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King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

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Just a day after social media was flooded with leaked photos from the sets of the much-anticipated action-drama King, director Siddharth Anand has issued an official statement addressing the situation. The viral images, reportedly featuring Shah Rukh Khan and Deepika Padukone shooting in Cape Town, sparked massive excitement among fans, but have also left the film’s team concerned about preserving the cinematic experience.

Taking to social media, Siddharth Anand shared a note requesting fans and online platforms to refrain from circulating unauthorized content from the shoot. Emphasizing the importance of maintaining the film’s intrigue, the filmmaker urged audiences to wait for official reveals.

"Request to all the fans. Please do not post or circulate any leaked multimedia from the sets of King. The team is working round the clock to ensure the best cinematic experience for everyone. Let us wait for the surprise on the big screen and for the assets to be revealed as the team of King originally intends to. Thank you for your love, support and cooperation”.

pic.twitter.com/sTvx9IP4w3 — Siddharth Anand (@justSidAnand) May 1, 2026

The leaked visuals, which reportedly show Shah Rukh Khan and Deepika Padukone in an sweet moment holding hands, during filming, quickly went viral across platforms, further amplifying buzz around the project. The film, already one of the most awaited releases, has been making headlines for multiple reasons.

King holds particular significance for Shah Rukh Khan fans as it marks the theatrical debut of his daughter, Suhana Khan, in a full-fledged role alongside him. While Suhana previously made her acting debut with The Archies, this film will be her first major big-screen outing, adding an emotional and legacy-driven layer to the anticipation.

Apart from the father-daughter pairing, the film also boasts a strong ensemble cast including Abhishek Bachchan, Anil Kapoor, Rani Mukerji, Abhay Verma, and Raghav Juyal in pivotal roles. With Siddharth Anand at the helm—known for mounting large-scale action spectacles—the film is expected to deliver a high-octane cinematic experience.

Currently in production, King has been shot across multiple international locations, with Cape Town being one of the key schedules. The makers have been maintaining tight secrecy around the storyline and visuals, making the recent leak a setback to their carefully planned promotional strategy.

Slated for a theatrical release on December 24, 2026, King continues to build strong momentum, with fans eagerly awaiting official glimpses from what promises to be one of the biggest Bollywood releases of the year.

Also Read: Shah Rukh Khan, Deepika Padukone seen holding hands in LEAKED King photos from Cape Town

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Aamir Khan and Junaid Khan greet fans during Ek Din theatre visit

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Aamir Khan Productions’s much-awaited film Ek Din has now arrived in theatres after building anticipation in the lead-up to release. The film has drawn attention for its soft romantic storyline and for bringing Sai Pallavi and Junaid Khan together on screen for the first time.

As part of the film’s promotional campaign, the makers had earlier announced that Aamir Khan, Junaid Khan, director Sunil Pandey and members of the crew would be visiting select theatres after screenings. Following through on that plan, the team met audiences at cinemas, where they interacted with moviegoers and thanked them for their support.

Videos shared online showed enthusiastic reactions inside theatres, with fans welcoming the team with cheers, applause and requests for photographs. Aamir Khan and Junaid Khan were also seen speaking with viewers, making the outing a memorable promotional moment for those present.

The trailer and songs of Ek Din had already generated positive interest before release, especially for the fresh pairing of Sai Pallavi and Junaid Khan. The film has now opened to encouraging audience response, with early footfalls reflecting curiosity around the project.

 

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The release is also notable because it reunites Aamir Khan with filmmaker Mansoor Khan after a long gap. The two have previously collaborated on films such as Qayamat Se Qayamat Tak, Jo Jeeta Wohi Sikandar, Akele Hum Akele Tum and Jaane Tu... Ya Jaane Na. With Ek Din, the association returns to the romance genre once again.

Produced under the banner of Aamir Khan Productions, Ek Din stars Sai Pallavi and Junaid Khan in lead roles. The film is directed by Sunil Pandey and produced by Aamir Khan, Mansoor Khan and Aparna Purohit. It is currently running in theatres.

Also Read: Aamir Khan lets fans meet him for less than Rs. 100 as Ek Din makers price special audience interaction shows at just Rs. 92

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Ram Charan starrer Peddi locks June 4, 2026, for its release!

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Peddi has emerged as one of the most anticipated films of 2026, headlined by global star Ram Charan. The film also features Janhvi Kapoor and Jagapathi Babu in pivotal roles. Ever since its announcement, the project has been generating significant buzz among fans as well as within the industry. Recently, Peddi Pehelwan was released, showcasing Ram Charan in a very different avatar, and it received tremendous love from across the country. The film has now officially locked its release date as 4th June 2026, right after the IPL season.

With excitement for Peddi at an all-time high, the film is set to hit theatres on 4th June 2026. Positioned as next biggest films of the year, it will arrive just after the IPL season concludes, a perfectly timed release for a mega-screen spectacle that is expected to dominate the box office.

Grit is his story. Determination is his weapon 🔥#PEDDI WORLDWIDE RELEASE ON 4th JUNE, 2026 ❤️‍🔥 Mega Power Star @AlwaysRamCharan @NimmaShivanna #JanhviKapoor @BuchiBabuSana @arrahman @RathnaveluDop @artkolla @NavinNooli @bomanirani @IamJagguBhai @divyenndu @vriddhicinemas… pic.twitter.com/nhw1GB4fUS

— Mythri Movie Makers (@MythriOfficial) May 1, 2026

With every piece of content, Peddi is becoming one of the most awaited films. Each content drop has worked phenomenally, be it the teaser, 'Chikiri Chikiri,' 'Rai Rai Raa Raa' song or the posters; every piece has taken us into the world of Peddi in a very unique way. This is pure content success. No frills.

Peddi’s first single, 'Chikiri Chikiri,' created a strong buzz right after its release, with audiences loving its fresh vibe and the signature touch of A. R. Rahman. The track quickly connected with listeners and has already crossed over 200 million views across platforms, reflecting the rising excitement around the film’s music.

Taking that momentum forward, the makers dropped the second track, 'Rai Rai Raa Raa,' a high-energy song that instantly grabbed attention online. The track has already surpassed 47 million views on YouTube, further building anticipation among fans for the film’s release.

Written and directed by Buchi Babu Sana, Peddi stars Ram Charan in the titular role, alongside Shiva Rajkumar, Janhvi Kapoor, Divyendu Sharma, and Jagapathi Babu. Produced by Venkata Satish Kilaru under his banner, Vriddhi Cinemas, and in collaboration with leading production house Mythri Movie Makers, the film is scheduled for release on 4th June 2026.

Also Read: Ram Charan to have three transformations in Peddi and third look is kept secret, reveals trainer Rakkesh R. Uddiyar

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BREAKING: Raja Shivaji, The Devil Wears Prada 2 witness CRAZY demand; exhibitors open 1 am and 2 am shows to handle the rush

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Raja Shivaji and The Devil Wears Prada 2 have been released today to a massive response. The Devil Wears Prada 2 had paid previews yesterday and were sold out in many theatres in urban cities, especially the ones frequented by elite. Both films have a great word of mouth and hence, a huge weekend total is expected from both of them. As it happens with such films, cinemas have already decided to play post-midnight shows on Saturday, May 2 and Sunday, May 3.

On May 2, The Devil Wears Prada 2 will have a 1:20 am show at Mumbai’s PVR Oberoi Mall while 1:10 am at PVR C&B Square. There’ll be a show at 1:40 am at PVR Lido and a show at 1:20 am at PVR Le Reve. The latter will also play the show at the same time on Sunday. Meanwhile, PVR Infiniti Malad will screen The Devil Wears Prada 2 on May 3 at 1:25 am. More cinemas in Mumbai and other mega cities are expected to follow suit.

As for Raja Shivaji, the popular chain MovieMax has taken the initiative. A show at 12:55 am show will be played at MovieMax Sion. In MovieMax Mira Road, one will get a chance to see the historical drama at 12:55 am, while in Nagpur, one can catch the film at 1:15 am. MovieMax Kalyan will play Raja Shivaji at 12:15 am and 1:15 am, while MovieMax Kanjurmarg will play at 2:15 am, not just on Saturday but also on Sunday. Miraj’s Dombivali has decided to go for a 2:20 am show, looking at the response. All these shows are of Raja Shivaji’s Marathi version. Just like The Devil Wears Prada 2, the post-midnight shows of this film will also increase in several centres of Maharashtra.

An exhibition source explained, “There’s crazy demand for these two films. However, as there are too many releases, these films are facing capacity issues. Hence, exhibitors have decided to play shows after 12:00 am since the demand is there.”

Meanwhile, the Malayalam film Patriot has taken a smashing start while Michael and Bhooth Bangla continue to perform well. In short, it’s going to be a bountiful weekend for the industry.

Also Read: EXCLUSIVE: Here’s why Riteish Deshmukh and Jio Studios have thanked Ajay Devgn and Vicky Kaushal in Raja Shivaji

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Alia Bhatt to make special appearance in Sohum Shah-Nawazuddin Siddiqui’s Tumbbad 2: Report

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Fresh buzz around Tumbbad 2 suggests that Alia Bhatt may be set to make a special appearance in the upcoming folk horror sequel. According to recent reports, the actor is expected to feature in a brief but significant role in the film, which is currently being shot in Mumbai.

The sequel stars Sohum Shah and Nawazuddin Siddiqui, with direction by Adesh Prasad. Industry reports claim that while Alia’s screen time may be limited, her character could play an important role in moving the story forward. A report by Mid-Day quoted a source stating that the makers were looking for someone who could bring impact and intrigue in a short appearance, and Alia was considered a suitable fit.

Tumbbad 2 is expected to continue exploring the dark mythology surrounding Hastar, the cursed deity introduced in the first film. The story is also said to examine the consequences of disturbing forces that were never meant to be worshipped.

Production on the sequel began on April 7, 2026. The film has mounted an ambitious shoot schedule, with a large-scale set spread across 7 to 8 acres, reportedly constructed in Mumbai to resemble an entire city. The scale of the production has added to growing anticipation around the sequel.

The Mid-Day report further speculated that Alia Bhatt’s portions are being filmed on an elaborate set in Madh Island. She is expected to shoot for two days. Since the actor is also set to attend the Met Gala 2026 on May 4, it has been reported that a body double may be used for certain patch scenes to manage schedules.

The project is being produced by Sohum Shah under Sohum Shah Films in association with Pen Studios, headed by Dr. Jayantilal Gada. Distribution responsibilities are with Pen Marudhar. Meanwhile, an official confirmation regarding Alia Bhatt’s involvement is still awaited. The film is currently scheduled for release on December 3, 2027.

Also Read: Tumbbad 2 release date announced – Sohum Shah starrer much-awaited sequel to hit cinemas on December 3, 2027

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Ashutosh Gowariker to lead 57th International Film Festival of India

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In a significant development for Indian cinema, acclaimed filmmaker Ashutosh Gowariker has been appointed as the Festival Director for the 57th edition of the International Film Festival of India. The appointment comes as part of an initiative by the Ministry of Information and Broadcasting, further strengthening Gowariker’s long-standing association with the prestigious festival.

Gowariker’s relationship with IFFI spans decades, making this appointment a natural progression of his continued involvement. From being an attendee in the early years to playing key roles in recent editions, including serving as Jury President for International Cinema in 2024, his journey reflects a deep-rooted connection with the festival and its evolution.

Expressing his gratitude, Gowariker said, “It gives me immense pride and joy to serve as the Festival Director for the prestigious International Film Festival of India, Goa. I feel privileged to have witnessed the evolution of this festival—from attending it in 1984 to continuing my association over the years, right up to 2024.”

He further added, “To carry forward the legacy that has been created, nurtured, and expanded over the decades since 1952 by innumerable festival teams is a great honour, accompanied by a renewed sense of responsibility. I look forward to working closely with the Ministry of Information & Broadcasting and the Government of Goa.”

Founded in 1952, IFFI remains one of Asia’s most prominent film festivals, serving as a vital platform for global cinema while fostering cultural exchange through storytelling. With Gowariker at the helm, the 57th edition is expected to build on this legacy and further elevate India’s presence on the global cinematic stage.

Also Read: Red Lorry Film Festival 2026: Ashutosh Gowariker clarifies, “I was NOT inspired by Naya Daur for Lagaan; had not even seen the film”; also reveals his REAL inspiration: “Lagaan is Asterix”!

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Sanya Malhotra-starrer Pagglait 2 in the works at Sikhya Entertainment and Netflix India: Report

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A sequel to Pagglait is officially in development, with Sanya Malhotra set to return in the lead role. The project, titled Pagglait 2, will once again bring together Sikhya Entertainment and Netflix India, continuing their successful creative partnership.

According to a report by Variety India, director Umesh Bist, who helmed the original film, is also returning for the sequel. The filmmaker is expected to take the story forward with a new narrative approach while preserving the emotional and humorous tone that made the first installment stand out.

At present, it is unclear whether Pagglait 2 will directly continue the events of the 2021 film or explore a fresh story connected by similar themes and characters. However, the sequel is expected to retain the distinct blend of wit, grief, family drama and self-discovery that resonated with audiences in the original release.

Production on the sequel is likely to begin around August or September 2026. No official release date has been announced yet.

