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Rohit Shetty requests his friends to not visit him post the firing incident

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After the brazen firing on filmmaker Rohit Shetty’s home, for which the Bishnoi gang has owned responsibility, the blockbuster director has personally requested his friends to leave him alone.

An actress-friend of Shetty explains, “Leave him alone…that sounds rude. But it is sadly the truth. Rohit has personally requested all his friends to not visit him at his home. You must understand, Rohit is a very popular figure in the industry. As soon as the news of the firing spread, he was flooded with anxious calls and messages. The cops have asked Rohit to maintain a state of complete isolation, so that they can carry on their investigation.”

Even Rohit Shetty’s best friend Ajay Devgn is not allowed to visit Shetty. But Devgn has assured his buddy all support during this critical time.

“You must understand these guys mean business. They meant to kill him. And Rohit has cancelled all his public appearances. These gangsters want to once again spread terror across the film industry, just as they had done in the 1999-2000.”

Also Read: Rohit Shetty firing case: Four accused arrested as police probe alleged kill plot involving wanted accused

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T-Series takes over music rights of Dhurandhar 2, replaces Saregama: Report

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The music rights for Dhurandhar 2 have officially moved to T-Series, marking a significant shift from the first instalment, which was backed by Saregama. The development signals a fresh musical direction for the sequel to the Ranveer Singh-led spy action thriller, which is slated to hit theatres on March 19.

According to an exclusive report published by The Hollywood Reporter, the soundtrack of Dhurandhar 2 is already generating strong buzz within industry circles. A source was quoted saying, “It's a massive chartbuster soundtrack and the response from the film team whoever has heard it- has been fabulous.” Another industry insider added, “The album will again have a wide variety of songs,” suggesting that the sequel will follow the musical diversity that worked well for the first part.

The shift in music label comes at a time when expectations from the sequel are already high. Dhurandhar 2 is expected to expand on the narrative introduced in Chapter 1, taking audiences deeper into the backstory of the spy character played by Ranveer Singh. The film will reportedly weave deliberate flashbacks into the present-day storyline, aiming to offer a more layered and complete conclusion to the two-part saga.

Adding to the excitement, the makers of the film — including Jio Studios, director Aditya Dhar, and Ranveer Singh — took to social media on February 2 to tease an upcoming announcement scheduled for February 3. While details of the announcement remain under wraps, fans are speculating that a teaser or promotional asset could be unveiled soon, especially with the film being less than two months away from release.

For context, Dhurandhar 2 follows the strong performance of the first instalment, which released in December and went on to register record-breaking box office numbers. The film reportedly surpassed several of the biggest hits of 2025, setting a high benchmark for the sequel. The first part is currently streaming on Netflix, where it continues to attract viewers.

Directed, written and co-produced by Aditya Dhar, Dhurandhar is backed by Jyoti Deshpande, Aditya Dhar and Lokesh Dhar under the banners of Jio Studios and B62 Studios. The franchise features an ensemble cast including Ranveer Singh, Akshaye Khanna, Sanjay Dutt, Arjun Rampal and R. Madhavan. As the concluding chapter approaches, Dhurandhar 2 is shaping up to be one of the most closely watched releases of the year, both musically and cinematically.

Also Read: No additional shooting with Arjun Rampal for Dhurandhar 2

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SCOOP: Bhushan Kumar signs Milap Zaveri to direct Harshvardhan Rane in next; duo reunite after Ek Deewane Ki Deewaniyat

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Bhushan Kumar has locked in his next feature project, bringing together filmmaker Milap Zaveri and actor Harshvardhan Rane for a fresh collaboration under the T-Series banner. The yet-untitled film will be directed by Milap Zaveri and star Harshvardhan Rane in the lead, marking the duo’s reunion after the success of Ek Deewane Ki Deewaniyat.

