आणि परिवहन खात्यामार्फत राबविण्यात येणाऱ्या 'रस्ता सुरक्षा अभियाना'च्या जनजागृती उपक्रमाला बळकटी देण्यासाठी प्रसिद्ध अभिनेते… pic.twitter.com/l6Y5CdKvRA

— Pratap Baburao Sarnaik (@PratapSarnaik) April 22, 2026

Riteish also recalled travelling in MSRTC buses with his late father and former Maharashtra Chief Minister Vilasrao Deshmukh during his early years, describing the association as both personal and meaningful.

MSRTC had earlier appointed noted Marathi actor Makarand Anaspure as its brand ambassador in 2023, though his public appearances with the corporation remained limited. Nearly two decades earlier, the late actor Vikram Gokhale had served in the same role.

Also Read: Riteish Deshmukh, Abhishek Bachchan and Genelia Deshmukh promote Raja Shivaji on Bigg Boss Marathi 6; actor opens up about the role of Salman Khan in the film

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Is Deepika Padukone’s screen time in Allu Arjun starrer Raaka reduced after she announced her second pregnancy? Here’s what we know

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Allu Arjun’s Raaka has been the talk of the town right from the word go. Recently, the first look of the movie came out, and it added to the ongoing buzz. However, amid all the cheers, there were rumours that Deepika Padukone’s role had been reduced in the movie.

Shutting down such claims, team Raaka confirmed that things are going as planned, and the actress continues to be a pivotal part of the project. Raaka team shuts down baseless rumours regarding Deepika Padukone's reduced role. This comes amid some recent reports suggesting that the actress may not be a part of the film or that her role could be reduced. These claims have been dismissed, with the Raaka team terming them completely baseless rumours.

"Everything is moving as planned. Deepika Padukone plays a crucial role in Raaka, and the shoot is unfolding seamlessly with great energy on set," confirms the movie's team.

In addition to the team's confirmation, recently, media reports also mentioned that Deepika is in no mood to slow down amid her second pregnancy. The actress, who recently shared that she is expecting her second child, is working as of now. She most recently shot a brand campaign. Further, reportedly, she will be shooting for some heavy action-packed scenes for Allu Arjun's Raaka, with all precautionary measures in place.

Circling back to Raaka, the film, directed by Atlee, is currently being shot as per schedule, with the team maintaining a clear and consistent pace. The production remains tightly aligned with its timeline, ensuring smooth coordination across departments. Deepika Padukone's other upcoming projects Last seen in Singham Again, Deepika Padukone has an interesting lineup ahead. In addition to Raaka, she has Siddharth Anand's King alongside Shah Rukh Khan in her kitty. Deepika got on board for this SRK starrer a couple of days after her exit from Nag Ashwin's dystopian sci-fi thriller Kalki 2898 AD 2 and Sandeep Reddy Vanga's Spirit. Though the movie's central theme revolves around Shah Rukh Khan and his daughter Suhana Khan, Deepika Padukone has a pivotal part to play in the film.

Also Read: Deepika Padukone owes NOBODY an explanation: Her pregnancy announcement is the biggest slap to the troll brigade

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Bombay High Court clears title of Vijay Varma starrer Matka King; concludes the dispute suit against Roy Kapur Productions

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Roy Kapur Productions has secured relief from the Bombay High Court in a legal dispute surrounding the title of its web series Matka King. The development cleared the path for the Vijay Varma-led series to continue streaming on Prime Video.

According to details from the proceedings, a suit along with an interim application had been filed by Ms. Tanuja Bhagat, who objected to the use of the title Matka King for the upcoming show. She reportedly alleged infringement in relation to the title and sought urgent interim relief, including an injunction to restrain the makers from using the title and releasing the series.

The plaintiff had also claimed that the web series was based on the life and story of her late grandfather, Kalyanji Bhagat, whom she asserted to be the original “Matka King.” It was further alleged that the project had been produced without her authorisation.

The matter was heard on April 15, 2026, before Justice Sharmila Deshmukh at the Bombay High Court. Following submissions from both parties, the court reportedly declined to grant interim relief and did not restrain Roy Kapur Productions or the other defendants from proceeding with the release of the series.

At the next hearing on April 20, counsel appearing for the plaintiff informed the court that instructions had been received to withdraw the suit. The court subsequently disposed of the suit and interim application as withdrawn. With that, the legal challenge came to an end and Matka King continued streaming without interruption.

The series officially premiered on Prime Video on April 17, 2026. Directed by Nagraj Popatrao Manjule and created by Abhay Koranne, the eight-episode period drama is set in 1960s Bombay and explores the rise of Brij Bhatti, played by Vijay Varma, a cotton trader who turns the underground Matka gambling game into a nationwide phenomenon.

The show also stars Saie Tamhankar as Bhatti’s wife Barkha, Kritika Kamra as Gulrukh, and Gulshan Grover as merchant Laljibhai. The ensemble cast further includes Siddharth Jadhav, Jamie Lever, Girish Kulkarni and Bharat Jadhav.

Produced by Siddharth Roy Kapur, Nagraj Manjule, Gargi Kulkarni, Ashish Aryan and Ashwini Sidwani under Roy Kapur Films, Matka King has been among the notable digital releases of the month, with the recent court ruling ensuring its run remains unaffected.

Also Read: Amitabh Bachchan, Anil Kapoor and Rajkumar Hirani praise Vijay Varma starrer Matka King as series trends online

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SCOOP: Abhay Pannu signed to direct the FIRST HORROR film in the history of Yash Raj Films

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India's leading production house Yash Raj Films (YRF) has signed filmmaker Abhay Pannu to direct a horror film for the studio. Pannu, best known for creating the critically acclaimed series Rocket Boys, has also developed the script for the project, which is scheduled to go on floors later in 2026. The yet untitled project will mark the first-ever horror film to be produced by Yash Raj Films in the last 50 years.

"Yash Raj Films have made films all across the genres except for horror. Come 2027, and the banner will step into the horror space with a feature film directed by Abhay Pannu. YRF CEO, Akshaye Widhani, facilitated this conversation and the collaboration, as he gave the confidence to Aditya Chopra to explore the uncharted domain of horror for the first time in the ever-so-evolving world of cinema," a source shared with Bollywood Hungama.

Post the success of Saiyaara, YRF, under the leadership of CEO Akshaye Widhani, has been actively engaging with a new generation of storytellers, including Mohit Suri, Sameer Saxena, and Abhay Pannu, with the objective of expanding the studio’s storytelling canvas across genres and formats

As part of this strategic direction, YRF is strengthening its internal creative framework to support a dual development model. A slate of films creatively developed and produced by Aditya Chopra and a parallel slate led by Akshaye Widhani and his team, focused on fostering fresh creative voices and new-age storytelling

The source concludes, "It's the first time in history that Aditya Chopra has decentralised the film production game by bestowing the responsibility of content creation to Akshaye Widhani, who, after the success of Saiyaara, is looking to produce a lot more with a newer set of filmmakers.

More details on the horror films are awaited.

Also Read: 10th anniversary EXCLUSIVE: Sayani Gupta says Fan achieved with VFX and prosthetics what “nobody had managed to do in the world”; praises Shah Rukh Khan’s “risk-taking appetite”: “He’s one of the smartest people on this planet. He could OUTWIT anybody”

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EXCLUSIVE: Vikram Bhatt reveals why Haunted - Ghosts Of The Past was renamed as Haunted - Echoes Of The Past: "You can't make a ghost film without believing in superstition"

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Vikram Bhatt struck gold with Haunted 3D (2011). It’s a film that kick-started the 3D trend in Bollywood and became a sleeper hit at the box office. Hence, there are high expectations for the next film in this franchise, which is set to release on June 12. Interestingly, the film was earlier titled Haunted – Ghosts Of The Past. As per the motion poster that dropped yesterday to announce the release date, the film was renamed to Haunted – Echoes Of The Past. Bollywood Hungama exclusively spoke to director Vikram Bhatt about this aspect. This was probably the director’s first interaction with the media after he faced a major personal turmoil in his life.

