Bollywood
Sanjay Dutt starrer Aakhri Sawal gets new release date — film preponed to May 8
The makers of Aakhri Sawal, starring Sanjay Dutt, have officially announced a revised release date for the film. Originally scheduled to arrive in cinemas on May 16, 2026, the film has now been preponed and will hit theatres on May 8, 2026, bringing its release forward by over a week.
The decision to advance the release comes amid growing buzz around the project, particularly following the unveiling of its teaser. Released on the occasion of Hanuman Jayanti, the teaser offered a glimpse into the film’s narrative, which delves into the history of the Rashtriya Swayamsevak Sangh (RSS), founded in 1925. While brief, the teaser has already generated considerable discussion for its subject matter and tone.
Positioned as an intense and thought-provoking drama, Aakhri Sawal aims to explore lesser-known aspects of the organisation’s journey while raising broader questions that are expected to unfold over the course of the film. The early promotional material has been described as direct and provocative, setting the stage for a narrative that could spark conversations upon release.
The film is directed by National Award-winning filmmaker Abhijeet Mohan Warang, who previously earned a Special Mention at the 67th National Film Awards for his Marathi-language film Picasso. Warang has built a body of work spanning Marathi and Hindi cinema, with projects such as Deja Vu, Prem Pratha Dhumshan, Piccolo, and the short film Virtual Reality.
Aakhri Sawal is presented by Nikhil Nanda and produced by Nikhil Nanda along with Sanjay Dutt. The film is co-produced by Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey, and Ujjwal Anand. The story, screenplay, and dialogues have been written by Utkarsh Naithani.
Backed by Nikhil Nanda Motion Pictures, which has delivered multiple projects for digital platforms including JioHotstar, the film has steadily built anticipation since its announcement. With its release now advanced, Aakhri Sawal is set to arrive in cinemas sooner than expected, positioning itself as one of the notable theatrical releases in early May 2026.
Also Read: Aakhri Sawal Teaser | Yeh Sirf Shuruaat Hai | Sanjay Dutt | Namashi | Amit Sadh | Sameera Reddy
read moreAdarsh Gourav plans to write and release new music in 2026 :"Music has always been a very personal space for me"
After impressing audiences with both his acting and musical talent in Tu Yaa Main, Adarsh Gourav is now ready to take a deeper plunge into the world of music. The actor, who surprised many with his rap and playback singing in the film, is set to make music a more prominent part of his creative journey in 2026.
While Adarsh has long nurtured a strong passion for music alongside his acting career, the overwhelming response to his work in Tu Yaa Main has inspired him to step forward with greater confidence. What once remained a personal pursuit is now evolving into a focused artistic direction.
Looking ahead, Adarsh is actively working on writing and releasing new music over the coming months. He is also exploring collaborations with a diverse range of singers and producers, allowing him to experiment with different sounds and styles. Through these creative partnerships, he aims to push his artistic boundaries and discover a musical identity that is uniquely his own.
In addition to collaborations, the actor is planning to spend time in quieter, more isolated environments to nurture his songwriting process. Stepping away from the chaos of everyday life, Adarsh hopes to find clarity and creative freedom as he develops his music.
Speaking about this evolving phase, Adarsh shares, “Music has always been a very personal space for me. I think for the longest time, I kept it close, but the kind of love I received for my work in Tu Yaa Main really encouraged me to open up more. This year, I definitely intend on writing and releasing more music, and also collaborating with some really interesting singers and producers. That process itself is adding so many new layers and dynamics to the sound I want to discover.”
He further adds, “I also feel the need to step away from the noise every now and then, just to be able to listen to myself better. I’m planning to spend time in a more isolated space where I can write freely and explore ideas without distractions. Being a trained singer, I’ve always had that foundation, but now I feel more confident to really lean into it. I’m trying to blend everything I love, rap, melody, storytelling and create something that feels honest. This phase is not just about making music, it’s about rediscovering that part of me.”
With this renewed focus, Adarsh Gourav is not just expanding his creative repertoire but also redefining his artistic identity—one that seamlessly blends performance, music, and storytelling into a singular voice.
Also Read: Adarsh Gourav begins filming docu-series The Tribal Voice across Northeast India
read moreCrocs India taps Rakesh Bedi for new digital campaign built on everyday moments
Crocs India has rolled out a new digital campaign featuring veteran actor Rakesh Bedi, focusing on humor-led storytelling rooted in everyday interactions. The campaign film builds around a simple social gesture that gradually escalates into a sequence of exaggerated and unexpected situations.
The narrative follows a chain reaction triggered by a handshake, which ultimately leads to a quirky twist referred to as the “Crocshake.” The idea aligns with the brand’s broader messaging around self-expression and comfort, while using a light, character-driven approach.
Commenting on the campaign, Manoj Juneja, Country Manager at Crocs India, said, “At Crocs, we’ve always believed in staying culturally relevant and connecting with our audiences through moments that feel real and relatable. This campaign with Rakesh Bedi is a perfect example of how we blend humor, nostalgia, and contemporary trends to create content that not only entertains but also sparks conversations.”
Bedi, who has seen renewed visibility in recent projects, spoke about his experience working on the film. “What I loved about this campaign was how naturally the humor came through. It takes a simple, everyday situation and turns it into something completely unexpected. The idea is fun, the energy on set was great,” he said. He added that the campaign’s tone makes it accessible. “It’s always exciting to be part of something that audiences can instantly connect with and enjoy.”
The campaign continues Crocs India’s focus on digital-first content, aiming to engage audiences through familiar scenarios rather than high-concept storytelling.
Also Read: Sachin Tendulkar praises Rakesh Bedi in viral anecdote; actor’s witty comeback steals the show
read moreAre Jackie Shroff, Suniel Shetty teaming up? Cryptic reel fuels curiosity
A cryptic teaser reel featuring Jackie Shroff and Suniel Shetty has caught the internet’s attention after being posted on their official Instagram handles today.
The reel, styled like a WhatsApp chat, shows a brief and intriguing exchange between the two, leaving fans guessing about what’s coming next. With no clear context, social media is already buzzing with theories.
Are they teaming up for a new film, an OTT project, or something entirely different? Some even speculate that the duo could be coming together to host a show, something that would make for a strong and exciting collaboration.
View this post on Instagram
A post shared by Suniel Shetty (@suniel.shetty)
While there’s no official confirmation yet, the teaser has successfully sparked curiosity, and audiences are now eagerly waiting to see what unfolds.
Also Read: SGM Animation Studios launch: Subhash Ghai says, “In Ram Lakhan, Anil Kapoor can’t be Ram, Jackie Shroff can’t be Lakhan”; says Mickey Mouse is bigger than Bollywood and Hollywood stars: “Name one actor who has ruled for 80 years!”
read moreTina Thadani teams up with Shivam Dube for upcoming ad, calls it a "Cool Experience"
Actor Tina Thadani is set to return to the screen with an upcoming advertisement project featuring Indian cricketer Shivam Dube. The campaign, directed by Rohit Roy, is expected to release in the coming weeks.
Speaking about the shoot, Thadani described the experience of being back on set after a gap. “I did an ad for a brand where Shivam Dube was the brand ambassador and Rohit Roy was directing this ad. It was a great time working with them, especially in front of the camera and being back on set again,” she said.
The actor also spoke about the working environment on set, highlighting the professionalism of her co-collaborators. “Shivam Dube, the cricketer, is really very professional and so is Rohit. It was such an amazing experience to be back on set and doing what I love,” she added. According to Thadani, the project is associated with a fitness brand, and she confirmed that the advertisement will be released shortly. “Shivam is a world champion for India and it was a pleasure working with him. The ad will be out in a couple of weeks. This ad is for a fitness brand,” she said.
Beyond the professional aspect, the actor shared a personal highlight from the shoot. “The sweetest and nicest part was that my dad was visiting from Canada, so I got to bring him on set and I made him meet Shivam because he is a huge Indian cricket fan,” she revealed.
The project marks Thadani’s return to on-screen work, with the actor indicating that the experience combined both professional engagement and a meaningful personal moment.
Also Read: EXCLUSIVE: Rohit Roy’s daughter Kiara Bose Roy to be launched opposite Sajid Nadiadwala’s son Subhan in Aisi Deewangi
read moreKarishma Tanna announces pregnancy with heartwarming post: ‘A little miracle, our greatest gift- August 2026’
Actor Karishma Tanna is all set to embrace a beautiful new chapter in her life—motherhood. The actor took to Instagram on Monday morning to share the joyous news that she is expecting her first child with husband Varun Bangera.
Karishma delighted fans with a carousel of adorable pictures featuring the couple. In the images, the two can be seen posing with tiny baby shoes while donning caps labeled ‘Mom’ and ‘Dad’, making the announcement all the more special.
“A little Miracle, Our greatest gift- August 2026” she captioned the picture post, also revealing the expected arrival of their baby.
Karishma and Varun began dating in 2021 and tied the knot on February 5 the following year. Since then, the couple has often shared glimpses of their life together, much to the delight of their fans.
Soon after the announcement, congratulatory messages poured in from friends and colleagues in the industry. Actor Khushi Kapoor commented, “Ahhh” followed by multiple hearts. Notably, Karishma and Khushi are set to share screen space in the sequel to Mom, which originally starred Khushi’s mother, the late legendary Sridevi.
Actor Bhumi Pednekar wrote, “Awwwwww”, while Dia Mirza commented, “Oh yay! Congratulations”. Other celebrities like Jasmin Bhasin, Tahira Kashyap, and Sonal Chauhan also joined in to shower love and best wishes on the couple.
With this heartwarming announcement, Karishma Tanna has given fans a reason to celebrate, as she prepares to welcome her “little miracle” in August 2026.
Also Read: Jisshu Sengupta, Karishma Tanna starrer Mom 2 goes on floors at Yamuna Expressway Film City; Boney Kapoor shares details
read more"Audience judges your character by your clothes": Janhvi Kapoor on sexualisation and career Impact
Janhvi Kapoor opened up about the persistent sexualisation of her image and how it has influenced both her public presence and professional decisions.
In a podcast with Raj Shamani, the actor explained that despite making a conscious effort to limit her visibility, she has little control over how she is perceived. “I have gone to extreme lengths to be seen as little as possible,” she said, pointing out that an overload of existing visuals online continues to define her image. “There are so many visuals of me already populated out there that you don’t feel like I’ve really gone anywhere.”
She highlighted how this constant circulation of images often reduces her identity to appearance, feeding into a cycle of sexualisation that is difficult to escape. “I didn’t like how I was being consumed by people because of these visuals, because of these AI things,” she said, referring to edited and manipulated content that further distorts perception.
This has had a direct impact on her behaviour and career strategy. Janhvi revealed that she now second-guesses even the most basic decisions, including social media posts. “I wouldn’t think, ‘Oh my God I look hot, let’s post it.’ I think ten times because something can be taken out of it,” she admitted.
At the core of her concern is how quickly audiences attach moral judgement to appearance. “Audience judges your character by your clothes,” she noted, underlining how sexualisation doesn’t remain superficial. It shapes credibility and opportunities.
As a result, Janhvi said she often chooses to “play it safe,” especially at this stage of her career. “I wish I could say I don’t care, but it does matter,” she added. “I’ll do what I have to, till I get that credibility,” indicating that navigating perception is still crucial to sustaining and growing her career.
Also Read: Janhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”
read moreYRF Entertainment Taps Streaming Veteran Saugata Mukherjee to Spearhead Content Strategy
YRF Entertainment has appointed seasoned content strategist Saugata Mukherjee as its new Head of Content, marking a significant move as the studio strengthens its presence in the global streaming landscape.
The platform, known for delivering acclaimed titles like The Romantics, The Railway Men, and Mandala Murders, has brought Saugata on board to lead its content vision across films and series. In his new role, he will report directly to YRF’s CEO Akshaye Widhani.
Expressing his enthusiasm about the appointment, Akshaye Widhani says, “I’m delighted to welcome a creative thought leader who has consistently pushed boundaries of how the audience engages with content and has been at the forefront of transformative shifts for over two decades. At a moment when streaming is reshaping local and global entertainment landscape, Saugata’s creative instincts and strategic clarity makes him uniquely suited for our next chapter at YRF Entertainment. As a company, we believe in championing India to the world and that great stories transcend geographies. With Saugata’s insight, we’re hopeful to deepen our connection with audiences worldwide while continuing to invest in bold & unique local content and talent.”
Alongside this leadership development, Yogendra Mogre will continue as Executive Producer on shows and head production at YRF Entertainment. He will work in close collaboration with Saugata and Akshaye to shape the company’s upcoming slate.
Saugata Mukherjee joins YRF Entertainment after a successful tenure as Head of Content and Executive Vice President at SonyLIV, where he played a pivotal role in transforming the platform into a premium destination for original storytelling. Under his leadership, SonyLIV delivered critically acclaimed and widely loved titles such as Scam 1992, Maharani, Rocket Boys, Gullak, and Freedom at Midnight. Collectively, these projects garnered over 100 major industry awards, underlining his impact on the Indian OTT space.
His productions, including Aarya (for Hotstar) and Rocket Boys (for SonyLIV), also earned nominations at the prestigious International Emmy Awards, further cementing his reputation as a content visionary.
Before his stint at SonyLIV, Saugata was instrumental in leading the India market entry for HBO Max and was a founding member of the leadership team that built Hotstar (now JioHotstar) into one of the largest streaming platforms globally by subscriber scale.
With extensive experience spanning platform launches, digital transformation, content monetisation strategies, and building high-performance creative teams, Saugata Mukherjee’s appointment signals YRF Entertainment’s intent to scale new heights in storytelling. As the streaming space continues to evolve rapidly, this strategic move positions the studio to deliver compelling, globally resonant content while staying rooted in powerful local narratives.
read moreSCOOP: Remo Dsouza begins work on his next dance film; likely to be titled ABCD 3
In 2013, Remo Dsouza inaugurated the dance film genre with ABCD – Any Body Can Dance (2013). It was a film with no popular star cast and yet opened at Rs. 5.50 crores, despite competition from the Akshay Kumar-starrer Special 26 (2013). Thanks to its theme, smart promotions, youth appeal, chartbuster music and of course, the dance moves, it went on to collect Rs. 45.50 crores in its lifetime. The second part, ABCD – Any Body Can Dance – 2 (2015), starred Varun Dhawan and Shraddha Kapoor, and was a bigger hit, crossing the Rs. 100 crore mark. Bollywood Hungama has exclusively learned that now Remo Dsouza has begun working on another dance film and it may be titled ABCD 3.