Released in 2021, Pagglait received praise for its unconventional storytelling and strong performances. The film followed the journey of a young widow navigating personal loss, family expectations and emotional transformation. Sanya Malhotra’s performance in the lead role was widely appreciated.

Founded by Guneet Monga Kapoor and Achin Jain, Sikhya Entertainment is known for backing notable projects such as the Academy Award-winning documentary The Elephant Whisperers, The Lunchbox, Kathal and Peddlers.

The company also has several upcoming releases in the pipeline, including a new project from filmmaker Karthik Subbaraj and the spy comedy Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan.

Also Read: Sanya Malhotra starrer Pagglait turns 3, actress shares memory on social media

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Shah Rukh Khan, Deepika Padukone seen holding hands in LEAKED King photos from Cape Town

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Fresh excitement around King has taken over social media after leaked photos from the film’s Cape Town schedule surfaced online. The images feature Shah Rukh Khan and Deepika Padukone shooting together, giving fans an early glimpse of their latest on-screen reunion.

The leaked stills appear to have been captured from a distance at the outdoor shoot location in Cape Town. In the photos, Shah Rukh Khan is seen dressed in a vertically striped button-down shirt paired with dark trousers. He completed the look with sunglasses and a windswept hairstyle.

Deepika Padukone, meanwhile, is seen in profile wearing a flowing golden-toned gown with voluminous sleeves. Her hair was styled in loose waves, and she appeared to be mid-motion, possibly during a shot or rehearsal. One of the standout moments from the leaked visuals shows Shah Rukh Khan and Deepika holding hands while crew members surrounded them.

 

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The photos have gone viral just days after Deepika Padukone announced that she is expecting her second child. Her presence on the set has sparked conversations among fans, many of whom praised the actor for balancing work commitments while entering a new phase of personal life.

 

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King is among the most anticipated upcoming Hindi releases and features a strong ensemble cast. Along with Shah Rukh Khan and Deepika Padukone, the film also stars Suhana Khan, Abhishek Bachchan, Arshad Warsi and Jaideep Ahlawat in key roles.

The project is especially significant for Suhana Khan, as it marks her theatrical debut after making her screen debut in The Archies. Expectations are high around her big-screen launch alongside her father Shah Rukh Khan.

While the makers have kept plot details under wraps, the leaked images have only increased curiosity around the film’s scale and presentation. With Shah Rukh Khan and Deepika Padukone reuniting once again after successful collaborations in the past, audiences are eager to see what King has in store.

The film is currently scheduled for a Christmas 2026 release and is expected to arrive in cinemas on December 24.

Also Read: Fact Check: Is Shah Rukh Khan–Deepika Padukone’s song from King really leaked? Here’s the truth!

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Sudha Reddy Likely to return to Met Gala 2026 after one-year break

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As excitement builds around the guest list for the Met Gala 2026, reports suggest that Indian business personality and philanthropist Sudha Reddy may be set for another appearance at fashion’s biggest night. According to sources, the Hyderabad-based social figure is expected to return to the iconic steps of the Metropolitan Museum of Art for her third outing after skipping last year’s edition.

Sudha Reddy has previously drawn attention for representing Indian craftsmanship on an international platform. She first attended the Met Gala in 2021 wearing a bespoke look by Falguni Shane Peacock. She returned in 2024 in a handcrafted creation by Tarun Tahiliani, further strengthening her identity as one of the few Indian personalities regularly seen at the global fashion event.

If reports are accurate, her 2026 look could once again place Indian design in the spotlight. Insiders claim she may collaborate with Manish Malhotra for the gala this year. Styling is reportedly expected to be overseen by Mariel Haenn, known for working with international names including Jennifer Lopez, Rihanna and Pharrell Williams.

A source from Hyderabad said, “Expect something rooted in heritage and culture but scaled for a global stage. Her Met Gala appearances are never just about fashion, they’re about identity and presence. She will be once again championing Indian craftsmanship on the world stage as her vision is to proudly make a statement for Indian textiles and jewellery.”

Beyond fashion, Sudha Reddy continues to maintain an active global profile. She serves as a director at Megha Engineering and Infrastructures Limited and leads the Sudha Reddy Foundation. She has also attended events such as the Cannes Film Festival, Paris Haute Couture Week and the White House Correspondents' Dinner.

The Met Gala 2026 is scheduled for May 4, 2026, and is expected to host around 450 global figures from entertainment, fashion, sports and business. This year’s theme is “Fashion Is Art,” exploring the connection between clothing and artistic expression over 5,000 years.

The gala will reportedly be co-chaired by Beyoncé, Nicole Kidman, Venus Williams and Anna Wintour.

With the official guest list still under wraps, growing speculation around Sudha Reddy’s return reflects the increasing visibility of Indian names on one of fashion’s most-watched stages.

Also Read: Ashwin Dhar, aka Arshad Pappu from Dhurandhar, REACTS to comparison with Shah Rukh Khan’s Met Gala look: “It is a big compliment” 

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Bombay High Court quashes 2010 FIR against Shekhar Suman and Bharti Singh over comedy show remarks

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The Bombay High Court has quashed a 2010 FIR registered against actor Shekhar Suman and comedian Bharti Singh over alleged remarks made during a television comedy show, ruling that no offence of hurting religious sentiments was established.

The case was registered at Pydhonie Police Station under Section 295-A of the Indian Penal Code, which deals with deliberate acts intended to outrage religious feelings, along with Section 34, which relates to common intention. A representative of the Raza Academy had filed the complaint following an episode of Comedy Circus Ka Jadoo that aired in November 2010.

Justice Amit Borkar allowed separate petitions filed by Shekhar Suman and Bharti Singh seeking cancellation of the FIR and all related proceedings. While delivering the order, the court observed that the television programme was meant for light entertainment and should be viewed in the proper context.

The High Court stated that a comedy show cannot be judged in the same way as a serious speech, religious discourse, or political statement. It noted that performances in such formats should be considered as a whole instead of isolating a few words or expressions.

The court further clarified that for an offence under Section 295-A to be made out, there must be both deliberate and malicious intent to insult religious sentiments. According to the bench, both conditions are necessary, and if either one is missing, the offence is not complete.

After reviewing the available material, the court found no evidence to suggest that either Shekhar Suman or Bharti Singh had any intention to insult any religion. It also said that merely because some viewers may have felt offended would not be enough to justify criminal prosecution.

The bench also considered the specific roles of the two artists. It noted that Shekhar Suman was serving as a judge on the show, while Bharti Singh was performing as part of a scripted comic act. There was no material indicating any shared plan or common intention between them.

Additionally, the High Court pointed out that the prosecution had failed to obtain prior sanction under Section 196 of the Code of Criminal Procedure, a mandatory requirement for prosecuting offences under Section 295-A.

Rejecting the State’s argument that the matter should proceed to trial, the court held that a trial cannot replace the need for a legally valid case. It concluded that continuing criminal proceedings in the absence of required ingredients would amount to misuse of the legal process.

With this ruling, the FIR and all consequential proceedings against Shekhar Suman and Bharti Singh have been set aside.

Also Read: “Your talent should be your drug,” Shekhar Suman condemns Bharti Singh

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Bombay High Court dismisses PIL seeking change in Raja Shivaji’s title

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The Bombay High Court has dismissed a public interest litigation (PIL) that sought a stay on the theatrical release of the Marathi-Hindi bilingual film Raja Shivaji, clearing the way for the movie’s scheduled release on May 1, 2026. The petition had objected to the omission of the honorific “Chhatrapati” from the film’s title and claimed it was disrespectful to the legacy of Chhatrapati Shivaji Maharaj.

The plea was filed by NGO Sree Chhatrapati Shivaji Maharaj Foundation, which argued that leaving out the title “Chhatrapati” hurt the sentiments of followers of the iconic Maratha ruler. The petitioner requested the court to direct the makers to rename the film Chhatrapati Raja Shivaji and also sought restrictions on the release, screening, and public exhibition of the movie until changes were made.

A division bench led by Chief Justice Shree Chandrashekhar and Justice Gautam Ankhad rejected the petition, observing that the matter did not involve any real public cause. The court also noted the timing of the plea, pointing out that it was filed only two days before the film’s release.

According to the bench, there was nothing in the title Raja Shivaji that could be considered insulting or derogatory to the status of Chhatrapati Shivaji Maharaj. The judges stated that the petition appeared to be motivated rather than filed in genuine public interest.

The respondents in the case included the Union of India, the State of Maharashtra, the Central Board of Film Certification, actor-director Riteish Deshmukh, producers Jyoti Deshpande, Genelia Deshmukh, and Mumbai Film Company Pvt Ltd.

During the hearing, counsel representing the film’s producers informed the court that the story focuses on Shivaji Maharaj’s life before his coronation in 1674, when he officially received the title of “Chhatrapati.” It was also stated that a disclaimer explaining this context had already been included in the film and approved by the CBFC.

The producers further submitted that the project had been publicly announced in February 2024, while its release date was declared in 2025, meaning the title had long been in the public domain.

In its final remarks, the High Court said public interest litigation was meant to amplify genuine public concerns, and not be misused for such last-minute objections.

Also Read: Raja Shivaji Box Office Prediction: Riteish Deshmukh’s film to open HUGE, take comfortable DOUBLE DIGIT opening

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Ranveer Singh starrer Dhurandhar controversy: Santosh Kumar RS agrees to stay silent on Aditya Dhar amid court proceedings

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The ongoing controversy surrounding Dhurandhar The Revenge, starring Ranveer Singh, has taken a fresh turn, with filmmaker Santosh Kumar RS agreeing to refrain from making any further public remarks against director Aditya Dhar.

As per reports, the matter came up before the Bombay High Court, where Santosh Kumar’s legal representative conveyed that the filmmaker would avoid speaking about the dispute in public going forward. Instead, he would rely on appropriate legal channels to address his concerns. It was also suggested on his behalf that earlier comments were not specifically aimed at Aditya Dhar. The court, however, noted that making such an assurance enforceable in a broader sense could be challenging but decided to formally record Kumar’s commitment to avoid any further statements that could be seen as defamatory.

On the other side, Aditya Dhar’s legal team pushed for a public apology over the earlier allegations. His counsel argued that publicly accusing someone of wrongdoing could have serious implications and maintained that an apology would be appropriate under the circumstances. However, Kumar’s side did not agree to this, stating that he believes he has sufficient grounds to support his claims and therefore would not apologise at this stage.

With this, the court chose to close the interim plea while clearly stating that no further controversial or potentially damaging remarks should be made by Santosh Kumar in the future.

The dispute traces back to claims made by Kumar, who alleged that Dhurandhar was based on a script he had previously registered under the title D Saheb. Following these accusations, Aditya Dhar had issued a legal notice asking for the statements to be withdrawn. When there was no response, the director approached the court, stating that the claims were unfounded and were affecting his professional reputation.

Earlier this month, the court had already instructed Kumar to refrain from repeating such allegations publicly until further hearings in the matter.

Despite the ongoing controversy, Dhurandhar The Revenge has performed strongly at the box office and continues to remain in the spotlight, driven by audience interest and discussions around the film.

Also Read: Dhurandhar The Revenge couldn’t beat Dangal, but trade says its Rs. 1800 crore run without Gulf and China is the bigger success story

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Karisma Kapoor and children find relief in Sunjay Kapur estate row as Priya Sachdev gets barred from asset control

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In a significant development in the ongoing family dispute involving Karisma Kapoor, the Delhi High Court has granted interim relief to her children in their legal battle over the estate of late industrialist Sunjay Kapur. The court has directed that the assets left behind by Sunjay Kapur be safeguarded for now, while also restricting his widow Priya Sachdev Kapur from creating any third-party interests in them.

The order comes amid a dispute over a will reportedly dated March 2025, which is said to leave Sunjay Kapur’s personal wealth entirely to Priya Kapur. The children of his former wife Karisma Kapoor, however, have challenged the authenticity of this document, raising concerns about its validity and alleging that it may have been fabricated.

Taking note of these concerns, the court observed that questions surrounding the will would require detailed examination during trial proceedings. Until then, it emphasized the need to protect the estate from being altered or reduced in value. The judge noted that there was sufficient basis at this stage to justify temporary protection of the assets.

As part of the interim directions, Priya Kapur has been restrained from selling, transferring, or making changes to shareholding patterns in Sunjay Kapur’s Indian companies. She has also been restricted from withdrawing funds from certain bank accounts, except for expenses related to the children as per earlier arrangements. Additionally, access to certain financial holdings, including overseas accounts and cryptocurrency assets, has been paused for the time being.

However, the court clarified that properties located outside India are not covered under this interim order.

The dispute traces back to Sunjay Kapur’s passing in June 2025 in the United Kingdom. Following his demise, Karisma Kapoor’s children, represented by their mother, approached the court claiming they had been unfairly excluded from their father’s estate. They have sought recognition as rightful heirs and requested a fair share of the assets.

On the other hand, Priya Kapur has denied all allegations, maintaining that the will in question is genuine. Her legal team has argued that minor inconsistencies in the document do not invalidate it and has also claimed that the children have already benefited from family trusts.

Karisma Kapoor and Sunjay Kapur were married for over a decade before parting ways in 2016. They share two children. As the matter now moves towards a detailed hearing, the court’s interim order ensures that the estate remains intact until a final decision is reached.