Sources close to the development confirm that the project is currently in the advanced stages of pre-production, with the makers keen to take the film on floors soon. The association brings together a director-actor pairing that found strong resonance with audiences in their previous outing, prompting Bhushan Kumar to back the reunion for a new, larger-scale venture.

Milap Zaveri, known for his emotionally charged narratives and mass-appeal storytelling, has carved a distinct space in mainstream Hindi cinema with films that blend intense drama, romance, and high-voltage emotions. His collaboration with Harshvardhan Rane in Ek Deewane Ki Deewaniyat had struck a chord, particularly for its music, performances, and dramatic arc, establishing the duo as a viable pairing in the commercial-romantic space.

Harshvardhan Rane, who has steadily built a loyal audience base, is said to be excited about returning to work with Zaveri. The actor has often spoken about the creative comfort he shares with the filmmaker, and this new project is expected to further explore his strengths in intense, emotionally driven roles.

For Bhushan Kumar, the film aligns with his ongoing strategy of backing director-driven projects while nurturing repeat collaborations that have proven box office and audience potential. Under the T-Series umbrella, the upcoming film is also expected to be music-forward, a space where the production house continues to dominate.

While details about the genre, supporting cast, and title are being kept under wraps, trade buzz suggests that the film will stay true to the emotionally immersive zone that both Milap Zaveri and Harshvardhan Rane are known for, while offering a fresh narrative canvas.

An official announcement with more details is expected soon. For now, the reunion of Milap Zaveri and Harshvardhan Rane under Bhushan Kumar’s production has already sparked curiosity, setting the stage for what could be another compelling commercial entertainer.

Also Read: Aditya Roy Kapur and Karan Johar team up for a horror thriller; on floors in May 2026

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Ali Fazal announces wrap of Mirzapur: The Film final schedule: "We brought our A game when the camera rolled up"

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The much-anticipated Mirzapur: The Film has officially wrapped up its final shooting schedule, marking a major milestone for one of India’s most popular crime franchises. Adapted from the cult-favourite web series, the film is slated for a grand theatrical release in 2026 and promises to take the gritty world of Mirzapur to a bigger canvas.

As the team concluded filming, Ali Fazal, who reprises his iconic role of Guddu Bhaiya, shared behind-the-scenes moments from the sets along with an emotional note on Instagram, reflecting on the long and intense journey of the project. Expressing gratitude and pride, the actor wrote, “YEH SILSILA Lamba hai. Its just a journey of some Love and some Hate. Mirzapur The film wraps its final schedule.”

Ali Fazal went on to thank the entire cast and crew for their dedication, calling Mirzapur: The Film a “masterpiece.” Emphasising the collective effort behind the project, he added, “Through all of it we brought our A game when the camera rolled up on us. And I can proudly say that on behalf of all the Mirzapur actors and crew and the whole team – we did what we do best.”

 

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From its explosive characters to its raw storytelling, Mirzapur has built a massive fan base over the years, and the transition to the big screen has only heightened expectations.

The film has earned a spot on Ormax Cinematix’s list of most awaited Hindi films. Mirzapur: The Film is undoubtedly one of the most awaited films, with audiences eagerly anticipating the return of the iconic character Munna Bhaiya, this time on the big screen.

Created by Puneet Krishna and directed by Gurmmeet Singh, Mirzapur: The Film is scheduled for release in 2026. The movie will feature the iconic characters of Mirzapur, including Kaleen Bhaiya (Pankaj Tripathi), Guddu Pandit (Ali Fazal), and Munna Tripathi (Divyenndu), along with Abhishek Banerjee. Following its nationwide theatrical release, the film will be available for streaming to Prime members in India and over 240 countries and territories eight weeks after its release.