The source continued, “It’ll be produced by Amit Chandrra of Trigger Happy Studios. Remo Dsouza and his team have cracked a great idea for the film. They are now working on the screenplay. Remo is fully aware that a lot has changed since the last time he attempted a dance film in terms of audience consumption, exposure to various dance forms etc. He has kept those changes and Gen Z and Gen Alpha audiences in mind while envisioning his upcoming venture.”
Meanwhile, another source told us that it might be a continuation of the first part of ABCD. Hence, as per this source, the characters from ABCD – Any Body Can Dance are expected to return in Remo’s next. However, Bollywood Hungama couldn’t verify this claim at the time of publishing this article.
Remo Dsouza entered the industry as a choreographer and turned director with the Bengali film Lal Pahare'r Katha (2007). His Hindi directorial debut happened with F.A.L.T.U. (2011) followed by ABCD – Any Body Can Dance and ABCD – Any Body Can Dance – 2. He then directed A Flying Jatt (2016), Race 3 (2018) and Street Dancer 3D (2020). Last year, his dance film, Be Happy (2025), had a release on Amazon Prime Video.
Also Read: Is Raghav Juyal reuniting with Remo D’Souza for ABCD 3? Here’s what we know!
read moreDiljit Dosanjh, A. R. Rahman and Imtiaz Ali unite for soul-stirring anthem ‘Kya Kamaal Hai’ from Main Vaapas Aaunga
In a collaboration that brings together some of the most influential voices in Indian music and cinema, Imtiaz Ali’s upcoming film Main Vaapas Aaunga is already shaping up to be one of the most anticipated releases of the year. The project sees global icon Diljit Dosanjh join forces with legendary composer A. R. Rahman and acclaimed lyricist Irshad Kamil—a creative trio known for crafting timeless musical experiences.
Adding to the excitement is the newly unveiled track ‘Kya Kamaal Hai’, described as a “song of hope” that resonates deeply with the times we live in. In a world often overshadowed by chaos, conflict, and uncertainty, the song offers a refreshing perspective—highlighting the beauty of life, the strength of love, and the enduring power of human connection. It aims to remind listeners that even in the darkest moments, hope and togetherness can prevail.
True to Imtiaz Ali’s signature storytelling style, the song is expected to seamlessly blend into the film’s emotional narrative, enhancing its depth and relatability. Known for his ability to weave music into the very fabric of his stories, Imtiaz once again appears to be using melody as a powerful storytelling tool.
The film boasts a stellar ensemble cast featuring Naseeruddin Shah, Sharvari, and Vedang Raina alongside Diljit Dosanjh, promising a compelling cinematic experience.
Backed by producers Sameer Nair and Deepak Segal under Applause Entertainment, along with Mohit Choudhary and Shibasish Sarkar of Window Seat Films, Main Vaapas Aaunga is slated for a theatrical release on June 12, 2026.
With a powerful creative team at its helm and music that speaks to the soul, the film is poised to strike a chord with audiences, making Kya Kamaal Hai not just a song, but an emotion that lingers long after the music fades.
Also Read: Main Vaapas Aaunga: Imtiaz Ali reveals poster of Diljit Dosanjh-Starrer ahead of teaser launch
read moreEXCLUSIVE: Not just the mirror mistake, Dhurandhar The Revenge's new print also censors some abuses; Sanjay Dutt's abusive dialogue and few other abuses muted
A few days ago, Bollywood Hungama exclusively informed readers that a revised print of Dhurandhar The Revenge has been sent to cinemas since last weekend. The earlier print of the Ranveer Singh-Sanjay Dutt-R Madhavan-Arjun Rampal starrer had a minor blunder – the cameraman’s reflection was visible in the mirror in a crucial scene in the second half featuring Hamza aka Jaskirat Singh Rangi (Ranveer Singh) amd Gurbaaz Singh aka Pinda (Udaybir Sandhu). This blunder was rectified in the revised print. Bollywood Hungama has now learned that the makers have made one more change as well.
A source told Bollywood Hungama, “In the earlier version, some abuses were muted but many of them were left untouched. In the new print, more cuss words have been censored. The dialogue where (Sanjay Dutt) says ‘L***d c******a kya’ in the Operation Lyari sequence has been muted, though the gesture made by the actor while mouthing the dialogue remains. The abuse, ‘B******a’, said by Rakesh Bedi while getting his pedicure done, and by a character in the ‘Aari Aari’ song sequence was also silenced. A few more abuses have been similarly muted in other parts of the film. Words like ‘B****a’ and ‘G***u’ were kept untouched.”
Before the release of Dhurandhar The Revenge, Bollywood Hungama had exclusively reported that among the 21 modifications listed by the Central Board of Film Certification (CBFC), abusive words were asked to be muted and some abuses were asked to be replaced. No details were provided in the cut list about these cuss words. At another point, a non-abusive word was replaced. In two places, a word was muted while a name was replaced, possibly with a fictional name.
Dhurandhar The Revenge is written and directed by Aditya Dhar and produced by Jyoti Deshpande of Jio Studios and Aditya Dhar and Lokesh Dhar of B62 Studios.
Also Read: Ranveer Singh shot Dhurandhar The Revenge climax in 48°C heat, reveals makeup artist: “Containers were literally burning”
read moreChetak Screen Awards 2026 full winners list: Dhurandhar dominates with 14 wins; Homebound takes Best Film
The Chetak Screen Awards 2026 honoured some of the most notable achievements in Indian cinema this year, with Dhurandhar emerging as the biggest winner of the night by taking home 14 trophies across major categories. While Dhurandhar dominated the technical and performance honours, Homebound secured the top prize for Best Film, marking a balanced spread of recognition across the industry’s biggest titles.
Here is the complete winners' list from the ceremony. Major award winners Best Film Homebound
Best Actor (Female) Yami Gautam Dhar – Haq
Best Actor (Male) Ranveer Singh – Dhurandhar
Best Director Aditya Dhar – Dhurandhar
Best Actor in a Supporting Role (Female) Shalini Vatsa – Homebound
Best Actor in a Supporting Role (Male) Akshaye Khanna – Dhurandhar Technical category winners Best Action Aejaz Gulab, Sea Young Oh, Yannick Ben, Ramazan Bulut – Dhurandhar
Best Background Score Shashwat Sachdev – Dhurandhar
Best Choreography Vijay Ganguly – ‘Shararat’ (Dhurandhar)
Best Cinematography Vikash Nowlakha – Dhurandhar
Best Costume Sheetal Iqbal Sharma – Chhaava Smriti Chauhan – Dhurandhar
Best Dialogue Aditya Dhar – Dhurandhar
Best Editing Shivkumar V. Panicker – Dhurandhar
Best Hairstyling and Make-Up Preetisheel Singh D'Souza – Dhurandhar
Best Production Design Saini S. Johray – Dhurandhar
Best Sound Design Bishwadeep Chatterjee – Dhurandhar
Best Special Effects Envision VFX, Philm CGI, Resonance Digital, Dhruti Ranjan Sahoo, Vishal Tyagi, Raza Mohammed Shaikh – Dhurandhar Writing and special recognition Best Film for Gender Sensitivity Haq – Vineet Jain, Vishal Gurnani, Harman Baweja, Juhi Parekh Mehta, Amrita Pandey, Suparn S Varma, Rowena Baweja, Sandeep Singh
Best Film Writing (Story and Screenplay) Basharat Peer, Neeraj Ghaywan, Sumit Roy – Homebound Music category winners Best Song “Title Track” – ‘Saiyaara’ (Tanishk Bagchi, Faheem Abdullah, Arslan Nizami)
Best Lyrics Ul Julool Ishq – Gulzar
Best Playback Singer (Male) Faheem Abdullah – ‘Saiyaara Title Track’
Best Playback Singer (Female) Shreya Ghoshal – ‘Saiyaara Title Track’ Breakthrough winners Breakthrough Debut Director Shazia Iqbal – Dhadak 2
Breakthrough New Actor (Female) Aneet Padda – Saiyaara
Breakthrough New Actor (Male) Ahaan Panday – Saiyaara OTT category winners 📺 Best OTT Film Stolen – Gaurav Dhingra
Best Actor (Female) – OTT Film Sanya Malhotra – Mrs.
Best Actor (Male) – OTT Film Abhishek Banerjee – Stolen
Best Director – OTT Film Karan Tejpal – Stolen
Best Script – OTT Film Karan Tejpal, Gaurav Dhingra, Swapnil Salkar – Stolen
With 14 awards across acting, direction, and multiple technical categories, Dhurandhar emerged as the night’s biggest winner, while Homebound, Saiyaara, and Stolen also secured major honours across theatrical and streaming segments
Also Read: Chetak Screen Awards nominations announced: Dhurandhar leads with 24 nods; Saiyaara, Homebound follow
read moreBhooth Bangla trailer sneak peek: The return of Akshay Kumar, Priyadarshan and the comedy OGs promises loads of entertainment; Tabu emerges as the surprise package
Last night, Bollywood Hungama got a sneak peek of the trailer of the much-awaited film of the month, Bhooth Bangla, more than 12 hours before its launch today (April 6). The film has already created a buzz due to its horror-comedy genre, casting and more, and the trailer is expected to further enhance the hype around it.
The trailer is around 2 minutes and 58 seconds long and offers a better idea of the premise. The focus, of course, is on the humour quotient. As expected, Akshay Kumar steals the show. There’s no one like him when it comes to comedy, and he proves it yet again. He is ably supported by a stellar cast comprising Rajpal Yadav, Paresh Rawal and the late Asrani. Just seeing all of them together, that too in a Priyadarshan film, is sure to make fans nostalgic and excited. To add to the nostalgia, the makers have used two famous dialogues from Priyadarshan’s memorable comedies of the past, which are sure to be lapped up.
Wamiqa Gabbi and Mithila Palkar get limited screen time, but it’s clear that they, too, have a significant part to play in the narrative. However, the surprise element of the trailer is Tabu. She seems to be the surprise package, and the makers have smartly kept her character under wraps. In fact, it’s evident that a major chunk of the plot, especially the horror element, has not been revealed. Hence, expect horror, comedy and a blend of suspense when the film releases at 9:00 pm on April 16.
The postponement of the film by a week led to disappointment among fans. However, the delay could work in the film’s favour, as Dhurandhar The Revenge would have almost exhausted its run by then. A healthy opening seems to be on the cards. Moreover, with no major competition until May 1, Bhooth Bangla will enjoy a clean two-week window to leave a mark at the box office, provided the audience response is favourable.
Also Read: Wamiqa Gabbi to play female lead in Akshay Kumar starrer Bhoot Bangla: Sources
read moreJanhvi Kapoor calls out oversexualisation: “Zooming into body parts without consent is invasive”
Actor Janhvi Kapoor has spoken candidly about being oversexualised in the public eye, addressing concerns around consent, paparazzi culture, and the growing misuse of digital content. During a conversation on the Raj Shamani Podcast, the actress shared how such experiences have shaped her personal and professional decisions.
Recalling a recent interaction with paparazzi, Kapoor said, “I actually had a conversation with paparazzi recently. I told them—this is bad for us, it feels invasive and non-consensual. Even if we dress a certain way, we’re not expecting someone to zoom in on specific body parts. And more than us, it reflects badly on them—that they’re commodifying a woman’s body for money and views.”
While she noted that the photographers appeared receptive, Kapoor acknowledged the issue runs deeper. “They seemed receptive, but the issue is larger—it’s about consumption. Globally, content that objectifies women is the most consumed. That’s why it keeps getting circulated. Since you’re a public figure in glamour, it happens more to you,” she explained.
Highlighting the importance of consent, she drew a distinction between performance and exploitation. “At every stage, you have to ask—what did I consent to? For example, I did a song called ‘Bheegi Saadi’, where I’m dancing sensually in a wet saree. That was meant to be sensual. If someone finds it attractive, that’s fine. But sexualising someone without consent is completely different—and I’m not okay with that.”
Kapoor further pointed out how visuals are often altered without her knowledge. “There are angles and ways things are shot or edited—zoomed, slowed down—without my knowledge. That’s not my consent. Even on film sets, if a camera is placed somewhere I’m not comfortable with, I should be able to say no without being seen as unprofessional,” she said, adding, “Earlier, I was more polite and picked my battles. Now I make my point more clearly—though still politely.”
The actress also addressed how such portrayals affect her career trajectory. “I can’t afford to stop caring, because these perceptions affect audiences, filmmakers, and the opportunities I get. If people keep seeing you in compromising visuals, they form a perception about your character. It’s wrong, but it happens,” she noted.
She added that these perceptions influence casting decisions as well. “Filmmakers also think this way. If they feel you’re already overly visible in a certain way, they might hesitate to cast you. Audience perception directly impacts casting decisions. It’s sad that people judge your values based on your clothes—but that’s the reality.”
Kapoor revealed that she has recently taken steps to limit her public visibility. “In the past couple of months, I’ve gone to great lengths to avoid being photographed. I had three releases back-to-back last year—I felt like people had seen too much of me.”
Despite not actively seeking media attention, she said the volume of content around her remains high. “People say actors call the media—I don’t, except for promotions. But there’s already so much content of me out there that it doesn’t feel like I’ve disappeared at all.”
Concluding her thoughts, Kapoor admitted that the fear of misuse continues to affect her. “I didn’t like how I was being consumed—because of AI, edits, and everything. Even when I post something now, I overthink—will this be misused or edited? I wish I could say I don’t care—but I do.”
For now, she believes caution is necessary. “Right now, I’m not in a position of power where I can completely ignore it. So, I’ll play it safe for now, until I build enough credibility to fully be myself without consequences,” she said.
Also Read: Janhvi Kapoor recalls disturbing early deepfake experience: “I saw a picture of myself on a porn site”
read moreJanhvi Kapoor recalls disturbing early deepfake experience: “I saw a picture of myself on a porn site”
Actor Janhvi Kapoor has candidly spoken about her first encounter with manipulated imagery resembling deepfakes, recalling a deeply unsettling experience from her school days. Appearing on the Raj Shamani Podcast, the actress shared how the incident left a lasting impression on her and shaped her views on digital ethics and consent.
Reflecting on the episode, Kapoor said, “I don’t know if it was technically a deepfake, but it was something like that. I saw a picture of myself on a porn site. We had IT class in school, and the boys used to go on those sites for fun—and my pictures were there. This was while I was still in school. That was a weird experience.”