Also Read: Legacy meets relevance: Why brands still bet on Karisma Kapoor

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Reliance Retail acquires Priyanka Chopra Jonas’ Anomaly, eyes major beauty expansion in India and global markets

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Reliance Retail has announced the acquisition of Anomaly, the global haircare brand founded by Priyanka Chopra Jonas. The deal includes the brand’s trademarks, intellectual property, and digital assets, marking a significant move in Reliance Retail’s efforts to strengthen its fast-growing beauty and personal care portfolio.

Launched in 2021, Anomaly has positioned itself as a clean, vegan, and high-performance haircare brand at an accessible price point. Over the years, it has built a strong presence across international markets, making it a notable name in the global beauty space.

With this acquisition, Reliance Retail gains full ownership of the brand’s ecosystem, enabling it to scale Anomaly across its extensive offline and online retail network. The company plans to leverage its omnichannel capabilities, including its beauty platform Tira, to expand the brand’s reach and accessibility among consumers.

Commenting on the development, Isha Ambani, Executive Director, Reliance Retail Ventures Limited, said, “Bringing Anomaly into our portfolio marks a strategic step in expanding our basket of new-age, high-growth beauty brands. Anomaly’s strong global positioning, clean formulation philosophy, and accessible pricing make it a compelling addition to our ecosystem. We see immense potential in collaborating with Priyanka to scale the brand in India by leveraging our omnichannel capabilities and deep consumer insights, while continuing to grow its international presence.”

India is expected to be a key focus market for the brand going forward, with plans to introduce innovations tailored specifically to Indian hair and scalp needs. At the same time, Reliance Retail aims to further strengthen Anomaly’s global footprint across regions such as North America, the United Kingdom, and the Middle East.

Priyanka Chopra Jonas will continue to play a central role in the brand’s journey as Creative Director. Speaking about the new phase, she said, “This is a defining moment for Anomaly. What began as a deeply personal journey has grown into a brand with real purpose and global ambition, and Reliance Retail’s acquisition marks an exciting new chapter. Their scale, retail expertise, and commitment to innovation will allow us to bring Anomaly to far more consumers in India and around the world. I’m especially excited to be working alongside the inimitable Isha Ambani, whose leadership I value tremendously. In my new role as Creative Director, I remain deeply involved in guiding Anomaly’s evolution, ensuring we continue to grow and innovate while staying true to what we set out to build from the very beginning.”

The acquisition reflects Reliance Retail’s broader strategy of investing in future-forward consumer brands, combining global appeal with its strong retail infrastructure to drive the next phase of growth.

Also Read: Priyanka Chopra shoots cameo in Mira Nair’s Amrita Sher-Gil biopic Amri: Report

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Orry moves out of Karan Johar’s DCAA, joins Collective Artists Network

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Social media personality Orry, also known as Orhan Awatramani, has reportedly changed his talent management agency. According to multiple people familiar with the development, Orry has moved his representation from Karan Johar’s Dharma Collab Artists Agency (DCAA), which is backed by Dharma Productions, to Collective Artists Network (CAN).

The shift marks a notable move for Orry, who has gained significant attention on social media and in celebrity circles over the past few years. Known for his presence at high-profile events and close associations with Bollywood personalities, Orry has carved out a unique space for himself in the entertainment ecosystem.

While neither Orry nor the agencies involved have made an official announcement regarding the transition, industry sources indicate that the move has already taken place. Such changes in representation are common in the entertainment and influencer industry, often reflecting evolving career strategies and new opportunities.

Further details about the reasons behind the switch or upcoming projects under his new representation remain undisclosed.

Also Read: Inside Rihanna’s Mumbai afterparty with Isha Ambani, Orry, Janhvi Kapoor and more!

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Stop trolling Rahul Roy: Behind those viral reels is a man fighting health, money and dignity

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There are some viral videos that make the internet laugh. And then there are some viral videos that should make the internet pause, reflect and feel a little ashamed of itself. The recent trolling around Rahul Roy belongs to the second category.

Over the last few days, the Aashiqui actor found himself back in the news after a set of Instagram reels featuring him with content creator Dr. Vanita Ghadage Desai went viral. The videos sparked mixed reactions online. Some fans were concerned. Some were confused. But many chose the easiest and cruelest route. They mocked him. Rahul Roy later responded to the trolling, saying that he works with honesty and modesty, that he has legal matters to pay for, and that these issues existed even before his brain stroke. He also urged those genuinely concerned to help him find decent work instead of ridiculing him. That response changes everything.

Because once a man says he is doing whatever work comes his way to meet obligations, clear dues and stay active after a major health setback, the joke should end. The memes should stop. The sarcasm should die. The laughter should turn into discomfort. Rahul Roy is not a meme. Rahul Roy is not a punchline. Rahul Roy is a man trying to survive with dignity. And that is what makes this episode so heartbreaking.

There was a time when Rahul Roy was not just another actor. He was a phenomenon. In 1990, Aashiqui turned him into the face of romance for an entire generation. His hair, his silence, his innocence, his songs, his image became a part of Hindi cinema’s popular memory. For millions, he was not merely a hero on screen; he was the boy from the love story that defined an era. And today, that same man is being reduced to a viral clip.

That is the brutal irony of fame. At its peak, it worships you. When the spotlight moves away, it forgets you. And when you reappear in a form that people do not expect, it mocks you.

Of course, one can say that the reels looked unusual. One can say that the videos were awkward. One can say that the content did not match the image people had of Rahul Roy in their heads. But since when did awkwardness become a licence for cruelty? Since when did a former star trying to work become entertainment for trolls? Since when did a man’s vulnerability become public property?

This is the ugly side of the social media age. Everyone wants nostalgia, but only in a polished, glamorous, Instagram friendly form. We want stars from the past to remain frozen in their most beautiful frame. We want Rahul Roy to remain the Aashiqui hero forever. Young, mysterious, romantic, untouched by time, untouched by illness, untouched by financial pressure, untouched by reality. But life does not work like that.

People age. Careers change. Health collapses. Money problems happen. Legal issues drain people. Work dries up. The phone stops ringing. The same industry that once celebrates an actor may not always know what to do with him decades later. And then, when that actor tries to remain visible, tries to stay active, tries to earn in whatever respectful way he can, the internet asks: Why is he doing this?

The answer may be uncomfortable, but Rahul Roy has given it himself. He has legal matters to pay for. He is trying to work. He is trying to stand on his own feet. He has already survived a major health crisis, having suffered a brain stroke in 2020, and reports around his latest response have again connected his present situation with the long road of recovery and financial strain that followed. What exactly is shameful in that?

There is no shame in needing work. There is no shame in accepting smaller opportunities after a big career. There is no shame in appearing in reels, videos, events or promotional content if that is what keeps one financially afloat. There is no shame in trying. The shame lies elsewhere.

The shame lies in an internet culture that turns someone’s struggle into a joke. The shame lies in viewers who type mental health matters on one post and then humiliate a vulnerable public figure on another. The shame lies in a society that loves comeback stories only after they become successful, but mocks the difficult, messy, painful process of the comeback itself.

We often speak about dignity. But dignity is not tested when a star is at the top. Dignity is tested when that star is struggling. It is easy to clap for a superstar walking a red carpet. It is harder and more human to respect a former star doing modest work to keep going.

Rahul Roy’s case also exposes a larger question about the film industry. What happens to actors after fame fades? What happens to those who were once household names but are no longer commercially powerful? Is there enough space for them in films, OTT shows, reality formats, nostalgia programming, character roles, interviews, appearances and dignified brand opportunities?

The industry does not need to give Rahul Roy charity. But surely, an industry that thrives on nostalgia can offer dignity to the people who created that nostalgia. Surely, there can be thoughtful casting, respectful cameos, meaningful interviews, music specials, streaming appearances, or roles that allow such actors to work without being turned into objects of pity.

Because when an actor of Rahul Roy’s legacy has to publicly say, in effect, “Help me find work,” it should trouble Bollywood. It should trouble casting directors. It should trouble producers. It should trouble audiences too.

We cannot celebrate Aashiqui songs for 35 years and then look away from the man who carried that image into our collective memory.

The saddest part is that Rahul Roy’s response was not angry in the way trolls deserved. It was dignified. He did not abuse. He did not play victim. He simply reminded people that he works honestly, that he has responsibilities, and that if anyone is truly concerned, they should help him with work instead of mocking him. That is not a publicity stunt. That is a man asking to be seen as human. And maybe that is what made people uncomfortable.

Because trolling is easy when the person stays silent. It is easy to laugh at a clip when you do not think about the person inside it. But the moment Rahul Roy responded, the reel stopped being just a reel. It became a mirror. A mirror to our cruelty, to our hypocrisy and to the way we treat people who are no longer useful to our fantasy of stardom.

So yes, stop trolling Rahul Roy. Behind those reels is not just an actor from the past. Behind those reels is a human being fighting for health, money, work and dignity. And the least the internet can do is not make that fight harder.

Rahul Roy once gave Hindi cinema one of its most enduring love stories. Today, the least we can give him back is a little humanity.

Also Read: Rahul Roy hits back at trolls with powerful note after viral videos spark concern: “You cannot break me”

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Arjun Kapoor personality rights case: Not all content on public figures can be removed unless defamatory, says Delhi High Court

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Bollywood actor Arjun Kapoor on Wednesday approached the Delhi High Court seeking protection of his personality rights against alleged misuse through artificial intelligence and pornographic content. The matter was heard by Justice Tushar Rao Gedela, with Advocate Pravin Anand representing the actor.

During the hearing, Anand informed the Court that several defendants were selling merchandise using Kapoor’s personality traits, including his photos, without permission. He also said that some were sharing sexually explicit material, deepfakes and pornographic content involving the actor. He referred to earlier cases where courts had protected personality rights of public figures like Jubin Nautiyal and Vivek Oberoi.

As the Court reviewed the content, Justice Gedela observed that not everything related to a public figure can be taken down unless it is clearly offensive. Anand argued that the material was not satire but AI-generated, including morphed images of Kapoor with an animal and another showing him selling golgappas. He stated, “Nobody would like that. Not even a common man.”

Responding to this, the Court said, “Common man doesn't come to court for personality rights. When a person is in public glare, lot of things happen. We can understand if things are disparaging or defamatory. But everything cannot come under that. Otherwise the judgment in DM entertainment will be rendered redundant.” The Court also heard submissions from Google LLC and said a detailed interim order would be passed later.

The High Court has earlier granted similar protection to several public figures, including Allu Arjun, Mohanlal, Pawan Kalyan, Sunil Gavaskar, and Karan Johar.

Also Read: Arjun Kapoor takes wellness break in Austria months after cryptic “life’s been kinda cruel” post: “Feeling lighter, recharged and ready to go again”

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Sonali Kulkarni stranded for 5 hours in Mumbai traffic, shares distress video: “This is scary”

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Sonali Kulkarni recently took to Instagram to share a distressing experience from Mumbai’s notorious traffic, highlighting the growing concerns around the city’s infrastructure. The actress revealed that she was stuck for hours on the Mankhurd bridge while travelling from Mumbai to Pune, leaving her and many others stranded without clarity on when the situation would improve.

In a video posted online, she said, “Hi, I am here on Mankhurd bridge (Mumbai). It's been exactly 5 hours. 5 hours that we are stuck here”. Describing the situation further, she added, “I am going towards Pune. You can see the traffic behind me. And ahead of me, there. We called the traffic control team. They are saying that have patience. The jam is really bad. And they are not sure when the jam will get resolved. We can't cross. We are completely stuck because we can't turn back either”.

The actress also made an appeal for assistance, saying, “Pray for us. Police, please if you know anything. If you can come from the other side and let us know. If you can help us or give us an update. Please give us an update”.

Expressing the discomfort and fear caused by the prolonged standstill, she further shared, “We are hungry. We can't speak. I know people must have gone through much more terrible scenario than us. But this is scary. 5 hours at just one position.”

Her post quickly drew attention on social media, with several users echoing similar concerns about traffic congestion in Mumbai. Among those who responded was filmmaker Aditya Kripalani, who supported her stance while pointing out a broader issue. He commented, “Exactly the situation of the city. People are going through severe infrastructure issues while public is worried about her speaking in English instead of Marathi. A person may be screaming for help in danger tomorrow and we will be worried about the language of the scream”.

 

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  A post shared by Sonali Kulkarni (@sonalikul)

Mumbai has long grappled with heavy traffic congestion, and this latest incident once again underscores the everyday challenges faced by commuters. Sonali Kulkarni’s experience has reignited conversations around the need for better traffic management and infrastructure planning in one of India’s busiest cities.

Also Read: Sonali Kulkarni’s character in The Paradise is being called one of the most powerful female roles in Indian cinema

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Vicky Kaushal to dedicate over a year to Amar Kaushik’s Mahavatar, reveals report

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A recent report by Pinkvilla has sparked buzz around Vicky Kaushal and his potential association with filmmaker Amar Kaushik for the ambitious project Mahavatar. According to the report, the actor is expected to dedicate over a year exclusively to the film, indicating the scale and intensity of the project.