Vikram Bhatt told Bollywood Hungama, “The Haunted films are not just about ghosts. At its heart, it’s a poignant love story. Meanwhile, the film was getting delayed for some reason or another and also, I had to face incarceration. A very close friend of mine said that this is probably happening due to the word ‘Ghost’ in the title. He told me, ‘Title mein se Ghost ko hata do’. I told him, ‘Theek hai. Hata dete hai (smiles)’. That’s how we came up with Echoes Of The Past.”

He further remarked, “I never believed in such things until now. Also, you can’t make a ghost film without believing in superstition (laughs).”

The use of AI in the motion poster was criticized by a section of the audience. Vikram Bhatt clarified, “This is how motion posters are designed. But I can assure you that there’s absolutely no AI in the film at all.”

Lastly, when asked when the teaser of Haunted – Echoes Of The Past will be out, he revealed, “We plan to release it this month itself.”

Like Haunted, Haunted – Echoes Of The Past also stars Mimoh Chakraborty and this time, he’s joined by Chetna Pande, Shruti Prakash, Gaurav Bajpai, Praneet Bhatt and Hemant Pandey. It is produced by Anand Pandit and Rakesh Juneja and will be distributed worldwide by Anand Pandit Motion Pictures.

Also Read: Haunted 3D motion poster unveiled: Vikram Bhatt and Anand Pandit confirm release date of Mimoh Chakraborty starrer as June 12, 2026

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Prakash Raj faces legal complaint over alleged remarks on Ramayana

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Actor Prakash Raj is facing legal complaints after Bhanu Prakash, a board member of Tirumala Tirupati Devasthanams and a BJP leader from Andhra Pradesh, accused him of making “defamatory and malicious remarks” that allegedly distorted the Ramayana and disrespected Hindu beliefs.

According to reports, Bhanu Prakash lodged an official complaint urging authorities to initiate legal proceedings not only against the actor but also against those who may have supported or encouraged the statements. He further called for strict action, claiming such remarks could disturb communal harmony.

The controversy stems from an appearance by Prakash Raj at the Kerala Literature Festival in January. During a session there, the actor spoke about a children’s theatre performance that presented characters such as Rama, Lakshmana, Ravana and Shurpanakha in a modern, satirical setting. The performance reportedly incorporated references to fruits, payments and GST as part of its humour. Clips from his narration later surfaced online and went viral, prompting criticism from sections of social media users.

The matter intensified earlier this month when advocate Amita Sachdeva filed a separate complaint on April 16. Describing herself as a devout Hindu, she alleged that the remarks were deliberate and offensive, stating that her religious sentiments had been deeply hurt. She also emphasised that insults to Hindu deities and Sanatan Dharma should not be tolerated.

Authorities are currently reviewing the complaints. No official response has been issued by Prakash Raj on the matter so far.

Also Read: Prakash Raj takes dig at Dhurandhar The Revenge after Aditya Dhar directorial gets praise from South stars: “Signs of obligations”

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Shraddha Kapoor joins Aamir Khan in Rahul Mody’s Ashneer Grover biopic: Report

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Actor Shraddha Kapoor is reportedly set to play Madhuri Jain Grover in the upcoming biopic on BharatPe co-founder Ashneer Grover, which is expected to feature Aamir Khan in the lead role. Filmmaker Rahul Mody is developing the film.

According to a report by Mid-Day, Kapoor has been associated with the project since its early stages. A source told the publication that it had been decided early in development that she would play the female lead and had closely followed the screenplay’s evolution over time.

The film is reportedly based on Grover’s journey as an entrepreneur and the controversies surrounding his exit from BharatPe in 2022, when allegations surfaced that he and members of his family had misused company funds. Madhuri Jain Grover had served as the company’s Head of Controls before her termination the same year.

Mody has been working on the screenplay for nearly three years. The filmmaker previously contributed as a writer to Sonu Ke Titu Ki Sweety (2018). He is also rumoured to be in a relationship with Kapoor.

Speculation about the project gained momentum recently after reports suggested that Aamir Khan is considering the Ashneer Grover biopic as his next film. Readers may recall that Bollywood Hungama exclusively reported Aamir has given a go ahead to doing Ashneer Grover biopic. Earlier, sources told us, "Aamir has read it and loved it; he is doing this film. It's in the pre-production stage. It's also very relatable as Ashneer is an extremely popular figure with today's audience."

At the same time, an official announcement from the makers is still awaited.

Also Read: Aamir Khan launches Ek Din Ki Mehfil: Singers across India get chance to perform live before him, Sai Pallavi and Junaid Khan

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Ahan Shetty secures title Sanki for next film after personally approaching Sajid Nadiadwala

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Ahan Shetty has reportedly secured the title Sanki for his upcoming film, adding fresh momentum to his next project with director Tinu Desai. In an industry where film titles are often finalised through formal channels and internal discussions, the actor is said to have taken a more personal route to make it happen.

According to reports, the title was previously owned by producer Sajid Nadiadwala, who had initially planned to use it for another project. That film was reportedly also connected to Ahan at an earlier stage. However, when the actor wanted to use the title for a different venture, he is said to have directly reached out to Nadiadwala instead of relying on intermediaries.

Sources suggest the conversation was resolved smoothly, with no lengthy negotiations involved. Nadiadwala reportedly agreed to hand over the title as a goodwill gesture, highlighting the warm relationship he shares with Ahan and the Shetty family. The producer had introduced Ahan to Bollywood with Tadap, which marked the actor’s big-screen debut.

The development also underlines how personal equations and long-standing associations continue to play an important role in the Hindi film industry, even in matters as competitive as title registrations and project positioning. While official details of the storyline remain under wraps, the title Sanki has already sparked curiosity among fans and trade circles alike.

Ahan Shetty has steadily been building his presence in the industry, and the acquisition of a catchy, mass-friendly title for his upcoming release is expected to strengthen the film’s visibility. Industry observers believe titles often play a key role in creating early recall value, especially for younger stars looking to establish their own identity.

The actor was recently seen receiving appreciation for his role in Border 2, which also featured Sunny Deol, Varun Dhawan, and Diljit Dosanjh in prominent roles. Meanwhile, Sajid Nadiadwala continues to remain active as one of the industry’s leading producers, with the recently released O’Romeo, headlined by Shahid Kapoor.

With Sanki now reportedly locked, attention is likely to shift toward casting details, the first look, and the official announcement of Ahan Shetty’s next big-screen outing.

Also Read: Ahan Shetty and Shaad Ali’s intense romantic drama shoot is set for early summer

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Pakistan-based brand uses AI images of Alia Bhatt to promote collection; actor yet to respond

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A Pakistan-based fashion label, Wajayesha Official, has come under online scrutiny after sharing AI-edited images of Alia Bhatt to promote its latest collection, prompting questions from social media users about whether the actor had authorised the campaign.

The label posted a set of images that appeared to show Alia Bhatt wearing outfits from its Pure Sheesha Silk collection. The caption suggested that the actor admired the designs and encouraged customers to place orders. The brand wrote, "EVEN ALIA BHATT LIKE OUR PURE SHEESHA SILK COLLECTION !!"

Soon after the post went live, several users pointed out inconsistencies in the visuals. While the images initially appeared convincing, many viewers noticed that they were not original campaign photographs. Instead, they seemed to be AI-generated edits in which the actor’s face and upper body were digitally placed onto the brand’s outfits.

 

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The post quickly triggered reactions from social media users, with many questioning whether the actor was aware of the campaign. One user asked, "Does Alia even know about this?" while another warned the brand about possible legal consequences, writing, "She will sue you!"

The label responded to the criticism with a lighthearted remark, replying, "Viral karein please ki unko bhi pata chal jaye," suggesting that users help spread the post so the actor would notice it. When another user again raised the possibility of legal action, the brand responded, "No she will not."

As of now, Alia Bhatt has not publicly responded to the post or the use of the altered images.

Also Read: Mini Mathur REACTS to rumours of taking dig at Alia Bhatt over awards show hosting: “It is all nonsense”

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Maatrubhumi’s biggest challenge is the fog of repositioning that could alter its box office variables

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There are films that arrive with a roar. And then there are films that arrive with a question mark. Salman Khan’s Maatrubhumi increasingly feels like the second kind.

That is what makes this film so fascinating from a trade point of view. Not because the subject is weak. Not because the star is not big enough. Not because patriotism has stopped working. But because a film that was once powered by absolute clarity now seems trapped in a fog of repositioning.