The actor admitted that the incident forced her to confront the darker realities of being in the public eye at a young age. “At some point, I thought, ‘Why? Is this just the price you have to pay?’ Like there’s no morality in these things. With social media, everyone is just putting things out there. If anything, this new ‘woke’ sensitivity has slightly corrected behaviour in terms of ethics and morality—but largely, it’s still a problem. A lot of people think it’s normal—‘This happens, you’re a public figure, so it will happen’,” she said.
Kapoor also expressed concern over the growing circulation of AI-generated visuals that misrepresent her. “I’m not at peace with it. There are visuals of me out there—circulated even by official news pages—that are completely AI-generated. I’ve never worn those things, I’ve never been photographed like that. But it’s circulated as if it’s real, creating a certain impression,” she revealed.
Highlighting the professional implications, she added, “Tomorrow, if I’m doing a film and I tell a director I’m not comfortable wearing something, they could say, ‘But you’ve already done this—people have seen it.’”
Despite her discomfort, Kapoor acknowledged the limitations she feels in speaking out. “It makes you question what the moral guidelines even are. It upsets me, of course. But I feel like I don’t have enough voice or credibility to complain about it. People might say, ‘You’ve got so much in life, just tolerate this. Don’t complain.’ So I don’t think my voice carries enough weight yet to address it without backlash. But it’s not just me—others have spoken about it too,” she concluded.
Her remarks add to the ongoing conversation around AI misuse, digital consent, and the urgent need for stronger ethical boundaries in the age of rapidly evolving technology.
Also Read: Janhvi Kapoor partners with Amaha to reframe alcohol addiction as a mental health condition, not a moral failing: “The conversation around alcohol is either absent or deeply judgmental”
read moreRanveer Singh starrer Pralay is not an adaptation, reveals Hansal Mehta
Filmmaker Hansal Mehta has opened up about his upcoming project Pralay, starring Ranveer Singh. The film, which has been generating considerable curiosity, is set to explore a large-scale post-apocalyptic world—an idea that, according to Mehta, has been in development for quite some time.
Speaking about the origins of the project to The Hollywood Reporter, Mehta revealed that the concept was initially developed by filmmaker Jai Mehta, who had been working on it independently before Ranveer Singh came on board. "Jai had been working on this idea for a long time." He further explained how the collaboration took shape once Ranveer expressed interest in the concept, "When Ranveer saw his work, he reached out to him and then Jai pitched it to him. Once Ranveer said he liked the idea, we invested in developing it-helping Jai create the world he wants to present in the film."
Detailing the scale and ambition of Pralay, Mehta described it as a genre-defining project for Indian cinema. “Its a post-apocalyptic world that hasnt been attempted before at this scale in India. Development is not just about writing. It also includes ideas-how you shape them, how you visualise them, and how you eventually sell them to a third party, to a star or a studio. We've invested in building those ideas,” he further told the portal.
Addressing speculation about the film being inspired by existing literary works, Mehta firmly dismissed such claims, clarifying that the story is entirely original. "It's not an adaptation”, he added and continued, "Jay and Vishal Kapoor have written the original story. Further, I think a book like Blindness is not easily adapted to film. I had seen the 2008 film adaptation (starring Julianne Moore and Mark Ruffalo) and it wasn't great. Writers like Saramago or Salman Rushdie... I feel they are best experienced on paper. Their books lose all their magic when interpreted for cinema."
He also emphasised that the success of the film will largely depend on how convincingly its world is brought to life on screen. He shared, "The victory of Jai's film will depend on its immersive nature”. "How do you make a post-apocalyptic, dystopian world believable? To that end, we are working with some of the best talent from around the world. And we are trying to achieve it at a fraction of the cost in which Hollywood would have done it."
With its ambitious premise and focus on immersive storytelling, Pralay is shaping up to be a significant addition to the evolving landscape of high-concept cinema in India.
Also Read: Ranveer Singh to lead zombie thriller ‘Pralay’ as Hansal Mehta expands True Story Films slate
read moreEXCLUSIVE: Sonu Nigam remembers his iconic song ‘Kal Ho Naa Ho’ as ISAMRA distributes WHOPPING Rs. 100 cr in royalties to 26,000 singers; Anup Jalota gets emotional; Sanjay Tandon recalls journey from Rs. 51,000 to 100 cr
It was a joyous occasion for ISAMRA (Indian Singers And Musicians Rights Association) recently as they announced that they have distributed Rs. 100 crore in royalties to 26,000 singers and musicians. Bollywood Hungama spoke exclusively to the ones who fought bravely for the rights of the singers – the legendary Sonu Nigam and Anup Jalota and ISAMRA founder and MD, Sanjay Tandon.
Sonu Nigam said, “It feels like a quiet victory, not loud, not dramatic, but deeply meaningful. For years, the voice created value but did not always receive its share of that value. Today feels like a moment of correction. Not just for me, but for every singer who has given their soul to a song. It is a sense of dignity returning. The system has finally begun to listen.”
In June 2024, Sanjay Tandon revealed that ISAMRA had distributed its first royalty, Rs. 51,000, for the song ‘Lag Jaa Gale’ (Woh Kaun Thi; 1964). Explaining the journey from Rs. 51,000 to Rs. 100 crores, he replied, “That first royalty of Rs. 51,000 was a beginning, not just financially, but emotionally. It proved that performers’ rights could move from theory to reality. From there to Rs. 100 crore has been a journey of building from scratch. There was no ready data, no structured system, and no precedent. Just belief. Today, when we look back, it is not about the numbers alone. It is about restoring faith among singers and musicians that their contribution has value beyond applause (smiles).”
Anup Jalota, meanwhile, stated, “This is a very emotional moment. For years, singers have been the soul of music in this country, but their contribution was not always recognised in the way it should have been. Today feels like a long-awaited acknowledgement. It is not just financial, it is about respect, about dignity. It feels like a blessing.”
The AI factor One of the immediate issues to be addressed is AI and how it can produce the voice of any singer. Sonu Nigam admitted, “AI is both exciting and concerning. It can enhance music, but it can also blur the identity of the artist. A voice is deeply personal; it carries emotion, years of training, and lived experience. If that can be replicated without consent, it becomes a serious issue. The way forward is awareness, strong legal frameworks, and organisations like ISAMRA stepping in to protect performers. Consent and compensation must become non-negotiable. Technology should support creativity, not exploit it.”
Sanjay Tandon agreed, “AI introduces both efficiency and risk. The biggest challenge is ownership. If a voice can be cloned or replicated, the question is who owns that usage. ISAMRA is actively working towards frameworks where any such use is governed by clear consent and fair compensation. The principle remains simple. If a voice generates value, the artist must receive that value. Technology cannot override rights.”
The way forward Some more challenges also remain. Anup Jalota said, “Traditionally, singers have been paid for recording a song, but not for the life of that song. A song continues to live, to be heard, to generate value across platforms and generations. That value must come back to the singer. The way forward is awareness and stronger systems. Singers must understand their rights, and the industry must evolve to make royalties a standard practice. This change has begun, and it must now become the norm.”
Sanjay Tandon observed, “The focus now is on scale and inclusivity. We want every performer, whether a leading voice or a session musician, to be part of this ecosystem. Strengthening international partnerships, building a seamless one-window licensing system, and continuing to educate artists about their rights are key priorities. The journey ahead is about making this system stronger, wider, and more accessible.”
Musical end to the conversation On a lighter note, we asked Sonu Nigam which song he was reminded of on this momentous occasion of ISAMRA. The singer flashed his wonderful smile and said, “’Kal Ho Naa Ho’. There is a feeling in that song about valuing the present, about acknowledging what truly matters. This moment feels like that. Something that always belonged to singers is finally coming back to them. It’s emotional, but also very grounding.”
Also Read: Sonu Nigam, Sukhwinder Singh, Kailash Kher and Salim-Sulaiman to perform at Subhash Ghai’s Cadence Music Festival 2026
read moreAdivi Sesh credits Akshay Kumar’s Pad Man for Dacoit’s Hindi-Telugu strategy: "It was a Tamil story and yet it was set in Madhya Pradesh"
Mrunal Thakur, Adivi Sesh, Anurag Kashyap and Zayn Marie Khan attended the trailer launch of the Hindi version of their film Dacoit: Ek Prem Katha in Mumbai. The film is not dubbed in Hindi and has been simultaneously filmed in Telugu as well as Hindi. Adivi Sesh explained the reason behind it and he remembered the Akshay Kumar-starrer Pad Man (2018), based on the incredible life of Arunachalam Muruganantham.
Adivi Sesh began by saying, “In the US, people wear black dresses to a funeral. Log chashme laga ke silently rote hai. But in India, we wear white and we cry loudly while mourning. So, it’s a cultural thing and there are also cultural nuances. That’s how we tweaked the song ‘Chichubuddi’ to ‘Touch Buddy’ for the Hindi audience. The Hindi song blended the Bhojpuri flavour of Pawan Singh and the urban flavour of Jonita Gandhi. That’s an example of things we did on a very fun, practical way.”
He added, “As for the story, there was a lovely film I saw, Pad Man. I was intrigued by the plot and I researched it. That’s when I learned that it’s a Tamil story. It made me wonder ‘Hum Tamil story Hindi audience ko kyun nahin dikha sakte? Usko Madhya Pradesh mein set karne ki kya zaroorat hai?’. After all, it’s based on true events.”
Adivi Sesh continued, “So, I thought of setting a story on the Badlands of Andhra Pradesh-Karnataka border and making the film in an authentic Hindi cinema style. I believe that if done correctly, it’ll reach people in the North and unko film dekh ke apnapan lagega. I had a first experience of it when we launched ‘Touch Buddy’ in Gorakhpur. They were mouthing dubbed Hindi dialogues of my film. Mujhe pata bhi nahin tha ki woh mere film ke dubbed dialogues hai (smiles). Some of them confessed, ‘Aap hamari bhasha mein baat kar rahe hai. Yeh humein bahut accha laga’. Suddenly, I became their hero (and not a hero from another industry). This is why we want to authentically do justice to our vision in Telugu and in Hindi as well.”
Dacoit: Ek Prem Katha releases in cinemas on April 10.
Also Read: Dacoit trailer launch: Adivi Sesh speaks about averting clash with Akshay Kumar’s Bhooth Bangla; confesses why he pushed release from March 19: “We didn’t get desired showcasing because of my FRIEND Aditya Dhar’s phenomenal film, Dhurandhar…woh film 3-4 mahine tak chalti rahegi!”
read moreRajkummar Rao turns ‘Kanjoos’ in Netflix’s Toaster trailer: One toaster sparks absolute chaos in this Sanya Malhotra starrer
Streaming giant Netflix has unveiled the trailer of its upcoming dark comedy Toaster, offering a glimpse into a hilariously chaotic world where one man’s obsession with saving money leads to unforeseen consequences. Headlined by Rajkummar Rao and Sanya Malhotra, the film is set to premiere on April 15.
Directed by Vivek Das Chaudhary and produced by Patralekhaa under Kampa Film, Toaster revolves around Ramakant, a man who takes frugality to extreme levels. The trailer introduces Rajkummar Rao’s character as an unapologetic miser who believes that every rupee saved is a triumph. However, his rigid mindset leads him into a bizarre situation when a toaster he had gifted at a wedding ends up being wasted.
What begins as a simple attempt to retrieve the appliance soon escalates into a chain of increasingly messy and chaotic events. Ramakant’s determination not to let go of something he has spent money on drags not only himself but also those around him into a whirlwind of confusion and unintended consequences.
The film also boasts a strong ensemble cast, featuring Archana Puran Singh, Abhishek Banerjee, Farah Khan, Upendra Limaye, Vinod Rawat, Jitendra Joshi and Seema Pahwa. Each character brings their own quirks and motivations, contributing to the film’s layered narrative and steadily escalating momentum.
Sharing his thoughts on the project, Rajkummar Rao said, “This is a special one for me as it marks our first film under our production house, Kampa Film and produced by Patralekhaa. I’m truly excited to bring this story to audiences. What really drew me to Toaster was how something so small can completely take over a person’s mind. Ramakant is someone who genuinely believes he’s doing the right thing. He doesn’t see his actions as extreme, he sees them as practical. But that’s exactly what makes the journey so unpredictable. It’s a story that comes from a very real place, and watching that sincerity spiral into chaos is what makes the film both engaging and entertaining. It was also a joy working with such a brilliant cast, which really brought this world to life. It feels great to be working with Netflix again. They’ve always championed new stories and storytellers, and it’s exciting to be working both behind and in front of the camera this time.”
View this post on Instagram
A post shared by Netflix India (@netflix_in)
Backed by a screenplay by Parveez Shaikh, along with Akshat Ghildial and Anagh Mukerjee, and dialogues by Akshat Ghildial, Toaster blends dark humour with relatable human behaviour. With Tarun Bali serving as executive producer, the film positions itself as a fast-paced entertainer driven by character dynamics and situational comedy.
With its quirky premise and a strong ensemble of Archana Puran Singh, Abhishek Banerjee, Farah Khan, Upendra Limaye, Vinod Rawat, Jitendra Joshi and Seema Pahwa, Toaster promises a sharp, engaging ride that explores how even the smallest fixation can spiral into absolute chaos. The film premieres exclusively on Netflix on April 15.
Also Read: Rajkummar Rao, Sanya Malhotra starrer Toaster gets release date; Netflix to drop quirky dark comedy on April 15
read moreRanbir Kapoor opens up on playing both Lord Rama and Parashurama in Ramayana: “It was fantastic”
The anticipation surrounding Ramayana continues to grow, especially after the teaser featuring Ranbir Kapoor as Lord Ram was unveiled in the United States earlier this week. During the event, the actor interacted with the media and offered insights into one of the most intriguing aspects of the film—his dual role as both Lord Rama and Lord Parashurama in Nitesh Tiwari’s ambitious magnum opus.
While Ranbir Kapoor is primarily expected to portray Lord Rama, reports suggest that he will also be seen as Lord Parashurama in a brief yet significant appearance. The actor spoke about the mythological connection between the two characters, both of whom are considered incarnations of Lord Vishnu.