“Vicky has committed to a rigorous six-month training program that includes physical transformation, bulking up, and a series of acting workshops tailored specifically for the film. Amar has designed a very detailed prep module for Vicky. It’s not just about the physicality, but also about getting into the psychological and emotional graph of the character”, a source told the portal.

If the timelines hold, Mahavatar is likely to go on floors in January 2027, around the time of the release of Love & War. Reports further suggest that the shoot schedule could extend throughout the year, continuing until December 2027. During this period, Kaushal is said to be focusing solely on this project to maintain continuity in performance and appearance. The source went on to add, “Vicky is treating Mahavatar as a once-in-a-lifetime project. He wants to be fully invested, which is why he has consciously decided not to take up any other assignments during the shoot”.

There are also indications that the actor may take on a smaller project before beginning work on Mahavatar, considering the long commitment the film demands. However, it is important to note that neither Vicky Kaushal nor his team has officially confirmed his involvement in the film or any related schedule.

At present, the actor is occupied with Love & War, where he reunites with his Sanju co-star Ranbir Kapoor and Raazi co-star Alia Bhatt. The film also marks his first collaboration with acclaimed filmmaker Sanjay Leela Bhansali and is slated for a January 21, 2027 release.

While Mahavatar remains unconfirmed, the reported scale of preparation and commitment has already piqued curiosity, making it one of the most talked-about potential projects in the coming years.

Also Read: Shraddha Kapoor in talks for Vicky Kaushal’s Mahavatar: Report

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Rahul Roy hits back at trolls with powerful note after viral videos spark concern: “You cannot break me”

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Rahul Roy has strongly reacted to online trolling after certain videos of him went viral on social media, drawing mixed reactions from fans. The actor, who has largely stayed away from the limelight in recent years, took to Instagram to share a firm message addressing criticism around his recent appearances.

In his note, Rahul Roy wrote, “I do my work with honesty and modesty. I have some legal matters to pay for, and these are not from today—they are from before the brain stroke happened. If you mock my simplicity or make fun of my struggles, it says less about me and more about you”.

 

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  A post shared by Rahul Roy (@officialrahulroy)

He further added, “If you are truly so concerned, then help me find some genuine and decent work so I can pay for these cases. At least I am earning through hard work, not by mocking others. And after the brain stroke, it is important for me to stay active. I want to work for as long as I am alive. It keeps my mind active and gives me the sense of purpose and responsibility that I am still working today. Yes, it may hurt a little sometimes, but you cannot break me”.

The reaction comes after a social media page named Dr Vanita Ghadhage Desai shared videos featuring the actor, which quickly circulated online. In these clips, Rahul Roy is seen performing alongside an unidentified woman, with several users labelling the content as ‘cringe’ and questioning his participation. The videos left a section of his followers concerned, while others criticised the nature of the content.

 

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  A post shared by Dr.Vanita Ghadhage.D (@dr_vanita_ghadhage_desai)

Rahul Roy rose to prominence with the blockbuster Aashiqui, which made him a household name in the early 1990s. Over the years, he worked with several prominent names in the industry and built a steady fan base. He also went on to win the first season of the reality show Bigg Boss, further cementing his popularity among audiences.

However, despite his early success, the actor has not been very active in films or web series in recent years. His latest statement highlights both his personal challenges and his determination to continue working, even as he navigates health issues and financial responsibilities.

Also Read: Mahesh Bhatt defends Rahul Roy lip-syncing at a Bihar wedding: “If today’s stars dance at weddings for millions, why can’t Rahul stand for a moment the nation still remembers?”

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SHOCKING: Tigmanshu Dhulia reveals Haasil producer refused to send Irrfan Khan-starrer for the National Awards: “Producer was upset with me…had he sent, ussi film mein Irrfan ko National Award mil jaata”

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April 29, 2026 marked the sixth death anniversary of Irrfan Khan. On this occasion, a screening of A Story That Refused To Die was held at Mumbai's Nita Mukesh Ambani Cultural Centre. The 47-minute-long documentary threw light on the making of Irrfan's acclaimed film, Paan Singh Tomar (2012). After the screening, noted journalist Saurabh Dwivedi had a conversation with Paan Singh Tomar's director, Tigmanshu Dhulia and Irrfan's other close filmmaker friend, Vishal Bhardwaj.

Irrfan Khan won the National Award for Best Actor for Paan Singh Tomar and Tigmanshu Dhulia said that the talented performer would have won the honour much earlier. He revealed, “Haasil (2003) was my first film aur mera jhagda ho gaya tha producer ke saath. I usually get into a fight with my producers! We made a print ready to be sent to the National Awards and even made arrangements for the money order that needs to be done to the Directorate Of Film Festivals. But the producer was so upset with me that he refused to send Haasil for the National Awards. Had he sent, ussi film mein Irrfan ko National Award mil jaata!”

He further said, “Irrfan won in all other private award ceremonies, be it Filmfare and other awards, for his performance in Haasil.”

About A Story That Refused To Die

A Story That Refused To Die chronicles how Paan Singh Tomar was shot in challenging locations. The documentary shows how Tigmanshu Dhulia and his unit travelled to Dholpur and later to the ravines of Chambal to film their passion project. Villagers stealing electricity, a real dacoit asking Tigmanshu Dhulia and Irrfan Khan for a meeting, Paan Singh Tomar’s nephew Balwanta (the only person to survive the shootout that killed Paan Singh Tomar) and ex-dacoit Bachna sharing inputs are some of the notable moments. What truly surprises viewers is how the team of Paan Singh Tomar unknowingly shot at the same cantonment and residential block where the real life athelete-turned-dacoit had lived at one point.

Also Read: When Border 2 director Anurag Singh wanted to make a mature love story with Irrfan Khan and Tabu

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Several cinemas yet to open May 1 bookings; exhibitors face ‘agni pariksha’ as they struggle to accommodate Raja Shivaji, Ek Din, The Devil Wears Prada 2, Patriot, KD - The Devil and holdover releases

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Issues over screen-sharing have become extremely common now, and this week, the situation has intensified significantly. This is because several major films in different languages are releasing simultaneously, leaving programmers at their wits’ end while allocating the desired number of shows to each of them.

As expected, with less than 24 hours to go for the releases, the issues are yet to be sorted. In Mumbai, theatres like Regal, MovieTime Suburbia, PVR Le Reve, Roxy, Eros IMAX, Kasturba and Nazrana hadn’t opened bookings for May 1, as of 8:00 am on April 30. Surprisingly, even a three-screen multiplex like Sterling hadn’t opened plans for the coming week. Meanwhile, advance booking is yet to open in a full-fledged manner in cinemas like Devgn CineX Mulund, Devgn CineX Thane, Topiwala, MovieTime Malad, Tilak and Rajhans Ghatkopar.

An exhibition source told Bollywood Hungama, “This is like agni pariksha for us. We need to allot shows to Raja Shivaji (releasing in Hindi and Marathi), Ek Din (Hindi), The Devil Wears Prada 2 (English), Patriot (Malayalam), Kara (Tamil), Dhabkaaro (Gujarati), KD - The Devil (Kannada) etc. In a city like Mumbai, where there’s an audience for films in various languages, the programming team is working dedicatedly and in constant touch with distributors to ensure that the films get sufficient showcasing.”

Meanwhile, the holdover releases like Michael and Bhooth Bangla continue to do well and also need to be accommodated. As per sources, Patriot and KD - The Devil will also have Hindi dubbed release, but as of now, its booking hasn’t opened anywhere in the country, probably due to show sharing challenges.

Raja Shivaji’s show requirements

The biggest release of the week in the Hindi-speaking market is Raja Shivaji, and its distributors, Jio Studios, have gone all out to ensure that it gets a wide release. As per the requirement list sent by the studio, exhibitors have been asked to allot all shows to the film in single-screen cinemas. In 2-screen theatres, they have asked for 7 shows, while 10 shows need to be played in 3-screen multiplexes. In cinema halls with 4 screens, 14 shows of Raja Shivaji need to be played. As for cinemas with 5 screens and above, 16 shows of the film will be held daily. This number includes both the Hindi and Marathi versions.

Also, the theatres have been asked to play Raja Shivaji in 4DX and EPIQ premium formats.

Bountiful weekend loading

The challenges notwithstanding, exhibitors are thrilled as most films are expected to pull in considerable number of audiences. The Devil Wears Prada 2 can emerge as the surprise of the week as the advances are much better than expected. Patriot, Kara and KD - The Devil will open with a bang in their respective markets, while Raja Shivaji is all set to open very well in Maharashtra.

Also Read: EXCLUSIVE: Raja Shivaji to release with different runtimes in Hindi and Marathi; Hindi version shorter by 8 minutes

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Ranveer Singh starrer Pralay back on track? Insider says zombie thriller begins shooting in August 2026

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Ranveer Singh starrer upcoming film Pralay continues to generate strong buzz, especially after recent speculation suggested the project had run into difficulties. However, fresh developments indicate that the much-talked-about zombie thriller remains firmly on schedule, with shooting expected to begin in August 2026.

The actor, who is coming off the successful run of the Dhurandhar franchise, had earlier committed to filmmaker Jai Mehta’s next directorial venture. In recent weeks, reports claimed that the film was facing a roadblock due to alleged creative differences between Ranveer Singh and the director. Those rumours have now been denied by a source associated with the production.

An insider connected to the project stated, “Reports suggesting any uncertainty around Pralay are completely baseless. Ranveer and Jai have been in continuous discussions and have firmly locked the script. The project has already moved into pre-production, with the entire team actively gearing up to create a never-before-witnessed gigantic spectacle out of Indian cinema. As it stands, Pralay is on track to go on floors by August 2026.”

If the latest update is accurate, the film has now entered an important pre-production phase, which likely includes location scouting, concept design, action planning, VFX preparation, and casting formalities.

Pralay is being described as a large-scale post-apocalyptic action thriller set in a dystopian world. The film is also expected to explore the zombie genre in a way not commonly seen in mainstream Hindi cinema. While international audiences have seen several successful zombie-based franchises, the genre remains relatively untapped at this scale in Bollywood.

Director Jai Mehta, known for his work in the web space, has reportedly been developing the project since last year. The screenplay has been written by Jai Mehta along with Lootere writer Vishal Kapoor.

The film is being produced by Hansal Mehta’s True Story Films and Ranveer Singh’s Maa Kasam Films, in collaboration with Applause Entertainment. Industry reports suggest the makers are planning the film on a massive scale, with a budget estimated at around Rs. 300 crores, making it one of the more expensive Hindi productions currently in development.

Ranveer Singh is also said to be particularly excited about stepping into a fresh genre and experimenting with a new on-screen look for the project. At present, the actor has not officially announced any other film, though discussions around another collaboration with Aditya Dhar have also surfaced.

With pre-production underway and the makers reportedly targeting an August 2026 start date, Pralay could emerge as one of the most ambitious genre films in Ranveer Singh’s career.

Also Read: Ranveer Singh teams up with adidas Originals to launch India-inspired Superstar sneaker

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Raj Kundra says ‘justice delayed is justice denied’ as court arguments conclude in ongoing pornography case

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Businessman Raj Kundra has issued a fresh public statement amid the ongoing legal proceedings linked to the 2021 pornography case, stating that arguments on his behalf have now concluded in the lower court. Taking to X (formerly Twitter), Kundra said his advocate Prashant Patil had completed submissions after what he described as four years of hearings.

In his post, Kundra expressed frustration over the length of the process and the impact it has had on his personal and professional life. He wrote, “Four long years in the lower court in the ongoing pornography case. Today, my advocate Prashant Patil concluded our arguments. I stand by the truth if I’m guilty, punish me. If not, grant me a discharge, my freedom, and the respect taken away by relentless media trials. Justice delayed is justice denied. #Justice.”

Four long years in the lower court in the ongoing pornography case. Today, my advocate Prashant Patil concluded our arguments. I stand by the truth if I’m guilty, punish me. If not, grant me a discharge, my freedom, and the respect taken away by relentless media trials. Justice… — Raj Kundra (@onlyrajkundra) April 29, 2026

The case dates back to July 2021, when Raj Kundra was arrested by the Mumbai Crime Branch in connection with allegations related to the creation and distribution of pornographic content through mobile applications. Investigators had alleged that certain apps were being used to stream or circulate explicit material. Kundra denied wrongdoing at the time and maintained that the content in question did not fall under the category of pornography as alleged by authorities.

He was later granted bail by a Mumbai court after spending nearly two months in judicial custody. Since then, proceedings in the matter have continued, with multiple hearings taking place over the last several years.

In his latest remarks, Kundra indicated that prolonged legal uncertainty can affect not only the accused but also their families, careers, and public standing. While criticising delays, he also stated that he continues to have faith in the judicial system and said he is ready to accept the outcome of the case.

Kundra has previously spoken about media coverage surrounding the matter, especially reports that also mentioned his wife, actor Shilpa Shetty Kundra. Earlier, he had objected to what he described as speculative and sensational narratives, saying the matter should be dealt with as a legal issue rather than public entertainment.

The businessman has consistently maintained that his family supported him through the legal process. His latest statement appears to underline his demand for closure, either through conviction if guilt is established or discharge if the court finds no basis to proceed.

At present, the court is expected to consider the arguments placed before it and pass further orders in due course. No final verdict has been announced yet. The case continues to draw attention given the public profile of those involved, while the legal process remains ongoing.