When it was conceived as Battle Of Galwan, the idea sold itself. It had immediacy. It had a recall. It had a charged emotional memory attached to it. It had the kind of headline value that mainstream Hindi cinema rarely gets without spending crores on awareness. It was later rechristened Maatrubhumi, and the newer version was significantly reworked, with reportedly nearly 40% reshot, additional romantic and backstory elements added, and China no longer mentioned.

And that changes the game completely. That is the sword hanging over Maatrubhumi.

At birth, this was a smart move. A very smart move. A film inspired by Galwan in the immediate shadow of the 2020 clash was not just topical; it was explosive in the right way. It came with a built-in theatrical promise: sacrifice, valour, anger, national pride and a clearly understood adversarial context. You did not need to over-explain the pitch. Audiences got it in one line. Trade got it in one line. Exhibitors got it in one line. The title itself did half the marketing.

But films do not earn money at conception. They earn money at release. And at release, clarity matters more than intent.

That is why the sanitisation, fictionalisation and tonal reshaping of Maatrubhumi are not just creative adjustments. They are box office variables. Because once a film moves away from the blunt precision of a real-world hook and begins wrapping itself in broader patriotic fiction, emotional subplots and softened edges, it has to find a new identity that is just as sharp as the old one. If it fails to do that, then the audience starts sensing hesitation. And hesitation is poison in theatrical marketing.

The problem is not that audiences dislike fiction. The problem is that audiences dislike vagueness.

Right now, Maatrubhumi risks being caught in an awkward middle zone. It may no longer be sellable as the direct, ripped from the headlines Battle Of Galwan experience that the original conception suggested. But if the campaign still leans too heavily on that residue, it may also struggle to fully establish itself as a fresh, self-contained patriotic entertainer in its own right. That is a dangerous space to occupy. Because the audience can forgive a delay. The audience can forgive reshoots. The audience can forgive even a title change. What it does not forgive easily is not knowing exactly what it is being asked to buy.

And that is why this film now has to fight a harder battle than the one it was originally designed for.

Salman Khan, of course, is the X-factor that prevents this from becoming a fatal problem on paper. He remains one of the few stars who can create an event out of sheer presence. He can open films on curiosity. He can generate footfalls from aura. He can make even a muddled market sit up on Friday morning. But stardom, however massive, can only open the door. It cannot forever solve a positioning problem. If the trailer, posters and songs do not tell the audience in one clean breath what Maatrubhumi now is, then Salman’s stardom may ensure the opening, but content clarity will decide the trend. That is the crucial distinction.

Because the version called Battle Of Galwan had a ready-made urgency. The version called Maatrubhumi has to manufacture urgency all over again. And make no mistake: that is harder.

A title like Maatrubhumi is emotionally rich, but it is also broader, safer and less specific. It evokes nation, soil, sacrifice and sentiment. All of that is powerful. But it does not hit with the same instant narrative precision as Battle Of Galwan. The original title gave the film a target, a memory and a pulse. The new one gives it feeling, but also asks the marketing team to do more explanatory heavy lifting. In a theatrical economy where attention spans are short and word of mouth is brutal, that extra labour matters. That is the real story. That is where Maatrubhumi will either rise or wobble.

If the final product is emotionally stirring, visually mounted, heroically satisfying and musically loaded with the kind of big-screen conviction Salman Khan’s audience expects, then none of this will matter beyond the release week discourse. If Maatrubhumi delivers the goosebumps, it can still emerge as a winner.

But if the film lands in that worst possible zone, neither fiercely real nor fully reinvented, neither brutally specific nor confidently universal, then the very thing that made it exciting at the idea stage may end up weakening it in the market.

That is the harsh irony. At conception, this looked like a masterstroke. In release mode, it looks like a tightrope.

Also Read: No direct-to-OTT release for Maatrubhumi; Salman Khan determined to bring his film to cinemas

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Aakhri Sawal becomes first Hindi film to release with Indian Sign Language on May 8

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Sanjay Dutt starrer Aakhri Sawal has emerged as an anticipated film. After generating significant buzz with its announcement, the makers unveiled the teaser on the occasion of Hanuman Ji Janmotsav, offering a glimpse into the history of India’s largest voluntary organization, the Rashtriya Swayamsevak Sangh (RSS).

While the film arrives with a clutter-breaking subject, it also stands out for its unique approach, as it will be the first Hindi feature film to be made accessible in Indian Sign Language.

Yes, Aakhri Sawal is set to redefine the cinema-viewing experience for audiences. Recognizing the importance of making cinema accessible to millions, the makers have taken a bold step by releasing it in sign language. This makes it the first Hindi feature film to be accessible in ISL. While India has around 4 to 5 crore visually challenged and deaf people population, this film will be accessible to them as well. From day one, the film will be available in ISL, ensuring it reaches a wider audience base and makes it accessible to many more people.

#AakhriSawal becoming the first film to release with born accessible #IndianSignLanguage on 8 May.* Aakhri Sawal breaks new ground in cinematic accessibility, becoming the first #film to release with born accessible Indian Sign Language on 8 May. #tuesdayvibes #bollywood pic.twitter.com/3ma1BBEdfs

— Nikhil Nanda 🇮🇳 (@iamnikhilnanda) April 21, 2026

Aakhri Sawal is directed by National Award–winning filmmaker Abhijeet Mohan Warang. Presented by Nikhil Nanda, the film is produced by Nikhil Nanda and Sanjay Dutt, and co-produced by Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey, and Ujjwal Anand. The story, screenplay, and dialogues are written by Utkarsh Naithani. The film is set to release in cinemas on May 8, 2026.

Also Read: Aakhri Sawal teaser explores 1934 meeting between Hedgewar and Mahatma Gandhi, sparks curiosity

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David Dhawan hints at retirement, says ‘This might be my last film’

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David Dhawan has hinted that his upcoming film Hai Jawani Toh Ishq Hona Hai could mark the end of his directing career. The veteran filmmaker, known for his long run of commercial entertainers, opened up about stepping back while speaking about the film, which stars Varun Dhawan, Pooja Hegde, and Mrunal Thakur.

Reflecting on his journey and current phase in an interview with ANI, Dhawan said, “I don't think I should do more. This might be my last film. After this, I'll just be Varun's father,” indicating that he may be ready to retire from filmmaking. He also pointed to health concerns during the shoot, recalling, “I was very unwell during the shooting of this film. Varun took great care of me, he had all doctors' numbers, stayed in touch with them, and was always there. He's a complete family man.”

The filmmaker also spoke about working with his son, emphasising that their personal bond does not interfere with their professional dynamic. “When I'm behind the camera, he's not my son, he is an actor. I just need the result,” he said, underlining his approach on set. Addressing how filmmaking processes have evolved, Dhawan added, “In our time, films were made on trust. Even actors like Salman Khan or Govinda or Sanjay Dutt didn't always hear full scripts. We narrated scenes, and that's how films were made.”

He also praised Varun’s growth as an actor, particularly noting his emotional depth and calling his performance in Border 2 “brilliant.” While there is no official confirmation on his retirement, Dhawan’s remarks have sparked conversation about whether Hai Jawani Toh Ishq Hona Hai could be his final film as a director.

Also Read: SCOOP: PVRInox and Cinepolis partner with TIPS to distribute Varun Dhawan and David Dhawan’s Hai Jawani Toh Ishq Hona Hai 

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Haunted 3D motion poster unveiled: Vikram Bhatt and Anand Pandit confirm release date of Mimoh Chakraborty starrer as June 12, 2026

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Filmmaker Vikram Bhatt and producer Anand Pandit are joining forces once again for their upcoming horror venture Haunted 3D. The makers have now heightened anticipation by unveiling the film’s motion poster and officially announcing its theatrical release date as June 12, 2026.

The announcement was made by Anand Pandit on social media, where he shared the eerie motion poster along with the caption, “Fear you will never be ready for! Fear has a new date Friday, the 12th June 2026.” The update has already sparked curiosity among horror fans eager to see what the team has in store.

The newly released motion poster offers a glimpse into the spooky world of the film without revealing much about the storyline. It begins with a crystal ball visual that transitions into a series of haunting backdrops, including grand mansions and ghostly figures lurking in the shadows. The teaser aims to build suspense while maintaining the mystery around the plot.