“Lord Vishnu had different avatars. Lord Rama was an avatar, and Lord Parshurama was an avatar before Lord Rama." Sharing his excitement about getting the opportunity to portray both roles, Ranbir highlighted how rare and creatively fulfilling the experience has been for him as an actor. “Just to get the opportunity, you know, how I got to play Lord Rama, to also play Lord Parshurama was fantastic. I think as an actor, apart from body language, I think if you deeply understand the spirituality and the emotionality of the characters, I think everything starts from there. I think that’s what I did the year leading up to the shoot of Ramayana, to understand who these people and characters are, what they stand for and what their motives are."
Ranbir Officially Confirms He is Playing Bhagwan Parshuram!#Ramayana pic.twitter.com/n2WxVroeP0 — RK🐰 (@rksbunny) April 3, 2026
Directed by Nitesh Tiwari, Ramayana is being mounted on a grand scale and is widely regarded as one of the most ambitious adaptations of the ancient Indian epic. The film aims to bring the timeless story of Lord Rama—his journey, ideals, and battle against evil—to a global audience with cutting-edge visuals and a large ensemble cast.
The inclusion of Parashurama, an earlier avatar of Vishnu known for his fierce temperament and warrior spirit, adds an additional mythological layer to the narrative. Though expected to appear briefly, the character holds symbolic importance within the larger context of the epic.
Ranbir Kapoor’s preparation for the role has reportedly involved extensive physical training as well as a deep dive into the philosophical and emotional underpinnings of the characters. His emphasis on understanding spirituality reflects the film’s attempt to go beyond spectacle and present a more nuanced portrayal of these revered figures.
As excitement builds around the project, Ramayana continues to remain one of the most closely watched films in development, with audiences eager to see how this iconic tale is reimagined for the big screen.
Also Read: Ramayana: Dipika Chikhlia reacts to Lord Rama’s teaser; says, “It’s very grand, very beautiful,” says OG Sita
read moreAditya Dhar vs Santosh Kumar Row: Legal action looms over Dhurandhar 2 script theft allegations
A fresh controversy has erupted in the film industry, with filmmaker Aditya Dhar and writer Santosh Kumar at the centre of a growing legal dispute over alleged script theft related to Dhurandhar 2 aka Dhurandhar The Revenge. The matter has now taken a serious turn, with both sides preparing for legal action while publicly presenting contrasting claims.
According to a source quoted by Hindustan Times, Aditya Dhar has already responded through his legal team and is considering further steps. “Aditya Dhar has already issued a notice to Santosh Kumar through his legal team, refuting the allegations and requesting him to refrain from making false claims. Despite the aforesaid, since Santosh continues to make baseless allegations, Aditya is in the process of initiating appropriate legal proceedings against him."
However, Santosh Kumar has strongly refuted the claim that a formal legal notice was issued. He maintained that the communication received was merely a response to his email and alleged that he was being pressured to stay silent. “It is not a notice, it is just a reply on my mail. They were harassing me, that I should not complain and that I am defaming them for my publicity. I told them I am going legal, so don’t send me messages, come to court," Santosh Kumar reportedly told the media.
The writer further claimed that he attempted to reach out to the filmmaker and associated production houses but did not receive direct engagement. “I could not reach director Aditya Dhar. I contacted the production house, Jio Studios. They said we are just producers, you have to discuss this with B62 Studios. I am filing a case against them. The producers are harassing me for making the story public… I told them, ‘Come and legally answer me’," he added.
In a video shared on social media, Santosh elaborated on his allegations, stating that he believes Dhurandhar 2 is based on his original script. He also claimed to have substantial proof to support his case. He was seen saying, “You must have seen the movie Dhurandhar 2. It's a very good movie. After watching this movie, I came to know that this is my script, my story. I worked very hard in 2023. And in 2023, I came here and narrated a lot of companies. Because they were saying that if you want a big actor, bring a corporate actor. So to get a corporate actor, I went to Sony, Zee, T-Series, Dharma Productions."
He further detailed his efforts to develop and circulate the script within the industry, while also mentioning his registration with the Screenwriter Association. He went on to continue, “I wanted Aditya Roy Kapoor for the script of this movie. So I tried a lot. I sent stories to a lot of people. And I am a member of Screenwriter Association. I registered my story there in November 2023. I have all the proofs. I have all the mail communications. I have all the photos. I have all the sketches. I have all the scripts. You can see everything. I will be disclosing this. And also I am putting a case on this movie. Because they have made a good movie. I don't have a case for that."
Santosh also alleged that the film altered the essence of his story, claiming it was turned into something he did not intend. “Because they have exploited my story. I made this movie for cinema entertainment. But they made this movie politically propaganda. It is hurting me. I want to share a lot of my feelings today. So this is what I wanted to say this with the media people. To reach the public. Because there are a lot of innocent writers like me. A lot of people are from the south.", he shared.
He concluded by highlighting what he described as a broader issue affecting aspiring writers in the industry. “A lot of people come from the states and try a lot. A lot of people think that the production team will support them. But this is not happening. They are copying the story and exploiting it. What happened to me cannot happen to anyone else. That is why I will put maximum effort. That a lot of people should know what happened to us. So thank you friends.”, he concluded.
धुरंधर की कामयाबी के बीच यह नई कहानी लाए है, गजब ही है।
"धुरंधर 2 देखने के बाद पता चला कि यह मेरी स्क्रिप्ट है। मेरी कहानी है। जिसे चोरी किया गया। कहानी मैंने मनोरंजन के लिए बनाई थी, लेकिन इन लोगों ने फिल्म राजनीतिक प्रोपेगेंडा बना दिया।" pic.twitter.com/OKvAxQUtM4 — Arvind Sharma (@sarviind) March 31, 2026
As the dispute intensifies, the controversy has put a spotlight on intellectual property concerns within the film industry. With both sides standing firm, the matter now appears headed for a legal showdown, which could determine the validity of the claims and set a precedent for similar disputes in the future.
Also Read: Tanuja picks ‘director’ Aditya Dhar over Ranveer Singh as the hero of ‘Dhurandhar’; calls it a ‘landmark’ film in fun review with Tanishaa Mukerji
read moreSCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever
A few days ago, reports came in that the sequel to Kangana Ranaut’s iconic film, Queen (2014), is in the works. According to the article in Mid-Day, the film will be directed by Vikas Bahl, who also helmed the first part, and is set to go on floors in April. Bollywood Hungama has learned that the film won't be called Queen 2 and that the makers have a title in mind.
A source told Bollywood Hungama, “The makers had several options for the film’s title and the one that has really caught their eye is Queen Forever. If all goes well, this will be what the film will be called.”
The source continued, “The makers feel Queen Forever is the apt title and that it suits the film’s subject. They are expected to finalize it very soon and make an official announcement, hopefully before the film’s shoot begins.”
Bollywood Hungama has also learned that Amit Chandrra of Trigger Happy Entertainment will be producing Queen Forever. His banner, Trigger Happy Studios, earlier produced the Farhan Akhtar-starrer 120 Bahadur along with Excel Entertainment.
As per the Mid-Day story, in Queen’s sequel, Kangana Ranaut’s character, Rani, will not go to foreign shores. Instead, she’ll travel to different cities across India while also embarking on a journey of self-discovery.
About Queen Besides Kangana Ranaut, Queen also starred Rajkummar Rao, Lisa Haydon, Nayani Dixit and others. It was produced by Vikramaditya Motwane and Anurag Kashyap of Phantom Films, along with Viacom18 Motion Pictures, and told the story of a girl left devastated after her fiancé calls off their wedding at the last minute. Nevertheless, she decides to go on her honeymoon alone. How this trip transforms her life completely formed the rest of the film.
Queen emerged as a pathbreaking film and was loved for its subject, progressive theme, treatment, award-winning performance by Kangana Ranaut and music by Amit Trivedi. The film opened at just Rs. 1.75 crores and then went on to earn Rs. 61 crores in its lifetime through sheer word of mouth. It was also a rare film in the 2010s to collect more in Week 2 than in Week 1.
Also Read: Vicky Kaushal, Kangana Ranaut and others shower love on Dhurandhar franchise; applaud Aditya Dhar and his work
read moreBREAKING: Anurag Kashyap’s Dev D to re-release on April 24
In the pre-Gangs Of Wasseypur (2012) era, it was Dev D (2009) that made Anurag Kashyap a force to reckon with. It attained a cult following and 17 years after its release, it's all set to re-release in cinemas on April 24.
As per an article in Bombay Times, the Abhay Deol-Kalki Koechlin-Mahie Gill starrer will be back on the big screen, but only in select theatres. It also carried quotes of Anurag Kashyap, Abhay Deol, Kalki Koechlin and music director Amit Trivedi. Anurag said, “To see Dev D return to the big screen feels special. It’s a film meant to be experienced collectively with Amit Trivedi’s music and Rajeev Ravi’s cinematography powering the narrative. I am curious to see how the new generation responds to it.”
Kalki Koechlin revealed, “I remember being so nervous about my Hindi lines that every morning on set, I would practise all my vowels and consonants in Devanagari to get the pronunciation right. The best part about shooting the film was not knowing anything about filmmaking, because it meant I didn’t care about the camera angle or how I looked on camera.”
Interestingly, it was lead actor Abhay Deol who suggested the idea of the film to Anurag. He explained, “I remember when I would narrate the idea of Dev D, the most common reaction I got was that it was ‘too arty’ to be made. When I narrated it to Anurag, I didn’t tell him it was a contemporary treatment. I just narrated a love story. He did not guess what I was actually narrating, and when I revealed that it was a contemporary Devdas, he went quiet for 20 minutes, imagining it in his head. He loved the idea of treating it with a musical score that would take the story forward, one song at a time. Although he went with a different ending (my idea remains Dev dying in the end), my thought was to call out Devdas’ misogyny and highlight the women’s resilience. It’s my only idea that got made into a movie.”
Amit Trivedi’s career also got a boost with Dev D. He stated, “Each song was deeply rooted in the narrative, whether it was the wild energy of ‘Emosanal Attyachaar’ or the quiet ache of ‘Nayan Tarse’. When the film was released, something shifted for me and helped me find my voice as a composer.”
About Dev D Dev D was a contemporary reimagining of the classic Bengali novel Devdas by Sarat Chandra Chattopadhyay and was produced by Ronnie Screwvala. While Abhay Deol played Dev, Mahie Gill essayed the role of Paro. Kalki Koechlin was launched with this film and she played Chanda. Nawazuddin Siddiqui featured in an entertaining cameo as a band singer in the song ‘Emosanal Attyachar’.
Also Read: Tanuja picks ‘director’ Aditya Dhar over Ranveer Singh as the hero of ‘Dhurandhar’; calls it a ‘landmark’ film in fun review with Tanishaa Mukerji
read moreHera Pheri 3 Row: Writer Rohan Shankar breaks silence, calls exit reports ‘fake news’
The buzz surrounding Hera Pheri 3 refuses to die down, and the latest controversy involves writer Rohan Shankar, who has now addressed rumours about his alleged exit from the much-anticipated comedy sequel. After several reports claimed that the writer had stepped away from the project, Shankar has firmly denied the speculation, calling it misleading.
Taking to social media, the writer clarified that the claims were baseless and stemmed from a misinterpretation of his earlier comments. He stated, “Some fake news is being spread in my name about a big film. It’s completely false and has almost no truth in it. A simple interview about my work and cinema has been taken out of context and made into a clickbait headline. Please ignore it.”
The confusion appears to have originated from a recent interview where Shankar spoke about the challenges surrounding the film’s development. While he acknowledged being in discussions for the screenplay, he also pointed out that the project is currently facing delays due to ongoing legal complications. His remarks about scheduling issues, including director Priyadarshan being occupied with other projects, were reportedly misconstrued as confirmation of his exit.
Some fake news is being spread in my name about a big film. It’s completely false and has almost no truth in it. A simple interview about my work and cinema has been taken out of context and turned into a clickbait headline. Please ignore it🙏 — Rohan Shankar (@RohanShankar06) April 2, 2026
The third installment of the beloved franchise, featuring the iconic trio of Akshay Kumar, Suniel Shetty, and Paresh Rawal, has been facing multiple hurdles since its announcement. One of the major issues revolves around a legal dispute over the rights to the franchise, which is currently being contested in court.
Additionally, the film has also seen internal challenges, including reported creative differences that briefly led to Paresh Rawal stepping away from the project earlier this year. However, the situation was later resolved, with Suniel Shetty reportedly playing a key role in bringing the team back together.
Despite these setbacks, Hera Pheri 3 continues to generate strong interest among fans eager to see the return of the beloved characters. However, with legal matters still unresolved and the creative team juggling other commitments, the timeline for the film remains uncertain.
For now, Rohan Shankar’s clarification puts an end to speculation about his involvement, even as the larger questions surrounding the future of Hera Pheri 3 continue to linger.
Also Read: Hera Pheri 3 Row: Vijay Kumar claims ‘100 percent’ IP ownership amid legal battle with Firoz Nadiadwala
read moreSunny Leone bags Hollywood series The Giant; set to play Sheriff in major international project
Sunny Leone is continuing her global journey with an exciting new project, as she joins the cast of the upcoming US-based series The Giant. Following the positive response to her performance in Kennedy, the actor is now gearing up to explore a completely different space with this international venture.
Created and written by Kevin B Ploth, the series is backed by ARTIMIS Theatrical Productions LLC, a veteran-run production company known for supporting distinctive storytelling. Sunny Leone will be seen playing the role of Reservation Sheriff Quanah Deerleaf, a character that adds a new dimension to her evolving filmography.
Sharing her excitement about the project, Sunny said, “This is something very different from what I’ve done before, and that’s what really excited me about it. Exploring a new character and stepping into a completely new space is always a thrilling experience for me. I’m looking forward to this journey and giving it my all. I hope my fans enjoy watching it as much as I am enjoying being a part of it, and I truly hope they’re as excited as I am for what’s coming next.”
Over the years, Sunny Leone has consistently experimented with her roles, moving across genres, industries, and formats. From Bollywood films to digital platforms and now international productions, she has steadily built a diverse body of work that reflects her willingness to take on new challenges.
Her role in The Giant is expected to further expand her presence in the global entertainment space. Playing a sheriff in an American series marks a significant shift from her previous roles and signals her intent to explore more character-driven narratives on an international scale.
The series is also supported by notable sponsors including 51Fifty Rifles, Marathon Watch, and PROPPER Uniforms, with the latter providing uniforms and everyday armor for the production. While further details about the storyline and release timeline remain under wraps, the announcement has already sparked curiosity among fans.