Also Read: Mirzapur: The Film goes on floors in Rajasthan; Ali Fazal drops BTS video as Guddu Bhaiya returns

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Ahan Shetty and Shaad Ali’s intense romantic drama shoot is set for early summer

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Riding the momentum from his widely successful Border 2, actor Ahan Shetty is set to reunite with cinematic storytelling in a new intense romantic drama directed by Shaad Ali, with principal photography expected to begin by March–April this year. The project marks a creative collaboration between one of Bollywood’s emerging performers and a filmmaker known for his work in memorable love stories.

Following Border 2’s robust box office performance, Ahan has expanded his slate with three new film commitments, one of which is this yet-untitled romance that blends action with emotional depth. “It’s an intense action love story, something I’m returning to after Tadap [2021]. I like such intense characters and the depth they carry,” Shetty told Mid-Day, underlining his interest in roles that challenge him artistically.

The film has been in development, with the creative team currently finalising both the script and music ahead of the planned shoot. Shetty — who is the son of veteran actor Suniel Shetty — described his experience working with director Shaad Ali as collaborative and reassuring. “Shaad sir knows exactly what he wants. I’m excited to work with him because we understand each other. I think he’ll get a great performance out of me. I believe in completely surrendering to my director,” he said.

While further details about the supporting cast and production schedule have yet to be confirmed, the film’s early planning reflects a deliberate approach, with flexibility in its shoot dates as creative elements come together.

Also Read: Suniel Shetty pens emotional note for “Sun” Ahan Shetty as Border 2 releases: “Watching you wear the uniform brings it full circle”

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Dhadak 2 director Shazia Iqbal goes private after slamming Dhurandhar as “sinister” film promoting hate

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Filmmaker Shazia Iqbal, known for her directorial debut Dhadak 2, has publicly criticised the spy thriller Dhurandhar, calling it “sinister” and asserting that “inciting hate and violence is in its DNA.” Her remarks, shared via Instagram Stories, have sparked debate within Bollywood and among audiences following the film’s successful run and recent Netflix release.

Released in December 2025, Dhurandhar, directed by Aditya Dhar and featuring Ranveer Singh in the lead role, has become one of the highest-grossing Hindi films at the domestic box office. The action-oriented espionage narrative centres on an Indian spy embedded deep within a terror network, and includes a supporting cast of well-known actors such as Akshaye Khanna, Arjun Rampal, R Madhavan, Sanjay Dutt and Sara Arjun.

Shazia Iqbal’s comments did not explicitly name the film in her initial post, but she paired her message with Dhurandhar’s title track, making clear the target of her critique. In her Instagram Story, she described the film as intentionally provocative. “What a sinister film! It’s not hidden, it’s not unintentional — inciting hate and violence is in the DNA of the film,” she wrote, later adding that many in the industry appear unconcerned about the implications of such content on minority communities.

Iqbals’s post continued with a note of sarcasm directed at industry peers: “But it’s a ‘well made’ film guys… With some cool BgM (smile emoji). Well done industry dud bros. Glad that most of y’all don’t care about minorities enough to even hide your blatant apathy.”

Her critique extended beyond Dhurandhar. Iqbal also referenced the teaser for The Kerala Story 2, the sequel to the 2023 film that was itself embroiled in controversy. However, hours after sharing her thoughts, the director made her Instagram account private.

Also Read: Dhurandhar tops Netflix India chart within 24 hours of streaming release; Aditya Dhar REACTS!

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Rohit Shetty firing case: Four accused arrested as police probe alleged kill plot involving wanted accused

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Four men arrested in connection with the firing outside filmmaker Rohit Shetty’s Juhu residence were presented before an Esplanade court late Sunday, where they were remanded to police custody until February 5. Police allege the men conspired with a wanted suspect, Shubham Lonkar, to carry out the attack with the intention of killing the prominent director-producer.

The case stems from a complaint filed by a security guard who reported indiscriminate firing outside Shetty’s residence in the early hours of Sunday, an incident that triggered a swift police investigation. No injuries were reported in the firing, but authorities treated it as a serious attempted murder case and registered an FIR accordingly.