 

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Speaking about the film, Pandit went on to share, “Our association with Vikram Bhatt goes back to 1920, and our relationship with him is beyond just work. Haunted has turned out really well, and I was sure that we would release the film only after Vikram was free from custody. Irrespective of how long it takes. Now that he is here, giving the final touches to the film, we are ready to release the film on June 12 this year."

Meanwhile, filmmaker Vikram Bhatt also added, "Both Haunted 3D and I have had a bumpy ride till now. Through the tough days of losing my mother and being incarcerated on a whim, Anand Pandit, the producer and a dear friend, stood by me. There was a time when I even asked him to release the film without me, but he refused. I want to thank Anandji for being all heart in an industry where people often desert you in difficult times. Thanks to his brave, courageous, and commendable stance, we are now set to release Haunted 3D on June 12. Get ready to be scared!"

The film features an ensemble cast including Mimoh Chakraborty, Chetna Pande, Shruti Prakash, Gaurav Bajpai, Praneet Bhatt, and Hemant Pandey. With a mix of familiar faces and fresh screen pairings, the cast is expected to bring the supernatural drama to life.

Presented by Anand Pandit, in association with Promoedge Media Pvt Ltd, the film is directed by Vikram Bhatt and produced by Anand Pandit and Rakesh Juneja. The project is co-produced by Roopa Pandit, Dilip Jaiswal, Rahul V Dubey, Manish Bhushan Mishra, and Sanjay Singh. Worldwide distribution will be handled by Anand Pandit Motion Pictures.

Also Read: EXCLUSIVE: Vikram Bhatt’s upcoming 3D horror film to release in June

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Hrithik Roshan joins Lux Industries Limited as brand ambassador for ONN premium innerwear range

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Lux Industries Limited has announced Hrithik Roshan as the new brand ambassador for its premium innerwear and thermal wear label ONN, as the company sharpens its focus on expanding its presence in India’s growing premium apparel segment.

The association is part of the company’s wider effort to strengthen ONN’s identity as a contemporary lifestyle-focused brand and deepen its connection with younger consumers across urban centres as well as emerging markets. Positioned around comfort, performance, and style, the label is being actively scaled as part of Lux Industries’ premium category strategy.

Announcing the collaboration, Chairman Ashok Todi said the partnership reflects the company’s long-term intent to build aspirational value around the brand. “ONN represents our vision of delivering modern design, superior comfort and aspirational style to the new generation of consumers. Hrithik Roshan’s dynamic personality, discipline and enduring appeal perfectly align with the values of the brand. We believe this association will further strengthen ONN’s positioning in the premium wear segment.”

 

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Executive Director Saket Todi added that the collaboration is expected to help the brand expand its reach among consumers looking for performance-oriented innerwear that aligns with evolving lifestyle expectations. “ONN has consistently evolved to reflect changing consumer preferences in comfort, design and lifestyle. Hrithik Roshan’s strong connect with India’s youth and his image of fitness and style make him an ideal partner as we scale the brand’s presence across markets,” he said.

Sharing his thoughts on the partnership, Hrithik Roshan said he connected with the brand’s approach to comfort and contemporary design. “Comfort and confidence are the foundation of personal style. ONN’s focus on quality, innovation, and contemporary design resonates with my own lifestyle philosophy. I’m delighted to partner with a brand that understands the needs of today’s consumers.”

As part of the collaboration, the actor will appear in a multi-platform campaign rollout spanning television, digital media, retail spaces, and outdoor promotions. The campaign strategy and creative communication have been developed by Rediffusion Brand Solutions Pvt. Ltd. in partnership with Lux Industries to strengthen ONN’s visibility in the premium category.

Also Read: Hrithik Roshan joins forces with UFC legend Khabib Nurmagomedov for Dubai campaign

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Awarapan 2 locked for August 14, 2026 release; Emraan Hashmi reunites with Vishesh Bhatt

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Vishesh Bhatt has officially announced the release date of Awarapan 2, confirming that the sequel will arrive in cinemas worldwide on August 14, 2026. The film marks a reunion between Bhatt and Emraan Hashmi, reviving a story that has retained a strong following over the years.

The announcement was shared on social media by Bhatt, Hashmi, and Disha Patani, offering a first glimpse into the film’s world while locking in its release date. Positioned as an action drama, Awarapan 2 is described as a story centred on themes of love, loss, and redemption.

Speaking about returning to the franchise, Vishesh Bhatt highlighted the scale and emotional core of the project. “Awarapan is an emotion so large that it's meant for the big screen,” he said. He added that while the film features expansive settings and large-scale sequences, it remains rooted in “layered storytelling with powerful characters and rich music.” Commenting on Hashmi’s involvement, Bhatt said, “Emraan felt the angst of Shivam so deeply that he stepped into character in a heartbeat.” He also noted that Disha Patani’s addition brings a fresh dynamic to the sequel, saying, “With Disha joining us, the world of the film opened up to new possibilities.”

 

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The film is directed by Nitin Kakkar and written by Bilal Siddiqui. It is currently in the final stages of production in Mumbai. With its release set for August 2026, Awarapan 2 aims to build on the legacy of the original while expanding its narrative scale for a theatrical audience.

Also Read: SCOOP: Awarapan 2 locks Independence Day 2026 release; Emraan Hashmi returns as Shivam 

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Ahead of Maa Behen, Suresh Triveni’s mother-daughter drama Razaa headed to NYIFF

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Filmmaker Suresh Triveni, who is gearing up for his upcoming film Maa Behen and is known for his acclaimed work on Tumhari Sulu and Subedaar, is now backing the short film Razaa. Directed by Pooja Tolani and produced by Radhika Sawhney alongside Triveni, the film unfolds within the tense confines of a gynaecologist’s waiting room, where a mother and daughter grapple with a life-altering decision.

With Razaa earning a nomination at the New York Indian Film Festival (NYIFF), the film has further cemented its place on the global stage, something that aligns with Suresh Triveni’s consistent eye for meaningful storytelling. The film has enjoyed an impressive festival run with multiple international selections and wins, including recognition at prestigious platforms such as the Chicago South Asian Film Festival, Tasveer Film Festival, IDSFFK, and many more. The film has also picked up wins at the Yellowstone International Film Festival, further cementing its impact on the global stage.

Reinforcing his belief in strong, content-driven cinema, Suresh Triveni shared, “The first time I heard the film from Pooja, I was very sure I wanted to make it. I spoke to my producer partner Radhika, and we decided to produce it. It’s the second short film I have produced, and I’ll keep doing it till I can. Pooja being a writer too helps the film. We are very proud to be attached to the film. The accolades keep pouring, and the nomination at the New York Indian Film Festival has only made us prouder.”

Producer Radhika Sawhney echoed the sentiment, saying, “When Pooja narrated the script, I had no second thoughts. Women taking agency of their lives is a topic I feel very strongly about. Pooja is a very fine writer, and it was great to support her in bringing her story to life. Having Geetanjali Kulkarni was the icing on the cake. All the actors, in fact, brought such inspired performances to the film. While producing the film, we had to make sure we stayed authentic to the world of Razaa. There was much effort in choosing the cast, the locations, the art, and the visual tone of the film. Even the sound design was chosen with a lot of intent. I am very proud of Razaa and happy to be part of NYIFF.”

At its core, Razaa thrives on emotional contrast – Razaa’s striking detachment versus Sabeen’s deeply rooted fear and moral conflict. As tempers flare and silences stretch, the film dives into layered conversations around choice, control, and generational expectations.

Director Pooja Tolani offered insight into this dynamic, saying, “Mother-daughter relationships are often seen as loving and tender, but I find them deeply complex, caught between visceral love and constant judgement. Many mothers express love by telling their daughters what is right, as a way of protecting them. In that process, daughters inherit a deep sense of morality. For me, Razaa and Sabeen share a very real dynamic, where love is rarely expressed, but displeasure almost always is.”

Also Read: Anil Kapoor shares BTS glimpse from Subedaar; director Suresh Triveni calls him “rare”

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Ayushmann Khurrana, Sharvari starrer Yeh Prem Mol Liya gets November 27, 2026 theatrical release

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Filmmaker Sooraj R. Barjatya has announced his next directorial venture Yeh Prem Mol Liya, starring Ayushmann Khurrana and Sharvari, with the makers confirming its theatrical release date as November 27, 2026. The film is being produced by Rajshri Productions in association with Mahaveer Jain Films and is positioned as a family entertainer in keeping with Barjatya’s signature storytelling style.