With filming set to begin soon, The Giant adds another noteworthy project to Sunny Leone’s growing international portfolio, reinforcing her position as an actor willing to push boundaries and embrace new creative opportunities.
Also Read: Sunny Leone on working with Anurag Kashyap in Kennedy, “I didn’t get to read the whole script but he gave me a basic story of what it is”
read moreRashmika Mandanna returns to Crunchyroll Anime Awards 2026; is all set to shine again on global stage in Tokyo
Rashmika Mandanna is set to make another global appearance as she returns as a presenter at the 10th edition of the Crunchyroll Anime Awards. The ceremony is scheduled to be held on May 23, 2026, at the Grand Prince Hotel Shin Takanawa, marking her second stint at the prestigious event.
The actress had previously created history in 2024 by becoming the first Indian celebrity to present an award at the ceremony. Her return this year further highlights her growing global presence and the increasing connection between Indian audiences and international entertainment platforms. Rashmika took to her Instagram stories, where she shared this announcement along with the caption, "Back to Japan. To celebrate the incredible people behind anime".
The Anime Awards are among the most prominent celebrations of Japanese animation, recognising excellence across a wide range of categories. Winners are decided through a combination of jury evaluation and fan votes from across the world. This year, Rashmika Mandanna will share the stage with a diverse group of international presenters, including Asuka Saito, Danna Paola, and Winston Duke.
Rashmika has often expressed her admiration for anime as a storytelling medium, naming popular titles like Jujutsu Kaisen and Demon Slayer among her personal favourites. Her association with the platform extends beyond appearances, as she currently serves as a brand ambassador for Crunchyroll in India, further strengthening her connection with the anime community.
The announcement comes during a significant phase in her life. The actress recently tied the knot with actor Vijay Deverakonda in a private ceremony held in Udaipur, followed by a grand celebration in Hyderabad. The couple, known for their on-screen chemistry in films like Geetha Govindam, continues to remain in the spotlight.
On the professional front, Rashmika has an impressive lineup of projects. She will next be seen in Cocktail 2 alongside Shahid Kapoor, Kriti Sanon as the Homi Adajania directorial is all set to hit screens on June 19, 2026. She is set to reunite with Vijay Deverakonda in the period action film Ranabaali, directed by Rahul Sankrityan. In addition, she will be seen in Mysa, a tribal action drama that has already piqued audience interest.
With major projects like Pushpa 3: The Rampage also in the pipeline, Rashmika Mandanna continues to balance a thriving film career with international recognition. Her return to the Anime Awards underscores her expanding global footprint, making her one of the few Indian actors to seamlessly bridge regional cinema and global pop culture.
Also Read: Vijay Deverakonda and Rashmika Mandanna resume work together for Ranabaali: “They are just co-stars on the set”
read moreArjun Rampal starrer Billionaire sparks speculation: Is he playing Vijay Mallya or Lalit Modi in Hansal Mehta’s next?
Following the success of Dhurandhar and Dhurandhar The Revenge, Arjun Rampal is gearing up for his next major project, an upcoming OTT series titled Billionaire. Helmed by acclaimed filmmaker Hansal Mehta, the show has already generated significant curiosity, particularly around the character Rampal is set to portray.
Positioned as an intense and layered story about a powerful business tycoon, Billionaire is expected to explore themes of ambition, influence, and the price of success. While the makers have remained tight-lipped about specific plot details, the premise alone has sparked widespread speculation about whether the narrative draws inspiration from real-life figures.
Among the names frequently being discussed is that of Vijay Mallya. Known for his flamboyant lifestyle and once being dubbed the “King of Good Times,” Mallya’s rise in the business world and subsequent controversies make his story a compelling reference point for a screen adaptation. His journey—from building a vast empire to facing legal and financial troubles—offers the kind of dramatic arc often seen in high-stakes storytelling.
Another personality that has entered the conversation is Lalit Modi, the former IPL chairman credited with transforming cricket into a global entertainment spectacle. His role in shaping the league and the controversies that followed have made him a subject of public intrigue, leading to speculation that Billionaire could incorporate elements reminiscent of his life, particularly the world of power dynamics and boardroom conflicts.
At the same time, industry chatter suggests that the series may not directly depict any one individual. Instead, it could blend characteristics from multiple real-life figures to create a fictional yet recognisable tycoon. This approach would allow the makers to explore complex themes while maintaining creative flexibility.
For Hansal Mehta, Billionaire appears to be a natural progression, given his track record of delivering critically acclaimed, reality-inspired dramas, including his widely appreciated Scam series. His storytelling style, often rooted in real events and layered characters, has set expectations high for this new venture.
The series is co-directed by Robbie Grewal and written by Anubhav Chopra and Shantanu Sagara. It is being produced by Prabhleen Sandhu under the banner Almighty Motion Picture and will be released on Amazon MX Player as part of its expanding slate of original content.
While official details about the storyline remain under wraps, the ongoing speculation has only added to the anticipation. Whether Arjun Rampal’s character is inspired by Vijay Mallya, Lalit Modi, or a composite of multiple personalities, Billionaire has already positioned itself as one of the most talked-about upcoming series in the OTT space.
Also Read: Arjun Rampal gets emotional after Dhurandhar success; says “I am over the moon” as fans and industry shower praise
read moreEXCLUSIVE: From 6 IMAX shows on Day 1 to 108 a day in Week 2, Project Hail Mary proves unstoppable as audience demand explodes; The Super Mario Galaxy Movie secures 66 shows; Dhurandhar The Revenge down to 21 shows
Last week, Bollywood Hungama did a viral story that on the day of its release, March 26, Project Hail Mary was able to secure shows in only 6 out of 34 IMAX screens in India. Thanks to the impact of the Bollywood Hungama article, relentless efforts by the Sony Pictures team and sustained pressure from the fans, the exhibitors finally relented. From March 27, all the theatres of IMAX started playing Project Hail Mary. The demand was such that Eros Cinema even played a show at 3:45 am on Saturday, March 28 and Sunday, March 29. Yesterday, it came to light that the Hollywood studio again had to put up a tough fight to get shows for their film in its second week. What complicated the matter is not just Jio Studios’ insistence for IMAX shows in Dhurandhar The Revenge but also persuasion by Universal Pictures to play The Super Mario Galaxy Movie.
Bollywood Hungama has now learned that the issue has been resolved and Project Hail Mary has emerged victorious. A source told us, “Project Hail Mary now has 108 shows across 34 IMAX screens in India. As for The Super Mario Galaxy Movie, it will play 66 shows. Meanwhile, Dhurandhar The Revenge will have 21 shows a day. In short, Sony has secured nearly 2x the IMAX shows compared to Mario and 5x compared to Dhurandhar 2 this week. It now has more showcasing than Week 1.”
The source continued, “The demand for Project Hail Mary in IMAX refuses to die down. It’s a film shot in IMAX and hence, it ideally deserves more shows in IMAX. It took a while, but finally, Project Hail Mary managed to get what it deserved from the first day.”
From April 3, Dhurandhar The Revenge will only play post 11:30 pm in Mumbai's Inox R City Ghatkopar, Miraj Wadala, Cinepolis Seawoods and Inox Sky City Mall Borivali and at 6:55 pm at Eros. A similar arrangement can also be seen in the IMAX cinemas in Delhi, Bengaluru, Pune, Chennai, Kolkata and Coimbatore.
Meanwhile, many IMAX cinemas like Mumbai's PVR IMAX Lower Parel, Cinepolis Thane, Inox Maison BKC, PVR Superplex Logix Noida, PVR Ambience Gurugram, PVR Superplex Noida, PVR Select City Walk Delhi, Cinepolis Centre Square Kochi, PVR Lulu Trivandrum etc. have discontinued Dhurandhar The Revenge from April 3. On the other hand, the 3:00 am show will continue for Project Hail Mary in Eros this week as well. Many theatres will also have shows at 6:00 am and 7:00 am.
As per reports, the first week collections of Project Hail Mary are around Rs. 25-26 crores. It is all set for a lifetime north of Rs. 50 crores, looking at the extraordinary trend.
Also Read: Project Hail Mary vs Dhurandhar The Revenge Round 2: Tussle begins over IMAX show sharing for next week; The Super Mario Galaxy Movie also joins the fray
read moreEXCLUSIVE: Namit Malhotra rejects historic Rs. 700 crore OTT bid for Ranbir Kapoor-Yash’s Ramayana; eyes a staggering Rs. 1000 crore deal
Namit Malhotra is turning out to be a brave producer, as he has gone all out to bring the epic tale of history Ramayana, to the big screen. The teaser dropped a day back, and it reflects the grandeur of the film with Ranbir Kapoor as Lord Ram. With a production budget of Rs. 4000 crores for the two films combined, the stakes are at an all-time high, and yet Namit is backing his vision with the utmost conviction.
Instead of derisking the film by selling digital, satellite and music rights, Namit is holding it all close to his chest. "Namit received an offer of Rs. 700 crores for both the films put together, which is the highest ever by a margin for an Indian Film. But he took no time to reject the offer. Given the mammoth cost of Rs. 4000 crore, Namit and his team feel that Ramayana deserves more as it's a legacy film that will speak to generations ahead. He is expecting Rs. 1000 crore deal from OTT players, leaving Rs. 3000 crores to be recovered from other sources, including global theatrical," a source informed Bollywood Hungama
The source also informs that Namit is confident that the players will escalate their offers once they see more from the world of Ramayana. "It's a film that gives all platforms a global reach. And Rs. 1000 crores for two films put together is a rather good price given the potential. He is holding the rights close to his chest and will partner with the right player at the right price. There's a possibility for him to sell just part one now, and hold back on part two till the release of part one, a strategy that team Dhurandhar opted for."
Ramayana stars Ranbir Kapoor, Yash, Sai Pallavi and Sunny Deol in the lead. The film is confirmed for a Diwali 2026 release.
Also Read: Ramayana: Ranbir Kapoor is not the first one to play Lord Ram from the Kapoors! Want to know more? Read Inside
read moreHoney Singh, Badshah face legal trouble over controversial track ‘Volume 1’: Delhi High Court orders immediate removal
In a major development that has caught the music industry’s attention, the Delhi High Court has ordered the immediate removal of the controversial track ‘Volume 1’, associated with rappers Honey Singh and Badshah from their early days as part of the Mafia Mundeer group.
The court took a strong stand against the song, stating that its lyrics are highly inappropriate, offensive, and disrespectful towards women. It made it clear that such content has no place in a society that upholds basic standards of decency, especially when it is widely accessible on digital platforms. Going a step further, the judge remarked that even the title of the song was too objectionable to be officially recorded in the court’s order, underlining the seriousness of the issue.
As part of its directive, the court instructed both singers, along with anyone holding rights to the track or its variations, to ensure that all links featuring the song — whether original, remixed, or altered — are taken down immediately. This includes removal from social media platforms, streaming services, and any other online spaces where the track might be available.
The case came up after a petition was filed by an organisation, which demanded that the song be removed from major platforms like YouTube, Google, and Spotify. The plea also highlighted that Honey Singh had recently performed parts of the song at a concert, reinforcing his connection to it.
After reviewing the content privately, the court expressed deep concern, stating that the lyrics were not only vulgar but also stripped of any meaningful artistic or social value. It observed that the song portrays women in a degrading manner and turns them into objects of mockery.
The court also stressed that allowing such material to remain online — where it can be accessed by people of all ages, including minors — cannot be justified in the name of creative freedom. According to the judge, the song crosses all acceptable limits and reflects a complete disregard for societal norms.
In addition to the immediate takedown order, notices have been issued to the artists involved. The petitioner has been given permission to identify more links or versions of the song and share them with the government, which will then ensure their removal from various platforms.
Authorities have assured the court that any complaints regarding remaining content will be acted upon swiftly. The petitioner can also directly report newly found links through official grievance systems of online platforms.
The matter is scheduled to be heard again on May 7, as the court continues to monitor compliance with its strict directions.
Also Read: Yo Yo Honey Singh and AP Dhillon drop ‘Aadat’ music video featuring Vaani Kapoor; fans call it a power-packed visual treat
read moreSCOOP: Awarapan 2 locks Independence Day 2026 release; Emraan Hashmi returns as Shivam
The Emraan Hashmi and Disha Patani led Awarapan 2 is among the keenly awaited films of 2026. A sequel to Awarapan, the film has been trending on Book My Show and Instagram as the makers had earlier announced an April 3 release. Since the shoot is still pending, we have exclusively learnt that a new release date of Awarapan 2 is locked.
Reliable sources confirm that Awarapan 2 is all set to hit the big screen during the Independence Day 2026 weekend. "Awarapan 2 has shaped up well as a musical intense love story with Emraan Hashmi, and Disha Patani. The makers were considering several release dates, and have finally decided on Independence Day weekend," the source told Bollywood Hungama.
Awarapan 2 is presently on floors, and the shoot is expected to be wrapped up by the end of April. Following two months of post-production, the makers are all set to bring it during the festive period of Independence Day.
For those unaware, Awarapan has gained a cult status over the years, with songs becoming evergreen for the cinema-going audiences. For the sequel too, the makers have recreated two songs from the original album, and they are said to be among the major highlights. Awarapan 2 is directed by Nitin Kakkar.
Also Read: REVEALED: Not Emraan Hashmi or Akshay Kumar, this actor plays Bade Sahab in Dhurandhar The Revenge
read moreRajpal Yadav faces fresh legal heat: Delhi High Court reserves verdict in Rs. 6 crores cheque bounce dispute
Bollywood actor Rajpal Yadav has once again found himself in legal trouble, with the Delhi High Court reserving its verdict in an ongoing cheque bounce case filed by a private company.
The matter was heard on Thursday, where the court appeared visibly dissatisfied with the actor’s changing stance on clearing his dues. The judge indicated that while Yadav claimed he was ready to pay, his legal team’s arguments suggested otherwise, creating confusion around his actual position.
During the proceedings, the court questioned why the case was still being argued if the actor was genuinely willing to settle the amount. The judge also refused to grant additional time when Yadav requested 30 days to arrange Rs. 6 crores, making it clear that no further delays would be entertained.
This case dates back to 2024, when a sessions court had found Yadav guilty in a cheque bounce matter and sentenced him to six months in jail. The High Court had later paused his sentence after he assured that he would resolve the dispute financially, even referring the matter to mediation for a possible settlement.