Also Read: Raj Kundra breaks silence with explosive post: “Enough!! I will not be judged by noise, only by justice”

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After vacating June 4, is Toxic eyeing an Independence Day release?

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The trade, industry and fans woke up today in the morning with the shocking news that the much awaited film, Toxic, has been postponed yet again. The Yash-starrer was originally scheduled to be released on March 19. However, due to the tense war situation in the Middle East, the makers decided to push the film to June 4. On the morning of April 29, they revealed that the action entertainer is postponed yet again. This time, the makers didn’t declare any release date.

A source told Bollywood Hungama, “The makers of Toxic are seriously considering to release the film in the Independence Day week, either on August 13 or August 14. They feel it can be an ideal period to release. Since the makers are looking at a huge global release, the second week of August works well as there’s no major Hollywood film releasing in that period.”

The source continued, “The makers of Toxic are also looking at other dates as well. But it’s the Independence Day weekend that has caught their eye.”

If Toxic arrives on August 14 or 13, it’ll end up clashing with two major Hindi films. One is Rajkumar Santoshi’s Lahore 1947, which is scheduled for a release on August 13. It stars Sunny Deol, Preity Zinta and is produced by Aamir Khan. Secondly, Awarapan 2, starring Emraan Hashmi and Disha Patani, releases on August 14.

Also Read: Yash breaks silence on “obscene” scenes criticism, backs Geetu Mohandas’ vision for Toxic: “A gangster film with a female gaze is refreshing”

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Exclusive: Sanjay Dutt starrer Aakhri Sawal trailer postponed; sources suggest censor clearance delays caused hold-up

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Sanjay Dutt starrer Aakhri Sawal has been generating considerable curiosity ever since its announcement, with audiences closely tracking updates around the film. The project has remained in the spotlight thanks to its intriguing premise, powerful first look, and teaser launch. However, fans waiting for the trailer may have to wait a little longer, as the planned release has reportedly been postponed.

According to an industry insider source, “The trailer of Aakhri Sawal, which was scheduled to release on April 30, has now been postponed due to pending censor clearance. The censors have asked for some changes. The new release date for the trailer has not yet been revealed.”

While there has been no official statement from the makers yet, the reported development has already sparked discussion among moviegoers who were expecting the trailer drop this week. With anticipation steadily building around the film, the delay is likely to further increase curiosity about what the makers have planned.

The promotional campaign for Aakhri Sawal began with a striking first look poster that showcased Sanjay Dutt in a scholarly and commanding avatar. The look marked a notable shift from the actor’s recent action-oriented screen appearances and hinted at a more layered, performance-driven role.

The makers later unveiled the official teaser on Hanuman Jayanti. The teaser positioned the film as a tense “psychological chess match” revolving around a televised ideological confrontation. It introduced Vicky Hegde, a fiery young scholar, who publicly accuses his mentor Professor Gopal Nadkarni, played by Sanjay Dutt, of institutional bias.

The early footage also suggested that the narrative touches upon several sensitive and significant historical moments, including references to the assassination of Mahatma Gandhi, the Emergency, and the events of December 6, 1992, in Ayodhya. This has added to the intrigue surrounding the film’s thematic depth.

Directed by National Award-winning filmmaker Abhijeet Mohan Warang of Picasso fame, the film features a multi-generational ensemble cast. Alongside Sanjay Dutt, the lineup includes Namashi Chakraborty, Amit Sadh, Sameera Reddy, Neetu Chandra, Tridha Choudhury, Mrinal Kulkarni, Nikhil Nanda, Archana Iyer, and Bipin Nadkarni.

The film is produced by Nikhil Nanda and Sanjay Dutt under the banners of Nikhil Nanda Motion Pictures and Neem Tree Entertainment. The screenplay, script, and dialogues have been written by Utkarsh Naithani, while the music is composed by Monty Sharma with lyrics by Kumar Vishwas. Cinematography has been handled by Stanley Mudda.

For now, all eyes remain on the makers for an official update on the revised trailer release date, as Aakhri Sawal continues to remain one of the more talked-about upcoming projects.

Also Read: Aakhri Sawal: BTS video of ‘Namaste Sada Watsale’ from Sanjay Dutt starrer shows the passionate effort behind the theme song

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EXCLUSIVE: T-Series plans NEVER-SEEN-BEFORE jungle-themed trailer launch for Pati Patni Aur Woh Do trailer at Sanjay Gandhi National Park on May 2

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The teaser of Pati Patni Aur Woh Do was launched on April 20 and got a massive response. Motivated by it's response and keeping the theme and setting of the film in mind, the makers of the comic caper, T-Series and B R Studios, have decided to launch the trailer at Mumbai Sanjay Gandhi National Park.

A source told Bollywood Hungama, "The trailer will be unveiled on Saturday, May 2. The principal star cast and the makers will be present at the Sanjay Gandhi National Park for the launch."

The source continued, "It's a first-of-its-kind move by T-Series. Mumbai’s National Park has never been used before for a film event. Moreover, it goes well with the theme of the film. All preparations are going on in full swing and organisers promise a never-seen-before concept, blending cinema with nature for a unique launch experience."

The source further stated, "Specially curated activities like Van Rani Toy Train ride, Boating etc. is planned for media along with the film’s talent at the national park. The jungle-themed trailer launch promises an immersive and visually striking setup."

Pati Patni Aur Woh Do stars Ayushmann Khurrana, Sara Ali Khan, Rakul Preet Singh and Wamiqa Gabbi in leading roles. It is produced by Bhushan Kumar and Krishan Kumar's T-Series and Renu Ravi Chopra's B R Studios, with Juno Chopra serving as the creative producer. Directed by Mudassar Aziz, it releases in cinemas on May 15.

Also Read: Rakul Preet Singh gives behind-the-scenes look at ‘Roop Di Rani’ from Pati Patni Aur Woh Do

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David Dhawan’s hit comedies to re-release from May 8 to May 22; deets inside!

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PVR has announced a special film festival dedicated to veteran filmmaker David Dhawan, bringing several of his popular entertainers back to the big screen. The festival will run from May 8 to May 26, offering audiences an opportunity to revisit some of the director’s most loved commercial comedies in theatres.

The announcement comes on the same day that the release date of David Dhawan’s upcoming film Hai Jawani Toh Ishq Hona Hai, starring Varun Dhawan, was officially shifted. The film was earlier scheduled to arrive on May 22, 2026, but will now release on June 5, 2026. While the makers have not shared a reason for the postponement, the date change follows the reshuffling of release plans for Toxic: A Fairy Tale for Grown-Ups, which had earlier occupied the June release window before being delayed again.

As part of the David Dhawan festival, PVR will re-release five films associated with the director’s successful career across decades. The selected titles include Main Tera Hero, Partner, Maine Pyaar Kyun Kiya, Raja Babu and Aankhen.

David Dhawan is regarded as one of Hindi cinema’s most successful mainstream comedy directors, known for delivering crowd-pleasing entertainers through the 1990s and 2000s. His films often blended humour, family drama, music and star power, making them regular television favourites even years after release.

 

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The line-up also highlights his collaborations with major stars across generations, including Salman Khan, Govinda and Varun Dhawan.

For younger viewers, the festival presents a chance to experience these films in a theatrical setting for the first time. For longtime fans, it offers a nostalgic return to a style of comedy that defined an era of Hindi cinema.

Meanwhile, attention remains on Hai Jawani Toh Ishq Hona Hai, which marks another collaboration between David Dhawan and Varun Dhawan. With its new June 5 release date now locked, the father-son duo will hope to continue their successful box office partnership.

Also Read: Varun Dhawan should weaponise his David Dhawan DNA before Bollywood forgets how to make entertainers

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Tumbbad 2 release date announced - Sohum Shah starrer much-awaited sequel to hit cinemas on December 3, 2027

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The makers of Tumbbad 2 have officially announced the release date of the much-anticipated sequel. The film is scheduled to arrive in cinemas on December 3, 2027, offering audiences a confirmed timeline for the return of one of Indian cinema’s most talked-about horror fantasy titles.

The announcement comes after a series of teasers and motion poster reveals that had generated speculation around the project’s release plans. Interest in the sequel has remained strong, particularly after the successful theatrical re-release of Tumbbad in 2024. The return of the original film brought renewed attention to its storytelling, visual design, and cult following, while also performing well at the box office.

Released in 2018, Tumbbad built a distinctive identity through its blend of folklore, mythology, horror, and period drama. Over the years, the film has continued to gain appreciation from viewers, with many citing it as one of the most unique genre films in modern Hindi cinema. With the sequel, the makers are now looking to revisit and expand that world while retaining the atmosphere that defined the first chapter.

Speaking about the upcoming film, Sohum Shah said, “Tumbbad has always been very special to me, and with Tumbbad 2, the idea is to take that world forward in a way that feels deeper and more expansive. We are building on the mythology and the atmosphere that audiences connected with, while exploring new layers within the story. It’s something that will feel familiar in its essence, but also new in the way it unfolds.”

Pen Studios’ Dr. Jayantilal Gada also spoke about the scale of the sequel and the studio’s vision for the project. He said, “Tumbbad 2 is envisioned as a grander cinematic experience, with a story that deepens the universe while keeping audiences thoroughly engaged. The film reflects the kind of immersive and high-quality storytelling that Pen Studios is committed to bringing to viewers."

Director Adesh Prasad addressed the challenge of following up a film that has developed a strong legacy among audiences. He shared, “Taking this story forward has been both exciting and challenging, especially because the first film has such a strong identity. Our focus has been on retaining that soul while pushing the narrative and visual world further. We’re trying to create something that feels rooted in the original, but at the same time offers audiences a fresh and immersive experience.”

 

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Tumbbad 2 is being directed by Adesh Prasad and is spearheaded by actor-producer Sohum Shah under his banner Sohum Shah Films. The project is backed by Pen Studios, headed by Dr. Jayantilal Gada, while distribution duties will be handled by Pen Marudhar.

With the release date now locked, attention is expected to shift toward casting details, first-look material, and the next stage of promotions for one of the most awaited sequels in the horror genre.

Also Read: Tumbbad 2 shoot begins: Sohum Shah unveils eerie motion poster teasing ‘Pralay Aayega’

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Sanjay Leela Bhansali's Love & War gears up for 15 to 20-day song schedule in May

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Sanjay Leela Bhansali, one of Indian cinema’s most visionary directors, is gearing up for his biggest and most-awaited project yet. Titled Love & War, the film brings together, for the first time, three of Bollywood’s biggest stars, Ranbir Kapoor, Vicky Kaushal, and Alia Bhatt, in lead roles. Positioned as a grand historical drama, the film is already generating massive excitement among audiences.

The shoot is currently in full swing, with Bhansali reportedly leaving no stone unturned to craft a visually stunning cinematic spectacle. Amid this, sources reveal that Love & War is now gearing up for a major song shoot, expected to begin in the coming days. The source revealed, "Love & War is about to start a song shoot schedule in early May. As the grandeur of SLB's is always magnificent, it will be a 15 to 20-day schedule."

This update has further heightened anticipation around the film. Known for Sanjay Leela Bhansali’s grand vision, especially in songs, expectations are soaring for another visual spectacle, with his signature larger-than-life cinematic storytelling.

With Sanjay Leela Bhansali at the helm, a director known for his meticulous storytelling, opulent frames, and emotionally charged narratives, expectations are monumental. The three most bankable and versatile performers in the industry, paired with Bhansali’s directorial brilliance, further fuel speculation about the scale and theme of the film.

With Sanjay Leela Bhansali leading the project, expectations are sky-high, given his signature style of detailed storytelling, grand visuals, and intense emotions. Bringing together stars like Ranbir Kapoor, Vicky Kaushal, and Alia Bhatt only amplifies the excitement, making Love & War one of the most anticipated films in Indian cinema.

Also Read: Sanjay Leela Bhansali’s Love & War set for January 21, 2027 release worldwide

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Dhurandhar set to release in Japan on July 10, 2026

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Following its remarkable and record-shattering global box office journey, Jio Studios and B62 Studios’, Aditya Dhar directorial Dhurandhar (Part One) is set to make its theatrical debut in Japan on 10th July 2026, marking yet another milestone in the film’s expanding international footprint.

The Japan release builds on an extraordinary run across key global markets, with the film delivering record-breaking performances and unlocking newer territories for Indian cinema. The first instalment of the spy action entertainer garnered Rs. 1328+ crores worldwide when it released globally on 5th December 2005.

Dhurandhar (Part 1) recorded a landmark performance internationally, emerging as the No. 1 Hindi film of all time in North America, while also becoming the highest-grossing Indian film ever in Canada and Australia, and ranking among the top-performing Indian films in the UK.

 

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With its unique blend of scale, storytelling, and genre appeal, Dhurandhar is well-positioned to connect with Japanese audiences. The film combines high-octane action, drama, and layered storytelling, delivering a cinematic experience that is both immersive and universally engaging.

One of the most celebrated films in recent Hindi cinema, Dhurandhar has been widely appreciated by audiences and has broken multiple box office records worldwide. The film features a stellar ensemble cast led by Ranveer Singh, alongside Sanjay Dutt, Akshaye Khanna, R. Madhavan, Arjun Rampal and Sara Arjun.