With Yeh Prem Mol Liya, Rajshri’s well-known character Prem returns to the big screen after a gap of 10 years. Ayushmann Khurrana will be stepping into the role for the first time, marking a notable addition to the studio’s legacy of films centred around the character.

The announcement also marks Barjatya’s return to direction after his previous film Uunchai, which earned him the National Film Award for Best Direction. The upcoming project continues his association with composer Himesh Reshammiya, who will be scoring the music for the film following their collaboration on Prem Ratan Dhan Payo.

SOORAJ R BARJATYA ANNOUNCES HIS NEXT BIG SCREEN ENTERTAINER: AYUSHMANN KHURRANA - SHARVARI STAR IN 'YEH PREM MOL LIYA' – 27 NOV 2026 RELEASE... Rajshri Productions, in association with Mahaveer Jain Films, announce their next venture – #YehPremMolLiya. The makers have also… pic.twitter.com/JUwMt4ORWY

— taran adarsh (@taran_adarsh) April 21, 2026

Sharvari will be paired opposite Ayushmann Khurrana in the film, marking a fresh on-screen pairing under the Rajshri banner. The makers have also confirmed that the film will release in theatres worldwide on November 27, 2026.

Announcing the project, the production banner described the film as a big-screen family entertainer and confirmed its theatrical rollout for the festive November window next year, signalling the studio’s return to its traditional space of relationship-driven cinema anchored in music and family values.

Also Read: Sooraj Barjatya & Mahaveer Jain to unveil title and release date of Ayushmann Khurrana and Sharvari starrer

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Ye confirms India concert at Delhi’s Jawaharlal Nehru Stadium on may 23

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Global rapper and producer Kanye West has officially confirmed his India performance, putting an end to ongoing speculation after sharing the Ye Live in India tour flyer on social media. The announcement has quickly gained traction online, with fans reacting to the news across platforms.

The concert is scheduled to take place on May 23, 2026, at Jawaharlal Nehru Stadium, marking a major addition to India’s live music calendar. With the confirmation coming directly from the artist, the event is now being seen as one of the most high-profile international concerts to be hosted in the country in recent years.

Kanye West is known for delivering large-scale performances that go beyond conventional concerts. His shows often feature elaborate stage setups, experimental visuals, and a strong focus on creating an immersive experience for audiences. While specific details about the India show remain undisclosed, expectations are high that it will reflect his signature style of production.

The announcement has sparked widespread excitement among fans, many of whom have described the concert as a rare opportunity to witness the artist live in India. Social media has been filled with reactions, with users expressing anticipation and planning travel to attend the event. The show is also expected to attract audiences from across the country, and potentially from neighbouring regions, given Kanye’s global reach.

With just weeks to go, the focus now shifts to ticketing and event logistics, which are likely to be announced soon.

Also Read: Kanye West gears up to make India debut with in New Delhi in March; deets inside

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Sooraj Barjatya & Mahaveer Jain to unveil title and release date of Ayushmann Khurrana and Sharvari starrer

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In what is being described as one of Hindi cinema's most eagerly awaited announcements of the year, veteran filmmaker Sooraj Barjatya and Mahaveer Jain are set to reveal the title and release date of his upcoming film today a project that has been shrouded in deliberate, masterful secrecy for months.

The film, produced jointly by Rajshri Productions the house that Barjatya built into a byword for wholesome Indian storytelling and Mahaveer Jain, is understood to be a sweeping family entertainer, a genre the director has elevated and made entirely his own across a career spanning three decades.

At the heart of this highly anticipated project is a headline-grabbing pairing, National Award-winning actor Ayushmann Khurrana alongside the fast-rising Sharvari, whose star trajectory has made her one of the most sought-after talents in contemporary Bollywood. Their combination has already ignited fervent speculation among fans and trade observers alike.

Perhaps equally thrilling for music lovers is the confirmation that the film's soundtrack will be crafted by Himesh Reshammiya a maestro whose melodic sensibilities and anthemic compositions have defined multiple eras of Bollywood music. A Barjatya film with a Reshammiya score promises an auditory experience as emotionally resonant as its narrative.

Sources close to the production reveal that the announcement has been planned with characteristic Rajshri grandeur a formal, considered reveal that reflects the studio's deep respect for its audience. The title, rumoured to be Yeh Prem Mol Liya, when disclosed, is expected to signal the film's emotional register and thematic landscape, hallmarks that Barjatya has never compromised on across films like Maine Pyar Kiya, Hum Aapke Hain Koun..!, Hum Saath-Saath Hain, Vivah, and most recently, Uunchai.

Industry insiders are closely watching what Barjatya does with Ayushmann Khurrana an actor celebrated for his ability to anchor films in authentic, relatable humanity and whether this collaboration marks a new creative chapter for both artist and auteur. Sharvari's inclusion further signals a contemporary energy being woven into the fabric of a tradition-rooted cinematic universe.

Also Read: EXCLUSIVE: After Prem Ratan Dhan Payo, Himesh Reshammiya-Sooraj Barjatya join hands once again; ace music composer delivers 7 melodious songs for Ayushmann Khurrana-Sharvari starrer

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SCOOP: PVRInox and Cinepolis partner with TIPS to distribute Varun Dhawan and David Dhawan's Hai Jawani Toh Ishq Hona Hai 

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In an interesting business move, Ramesh Taurani of TIPS FILMS has tied up with the top 2 national chains - PVRInox and Cinepolis - for the all India distribution of his upcoming comedy Hai Jawani Toh Ishq Hona Hai. Starring Varun Dhawan in lead with Pooja Hegde and Mrunal Thakur, Hai Jawani Toh Ishq Hona Hai is David Dhawan's 46th directorial, and is touted to be a mad-cap comedy.

A source shared with Bollywood Hungama, "Partnering with the national multiplex chains in a crowded release period is a masterstroke, as this gives the David Dhawan comedy an advantage of securing right showcasing at the high performing centers. Some of the key territories will see a release by these multiplexes, whereas the traditional markets will see a self-release from TIPS FILMS by tying up with the old school distributors."

The source also informs further that the multiplex chains secured the distribution for Hai Jawani Toh Ishq Hona Hai by promising a certain number of shows at their properties. "While some in the industry call distribution by exhibitors a classic case of conflict of interest, some call it the survival of the fittest model in the business. At the moment, this seems like a well thought of move by Ramesh Taurani to safeguard the release of the comic caper."

Hai Jawani Toh Ishq Hona Hai is scheduled to hit the big screen on May 22, 2026, and will see a box office clash with Chand Mera Dil. The two films cater to a different audience base, and the hope is to see two successful films on the Bakri Eid weekend.

Also Read: Hai Jawani Toh Ishq Hona Hai First look: Varun Dhawan is caught in a double love twist with Pooja Hedge and Mrunal Thakur

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SCOOP: Pen Marudhar secures Shah Rukh Khan-Siddharth Anand’s King in a whopping Rs. 250 crore theatrical deal

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Shah Rukh Khan and Siddharth Anand's King is among the most awaited films of Indian Cinema. Made on a budget of Rs. 400 crores, the action packed entertainer rides on a solid ensemble cast comprising of Deepika Padukone, Rani Mukerji, Abhishek Bachchan, Suhana Khan, Anil Kapoor, Abhay Verma, Arshad Warsi and many more. The film is scheduled for a grand release during the Christmas 2026 weekend, and the expectations are off the roof.

In an interesting turn of events, Bollywood Hungama has exclusively learnt that Pen Marudhar has acquired the all India distribution rights of King for a hefty sum of Rs. 250 crores. This marks one of the biggest theatrical deals of the year, and why not, it features the biggest superstar of India - Shah Rukh Khan in lead. "Pen Marudhar have acquired the theatrical distribution rights of King for a sum of Rs. 250 crores. The distributor has a long standing association with Shah Rukh Khan's banner, having released films like Jawan, Dunki, Zero, Badla, Ittefaq and many more," a trade source shared with Bollywood Hungama.

King is seeing a release in the crowded Christmas 2026 window amogst the Hollywood biggies - Avengers: Doomsday, Dune 3 and Jumanji. "Shah Rukh Khan was looking for a strong distribution partner to navigate the competitive window, and he is looking at a wide theatrical release in the month of December all across the country."