However, the situation escalated when the court observed that multiple assurances made by the actor were not fulfilled. Despite seeking time on several occasions, Yadav reportedly failed to deposit key amounts he had committed to, including a significant sum he had proposed to pay in instalments.
By early 2026, the court had taken a stricter stance, directing him to surrender due to non-compliance with its orders. His plea for more time was turned down, leading to his surrender in February. He remained in custody until he secured temporary relief after depositing ₹1.5 crore with the complainant.
During the latest hearing, the company’s legal representative argued that completing a jail sentence does not cancel the responsibility to repay the pending amount. It was also pointed out that a large portion of the agreed money still remains unpaid, with dues reportedly standing at around Rs. 7.75 crores, even after earlier payments.
The court explored the possibility of resolving the matter through a one-time settlement and suggested a reduced figure of Rs. 6 crores. The complainant showed openness to this proposal, indicating a willingness to close the case if the amount was paid promptly.
Yadav, who appeared via video conference, stated that he would follow any direction issued by the court regarding payment. At the same time, he claimed to have suffered heavy financial losses, mentioning that he had already paid a much larger amount and even sold multiple properties to manage his obligations.
Despite these claims, the court remained firm on its stance and declined to allow more time for payment. With both sides unable to reach a final agreement during the hearing, the court decided to reserve its judgment, bringing the high-profile case to a crucial turning point.
Also Read: Radha Yadav recalls meeting Rajpal Yadav in Canada: “We didn’t know at that time that we would get married”
read moreEXCLUSIVE: R Madhavan sneaks into Mumbai’s Chitra Cinema to watch Dhurandhar The Revenge; here’s how he made sure moviegoers didn’t realize he was seated among them
For a celebrity, watching their own film in a theatre is always a risk, as there’s the fear of being recognized by the audience, which can lead to chaos. This is especially true in single-screen cinemas. But at the same time, that’s where one gets to witness the most electric audience response. Two days ago, on April 1, R Madhavan weighed the pros and cons and took the plunge. He watched his film, Dhurandhar The Revenge, with the audience at a single-screen theatre in Mumbai. Usually, actors prefer visiting G7, aka Gaiety-Galaxy. However, R Madhavan chose Chitra Cinema in Dadar instead.
Yesterday, on April 2, film exhibitor and distributor Akshaye Rathi posted a story where the actor can be seen enjoying the film. Sometime later, he also posted a picture where R Madhavan is seen posing with Akshaye Rathi and a few more friends in the lobby of Chitra.
After the story and post were uploaded, Bollywood Hungama spoke to Akshaye Rathi. He said, “R Madhavan was keen to get a first-hand experience of how the audience was reacting to Dhurandhar The Revenge. That’s why we chose Chitra Cinema. It attracts the masses and, at the same time, its sound, picture quality and seating are top-class.”
On April 1, @ActorMadhavan secretly watched #DhurandharTheRevenge at Mumbai's Chitra Cinema with @akshayerathi and a few friends. Video Courtesy: Story uploaded by Akshaye Rathi on April 2 pic.twitter.com/XdyiYfPugM
— Fenil Seta (@fenil_seta) April 3, 2026
Akshaye continued, “We knew that if people realized R Madhavan was seated among them, it would become an issue, especially since we weren’t accompanied by any security personnel or bouncers. Hence, we entered the theatre a few minutes after the film had begun. He also wore a cap and hoodie while entering the auditorium. As expected, the staff and the patrons didn’t realize that the actor had visited the cinema hall. However, the manager was informed about his presence.”
Akshaye Rathi then said, “In the intermission, R Madhavan stepped out in the F&B area. This is when some patrons recognized him. However, the actor was quickly ushered into the manager’s cabin. He left from there only when the second half began. The actor is always more than happy to meet the fans and aam junta. But he realized that if word would spread about his presence, it would have caused issues.”
View this post on Instagram
A post shared by Akkshay Rathie / अक्षय राठी 🇮🇳 (@akshayerathi)
Before the credits rolled, R Madhavan exited the theatre. His mission was successful, much like that of his character, Ajay Sanyal, in the film.
The story uploaded by Akshaye Rathi also revealed that the actor was seated in the last row of the balcony, next to the exit. This, too, was meticulously planned so that he could enter and leave without drawing anyone’s attention.
Also Read: R Madhavan reacts to the praise showered by Allu Arjun on him and Dhurandhar: The Revenge; calls it ‘super super special’ at a pivotal moment
read moreAfter Shah Rukh Khan, Ajay Devgn drives home the Rs 1.40 crore Mercedes-Benz V-Class on his 57th birthday
Move over, Shah Rukh Khan. Well, almost. The Mercedes-Benz V-Class has only been on Indian roads since late March 2026, and it has already become the must-have luxury MPV for India's biggest celebrities. First, it was cricketer Hardik Pandya who snapped one up for his girlfriend Mahieka Sharma. Then Shah Rukh Khan drove home an Obsidian Black example that was spotted outside his temporary residence Puja Casa. And now, completing a hat-trick of high-profile acquisitions, Ajay Devgn has become the latest and arguably most perfectly timed celebrity to add the Rs 1.40 crore Mercedes-Benz V-Class to his garage. The occasion? His own 57th birthday on April 2. Because some men send themselves flowers, and some men send themselves a rolling German palace.
The timing could not be more fitting. On the morning of April 2, thousands of fans had already assembled outside Devgn's Juhu residence, Shivshakti, holding banners and chanting his name in scenes that made the bungalow look more like a concert venue. When the actor stepped out hands folded, smile quiet and warm it was a reminder that after 35 years and over 100 films, few stars in Hindi cinema command this kind of unfiltered public love. Later that day, the news broke that Devgn had gifted himself the V-Class, and the internet, predictably, went into overdrive. Fans noted that only Ajay Devgn could make buying a car feel like a Singham entrance.
The V-Class story in India has moved fast. Mercedes-Benz launched the luxury MPV in early March 2026 at an introductory ex-showroom price of Rs 1.40 crore the first time the model has returned to the Indian market in four years and deliveries began almost immediately. Within weeks, it had already found its way into some of the most famous garages in the country. Pandya was first off, the blocks, followed swiftly by Shah Rukh Khan and Gauri Khan who selected the stealth Obsidian Black shade. Devgn's acquisition now cements the V-Class's status as the unofficial celebrity MPV of 2026.
And what a vehicle it is. The Mercedes-Benz V-Class Extra Long Wheelbase is marketed as a "private suite on wheels" and once you look at the feature list, the description feels entirely earned. The cabin, available in four or six-seat configurations, is built around an extraordinary rear passenger experience. Lounge seats with electrically adjustable recline, ventilation, heating, and massage functions are standard. Three-zone climate control, dual 12.3-inch screens for infotainment and instrumentation, wireless charging pads, 64-colour ambient lighting, and a 640W Burmester 15-speaker system with Dolby Atmos round out an interior that puts many hotel suites to shame.
The V-Class sits atop a 2.0-litre engine available in both petrol mild-hybrid (231 bhp) and diesel (237 bhp) guises, both mated to a 9-speed automatic gearbox. The peak torque figure of 500 Nm ensures effortless highway cruising appropriate for a vehicle that has no intention of ever being in a hurry. Safety credentials are equally robust: seven airbags, a 360-degree camera, Active Distance Assist DISTRONIC, Active Lane Keeping Assist, Blind Spot Assist, and traffic sign recognition are all standard, contributing to its five-star Euro NCAP rating.
For Devgn, the V-Class slots naturally alongside a garage that already reflects his well-established taste for powerful, authoritative vehicles. His collection includes a Mercedes-Benz GLS, a Mercedes-Benz S-Class, a Mercedes-Maybach GLS 600, an Audi Q7, and a BMW X7 a fleet built on substance and quiet command rather than flashy horsepower figures. The V-Class is, if anything, the most refined expression of that philosophy: a vehicle that says everything without raising its voice. Very Ajay Devgn, in other words.
Also Read: Ajay Devgn’s Lens Vault Studios unveils AI short film ‘Happy Birthday Joshi’ on his birthday
read moreEXCLUSIVE: Rohit Roy's daughter Kiara Bose Roy to be launched opposite Sajid Nadiadwala's son Subhan in Aisi Deewangi
Sajid Nadiadwala is the third-generation member of his family to work in the field of cinema. And now, his son, Subhan, has also stepped into the world of films, that too as an actor. In the last week of March, he began shooting for his launch vehicle in Mumbai. Reports of his debut film and that it’s titled Aisi Deewangi has been going around for sometime. However, there was no information available about the film’s female lead. Bollywood Hungama has now learned that Rohit Roy and Manasi Joshi Roy’s daughter, Kiara Bose Roy, will star opposite Subhan.
A source told Bollywood Hungama, “Kiara is very beautiful and very talented. Director Shashank Khaitan realized that she’s apt for the part and that’s how she came on board. They are confident that viewers will be blown away by her acting talent and screen presence.”
Meanwhile, industry sources also claimed that Kiara Bose Roy may adopt Airah Bose Roy as her screen name, though Bollywood Hungama could not verify this claim.
Speaking of Aisi Deewangi, a report in Mid-Day mentioned that the film went on floors on Monday, March 23, at an under-construction building near DN Nagar, Andheri West, Mumbai. On the first day of his first film, Subhan shot for an action sequence where he fought nearly 60 trained fighters. The Mid-Day story carried a quote from a source who said, “The director mounted a stylised action block for the opening day. It was a physically demanding shoot for someone who hasn’t done this before, but Subhan had been training for months for this sequence.”
Interestingly, Kiara Bose Roy is a third-generation film personality. Her mother, Manasi Joshi Roy, is the daughter of the legendary Gujarati film and theatre actor, playwright, and director Arvind Joshi. Arvind Joshi was also the father of Sharman Joshi, who is known for his exemplary work in cinema and on stage.
Also Read: Fatima Sana Shaikh on not being limited to just being an actor, “You have to find yourself also and not just be restricted by your job”
read moreAjay Devgn’s Lens Vault Studios unveils AI short film ‘Happy Birthday Joshi’ on his birthday
On the occasion of Ajay Devgn’s birthday, Lens Vault Studios (LVS) announced the release of its AI-driven short film Happy Birthday Joshi, marking a key step in the studio’s evolving content strategy.
Founded by Ajay Devgn and Danish Devgn, Lens Vault Studios is positioned as a next-generation entertainment company focusing on technology-led storytelling. The newly released short film is directed by Anshul Kumar Sharma and produced by Ajay Devgn and Danish Devgn.
Inspired by true events, Happy Birthday Joshi follows the story of a small-town computer prodigy in Mumbai who channels a personal setback into a bold digital move that brings him global attention. The narrative explores themes of ambition, identity, and the impact of technology on individual expression. The film represents a shift in LVS’s creative direction, moving towards fully realised AI-powered short-form cinema. It has been developed using the studio’s in-house generative AI and creative technology engine, Prismix Studios, which underpins the visual and narrative design of the project.
Speaking about the initiative, Ajay Devgn said, “Lens Vault Studios was envisioned as a space to explore new-age storytelling formats that resonate with today’s audiences. Happy Birthday Joshi is a reflection of that intent, where technology and emotion come together.”
Danish Devgn also outlined the broader vision for the studio, stating, “With Happy Birthday Joshi, we are taking a step forward in building stories that are rooted in reality but told through a contemporary, tech-driven lens. AI allows us to push creative boundaries while keeping the narrative sharp and impactful. This film represents the direction we see Lens Vault Studios growing in.”
The short film is now available across LVS’s digital platforms, signalling the studio’s continued focus on experimenting with AI-driven storytelling formats.
Also Read: Ramayana’s ‘Rama’ glimpse unveiled at PVR Lower Parel, Mumbai; stunning IMAX 3D presentation leaves attendees AWESTRUCK; Namit Malhotra says, “It’s fair to say that you don’t pick Ramayana. The Ramayana picks you”
read moreProject Hail Mary vs Dhurandhar The Revenge Round 2: Tussle begins over IMAX show sharing for next week; The Super Mario Galaxy Movie also joins the fray
Bollywood Hungama has been at the forefront in informing readers about the struggles faced by Sony Pictures in getting sufficient IMAX screens and shows for their IMAX film, Project Hail Mary. On the day of its release, March 26, the Hollywood film was able to secure shows in only 6 out of 34 IMAX screens in India. Thanks to the impact of the Bollywood Hungama story, relentless efforts by the Sony Pictures team and sustained pressure from the fans, the exhibitors finally relented. From March 27, all the theatres of IMAX started playing Project Hail Mary. The demand was such that Eros Cinema even played a show at 3:45 am on Saturday, March 28 and Sunday, March 29.
If fans feel that the IMAX woes of Project Hail Mary were over last weekend, they are mistaken. Bollywood Hungama has learned that the studio is now once again negotiating to get IMAX shows from tomorrow, that is, Friday, April 3, when the film enters the second week. A source told us, “The distributors of both Project Hail Mary and Dhurandhar The Revenge are asking for sufficient shows in IMAX. They both reason that their film is doing extremely well in the premium format and hence, deserves to get more shows.”
The source further said, “What has complicated the matter even further is that the new Hollywood release of the week, The Super Mario Galaxy Movie, also has a release in IMAX. Even they (Universal Pictures) have asked for IMAX shows. Very selected paid previews took place yesterday in India in IMAX and the occupancy was very encouraging. Hence, they feel that they, too, should get showcasing. The issue is expected to be resolved by Thursday night.”
As of 3:00 pm on April 2, only two cinemas in Mumbai have opened bookings of Project Hail Mary for tomorrow – Miraj IMAX Wadala and Eros Churchgate. The former has allotted three shows to Project Hail Mary, two shows to The Super Mario Galaxy Movie and one show to Dhurandhar The Revenge. Eros has only opened plans for the 6:55 pm show of Dhurandhar The Revenge and the 11:30 pm show of Project Hail Mary. It now remains to be seen which film gets played before 6:30 in the standalone IMAX property.
Down South, Dhurandhar The Revenge will no longer play in the IMAX screen of Cinepolis Center Square, Kochi from April 3. Project Hail Mary will have four shows, while two shows have been allotted to The Super Mario Galaxy Movie. Broadway Cinemas Coimbatore will play two shows of Project Hail Mary. PVR Lulu Trivandrum has mysteriously commenced bookings for one show of Project Hail Mary on Saturday and 4 shows on Sunday, but not for Friday.