This high-octane action thriller is written, directed, and produced by Aditya Dhar, and produced by Jyoti Deshpande and Lokesh Dhar. Presented by Jio Studios and produced by B62 Studios, Dhurandhar is now set to create a powerful cinematic impact as it releases in theatres across Japan on 10th July 2026.

Also Read: EXCLUSIVE: PVR INOX’s Sanjeev Kumar Bijli opens up on Project Hail Mary’s IMAX tussle with Dhurandhar The Revenge: “These are the challenges that we face in our business”; shares his views on Disney’s Infinity Vision: “We would love to partner…”

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Yash starrer Toxic release postponed again, new date to be announced soon

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KVN Productions and Monster Mind Creations today announced that the release of Toxic: A Fairy Tale for Grown-Ups has been rescheduled. The film, which was earlier set to release on June 4, 2026, will now arrive in theatres worldwide on a new date to be announced soon.

The decision follows the film’s presentation at CinemaCon, where it received a strong and encouraging response from global distributors and industry stakeholders. The reception opened up opportunities for a significantly wider international release, prompting the team to revisit and realign their release strategy.

With the film now complete, the makers are currently focused on locking global distribution and forging key international partnerships to ensure Toxic reaches audiences across markets at the scale it demands. The film is written by Yash and Geetu Mohandas, and directed by Geetu Mohandas.

Yash, in a statement, said,  “There are films we make, and then there are films that remind us why we fell in love with cinema. Toxic has been one such journey. Presenting our film at CinemaCon and witnessing the overwhelming global response reaffirmed what we have always believed—that this film deserves to reach its fullest potential worldwide. Toxic is complete, and we are currently aligning global distribution and partnerships. In light of this, we have decided to recalibrate our release timeline. While we will not be releasing on June 4 as announced earlier, we will be releasing at a later, globally aligned date. Toxic will come to theatres across the world soon."

 

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He further added, "At a time when Indian cinema is finding its voice and stepping onto the global stage with such promise, each of us has a responsibility to raise the bar. As an actor and producer, I see this moment as an opportunity to do my part—for the Indian film industry and for all of us—by taking the time to ensure our film reaches the world with the impact it is meant to have. Through every step and every change, your support has stayed with me, and I carry it with deep gratitude. Some stories ask for patience. Some journeys demand it. We promise to give you a film to enjoy and celebrate—a film that will stand as a proud moment for Indian cinema.”

Toxic: A Fairy Tale for Grown-Ups stars Yash alongside Nayanthara, Kiara Advani, Huma Qureshi, Rukmini Vasanth, and Tara Sutaria.

Shot in Kannada and English, the film will also release in dubbed versions in Hindi, Tamil, Telugu, and Malayalam.

Produced by KVN Productions and Monster Mind Creations, the film will release in theatres worldwide on a new date to be announced soon.

Also Read: Yash breaks silence on “obscene” scenes criticism, backs Geetu Mohandas’ vision for Toxic: “A gangster film with a female gaze is refreshing”

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Varun Dhawan’s Hai Jawani Toh Ishq Hona Hai will now release on June 5, 2026

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Fans of the classic David Dhawan brand of cinema will have to wait just a little longer. The much-anticipated romantic comedy, Hai Jawani Toh Ishq Hona Hai, has officially shifted its theatrical release. Originally slated for May 22, 2026, the film is now set to premiere on June 5, 2026.

A Strategic Shift The rescheduling comes amidst a significant shake-up in the Indian film calendar. The move follows the recent announcement from the makers of the Yash-starrer Toxic, who confirmed that their high-octane actioner would no longer be releasing on its June 4 slot. This vacancy in the first week of June provided a prime window for Tips Films to position their family entertainer for a solo-led weekend.

Produced by Ramesh Taurani under the Tips Films banner (in association with Maximilian Films UK), the movie marks another collaboration between the father-son duo of director David Dhawan and star Varun Dhawan.

The newly released poster showcases a vibrant, chaotic energy synonymous with David Dhawan’s style. It features Varun Dhawan in a quirky pose atop twin baby strollers, flanked by leading ladies Pooja Hegde and Mrunal Thakur. The poster also gives a glimpse of a stellar supporting cast, including Maniesh Paul, Mouni Roy, and veteran actors like Jimmy Sheirgill and Rakesh Bedi, hinting at a comedy of errors. What to Expect Positioned as a "vibrant rom-com," Hai Jawani Toh Ishq Hona Hai is expected to be a high-energy entertainer featuring remixed 90s hits and the signature slapstick humor that defined the David Dhawan era.

With the massive success of their previous collaborations like Main Tera Hero and Coolie No. 1, trade analysts expect this June release to be a major draw for family audiences looking for light-hearted summer entertainment.

Hai Jawani Toh Ishq Hona Hai arrives in cinemas worldwide on June 5, 2026.

Also Read: Pati Patni Aur Woh Do, Hai Jawani Toh Ishq Hona Hai, Cocktail 2: Bollywood brings back the ‘one hero, many heroines’ formula

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Shah Rukh Khan-Saif Ali Khan’s Kartavya locks May 15 Netflix premiere: Report

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Saif Ali Khan is set to return to Netflix with the upcoming crime drama Kartavya. According to a report by Variety India, the film is expected to premiere on May 15, 2026. However, the makers have not officially confirmed or denied the reported release date so far.

Kartavya was officially announced as part of Netflix India’s 2026 content slate and has already generated attention for its cast and creative team. The project stars Saif Ali Khan in the lead, supported by a notable ensemble featuring Rasika Dugal, Sanjay Mishra and Zakir Hussain. One of the interesting additions to the film is veteran journalist Saurabh Dwivedi, who is set to make his acting debut with the project. His inclusion has added curiosity around the film since the slate announcement.

The movie is produced by Red Chillies Entertainment, owned by Shah Rukh Khan, and directed by Pulkit. Pulkit had earlier received praise for directing Bhakshak. The project also marks a significant professional reunion between Shah Rukh Khan and Saif Ali Khan after 23 years.

For Saif Ali Khan, Kartavya also marks a return to the cop genre on Netflix nearly seven years after the strong success of Sacred Games, where he played Inspector Sartaj Singh.

Apart from Kartavya, Saif has another Netflix project lined up this year in Hum Hindustani. Directed by Rahul Dholakia, the film is based on India’s first general election and features Saif as Sukumar Sen.

On the theatrical front, the actor is also expected to be seen in Haiwaan, directed by Priyadarshan and co-starring Akshay Kumar. The film is expected to be released in the second half of the year.

With Kartavya reportedly nearing its premiere, audiences will be watching closely for an official confirmation from Netflix and the makers.

Also Read: Saif Ali Khan on Netflix’s Kartavya, “It’s a lovely piece by director Pulkit”; actor reunites with Shah Rukh Khan after 23 years in a different way

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EXCLUSIVE: Raja Shivaji to release with different runtimes in Hindi and Marathi; Hindi version shorter by 8 minutes

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Raja Shivaji, which is set to release on May 1, will be available in two versions – Marathi and Hindi. Usually, films released in more than one version have the same runtime, with language being the only difference. But Raja Shivaji will be an exception. Bollywood Hungama has exclusively learned that the Hindi version will be shorter than the Marathi version.

The Hindi version of Raja Shivaji was passed by the Central Board of Film Certification (CBFC) with a U/A 16+ certificate on April 28. The length of the film, as mentioned on the certificate, is 187.05 minutes. In other words, Raja Shivaji is 3 hours, 7 minutes and 5 seconds long. No changes were asked by the CBFC as all modifications were already done for the Marathi version. The only suggestion was that the names of chapters, dates, events and locations be mentioned in Hindi.

On April 25, Bollywood Hungama was the first to inform readers that Raja Shivaji's Marathi version received the censor certificate on April 24. As per the certificate, its runtime is 195.05 minutes, which is 3 hours 15 minutes and 5 seconds. In other words, the Hindi version is shorter by exactly 8 minutes.

An industry insider commented, “Usually, two versions of a film have the exact same duration. However, Riteish Deshmukh has tried a novel experiment and kept the narrative crisp for the Hindi audience. Meanwhile, for the Marathi audience, which would probably be more attracted to the film due to the local flavour, the actor-director has gone for a longer version.”

Interestingly, this was also noticed in the Marathi and Hindi trailers of Raja Shivaji. While the former is 3 minutes and 5 seconds long, the latter has a duration of 2 minutes and 59 seconds.

Raja Shivaji stars Riteish Deshmukh in the role of Chhatrapati Shivaji Maharaj and he's joined by Genelia Deshmukh, Sanjay Dutt, Abhishek Bachchan, Vidya Balan, Fardeen Khan, Bhagyashree, Sachin Khedekar, Amole Gupte, Jitendra Joshi and others. It is produced by Riteish Deshmukh and Genelia Deshmukh’s Mumbai Film Company and Jyoti Deshpande’s Jio Studios.

Also Read: Raja Shivaji sells 40,000 tickets in advance booking; Pune goes on overdrive as 7:00 am shows open due to huge demand

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Raja Shivaji sells 40,000 tickets in advance booking; Pune goes on overdrive as 7:00 am shows open due to huge demand

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Two days ago, Bollywood Hungama reported that the ticket sales of The Devil Wears Prada 2 were very encouraging. Raja Shivaji releases on the same day as the Hollywood comedy drama and this film, too, seems all set for a flying start, especially in its Marathi version.

According to data accessed by Bollywood Hungama, Raja Shivaji had sold more than 40,000 tickets as of 8:00 am on April 29. By 4:30 pm on April 28, PVR Inox sold 9,800 tickets for the historical entertainer’s Marathi version. Cinepolis sold 3,000 tickets, MovieMax saw sales of 2,400, while Miraj Cinemas sold more than 4,100 tickets.

The Marathi version has far more appeal due to its local flavour, ensemble cast, and the correct release period. Raja Shivaji releases on May 1, which is Maharashtra Day. Hence, the film will enjoy a three-day weekend in the state. Several films have been made on Chhatrapati Shivaji Maharaj in Marathi, but Raja Shivaji seems like the grandest of them all. This has further encouraged audiences to buy tickets.

A look at the ticketing websites indicates that several shows in Maharashtra are fast-filling. Mumbai is performing very well, but the surprise is Pune, where Raja Shivaji is on an overdrive. Several theatres in this city will play the film from 7:00 am, looking at the demand. Some Mumbai cinemas have also followed suit, although they are yet to catch up like their Pune counterparts.

In short, at present, Pune is the highest performing centre in India and is even giving a tough competition to Mumbai, which is a rare phenomenon. City Pride, which has 7 cinemas in Pune and E-Square, which has 3 properties in Pune and 1 in Solapur, will emerge among the top chains in terms of ticket sales for Raja Shivaji. Both chains are expected to sell more than 20,000 tickets by April 30. The advance booking in Maharashtra towns like Nashik, Latur, Solapur, Kolhapur, Chhatrapati Sambhajinagar etc. is also encouraging.

With such ticket sales, a healthy first-day collection is guaranteed. However, as aforementioned, a bulk of the advance sales have come for the Marathi version. Bookings for the Hindi version have yet to begin in a full-fledged manner across the country and it remains to be seen if it receives the same response as the Marathi version.

Raja Shivaji stars Riteish Deshmukh in the role of Chhatrapati Shivaji Maharaj and he's joined by Genelia Deshmukh, Sanjay Dutt, Abhishek Bachchan, Vidya Balan, Fardeen Khan, Bhagyashree, Sachin Khedekar, Amole Gupte, Jitendra Joshi and others. It is produced by Riteish Deshmukh and Genelia Deshmukh’s Mumbai Film Company and Jyoti Deshpande’s Jio Studios.

Also Read: EXCLUSIVE: Raja Shivaji is 3 hours 15 minutes long; joins elite club of Animal, Pushpa 2, Dhurandhar, Border 2; CBFC replaces child violence visual in Riteish Deshmukh-starrer

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SCOOP: YRF to invest Rs 150 crores in micro-dramas; Akshaye Widhani to lead new vertical for Aditya Chopra

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Yash Raj Films (YRF) plans to enter the fast-growing micro-drama space, alongside the development of a proprietary direct-to-consumer app aimed at bringing its content directly to audiences. This seems to be a revolutionary move by the production house, which has willingly contributed to strengthen the theatrical medium of Indian Cinema over the last 50 years.

Reliable sources confirm that Yash Raj Films is investing Rs 150 crores in creation of micro-dramas over the next few years. The amount will be put into creation of content, as also building a direct to consumer application to host the content.

The new vertical will be led by YRF CEO Akshaye Widhani, who produced Saiyaara, which emerged as the most profitable film in the studio’s history. Widhani has also brought on board Saugata Mukherjee, formerly of SonyLIV, to lead creative development across streaming shows, films and microdramas, and develop the new slate.

Micro-drama storytelling has seen significant success in markets such as China, where the segment is estimated to be valued at RMB 35–40 billion ($5–6 billion USD), with projections of RMB 50–70 billion ($7–10 billion USD) over the next two years. The format is driven by mobile-first consumption, short-duration episodes, and scalable micropayment models, with a user base of 400–600 million viewers.