The scale of the KING deal reflects both renewed confidence in the theatrical ecosystem and Shah Rukh Khan’s sustained box office pull post his blockbuster resurgence. The domestic rights of KING saw aggressive bidding from multiple top-tier players, including A.A. Films, Jio Studios (Distribution), PVR INOX Pictures, Yash Raj Films (Distribution), and Dharma Productions (Distribution).

Also Read: Bollywood keeps hyping tomorrow, but one old Shah Rukh Khan romance still embarrasses the presenting

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Gaurav Gera praises Ranveer Singh's discipline and on-set involvement in Dhurandhar: The Revenge

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Actor Gaurav Gera has spoken about his experience of working with Ranveer Singh in Dhurandhar: The Revenge, highlighting the latter’s approach to performance and presence on set.

In a recent interaction with India Today, Gera described Ranveer as someone deeply invested in his work. “Ranveer is a superstar for a reason, he is so good at what he does. He’s extremely organised and fully immersed in the character. He takes a keen interest,” he said, pointing to the actor’s focused preparation.

He also spoke about Ranveer’s involvement during scenes, even when he wasn’t required to be actively present. “He didn’t have to be there for cues in my scenes, which often happens on shoots. But he stayed back and remained present throughout. That’s just how he is—completely involved with the film,” Gera added.

Recalling a lighter moment, Gera mentioned their earlier ‘Chutki-shopkeeper’ act that recently resurfaced online amid the film’s buzz. He shared that Ranveer instantly recognised him on set. “He tapped my shoulder and said, ‘How are you, Chutki?’ I was surprised because I had a beard and looked quite different, but he still remembered,” he said.

Gera also noted a shift in Ranveer’s on-screen approach over time, especially while playing Hamza in the film. “He’s grown a lot as an actor. There’s a certain calmness in his performance here, which is very different from how people usually see him in public. That controlled energy comes across very strongly,” he explained.

Summing up, Gera described Ranveer as someone who can balance contrasting energies with ease, both on and off screen. Meanwhile, Dhurandhar: The Revenge has completed a steady run in theatres and continues to hold its ground at the box office.

Also Read: Gaurav Gera opens up on working with Ranveer Singh in Dhurandhar franchise: “Stars walk away… he was so involved”

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Ram Gopal Varma recalls underworld links behind Chori Chori Chupke Chupke

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Filmmaker Ram Gopal Varma has opened up about the controversy surrounding Chori Chori Chupke Chupke, revisiting how the film became entangled in alleged underworld links during its production.

Speaking in an interview with Hussain Zaidi, Varma recalled how financier Bharat Shah first got involved in the project. “At a point of time, he (Bharat Shah) got a guy who told him he has Salman Khan’s dates,” he said. To verify the claim, Shah reached out directly to the actor. “Salman told him, ‘Yes, I’ve given him dates,’” Varma added, explaining that this assurance convinced Shah to back the film.

The situation changed later when Shah became aware of producer Nazim Rizvi’s alleged links. “After some time, he got to know the producer, Nazim Rizvi, has some connection with Chhota Shakeel. But he thought he’s doing a legal business, and if the producer has some underworld connection, how does that concern him? He’s himself not even a criminal, but just associated with a criminal,” Varma said.

He also described the broader environment in the industry at the time, where extortion threats were not uncommon. Varma shared that an unnamed businessman received a demand of ₹5 crore and approached Shah for help, hoping his indirect connections could resolve the situation. The amount was eventually negotiated down to ₹2 crore.

As more individuals reached out for similar assistance, Shah continued to intervene without personal gain. “But he wasn’t getting any money. He was just helping out. But the cops were tapping his phone,” Varma said, adding that Shah was “trembling with shock and fear” as the situation escalated. He further recalled, “The cops suggested maybe Shakeel was acting for you. So, Bharat bhai said, ‘Why would he act for me? I’m just a filmmaker.’”

The matter eventually led to legal action in 2001, when Bharat Shah and Nazim Rizvi were arrested by the Mumbai Police. Shah was later sentenced to one year in prison for not disclosing Rizvi’s alleged links, but was released soon after as he had already spent more than a year in custody during the trial. Rizvi, along with Abdul Rahim Allahbaksh Khan, was found guilty of having underworld connections and involvement in extortion cases linked to the film industry.

Also Read: Ram Gopal Varma says he became Dawood Ibrahim’s “soul mate”: “I’m earning my living because of him”

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Jio Studios and Collective Studios’ Historyverse unveil teaser of Krishna at NAB 2026 in Las Vegas

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Jio Studios and Collective Studios’ Historyverse today unveiled the global first teaser of Krishna, an upcoming theatrical feature directed by Manu Anand, at the NAB Show 2026 in Las Vegas. At the heart of Krishna lies a new cinematic pipeline developed by Galleri5, Collective Artists Network’s in-house AI platform, built on Microsoft Azure’s advanced AI and cloud capabilities. This collaboration brings together cutting-edge technology with Jio Studios’ scale, storytelling expertise, and commitment to creating globally resonant Indian content.

The film’s first look and Collective Artists Network’s AI platform were featured in Microsoft’s keynote at NAB, “Powering Intelligent Media; From AI Experimentation to Real-World Impact.” Collective was highlighted as a leading Frontier organization that is moving AI beyond experimentation into real, production-scale deployment in cinema. The technology is also featured in Microsoft’s NAB booth (West Hall, Booth W1731).

Krishna represents a departure from traditional VFX- or animation-led filmmaking. Instead, it is built on an AI-native production pipeline where technology is integrated into the core of the filmmaking process, from world-building and character systems to shot design and final output, while remaining guided by a director-led, cinematic approach to storytelling.

Even as the film explores scale and spectacle, there is a conscious emphasis on emotional authenticity, stillness, music, and performance, ensuring the story is felt as much as it is seen.

Powered by Galleri5’s proprietary workflows, the pipeline allows filmmakers to create large-format, theatrical content rooted in Indian history and culture, while expanding the boundaries of how films can be conceived and produced. Collective Artists Network runs its Galleri5 platform natively on Microsoft Azure, using Microsoft Foundry and advanced AI infrastructure to support end-to-end, production grade workflows across film, episodic, and advertising content. By operating in a secure, enterprise cloud environment, Galleri5 puts the power back in the hands of creators, allowing filmmakers to use AI in a way that meets their needs

Jyoti Deshpande, President – Jio Studios (Media & Content Business, Reliance Industries) said, “At Jio Studios, our endeavor has always been to take Indian stories to the world with scale, ambition, and authenticity. With Krishna, we are not only embracing cutting-edge AI-led filmmaking but also advancing our commitment to future-forward storytelling powered by world-class technology being built in India. At the same time, we see this as an opportunity to democratize these powerful tools making them more accessible, intuitive, and cost-effective for storytellers. Our focus is to empower creators to fully realize their vision, amplify diverse creative voices, and craft stories that connect emotionally with audiences.”

Speaking at the showcase, Vijay Subramaniam, Founder & Group CEO, Collective Artists Network, said, “Krishna is not just about rethinking how films are built, but also about where these stories can go. We’re using technology being developed here in India to take our culture and history to a global audience, at a scale that wasn’t possible earlier. For us, this is a long-term priority, building stories that are rooted in who we are, but can travel anywhere in the world.”

“The media industry has reached a clear inflection point, where AI is no longer about experimentation, but about delivering real impact at production scale for creators. Through this collaboration, Microsoft is helping Collective Artists Network enable the end-to-end flow of production outcomes, transform the creative process, and enhance process efficiencies,” said Silvia Candiani, Vice President, Telco, Media & Entertainment, Gaming, Microsoft. “By building AInative creative systems on Microsoft Azure, Collective exemplifies how storytellers can unlock new formats, move faster, and realize a true return on intelligence, while keeping human creativity at the center.”

Krishna is part of Historyverse, Collective Studios’ growing slate of history and culture-driven IPs. Positioned as one of India’s most ambitious mythology-led slates, it draws from figures and traditions that have shaped the subcontinent over centuries, spanning stories inspired by Kali, Karna, and Durga to name a few. The already released Mahabharat: Ek Dharmayudh series serves as the starting point for Historyverse’s larger vision, demonstrating how historically rooted narratives can be approached for modern screens.