In short, at the time of publishing this article, only 5 out of 34 IMAX cinemas have opened bookings for the weekend. An industry insider rued, “Project Hail Mary is filmed for IMAX. Every IMAX show in the country since last Thursday has been house full or nearly full. Even weekday morning shows have registered great occupancy. It's clear that there’s tremendous demand and yet, Sony has to struggle even after the film has proved its worth. It's deeply disappointing.”
Also Read: EXCLUSIVE: Project Hail Mary producer Aditya Sood backs Ryan Gosling’s “It’s not audiences’ job to keep theatres open”: “We are in entertainment business; we’d BETTER entertain!”; opens up on Hrithik Roshan’s promotional video: “AMAZING to witness 2 LEGENDS talk about our film”
read moreCONFIRMED: 'Bhooth Bangla' shifted by a week; Paid previews begin April 16
After initial reports by Bollywood Hungama, the makers of Bhooth Bangla have now officially confirmed a strategic shift in the film’s release plan, along with the rollout of paid previews. The horror-comedy, backed by Ektaa Kapoor and Akshay Kumar, will now arrive a week later than originally scheduled, with advance paid previews set to begin on April 16, 2026, from 9 PM onwards.
The development comes as a calculated move within the industry, aimed at ensuring optimal theatrical space for multiple releases. Addressing the decision, Ektaa Kapoor said, “After an extensive discussion and multiple requests from our distribution partner & exhibitors across key markets, we have decided to postpone the release of Bhooth Bangla by one week. We remain committed to delivering a great cinematic experience and are confident that this decision will benefit audiences and let the film have a powerful run at the cinemas.”
She further added, “Dhurandhar: The Revenge is currently enjoying an exceptional run at the box office, which is great news for producers at large. Our exhibitors felt that giving it a clear, uninterrupted window would be in the best interest of the industry ecosystem.”
Explaining the larger strategy, Kapoor noted, “By moving Bhooth Bangla ahead by a week, we are ensuring that both films get the theatrical space, marketing focus, and audience attention they truly deserve. We believe this approach benefits everyone — the filmmakers, the exhibitors, and most importantly, the audiences who get to experience each film without compromise.”
View this post on Instagram
A post shared by EktaaRkapoor (@ektarkapoor)
Directed by Priyadarshan, Bhooth Bangla marks his reunion with Akshay Kumar, a collaboration known for delivering popular comedy entertainers. The film also features Wamiqa Gabbi, Paresh Rawal, Tabu, Rajpal Yadav, Jisshu Sengupta, and Mithila Palkar.
Presented by Balaji Motion Pictures in association with Cape of Good Films, the film’s teaser and music have already generated strong buzz, with the paid previews expected to offer the first audience reactions ahead of its revised release.
Also Read: SCOOP: Bhooth Bangla trailer expected to be unveiled on April 6; paid previews on April 16 under consideration
read moreVir Das announces found-footage horror film ‘Baara Number’, to begin shoot in June
Actor-comedian Vir Das is set to explore a new genre with his next directorial venture, a found-footage horror film titled Baara Number. The project will be backed by his banner, Zazu Productions, and marks a shift from his recent directorial debut Happy Patel: Khatarnak Jasoos.
Baara Number will see Vir Das reunite with Kavi Shastri, with the two co-directing the film. The duo, known for their collaborative synergy, are expected to bring a distinct storytelling approach to the horror space. According to the announcement, the film is being developed as “a found footage horror narrative” that aims to move “beyond conventional tropes.”
The film is scheduled to go on floors in June, with the first shooting schedule planned in Mumbai. Continuing his preference for ensemble-driven narratives, Das will also feature as part of a multi-character cast.
Speaking about the project’s creative direction, the makers describe it as “a more layered and immersive narrative style,” adding that the film will blend “psychological depth with atmospheric storytelling.” The intention, they note, is to craft a story that explores “both external tension and internal human emotions,” offering a nuanced take on fear rather than relying solely on genre clichés.
The project has reportedly been in development for some time and is already drawing attention within the industry as it prepares to enter production. With Baara Number, Das continues to expand his creative repertoire, transitioning from comedy into horror while maintaining a focus on narrative experimentation.
Also Read: Vir Das announces ‘Hey Stranger’ world tour milestone : “Playing the Royal Albert Hall is surreal and deeply humbling”
read moreShah Rukh Khan adds the Rs 1.40 Crore Mercedes-Benz V-Class luxury MPV to his jaw-dropping garage
If there is one man in India who knows how to travel in style befitting a king, it is Shah Rukh Khan. The Badshah of Bollywood has just added another crown jewel to his already staggering automotive empire the all-new Mercedes-Benz V-Class luxury MPV, priced at Rs 1.40 crore. The gleaming Obsidian Black beauty was spotted parked outside SRK's temporary residence, Puja Casa, confirming what fans and car enthusiasts had been buzzing about for days.
Khan, who is currently staying at Puja Casa while his iconic Bandra bungalow Mannat undergoes renovation, was seen alongside his celebrated interior designer and wife Gauri Khan at the time of delivery a fitting detail, given that the V-Class markets itself as a "private suite on wheels." With Gauri's impeccable taste in luxury spaces, it is no surprise the couple gravitated towards this rolling masterpiece of German engineering.
Interestingly, SRK joins an elite club of early adopters for this newly launched MPV in India. Cricketer Hardik Pandya and his girlfriend Mahieka Sharma were among the first in the country to take delivery of the V-Class, making Shah Rukh one of the inaugural buyers of what is already being dubbed India's most desirable luxury people-mover. Bookings for the model opened in early March, with deliveries commencing towards the end of the month making SRK's acquisition one of the very first in the country.
So, what exactly does Rs 1.40 crore get you? Quite a lot, as it turns out. The Mercedes-Benz V-Class Extra Long Wheelbase, boasting the longest wheelbase of any Mercedes passenger car at 3,430 mm the vehicle is a technological and comfort marvel wrapped in AMG Line exterior styling. The striking new front fascia, featuring an assertive radiator grille and adaptive MULTIBEAM LED headlights, ensures the V-Class commands attention long before you peek inside.
The cabin is available in both four and six-seat configurations, with rear lounge seats that offer electrically adjustable recline, ventilation, heating, and yes massage functions. Three-zone climate control keeps every corner of the cabin at the ideal temperature. Two integrated 12.3-inch screens serve infotainment and instrumentation duties, while wireless charging pads, a 64-colour ambient lighting system, and a 640W Burmester 15-speaker system with Dolby Atmos ensure every journey is an event in itself. Apple CarPlay and Android Auto connectivity round out the technology package. It is, in a word, extraordinary.
Safety, as befitting a German luxury flagship, is comprehensive. Seven airbags, ISOFIX child seat anchors, a 360-degree camera system, Active Distance Assist DISTRONIC, Active Lane Keeping Assist, Blind Spot Assist, traffic sign recognition, and driver attention monitoring are all standard. The V-Class carries a five-star Euro NCAP safety rating.
For those keeping score of SRK's legendary garage reportedly valued between Rs 30 crore and Rs 50 crore the V-Class slots in as an unusually practical acquisition for a man whose collection reportedly includes a Rolls-Royce Phantom Drophead Coupé and a Rolls-Royce Cullinan. At Rs 1.40 crore, it is arguably the most 'accessible' vehicle in his collection, but what it lacks in exclusivity it more than compensates for in sheer on-board comfort for family and entourage alike.
On the professional front, SRK remains as busy as ever. He is currently deep in production on his much-anticipated action thriller King, helmed by director Siddharth Anand and set for a Christmas 2026 release. The film features his daughter Suhana Khan in a pivotal role, alongside Abhishek Bachchan as the antagonist, and an ensemble that includes Jackie Shroff, Deepika Padukone, Jaideep Ahlawat, and Rani Mukerji. For a man shooting one of the most eagerly watched films of the year, few things probably beat sliding into a massage-equipped, Burmester-sound-drenched cabin after a gruelling day on set.
Also Read: Shoot of Shah Rukh Khan’s King in Dubai cancelled amid Middle East tensions, desert sequence shifted to Mumbai: Report
read moreMardaani 3 becomes the No. 1 movie on Netflix India; all 3 films of the blockbuster franchise trend in the Top 10 films list
Yash Raj Films has yet another reason to celebrate. After a successful run in cinemas, Mardaani 3, starring Rani Mukerji, has now emerged as a massive winner on OTT as well, climbing to the No. 1 spot on Netflix India. What makes this feat even more remarkable is that the film’s streaming success has triggered a wider franchise resurgence, with all three Mardaani films now trending simultaneously in Netflix India’s Top 10 films list.
As of this morning, Mardaani 3 (2026) is ranked No. 1, while Mardaani (2014) has claimed the No. 5 spot and Mardaani 2 (2019) is placed at No. 7. This is a huge achievement for a franchise that has, over the years, built a powerful emotional and commercial connection with audiences. In an industry where franchises are often male-driven and star-led in a conventional sense, the Mardaani series has carved its own unique and formidable identity. It is now firmly established as India’s only successful female-led blockbuster franchise, and also the country’s only hit female-cop film franchise.
The OTT triumph of Mardaani 3 comes on the back of an impressive theatrical performance. The film collected over Rs. 53 crore nett in India, making it the highest-grossing film of the Mardaani franchise. In an era when even major films struggle to sustain momentum beyond the initial weeks, Mardaani 3 also achieved the rare distinction of completing 50 days in cinemas, underlining its strong acceptance and consistent audience pull.
Its box office journey had signalled something special right from the start. On its opening day, Mardaani 3 exceeded expectations by collecting Rs. 4 crore, thereby becoming the biggest opener of the franchise as well as the biggest opening day ever for a solo Rani Mukerji film. For a female-led film in the current theatrical landscape, this was not just a strong start; it was a statement.
The film’s performance across platforms also points to a larger industry trend: the growing synergy between theatrical success and streaming consumption. When a film clicks in cinemas through positive word of mouth, critical acclaim and audience trust, its arrival on OTT often turns into a second wave of success. In the case of Mardaani 3, that wave has extended beyond the latest release and reignited interest in the entire franchise. Audiences are not just watching the new chapter; they are revisiting the journey from the beginning. That kind of franchise recall is rare, valuable and deeply revealing.
It proves that the Mardaani brand is no longer dependent on just release-week curiosity or topical buzz. It has evolved into a durable cinematic property that audiences actively seek out. Over a span of 12 years, the franchise has built credibility through hard-hitting storytelling, social relevance, emotional intensity and a central character who has become iconic in modern Hindi cinema. Shivani Shivaji Roy is no longer just a successful character from a film series. She is now a recognisable theatrical and digital franchise force.
Directed by Abhiraj Minawala and produced by Aditya Chopra, Mardaani 3 has carried forward the legacy of the franchise with conviction. The series has consistently balanced commercial appeal with strong subject matter, a combination that is not easy to sustain across multiple instalments. Yet Mardaani has managed to do exactly that, emerging as a benchmark for storytelling excellence, audience engagement and franchise consistency.
For Rani Mukerji, this success is especially significant. In her 30th year as a leading lady, she has once again delivered a solo theatrical success, an achievement that very few actors can claim with such authority and longevity. At a time when the industry is constantly debating stardom, bankability and the viability of female-led cinema, Rani’s performance both as an actor and as a box office force serves as a powerful reminder that credibility, conviction and connection with the audience still matter immensely.
With Mardaani 3 scoring big in cinemas and now dominating on streaming, the franchise has officially achieved a hat-trick of hits. More importantly, it has reinforced its status as one of the most impactful and respected cinematic series in India. In a marketplace crowded with sequels, spin-offs and franchise ambitions, Mardaani stands apart because it has earned its place through substance as much as success.
And now, with all three films trending in Netflix India’s Top 10, the message is loud and clear: Mardaani is a phenomenon.
Also Read: Rani Mukerji says Mardaani 3 shows audiences are ready for women-led narratives
read moreRamayana FIRST LOOK Teaser introduces Ranbir Kapoor as Lord Rama; sets stage for epic Diwali 2026 release
The much-anticipated magnum opus Ramayana has finally revealed its most crucial element — the first glimpse of Ranbir Kapoor as Lord Rama. Backed by filmmaker and producer Namit Malhotra and directed by Nitesh Tiwari, the two-part cinematic franchise is being mounted on a global scale, with the teaser offering audiences their first look at the iconic character.
Positioned as a landmark cinematic moment, the ‘Rama’ teaser introduces one of mythology’s most enduring figures to a worldwide audience. The film aims to present the story with a fresh perspective while retaining the emotional depth that has made it timeless across generations.
Speaking about the essence of the story, Nitesh Tiwari said, “Ramayana’s greatness lies in its emotional richness. At its heart, it is not just about good and evil, but about choices, consequences, and the weight of doing what is right. Rama’s journey is deeply human and that is what we have tried to stay true to.”
Sharing his experience of stepping into the role, Ranbir Kapoor added, “I don’t think I’m here to represent Rama. I’m here to learn from him. There is a simplicity and purity to him that is very rare; and trying to understand and imbibe that has been a deeply humbling experience.”
Producer Namit Malhotra further elaborated on the significance of the character, stating, “The power of Rama’s story is not in what he conquers, but in what he lets go of. He represents a standard that is not easy, not convenient; but necessary. He chooses duty over desire, truth over comfort, and sacrifice over self. That is why his story has endured for thousands of years, and why it continues to matter today.”
View this post on Instagram
A post shared by Namit Malhotra (@iamnamitmalhotra)
The film boasts of a massive ensemble cast, with Yash portraying Ravana, while Sai Pallavi plays Sita, Sunny Deol as Hanuman, and Ravie Dubey essaying Lakshman. Apart from them, Rakul Preet Singh, Lara Dutta, Bobby Deol, among others are also expected to be a part of this venture.
Adding to its global appeal, the project brings together international heavyweights, including Oscar-winning composers Hans Zimmer and A. R. Rahman for the music. The film is produced by Prime Focus Studios in association with the eight-time Academy Award-winning VFX studio DNEG and Yash’s Monster Mind Creations.
Mounted as one of the most ambitious films in Indian cinema, Ramayana will release in two parts. The first instalment is slated for a global theatrical release during Diwali 2026, with the second part expected to follow in Diwali 2027.