YRF’s planned entry into this space reflects its continued focus on innovation and building a direct, long-term relationship with audiences through a future-ready, consumer-first entertainment ecosystem. With Aditya Chopra venturing into the micro-drama space, we await other industry giants too to explore what is touted to be the most profitable content model in the world at this point of time.

This move comes right after the Bollywood Hungama newsbreak, where the industry was shocked with the studio’s decision to venture into the horror space, as every stalwart knows that this is a genre that Aditya Chopra has never been keen on. But this is the birth of a vision for the studio with a brand new set of people heading departments, and micro-drama just adds another feature to their cap.

Also Read: SCOOP: Abhay Pannu signed to direct the FIRST HORROR film in the history of Yash Raj Films

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EXCLUSIVE: Rajpal Yadav begins shoot for Salman Khan starrer by Dil Raju-Vamshi Paidipally

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Salman Khan is fondly called the superstar with the largest heart in the Indian film industry. Over the years, he has always stood by everyone in need, and the industry often reaches out to him in times of grief. A while back, Salman took social media by storm by lending his support to Rajpal Yadav, who is presently fighting a financial crisis in life. He shared, "Rajpal bhai aap 30 yrs se kaam kar rahe ho aur hum sabne aapko repeat kiya hai baar baar kyunki aap apna kaam jante ho aur ek value laate ho, kaam toh aapko bohot milega aur issi dollar rate pe milega aur milte rahega. Hakikat yeh hai. Aur yeh yaad rakhna ke kabhi kabhi flow mai kuch nikal aata hai, dena hi hai toh dimag mai rakho dil se kaam karo, dollar upar ho ya neeche kya farak padta hai dena toh India mai hi hai @rajpalofficial."

Just days after the post went viral, we have exclusively learnt that Salman Khan has signed Rajpal Yadav to play a key role in his next feature film to be produced by Dil Raju with director Vamshi Paidipally. "Salman Khan has cast Rajpal Yadav to play a key role in this action-packed entertainer. Rajpal will be playing Salman Khan's right hand in the film and will share a strong dynamic bond throughout the story. It's one of the most important characters, and the casting has happened on merit. Salman is very fond of Rajpal and feels that he fits the bill to the T for his particular part," shared a source with Bollywood Hungama.

Rajpal was initially expected to start shooting for the film in the month of May, however, sources state that the actor commenced shooting yesterday. "Rajpal is excited to reunite with Salman Khan. The duo has worked together on several cult films, including the likes of Partner (Chotta Don) and Mujhse Shaadi Karogi (Chotta Pandit). This one, too, has a unique character trait for Rajpal, and the comic angle will bring the house down with laughter."

Salman Khan and Dil Raju's next will hit the big screen in the first half of 2027. The shoot begins next week in Mumbai.

Also Read: Salman Khan to shoot separate promo for title announcement of his next with Vamshi Paidipally: Report

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Madhu Mantena and Ira Trivedi name their first child 'Neel Chaitanya Mantena'; share glimpses of Namkaran ceremony

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Madhu Mantena and his wife Ira Trivedi have welcomed their first child, a baby boy named Neel Chaitanya Mantena. The couple shared the announcement through social media, posting pictures from a traditional welcoming ceremony held with family members. The couple also revealed that the child’s name is Neel Chaitanya Mantena. In their post, they described the meaning behind the name, saying it carries references to Lord Krishna’s blue colour and Lord Shiva’s stillness.

Along with the announcement, Madhu and Ira shared images from the baby’s Naamkaran Sanskar, a naming ceremony traditionally performed in many Indian households. They mentioned that the ritual took place on the 11th day after the child’s birth. While the couple chose not to reveal their baby’s face in the pictures, the family moments drew warm wishes from followers and friends.

In their caption, they wrote that they had followed several sanskars prescribed in the Vedas, beginning with Garbhasanskar during pregnancy and continuing with the Naamkaran ceremony after birth. They also sought blessings and good wishes for their growing family. Madhu Mantena and Ira Trivedi got married in 2023 in a ceremony attended by several members of the film industry. Since then, the couple has occasionally shared glimpses of their personal milestones on social media.

Madhu Mantena is known for backing several notable Hindi films over the years, including Ghajini, Rakta Charitra, Lootera, Queen, Masaan and Loveyapa. Ira Trivedi is widely known for her work as an author and yoga teacher.

The announcement has been met with congratulatory messages, as the couple begin a new chapter with the arrival of their son.

Also Read: Madhu Mantena’s Mad Man Films joins hands with Collective Studios’ Ratpack Stories for two feature films

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EXCLUSIVE: Much awaited trailer of Aakhri Sawal to release on April 30

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Starring Sanjay Dutt, Aakhri Sawal has quickly become one of the most anticipated upcoming films, with audiences eagerly looking forward to its release. Following the strong buzz around its announcement, the makers unveiled the teaser on Hanuman Jayanti, presenting a never-before-seen glimpse into the history of the world’s largest voluntary organization, the Rashtriya Swayamsevak Sangh (RSS).

Now, the makers are gearing up for the much-awaited trailer, set to release on April 30, 2026. It will be unveiled at a grand launch event in the presence of the entire cast and crew.

Aakhri Sawal also marks the return of actresses Neetu Chandra and Sameera Reddy. Sharing her thoughts on bagging the film, Neetu said recently, “Over the years, my perspective has evolved. I don’t chase roles anymore; I chase stories that stay with you. Aakhri Sawal is one such film. It’s not just cinema, it’s a question that lingers long after the lights go out. Being part of something so intense and thought-provoking feels far more meaningful than simply being in the spotlight.”

Reddy said a few days ago, “I didn’t step back into films to play it safe and Aakhri Sawal is far from comfortable. My understanding of RSS was limited and largely shaped by half-knowledge, but after reading the script, I realised how much of it didn’t add up. That realisation stayed with me. This isn’t a film that reassures you -it unsettles you, challenges your beliefs, and pushes you to question what you’ve always accepted. I wanted my return to stand for something fearless, something that sparks debate and this does exactly that.”

Aakhri Sawal is directed by National Award–winning filmmaker Abhijeet Mohan Warang. Presented by Nikhil Nanda, the film is produced by Nikhil Nanda and Sanjay Dutt, and co-produced by Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey, and Ujjwal Anand. The story, screenplay, and dialogues are written by Utkarsh Naithani. The film is set to release in cinemas on May 8, 2026.

Also Read: Sameera Reddy opens up on film comeback with Sanjay Dutt starrer Aakhri Sawal; says, “I wanted my return to stand for something fearless”

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Safal signs Tara Sutaria for new packaged coconut water campaign

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Safal, the horticulture division of Mother Dairy, has launched a new campaign for its packaged coconut water featuring Tara Sutaria. The initiative aims to position coconut water as an everyday beverage choice rather than one associated only with specific occasions such as summer refreshment or post-workout hydration.

Conceptualised by Ogilvy, the campaign is built around the theme #TheSafalWayToRecharge. It focuses on convenience, accessibility and easy consumption during daily routines. The campaign is being rolled out primarily through digital platforms, led by a digital video commercial (DVC).

The campaign film features Tara Sutaria during a shopping outing, where she pauses for a short break and chooses packaged coconut water as a quick refreshment option. Through this setting, the brand highlights the idea of on-the-go consumption and positions the drink as a practical choice during everyday moments.

Speaking about the campaign, Jayatheertha Chary said that changing consumer lifestyles have created a growing demand for convenient ways to recharge during the day. He added that the campaign seeks to shift packaged coconut water from being seen as a situational beverage to one that can fit naturally into multiple moments across the day.

 

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According to the company, the campaign presents coconut water as a quick, natural and guilt-free option that can be consumed anytime and anywhere.

Safal entered the packaged coconut water segment in 2025. The product has been positioned around convenience and consistency, with coconuts sourced from Tamil Nadu. The company has also stated that the beverage contains no added sugar.

With this latest campaign, Safal appears to be strengthening its presence in the growing ready-to-drink natural beverage market while encouraging wider consumption beyond traditional seasonal demand.

Also Read: “New beginnings”: Tara Sutaria moves into her first house, shares glimpse of elegant Mumbai abode

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Rashmika Mandanna to return as presenter at 10th Global Anime Awards in Tokyo

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Rashmika Mandanna is set to return to the 10th Global Anime Awards as a presenter. The event is scheduled to take place in Tokyo on May 23, 2026. Rashmika previously attended the ceremony in 2024, where she became one of the first Indian film personalities to present an award at the event. The Anime Awards recognise achievements in anime across multiple categories and attract talent from different parts of the entertainment industry.

This year, Rashmika will be part of an international presenters’ line-up that also includes The Weeknd. Their presence reflects the growing global reach of the ceremony and the increasing crossover between film, music, and animation audiences.

Rashmika has built a strong presence across Telugu, Kannada, Tamil, and Hindi cinema, with several successful projects in recent years. Her continued appearances on international platforms also highlight the wider recognition of Indian talent globally. The actress has also spoken in the past about her appreciation for anime and its storytelling. Her association with the event aligns with her personal interest in the genre and the expanding global popularity of anime culture.

The 10th Global Anime Awards will be held in Tokyo on May 23, 2026.

Also Read: Rashmika Mandanna says “Things are getting super bloody” on Mysaa sets; actress teases intense new avatar

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After Q1 success, Abundantia Entertainment announces 2026 slate led by Madhuri Dixit, Anil Kapoor and Triptii Dimri

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As the Indian entertainment industry contends with increased volatility and a demanding, screen-agnostic audience, Abundantia Entertainment has broken through and opened 2026 with a decisive statement of intent for the future. The studio, founded and led by Vikram Malhotra, has registered two consecutive successes on Amazon Prime Video within the first quarter itself – Daldal, the chilling thriller series led by Bhumi Pednekar, and Subedaar, the visceral action drama headlined by Anil Kapoor and directed by Suresh Triveni and now, the company has underlined a slate of exciting releases for the balance year, placing itself firmly among the most ambitious and diversified content pipelines in the country.

Abundantia’s slate spans both long-form series and feature films, with titles earmarked for Amazon Prime Video, Netflix and theatres – a distribution footprint that underscores Abundantia's platform-agnostic philosophy and its conviction in meeting audiences wherever they choose to engage with Abundantia’s brand of engaging and entertaining storytelling.

Beyond the immediate calendar, Abundantia is investing consistently in the architecture of what comes next. Under ‘aiON’, Abundantia's dedicated Artificial Intelligence-driven content division, the company recently announced a strategic partnership with AI video technology firm invideo, to establish India's first AI-driven film studio, anchored by a $10 million commitment between the two companies. The alliance will develop and produce a slate of five AI-led films over the next three years. The division has also collaborated with Collective Media Network's Historyverse, to co-produce Chiranjeevi Hanuman — The Eternal, which is slated for a worldwide release later in 2026.

Commenting on the momentum, Vikram Malhotra, Founder and Chief Executive Officer, Abundantia Entertainment, said: “Great stories do more than just find audiences; they build enduring businesses, and that has been our thesis from the outset. Our investment in artificial intelligence through aiON and the partnership with invideo, coupled with a diversified slate across Netflix, Prime Video and theatres, is a direct expression of that belief.

The reception to Daldal and Subedaar establishes the tone for everything that follows this year. Our incredible collaboration with the amazingly versatile Suresh Triveni has already witnessed two fantastic outings in these titles and is set to hit its peak with the forthcoming release of Maa Behen. I am equally excited about new collaborations with terrific creators like Hansal Mehta, Pulkit and Rajesh Mapuskar, who are underway with some stellar work as Abundantia continues to strive to tell differentiated and disruptive stories. I am super excited about every chapter of the journey that 2026 holds”.

Translating that ambition into a concrete slate, Abundantia will mark its Netflix debut with two marquee projects - Maa Behen, a distinctive comedy directed by Suresh Triveni, starring Madhuri Dixit, Triptii Dimri, Dharna Durga and Ravi Kishan; and Family Business, a powerful drama series helmed by Hansal Mehta, featuring Anil Kapoor and Vijay Varma in lead roles. Additionally, on Prime Video, the studio will follow with Sundar Poonam, a romantic thriller directed by Pulkit and starring Sanya Malhotra, currently in production.

The intrinsic force of a content engine operating at high capacity and a substantive, strategic commitment to AI as the next frontier of filmmaking point to Abundantia Entertainment authoring a distinctly powerful narrative for 2026 and beyond, one in which industry disruption is approached not as a headwind to be managed, but as the company's natural operating environment.

Also Read: Lord Hanuman gets AI-powered cinematic makeover: Abundantia Entertainment and Collective Media Network announce Chiranjeevi Hanuman – The Eternal

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Salman Khan to shoot separate promo for title announcement of his next with Vamshi Paidipally: Report

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Salman Khan’s upcoming pan-India film with Nayanthara, currently referred to as SVC63, is reportedly preparing for a major title reveal event. The project, which recently began production, is expected to unveil its official title through a specially designed promotional video featuring Salman Khan.

Directed by Vamshi Paidipally and produced by Dil Raju, the film has already generated strong interest as it marks a significant collaboration between Bollywood and South Indian cinema. The yet-untitled venture is officially scheduled for an Eid 2027 release.