Jio Studios, the media and content arm of Reliance Industries Limited, is a market leader and India’s No.1 content studio, delivering some of the biggest cinematic successes in Indian cinema. Led by the blockbuster Dhurandhar franchise, including Dhurandhar and Dhurandhar The Revenge, the studio has set new global benchmarks, with the duology grossing over $330 million USD (Rs. 3,000 crores) worldwide and securing a place among the top 10 highest-grossing films globally in 2026.

Jio Studios also holds the distinction of producing the highest-grossing Hindi films in India for three consecutive years—Stree 2 (2024), Dhurandhar (2025), and Dhurandhar The Revenge (2026). Its diverse slate includes genre-defining hits and acclaimed titles like Laapataa Ladies, India’s official entry to Oscars 2025, Stree, Article 370, Shaitaan, Mrs. etc. In just eight years, it has built a formidable library of 160+ films and series, with over 60 titles winning 500+ awards. Guided by its ‘Make in India, Show the World’ vision, Jio Studios remains committed to empowering storytellers and taking compelling Indian narratives to global audiences through world-class, platform-agnostic entertainment.

The unveiling at NAB marks a significant milestone for Jio Studios and Collective Studios as they continue to explore how technology can expand the scope of storytelling, bringing together talent, content, and innovation to shape the future of cinema.

Also Read: Sooraj Barjatya heaps praise on Dhurandhar: “It is a perfect picture after Sholay, hats off to Aditya Dhar”

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Atlee and wife Priya welcome baby girl; Filmmaker shares heartwarming family announcement

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Filmmaker Atlee and his wife, producer Priya Atlee, have welcomed their second child, a baby girl. The couple shared the happy news on social media in an adorable and emotional way, delighting fans and well-wishers across the country.

Instead of a conventional announcement, the couple chose to reveal the arrival of their daughter through their son Meer. A heartwarming post shared on their social media featured a cheerful message that read, “Yay! I’ve got a baby sister!” The announcement also included an illustration of young Meer, making the reveal even more special for followers.

The note further confirmed the joyful update, stating, “We, Priya and Atlee are blessed with a baby girl. April 20th, 2026.” Keeping the caption simple yet emotional, the couple wrote, “Feeling blessed.” Soon after the post went live, social media was flooded with congratulatory messages from fans, friends, and members of the film fraternity.

 

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Atlee and Priya have long been one of the most admired couples in the South Indian entertainment industry. After being in a relationship for several years, the duo tied the knot on November 9, 2014, in a wedding that drew significant attention from the industry. Over the years, they have often shared glimpses of their strong personal and professional partnership.

Their family first expanded in January 2023, when they welcomed their son Meer. Since then, the couple has occasionally offered fans adorable family moments on social media while largely maintaining privacy around their children. Earlier this year, on January 20, 2026, Atlee and Priya announced that they were expecting their second child with a warm family portrait featuring Priya’s baby bump. The post was met with excitement, and now the couple has officially entered a new chapter as a family of four.

On the professional front, Atlee remains one of the most sought-after filmmakers in Indian cinema. The director is currently occupied with his upcoming big-ticket project Raaka, starring Allu Arjun in the lead. The fantasy action entertainer also features Deepika Padukone and has already generated significant buzz among audiences since its title announcement.

Known for delivering large-scale commercial blockbusters, Atlee’s next venture is expected to be one of the most anticipated releases in the coming years.

For now, however, it is celebration time at home. With the arrival of their baby girl, Atlee and Priya have given fans another reason to rejoice, as heartfelt wishes continue to pour in for the growing family.

Also Read: “Mass masss massss”: Shah Rukh Khan hails Atlee’s Raaka; latter responds, “Will make you more proud sir”

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Shivaleeka Oberoi and Abhishek Pathak welcome baby girl on Akshaya Tritiya; share heartfelt first announcement

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Actor Shivaleeka Oberoi and producer-director Abhishek Pathak have embraced parenthood as they welcomed their first child, a baby girl, on April 19, 2026. The couple announced the happy news on social media, revealing that their daughter arrived on the auspicious occasion of Akshaya Tritiya.

Sharing the joyful update with fans and well-wishers, the new parents posted a heartfelt message along with an elegant announcement image. “Our little Goddess Laxmi has arrived on an auspicious day. A blessing in its purest form.” The announcement image featured an ornate gold-toned decorative design with circular patterns and floral detailing, creating a regal and celebratory aesthetic. The elegant metallic frame, paired with warm lighting in the background, added a graceful touch to the couple’s big reveal. In another emotional note within this photo, they wrote, “In a moment. our hearts found a whole new meaning! With immense love and gratitude. we welcome our precious Baby Girl! 19th April 2026 Blessed parents Shivaleeka & Abhishek”

Soon after the post went live, congratulatory wishes poured in from friends and colleagues from the entertainment industry. Among those sending love to the family were Anushka Ranjan, Ishita Dutta, Karan Mehra, Kishwer Merchantt, Aahana Kumra, Maanvi Gagroo, Sonnalli Seygall, Ridhima Pandit and Darshan Kumar, among others.

 

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Shivaleeka Oberoi and Abhishek Pathak’s love story began on the sets of Khuda Haafiz in 2020, where the two first met while working together. Their professional association gradually turned into a relationship, and after dating for nearly three years, the couple tied the knot in a traditional wedding ceremony in Goa on February 9, 2023.

Their wedding was attended by several well-known names from the film industry, including Ajay Devgn and Kartik Aaryan. The couple had announced their pregnancy in December 2025 through a festive social media post. The reveal featured a Christmas ornament carrying the message, “Baby Pathak Arriving 2026,” which was widely appreciated by fans.

Now, with the arrival of their daughter, Shivaleeka and Abhishek have entered a new phase of their lives. Their heartfelt announcement has already won over social media, with fans celebrating the couple’s newest blessing.

As messages continue to pour in, the little one’s arrival has certainly made this Akshaya Tritiya extra special for the Oberoi-Pathak family.

Also Read: Inside Shivaleeka Oberoi and Abhishek Pathak’s Godh Bharai ceremony

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Tabu buys luxury apartment worth Rs. 10 crores in Versova’s Godrej Skyshore; Mumbai real estate move grabs attention

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Tabu has reportedly added another premium address to her portfolio with the purchase of a luxury apartment in Mumbai’s sought-after Versova locality. According to property documents accessed through Liases Foras, the acclaimed actress has bought a new residence at Godrej Skyshore in Andheri West for Rs. 10 crores.

The apartment is said to be spread across 2,153 sq. ft., making it a sizeable acquisition in one of Mumbai’s most competitive residential markets. A notable feature of the property is its spacious balcony area of approximately 127 sq. ft., considered a rare and highly valued amenity in the city where outdoor private space is often limited.

As per the available documents, the transaction was reportedly registered on March 26, 2026. The actress is said to have paid a stamp duty of Rs. 5.24 lakhs along with a registration fee of Rs. 30,000. The deal also includes two dedicated parking spaces, adding further value to the premium purchase.

Located in Versova, one of Mumbai’s preferred residential pockets for film personalities and high-profile buyers, Godrej Skyshore is positioned as an upscale development with a focus on privacy and coastal living. Spread across 1.5 acres, the project consists of one iconic tower with two wings and approximately 120 units.

The official description of the development highlights its premium positioning, stating, “A shoreline sanctuary shaped by the timeless dance of earth and sea, Godrej Skyshore emerges with quiet elegance along Mumbai’s western coast. Where the rhythm of the waves meets architectural finesse, strength and serenity converge - creating a legacy address poised to reshape the landscape of Versova.”

Versova and Andheri West continue to remain popular among actors, producers and entertainment industry professionals due to their proximity to studios, production offices and the city’s creative hubs. Tabu’s latest purchase further reinforces the area’s status as a preferred destination for celebrity homeowners.

On the professional front, Tabu was recently seen in Bhooth Bangla, that hit theatres on Friday, April 17. Directed by Priyadarshan, it marked her reunion with Akshay Kumar after nearly two decades and featured her in the role of Yashoda Acharya.

With a celebrated career spanning acclaimed performances and commercial successes, Tabu’s latest real estate move once again places her in the spotlight — this time for a high-value property investment in Mumbai’s premium housing market.