Also Read: Ranbir Kapoor cites “Dharmo Rakshati Rakshitah” as he shares his approach to playing Lord Ram in Ramayana: “My Dharma is to do my job”
read moreSalman Khan – Vamshi Paidipally’s film gets a new addition in cast: Arvind Swamy comes on board, reveals report
A major collaboration is taking shape in Indian cinema as Salman Khan teams up with filmmaker Vamshi Paidipally for the first time in a film produced by noted South producer Dil Raju. The yet-untitled project has already generated significant buzz, especially after the recent announcement of Nayanthara as the female lead. The film marks her first collaboration with Salman Khan and her second Hindi outing after Jawan alongside Shah Rukh Khan.
The casting momentum continues, with reports suggesting that Arvind Swamy is likely to join the ensemble. Known for his iconic roles in films like Roja and Bombay, Swamy is expected to play a key role in the film. While initial speculation hinted at him taking on an antagonist’s part, reports clarify that his character will instead be portrayed in a positive light, steering clear of negative shades.
Interestingly, the makers are still on the lookout for a strong antagonist to face Salman Khan on screen, indicating that a major casting announcement could be on the horizon. Additionally, there are ongoing discussions with Anil Kapoor for an important role, although details regarding his character remain tightly under wraps.
Providing insight into the film’s timeline, a source told Bollywood Hungama, "Salman Khan is in talks with Dil Raju and Vamshi Padilpally to plan their schedules in a way that an Eid 2027 release becomes a reality. The producer - director duo is contemplating the option, and plan to get back to Salman with a plan soon."
The source further informs that the film in question is an action-packed entertainer with a strong emotional core.
"It's a pure commercial entertainer with Salman Khan playing to the gallery. Vamshi plans to present Salman in a way audiences like to see him. The pre-production is going on in full swing, and the makers aim to take the film on floors in April," the source added.
The film is expected to go on floors in April and will be shot extensively across multiple locations in India. With substantial VFX work also involved, the team is currently focusing on locking all aspects before making an official announcement. While several details are still under wraps, the makers are committed to bringing the film to theatres in the first half of 2027, with an Eid release firmly in consideration.
Also Read: It’s Official! Salman Khan joins hands with Nayanthara for the first time for Vamshi Paidipally’s next
read moreSohail Khan sells Mumbai office unit for Rs 5.90 crores: Report
Actor-producer Sohail Khan has sold a commercial office space in Andheri West for Rs 5.90 crores, according to property registration documents accessed by real estate analytics firm Liases Foras. The transaction adds to a series of recent real estate deals involving members of the family of Salman Khan.
As reported by Hindustan Times, the office unit is located in the Arc One building on Link Road. The property measures 1,559 sq ft and includes three car parking spaces. The buyer has been identified as Bilkish Associates Private Limited, a company that provides debt resolution, credit and sales support services to banking and financial institutions, according to details available on its official website. Registration records show that the deal was finalised on March 27, 2026. A stamp duty of Rs 35.40 lakhs and a registration fee of Rs 30,000 were paid as part of the transaction. The sale follows another recent property move within the Khan family. In October 2025, Salman Khan’s sister Arpita Khan Sharma sold a luxury apartment in Khar for Rs 22 crores. The apartment is located in the Flying Carpet building developed by Satguru Developers and spans around 2,500 sq ft, along with an additional 1,600 sq ft terrace. The residence also included nine parking spaces and was purchased by Shivaya Cinewise Private Limited. Property records indicate that Arpita Khan Sharma had originally acquired the apartment in 2017 for Rs 18 crores. Also Read: Sohail Khan apologises for riding without helmet in Mumbai, cites claustrophobia: “I mostly ride late nights when…”
read moreSanjay Dutt’s ‘Aakhri Sawal’ teaser to be screened nationwide At PVR INOX ahead of release
The excitement around Aakhri Sawal continues to soar as the makers gear up for a grand unveiling of its teaser. Starring Sanjay Dutt, the much-anticipated film will have its exclusive teaser screened across PVR INOX theatres nationwide, promising audiences a larger-than-life first glimpse.
After generating significant buzz since its announcement, the makers recently revealed that the teaser will officially drop on the auspicious occasion of Hanuman Ji Janmotsav, April 2. Taking things a step further, the decision to showcase the teaser on the big screen is expected to amplify anticipation, turning it into a cinematic event in itself.
Backed by Nikhil Nanda and Sanjay Dutt under the banner of Nikhil Nanda Motion Pictures, Aakhri Sawal boasts an impressive ensemble cast including Amit Sadh, Namashi Chakraborty, Sameera Reddy, Tridha Choudhury, and Neetu Chandra.
The film is helmed by National Award-winning filmmaker Abhijeet Mohan Warang, who made his directorial debut with the Marathi drama Picasso, earning a Special Mention at the 67th National Film Awards. Over the years, Warang has carved a niche for himself with notable works such as Deja Vu, Prem Pratha Dhumshan, Piccol, and Virtual Reality.
Aakhri Sawal is described as an aspirational story rooted in the spirit of progressive India. It delves into the inquisitiveness and inner conflicts of the country’s youth, exploring their aspirations and their search for truth against the backdrop of historical events. The narrative aims to reflect the questions that resonate with young minds today, making it both timely and thought-provoking.
Presented by Nikhil Nanda, the film is produced by Nikhil Nanda and Sanjay Dutt, with co-producers Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey, and Ujjwal Anand. The story, screenplay, and dialogues are penned by Utkarsh Naithani, while the music is composed by Monty Sharma with lyrics by Kumar Vishwas.
With its teaser rollout strategy and compelling premise, Aakhri Sawal is shaping up to be one of the most awaited cinematic spectacles of the year. The film is slated to hit theatres on May 15, 2026.
Also Read: Shah Rukh Khan, Ranveer Singh, and Sanjay Dutt turn Mumbai party into a viral spectacle
read moreSCOOP: Ajay Devgn and Om Raut in talks to reunite after Tanhaji to celebrate another unsung Maratha warrior
Ajay Devgn and Om Raut collaborated for the first time in 2020 for Tanhaji: The Unsung Warrior. The film went on to become a blockbuster and remains the highest-grossing film of Ajay Devgn's career to date. Ever since then, there have been several conversations about taking the Unsung Warrior franchise forward.
Bollywood Hungama has discovered that Ajay Devgn is indeed taking the franchise forward, as he is in advanced talks with Om Raut for another historic epic that celebrates the pride and valour of an Unsung Maratha Warrior. A source told Bollywood Hungama, "Ajay Devgn has been waiting for the right story to take the unsung warrior franchise forward. When Om Raut came to him with the tale of another unsung Maratha warrior, Ajay instantly agreed on the same. He is super excited and charged up to do the film."
The source further informed that Ajay has asked Om Raut and his own VFX team to come back with a proposed budget. "He is on to do the film, but at the right costs. It's a work in progress towards the world-building of the film at NY VFXWala. In fact, they could also announce the film at any moment. Ajay is clear, he wants to celebrate the Maratha Warrior at the national level with an uncompromised vision. The talks are on with top studios to bankroll the project."
The source shares that multiple meetings have taken place between Ajay and Om Raut, and they are jamming well on the idea of this Unsung Warrior Franchise. "It's the return of Om Raut to the roots. Ajay is a powerhouse of filmmaking, and Om is also looking forward to re-learning the entire process of rooted filmmaking with the big boss."
Also Read: Ajay Devgn announces Gen AI-film Happy Birthday Joshi; to release on his 57th birthday
read moreSCOOP: Salman Khan eyes May 15 release for Maatrubhumi
If all had gone as planned, Salman Khan’s upcoming film, Battle Of Galwan, would have arrived in cinemas this month on April 17. However, the film was pushed ahead due to additional shoots. Last month, the film’s name was changed to Maatrubhumi. Certain units of the film have been unveiled, but they do not mention its release date. Meanwhile, fans have constantly been asking on social media when Salman Khan and the makers will announce the release date of the much-awaited film. Bollywood Hungama has learned that the makers are considering several dates, and one of them is May 15.
A source told Bollywood Hungama, “The additional shoot is done and the film will be ready soon. Hence, the makers feel that it's better to bring out the film sooner rather than later. They are looking at several options and are seriously considering May 15.”
A source had earlier told Bollywood Hungama that the war drama is expected to release between July to October. The source replied, “That is also being considered, though most of the slots have been taken up by big-scale and significant films in that period. At one point, they wanted to get the film out on Independence Day, but that won’t be possible as Aamir Khan has taken the slot for the Sunny Deol-starrer Lahore 1947. The current plan is to ascertain if releasing Maatrubhumi on May 15 is possible. If not, they’ll bring it later.”
The source further added, “Salman and the other stakeholders are expected to take the decision soon. They are aware that theirs is probably the only biggie of 2026 which doesn’t have a release date. Salman is grateful to see his fans showing their excitement for Maatrubhumi, and he’s expected to make an official announcement soon.”
Meanwhile, Salman Khan and the makers are also about to finalize the distribution partner for Maatrubhumi in a few days from now.
Also Read: Viveck Vaswani opens up on not reuniting with Salman Khan post Patthar Ke Phool
read moreShruti Haasan joins Call Me Bae season 2 as Ananya Panday’s new “Behen” In Thailand
The buzz around Call Me Bae Season 2 just got bigger with Shruti Haasan stepping in as the new “behen” alongside Ananya Panday. Currently shooting in Thailand, Shruti’s addition has already sparked excitement among fans, who are eager to see this fresh on-screen dynamic unfold.
This unexpected pairing of Shruti Haasan and Ananya Panday has quickly caught attention online, with audiences loving the idea of their #BehenCode. The duo is being seen as a refreshing and promising combination, and fans are already rooting for their chemistry, anticipating a mix of fun, drama, and emotional depth.
Set against the vibrant and picturesque locales of Thailand, the upcoming season promises to elevate the glamour and chaos that made the first installment so popular. From stylish looks and high-energy sequences to heartfelt moments, Season 2 is expected to deliver a complete entertainment package. The signature blend of sparkle and kalesh is set to return, adding to the show’s appeal.
As Shruti continues filming overseas, curiosity is building around how this new sisterhood will shape the narrative. With international locations, a dynamic new pairing, and an engaging storyline at its core, Call Me Bae Season 2 is gearing up to be bigger, bolder, and visually spectacular.
With fans already invested in this new jodi, all eyes are now on how Shruti Haasan and Ananya Panday bring their “behen” bond to life on screen.
Also Read: Call Me Bae season 2 first look out: Shruti Haasan joins cast of Ananya Panday starrer, watch
read moreBombay HC rejects Anita Advani’s claim seeking marital recognition with Rajesh Khanna
The Bombay High Court on Wednesday dismissed an appeal filed by actor Anita Advani seeking legal recognition of her relationship with late superstar Rajesh Khanna as a marriage. Justice Sharmila Deshmukh rejected Advani’s appeal challenging an earlier order passed by a Dindoshi civil court that had dismissed her suit on technical grounds in 2017.
After hearing submissions from counsel representing Advani as well as lawyers appearing for Dimple Kapadia, Akshay Kumar and Twinkle Khanna, the High Court declined to grant relief in the matter. “First appeal is dismissed,” the court stated. A detailed copy of the judgment is awaited.
The legal dispute forms part of a long-running series of proceedings between Advani and Kapadia following Khanna’s death in 2012. Advani had maintained that she shared a relationship with the late actor that qualified as one in the nature of marriage and sought recognition of that status through civil proceedings.
The matter is also linked to earlier litigation arising from Advani’s claim that she was evicted from Khanna’s bungalow Aashirwad after his passing.
In a separate legal development connected to the dispute, Advani had filed a criminal complaint alleging domestic violence against Kapadia along with Akshay Kumar and Twinkle Khanna before a Magistrate court in Bandra. However, in 2015, a coordinate bench of the Bombay High Court quashed the proceedings against them.
At the time, the court held that Advani’s relationship with Rajesh Khanna did not qualify as one “in the nature of marriage” under the Protection of Women from Domestic Violence Act, 2005.
The latest order marks another step in the prolonged legal battle surrounding claims related to Khanna’s personal relationship status and associated rights. Further clarity is expected once the detailed judgment becomes available.
Also Read: Anita Advani opens up about secret marriage with Rajesh Khanna; says, “He applied sindoor and said, ‘From today, you are my responsibility’”
read moreDelhi High Court slams Richa Chadha for amplifying unverified allegations in flight incident row
Actor Richa Chadha has come under judicial scrutiny after the Delhi High Court criticised her for amplifying unverified allegations against a man accused of sexual misconduct during a Delhi to Mumbai flight. The court observed that her repost of the claims along with the remark “Make him famous” contributed to public shaming and digital vigilantism.
The matter relates to an incident dated March 11, when a journalist alleged inappropriate physical conduct by a co-passenger during the flight. Shortly after landing, the journalist shared the accusation on social media platform X, identifying the man and posting his photograph along with professional details. The allegations quickly gained traction online and were picked up by multiple media platforms.
Among those who reposted the allegation was Chadha, whose comment “Make him famous” became part of the proceedings in a defamation suit later filed by the accused professional, who denied the allegations and stated he had remained seated throughout the journey and had fallen asleep shortly before landing.
While hearing the case on March 20, Justice Vikas Mahajan observed that Chadha’s endorsement of the allegation went beyond the scope of free expression. The court noted that her amplification of the claim along with the “instigatory” text had acted as “a catalyst for public shaming and digital vigilantism.”
The court further emphasised the responsibilities that come with public influence. “A public figure bears a legal and moral responsibility to verify the veracity of facts before leveraging her platform to amplify grave accusations,” the judge observed.
In another key observation, the court said, “The Court is prima facie of the view that endorsement of unverified allegations has inflicted immediate, exponential, and incalculable harm on the plaintiff's reputation.”
During the hearing, the court noted that Chadha had already taken down the post. It also recorded that it expects her not to precipitate the issue in the future.
The court additionally raised concerns about the sequence in which the allegations were made public. It criticised the complainant journalist for sharing the accusation online before filing a formal FIR, stating that while she had the right to report a grievance, circulating the allegation along with the identity and photograph of the accused prior to investigation was “a severe transgression of the plaintiff's fundamental right to live with dignity and have fair trial.”
The order also addressed the role of several digital media platforms including NDTV and ABP News, observing that reports reproduced the allegations without independent verification and risked prejudicing the investigation process. The court stated that such reporting violated the principle of presumption of innocence until proven guilty and could amount to a parallel trial in the public domain.
Following these observations, the court directed removal of defamatory content and restrained the defendants from publishing similar allegations until the next hearing in the matter.
Also Read: Richa Chadha meets French President Emmanuel Macron in Mumbai, discusses Indie Cinema and Indo-French collaborations
read more