According to a report by Mid-Day, the makers are planning a separate visual asset dedicated solely to announcing the film’s title. A source told the publication, “As is the case with many South films, titles of big releases are launched in style with visual assets. While the movie’s shoot has begun, the team has decided to film a separate video asset with Salman to unveil the title.”

This suggests that the production team is aiming for a large-scale introduction rather than a standard announcement. Over the past few years, title reveal videos have become a popular strategy for major South-led releases, often combining motion posters, dramatic visuals, and character glimpses.

Another insider added that the promo is being designed to match Salman Khan’s star image and action appeal. “Salman is one of the biggest action stars in the country. The team wants the video to do justice to his stardom and screen presence. It will also showcase his look in the film.”

While the exact shooting date for the promotional asset is yet to be finalised, anticipation is already building around the project. The film officially went on floors in Mumbai in late April 2026, with a mahurat ceremony attended by Salman Khan and Nayanthara. A launch video from the set had earlier confirmed that production had commenced.

 

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The project is particularly notable as it brings together Salman Khan and Nayanthara for the first time. It also marks Salman’s association with acclaimed filmmaker Vamshi Paidipally, known for commercially successful films such as Varisu and Maharshi.

With production now underway and a title reveal in the pipeline, SVC63 is shaping up to be one of the most closely watched big-ticket releases lined up for 2027.

Also Read: Salman Khan confirms Eid 2027 release for next action entertainer with Vamshi Paidipally; shares update

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EXCLUSIVE: Akshay Kumar-starrer Vedat Marathe Veer Daudle Saat shoot complete, post-production underway; makers eyeing January 1, 2027 release

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As the industry, trade and fans gear up for Raja Shivaji this Friday, reports started coming in about another ambitious film on Chhatrapati Shivaji Maharaj that was launched with much fanfare some years ago – Vedat Marathe Veer Daudle Saat. Directed by Mahesh Manjrekar, it stars Akshay Kumar in the role of the great emperor. The reports stated that the film hadn’t been completed and raised questions about whether it would ever see the light of day. Bollywood Hungama has learned that contrary to these reports, the film is very much on track.

 

A source told Bollywood Hungama, “The shoot of the film has been successfully completed and right now, post-production is going on. There has indeed been a delay, but a team has been dedicatedly working on the film regularly.”

The source continued, “Akshay Kumar has shot for the film for 25 days and has poured life into the role of Chhatrapati Shivaji Maharaj. Moreover, Mahesh Manjrekar has mounted the film on a grand scale. It has shaped up to be one of the grandest films in Indian cinema.”

When asked about the release date, the source added, “The makers are yet to lock the release, but at present, they are eyeing the January 1, 2027 slot. An official announcement will be made once the makers finalize the release.”

Besides Akshay Kumar, Vedat Marathe Veer Daudle Saat also stars Mahesh Manjrekar’s son Satya along with Pravin Tarde, Jay Dudhane, Hardik Joshi, Vishal Nikam, Utkarsh Shinde and Virat Madke. The period action film will release in Hindi, Marathi, Tamil and Telugu.

Vedat Marathe Veer Daudle Saat will touch upon the historic Battle of Nesari on February 24, 1674, where seven brave men, led by Senapati Prataprao Gujar, fought against the massive army of Adilshahi general, Bahlol Khan.

Also Read: SCOOP: Shoot of Akshay Kumar’s Marathi film Vedat Marathe Veer Daudle Saat halted due to budget problems

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Tabu reunites with Nagarjuna after 28 years for his landmark film King 100

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Actor Tabu has officially begun shooting for King 100, the upcoming milestone project headlined by superstar Nagarjuna. The film holds special significance as it marks the 100th feature of Nagarjuna’s celebrated career and is being produced under his home banner, Annapurna Studios. The project also brings an exciting reunion, with Tabu and Nagarjuna set to share screen space once again after 28 years. King 100 will be their fourth collaboration, making it a nostalgic and highly anticipated moment for fans who have admired their pairing over the years.

Tabu shared the update on social media by posting a clapboard image, confirming that she has joined the film’s shoot. She also tagged the makers and expressed her enthusiasm for the project. Soon after her arrival, Annapurna Studios gave the actor a warm and grand welcome, celebrating her return to what many fans consider familiar creative ground.

 

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Tabu and Nagarjuna have shared a memorable cinematic journey in the past. Their most notable collaboration remains the 1996 Telugu blockbuster Ninne Pelladata, a film that became both a commercial and critical success. It went on to win the National Film Award for Best Feature Film in Telugu and remains one of the most loved romantic dramas of its era.

Before that, Tabu made a brief cameo appearance in Sisindri (1995), a film produced by Nagarjuna that famously starred his son Akhil Akkineni as a toddler. The duo later worked together again in the 1998 romantic comedy Aavida Maa Aavide.

Now, after nearly three decades, the two stars are reuniting for a fresh chapter. While details about their roles are being kept under wraps, sources suggest that both actors will be seen in powerful and distinctly different characters.

Also Read: Tabu drops hearts on alleged ex-beau Nagarjuna’s photo with Naga Chaitanya

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Aamir Khan CONFIRMS 3 Idiots sequel is in the works, reveals Rajkumar Hirani directorial is set 10 years later: “It’s a beautiful story”

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Actor Aamir Khan has shared a major update that is likely to excite fans of one of Hindi cinema’s most loved films. During a recent conversation with Amar Ujala, the actor confirmed that a sequel to 3 Idiots is currently in development, with filmmaker Rajkumar Hirani and writer Abhijat Joshi working on the project. Aamir, who is presently occupied with promotions for Ek Din, the upcoming film produced under his banner and starring his son Junaid Khan alongside Sai Pallavi in her Hindi film debut, spoke about the long-awaited sequel while discussing future projects.

He first addressed another script based on the life of Dadasaheb Phalke and explained that the project has been paused for now. “The story of Dadasaheb Phalke is a very inspirational one, and Raju was working on it. He made three drafts, but he is still not happy with the script. So, it has been put on the back burner for now. Maybe they will revisit it later.”

Aamir then revealed that Rajkumar Hirani is currently focusing on 3 Idiots 2. “At this moment, I think he is working on 3 Idiots 2. Yes. I have heard the story, and it has turned out very well.”

The actor praised the writing and said the sequel retains the charm of the original while offering something fresh. “The script is still being worked on, but it is a very good story. It has the same kind of humour and is also a very unusual story.”

He further shared that the sequel will revisit the beloved characters from the 2009 blockbuster, but in a new phase of life. “It is the story of the same characters you saw in 3 Idiots, but 10 years later. This is also a film that I will do in the coming days.”

Aamir also expressed excitement about returning to his memorable role of Phunsukh Wangdu. “It’s a beautiful story, and I think Abhijat and Raju have written and conceived it very well. I am also waiting to do that. Once again, I will have to step into the character of Phunsukh Wangdu.”

Released in 2009, 3 Idiots became a landmark success and remains one of the most iconic films in Indian cinema. News of a sequel is expected to generate massive anticipation among audiences.

Also Read: Aamir Khan and R Madhavan deny being approached for 3 Idiots sequel: “It also sounds far-fetched”

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Farhan Akhtar shares lesson from Don 3 fiasco: “Just take it in your stride”

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Actor-filmmaker Farhan Akhtar has opened up about the challenges surrounding Don 3, offering a measured response amid continuing speculation over the film’s status. In a recent interaction with The Hollywood Reporter India, Farhan reflected on setbacks and uncertainty, saying the experience has taught him one important lesson: to always expect surprises.

Speaking candidly, Farhan said, “What I've learned is to expect the unexpected. Nothing can be taken for granted until you actually have it on film. That’s really what it is.”

He looked back at the start of his career and the people who believed in him early on. “I also feel that from the time that I began, from that moment when Aamir Khan, Akshaye Khanna, Preity Zinta, Dimple Kapadia, Saif Ali Khan, and Ritesh Sidhwani, as my partner, till they came on and said yes, ‘let’s make this film’ – from that moment on I've had the most incredible ride,” he shared.

Farhan added that his career has largely been shaped by meaningful collaborations, whether as a director or actor. “It has just been about working with the people I want to work with, whether directing them or acting in films that I want to act in with directors. And it has been amazing.”

He further acknowledged that difficult phases are part of any long career and should be handled with maturity. “You realise that at some point, there will be a period that’s going to be a little bit more challenging. You have had it good, so it’s okay… Just take it in your stride.”

His remarks come at a time when Don 3 has remained in headlines due to reports of delays and changes involving the cast. Ranveer Singh had been officially announced as the new face of the franchise in 2023, stepping into one of Hindi cinema’s most iconic roles. However, later reports suggested that the actor had exited the project amid scheduling and creative issues. While multiple claims have surfaced regarding negotiations and financial settlements, no final clarity has yet emerged.

Also Read: Inside the Explosive Don 3 meet: What really went down behind closed doors as Ritesh Sidhwani-Farhan Akhtar locked horns with Ranveer over Rs. 40 crores

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EXCLUSIVE: After OMG Oh My God and 102 Not Out, Umesh Shukla's acclaimed play Madhuri vs Dixit to be made into a film

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Umesh Shukla has been a popular name among Gujarati audiences for several years and since 2012, he has also enjoyed nationwide popularity. That was the year when OMG Oh My God, an adaptation of his cult Gujarati play Kanji Viruddh Kanji, was made as a Bollywood film. Starring Paresh Rawal and Akshay Kumar, the devotional courtroom drama emerged as a sleeper super-hit. Six years later, he made 102 Not Out (2018), an adaptation of the Gujarati play of the same name. The film adaptation, starring Amitabh Bachchan and Rishi Kapoor, was also a success. And now, Umesh Shukla is all set to adapt yet another of his acclaimed plays for the big screen – Madhuri vs Dixit.

Madhuri vs Dixit is a Hindi play and its premiere took place on April 26 in Mumbai. Interestingly, it was earlier staged in Gujarati, with the title Madhuri Dixit. It stars Riddhi Shukla and Vyas Hemang in leading roles. Interestingly, the former is also the wife of Umesh Shukla. Unnati Gala and Harshad Patel feature in supporting parts. Umesh Shukla has penned the adapted screenplay and is also one of the producers of the play, along with Chetan Gandhi and Saumya Joshi. Madhuri vs Dixit as well as Madhuri Dixit is directed by Swapnil Baraskar.

Umesh Shukla spoke exclusively with Bollywood Hungama and began by revealing the premiere experience. He said, “Paresh Rawal, Dilip Joshi and many others gave very positive video bytes. The premiere yesterday was zabardast. Kya show tha; it was electrifying!”

Umesh then confirmed that the script is in its final stages. When asked if the film will feature the same cast or different actors, he replied, “I plan to have the same cast, mostly. I first plan to make it as a Gujarati film and then I’ll see whether I want to make it in Hindi. The other alternative is to make it bilingual in Hindi and Gujarati.” He also revealed, “This would be my first Gujarati film.”

Umesh Shukla continued, “We did 149 shows of Madhuri Dixit in Gujarati. For the landmark 150th show, we launched the Hindi version as Madhuri vs Dixit. Now, I’ll stage both the Hindi and Gujarati versions of the play parallelly. The Hindi version is far sharper.”

This reminds one of Kanji Viruddh Kanji, which also had versions in multiple languages. Umesh Shukla confirmed, “Yes. In fact, it used to run in three languages – Kanji Viruddh Kanji in Gujarati, Keshava Madhava in Marathi and Kishan vs Kanhaiya in Hindi.”

Will the film also be titled Madhuri vs Dixit? Umesh Shukla replied, “Indeed. That is what the title of the film would be.”

Lastly, when asked if noted actress Madhuri Dixit has seen the play, Umesh Shukla said, “She was busy shooting yesterday and couldn’t attend the premiere. Our next show is at ISKCON Auditorium, Mumbai on May 9. I’ll be inviting her again and I hope she can make it this time. I am in touch with her team and she’s aware of the play.”

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Veteran actor Bharat Kapoor dies at 80 in Mumbai; family performs last rites

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Bharat Kapoor, known for his extensive work in Hindi cinema across several decades, passed away in Mumbai on Monday at the age of 80. The veteran actor reportedly breathed his last at Sion Hospital in the afternoon after facing health complications in recent days.

Reportedly, Bharat Kapoor had been unwell for the last few days and was undergoing treatment. His condition worsened due to multiple organ-related complications. His last rites were held later in the evening in the presence of family members, friends, and members of the film fraternity.

Actor Avtar Gill confirmed the news and shared details about Kapoor’s final hours. Speaking about the loss, he told India Today, “I just came from the cremation, it was done at 6:30 pm. He died at 3pm today in Sion Hospital, Mumbai. He was not feeling well from last three days. From last three days his multiple organs started failing.”

Bharat Kapoor was a recognizable presence in Hindi films, particularly through the 1970s, 1980s, and 1990s. While he may not always have played central roles, he built a respected career with memorable supporting performances. He was often cast in authoritative characters such as police officers, lawyers, businessmen, and antagonists, bringing a distinct screen presence to each role.

Over the years, he appeared in several notable films that remain popular with audiences. His filmography includes Noorie, Ram Balram, Love Story, Bazaar, Ghulami, Aakhree Raasta, Satyamev Jayate, Swarg, Khuda Gawah and Rang.

Also Read: Asha Bhosle dies at 92; last rites to be held tomorrow

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