Also Read: Tabu reveals Asha Bhosle gifted her a guitar on her birthday : “Some moments stay with you forever”

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Deepika Padukone announces second pregnancy with Ranveer Singh in a heartwarming post featuring daughter Dua

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Deepika Padukone has delighted fans with a major personal announcement. The actress has revealed that she is expecting her second child with husband Ranveer Singh, sharing the news through a heartfelt Instagram post that quickly went viral across social media.

Keeping the announcement understated and intimate, Deepika posted a picture featuring daughter Dua holding a positive pregnancy test kit. The little one’s face was carefully concealed in the frame, maintaining the couple’s continued preference for privacy when it comes to their family life. Instead of words, Deepika captioned the post with two nazar amulets, allowing the image itself to convey the happy news.

Within minutes of the upload, fans and members of the film fraternity flooded the comments section with congratulatory messages for the couple, who remain among Bollywood’s most-loved celebrity pairs.

 

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Deepika and Ranveer’s journey together has long captured public attention. After several years of dating privately, the duo tied the knot in a lavish two-day ceremony at Lake Como, Italy, on November 14 and 15, 2018. Their wedding beautifully celebrated both Konkani and Sindhi traditions, reflecting their respective family roots.

The couple entered a new chapter in 2024 when they jointly announced they were expecting their first child. On February 29 that year, Deepika and Ranveer shared a coordinated social media post featuring baby shoes and clothing, confirming that their baby would arrive in September.

On September 8, 2024, the actors welcomed their daughter in Mumbai. They later revealed her name as Dua Padukone Singh, a name symbolising “prayer,” which was widely appreciated by fans for its emotional significance.

Now, with the announcement of a second pregnancy, the couple appears ready to embrace parenthood once again. The latest post has also reignited excitement among admirers who have closely followed Deepika and Ranveer’s decade-long relationship journey.

On the professional front, Deepika has maintained a relatively low profile after the birth of Dua, with fans awaiting updates on her return to the big screen. The actress is reportedly attached to several upcoming projects, though no formal comeback date has been confirmed.

For now, however, it is this personal milestone that has everyone talking. With one simple post, Deepika Padukone has once again managed to create a memorable moment online — and given fans another reason to celebrate with the Padukone-Singh family.

Also Read: Deepika Padukone expands rural mental health initiative in Chhindwara with Bisleri Partnership

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EXCLUSIVE: Vikram Bhatt's upcoming 3D horror film to release in June

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Vikram Bhatt is known as the master of horror films and hence his upcoming horror film is keenly awaited. It was all set to release on November 21, 2025. It was then pushed to January 30 followed by February 6. Finally, the film is up for release within the next two months, Bollywood Hungama has learned.

A source told us, "Vikram Bhatt's next horror film will release in June. The makers realized that it's an appropriate date considering the release period and are confident that it would help them amass a huge audience."

This horror film of Vikram Bhatt reunites the filmmaker and actor Mimoh Chakraborty after Haunted 3D (2011), and this time, he's joined by Chetna Pande and others. Also, like Haunted, their upcoming collaboration will also be released in the 3D version.

The teaser of the film was released in September and due to audience feedback, Vikram Bhatt decided to reshoot certain parts of the film. Accordingly, 12 days of shoot took place.

In November 2025, Vikram Bhatt exclusively told Bollywood Hungama, "When we released the teaser, (a section of the audience was) not happy. They wanted more real locations. We have always been in the habit of listening to good advice. Hence, we have adhered to it and shot in actual locations. We have incorporated those shots into the film."

He further explained, “We generated a lot of VFX plates for the background. But that didn't look real enough. Hence, we went and shot a couple of scenes for 10-12 days.”

Vikram Bhatt made a big claim before signing off, “I can tell you that my upcoming film will have the best 3D to date in Indian cinema. I just saw some 3D shots and I was jumping with joy!”

Vikram Bhatt's upcoming 3D horror film is produced by Anand Pandit, Rakesh Juneja and Shwetambari Bhatt.

Also Read: EXCLUSIVE: Tia Bajpai BREAKS silence on not being cast in Haunted sequel; backs Vikram Bhatt amid controversy: “He’s a thorough professional…you cannot put someone behind bars because the film didn’t work”

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Akshay Kumar likely to return as host for Wheel Of Fortune India Season 2; industry buzz suggests renewal

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Akshay Kumar may soon be returning to television screens as host of Wheel Of Fortune India, with industry sources indicating that the game show has been greenlit for a second season. While an official announcement is still awaited, reports suggest the channel is keen to continue with the actor at the centre of the format following the response to its debut run.

The Indian adaptation of the globally recognised game show premiered on January 27, 2026, marking one of the first major reality television launches of the year. Based on the iconic American series Wheel of Fortune, the format has enjoyed decades of popularity internationally since first airing in 1975.

The original version went on to become one of the longest-running game shows in television history, spanning more than four decades and building a strong worldwide fan base. The Indian version, meanwhile, appears to have found encouraging traction among viewers in a relatively short period.

According to trade circles, the decision to move ahead with another season has been influenced by stable ratings and audience engagement through the first edition. Many within the television industry also believe Akshay Kumar’s presence played a key role in helping the show connect with family audiences.

The actor’s hosting style — relaxed, conversational and spontaneous — was widely noted as a good fit for the format. Contestants appeared comfortable interacting with him, while his humour and screen presence added warmth to the gameplay.

For Akshay Kumar, Wheel Of Fortune India marked a return to television hosting, a space where he has previously delivered memorable runs. The actor was earlier associated with Fear Factor: Khatron Ke Khiladi, where his action-star image blended naturally with the stunt-based reality format. He also hosted MasterChef India.

Celebrity-led game shows have historically performed well on Indian television. Kaun Banega Crorepati remains the benchmark in the genre, while titles such as 10 Ka Dum and Shark Tank India have also demonstrated the audience appetite for high-stakes formats fronted by familiar personalities.

If the second season moves ahead as expected, Wheel Of Fortune India could further strengthen its position in the competitive non-fiction television space. Retaining Akshay Kumar as host would also offer continuity for viewers who embraced the first season.

As of now, neither the channel nor the actor has formally confirmed the development. However, industry indications suggest the wheel may soon be spinning once again with Akshay Kumar back at the helm.

Also Read: Akshay Kumar confirms Gorkha shelved ahead of Bhooth Bangla release; says “film is not being made”

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No AI in the Film: Toddlers in the Hai Jawaani Toh Ishq Hona Hai first look just a trick

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The internet hasn't stopped talking about those unsettling AI-generated babies since the first look of Hai Jawaani Toh Ishq Hona Hai dropped on April 14. But here's what well-placed sources close to the production are now quietly confirming: the digital toddlers were always a teaser-only device cooked up to grab eyeballs, never intended to make the theatrical cut.

"It was purely a gimmick to get people talking about the film's premise," a source with direct knowledge of the production told us. "The makers wanted a quick, visually arresting way to set up the love triangle without revealing actual footage. AI babies were the pitch. It got greenlit for the teaser and stopped right there. There is no AI in the film."

The clarification comes as the teaser continues to attract more heat than hype. David Dhawan's 46th directorial starring Varun Dhawan, Mrunal Thakur, and Pooja Hegde in a chaotic love triangle was meant to arrive on a wave of nostalgic goodwill. Instead, the opening sequence, featuring two digitally rendered infants piecing together that they share the same father, triggered widespread ridicule online, with viewers calling it "creepy," "tone-deaf," and a symptom of a creative team chasing viral trends it doesn't quite understand.

Sources say the AI sequence was conceived and executed by a third-party creative agency brought on for the launch campaign independent of how the film itself was made. David Dhawan, by all accounts, directed Hai Jawaani Toh Ishq Hona Hai the way he always has on set, with actors, with instinct.

The production is now understood to be pivoting its promo strategy, with a proper trailer one that puts Varun, Mrunal, and Pooja front and centre expected within the next fortnight. The hope is that audiences will let the film speak for itself once they see what's actually in it.

Hai Jawaani Toh Ishq Hona Hai releases in cinemas worldwide on May 22, 2026.

Also Read: Hai Jawani Toh Ishq Hona Hai First look: Varun Dhawan is caught in a double love twist with Pooja Hedge and Mrunal Thakur

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