According to police sources, Samarth Shivsharan Pomaji (19), one of the arrested men, allegedly conspired with the wanted accused Shubham Lonkar to carry out the plot. Investigators say the group procured a Honda Dio scooter (MH 12 FN 2205) — allegedly with assistance arranged through accomplices, including Aditya Gyaneshwar Gayaki — to facilitate the execution of the firing near Shetty’s home.

#WATCH | Mumbai, Maharashtra: Pune Police have detained five people (Aman Anand, Aditya Gyaneshwar, Siddharth Deepak, Samarth, and Swapnil) in connection with the firing incident at Bollywood director Rohit Shetty's residence. Three of them have been arrested and brought to the… pic.twitter.com/s8Nb2MVpkW — ANI (@ANI) February 1, 2026

Authorities have alleged that Lonkar provided financial and logistical support for the crime. Police have described the involvement of the arrested suspects as key to supporting the main shooter, with Lonkar directing parts of the conspiracy from outside the Mumbai area. The motive behind the alleged conspiracy has not been publicly clarified by investigators, and Lonkar remains at large. According to multiple reports, law enforcement is also examining potential links between the incident and the Lawrence Bishnoi gang — a criminal network connected with several high-profile cases in recent years — though officials have cautioned against speculation until claims can be verified.

In a related development, a social media post attributed to individuals claiming association with the Bishnoi gang purported to take responsibility for the attack. The post described the firing as a “small trailer” and included a threat of further violence if demands were not met. Authorities are investigating the authenticity of the post and examining whether it is connected to the arrests or if it is a separate attempt at intimidation.

Also Read: Firing reported outside Rohit Shetty’s Juhu residence; police investigate

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Govinda, Chunky Panday, Shakti Kapoor, and Manoj Tiwari named in FIR over investment scam: Reports

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Veteran Bollywood actors Govinda, Shakti Kapoor, Chunky Panday, and BJP MP Manoj Tiwari have been named in a First Information Report (FIR) in connection with an alleged investment fraud linked to Ghaziabad-based company Maxizone Touch Private Limited, according to a complaint filed in Jharkhand’s Jamshedpur court.

The FIR was registered on the orders of a local court in Jamshedpur, after investors approached the judiciary claiming they were cheated by the firm, which had promised high returns on investments. The case was filed under various sections of the Indian Penal Code related to cheating and criminal conspiracy.

According to the complaint by an investor who said he invested over Rs 30 lakhs in Maxizone Touch Pvt Ltd, the company had assured returns of up to 15 per cent monthly interest. When neither the interest nor the principal amount was returned as promised, the investor moved the court, prompting police action.

The FIR names the four actors along with others, alleging that they were involved in promoting the company’s investment scheme and played a role in attracting unsuspecting investors through endorsements. The complaint asserts that their influence helped the firm lure more people into the scheme.

Earlier, Maxizone Touch Pvt Ltd directors — Chander Bhushan Singh and his wife, Priyanka Singh — were arrested in September 2025 by Jamshedpur police as part of a broader investigation into the company’s operations. Investigators have said the firm allegedly ran a fraudulent multi-level marketing (MLM) scheme and collected substantial unauthorised deposits from investors.

The Enforcement Directorate (ED) had also conducted searches linked to alleged investment and cryptocurrency fraud involving the company, reporting that the Singh couple remained absconding for nearly three years before their arrest.

Also Read: Neha Kakkar’s name misused in Rs 5 lakh investment scam; FIR filed at Worli police station

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EXCLUSIVE: Border 2 director Anurag Singh breaks down the “No green screen” approach for the action war film; speaks about the challenges of shooting at real locations

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With Border 2 now out in cinemas, the scale and realism of its action sequences have become one of the most talked-about aspects of the film. In an exclusive conversation with Bollywood Hungama, producer Bhushan Kumar and director Anurag Singh opened up about the logistical, technical and creative challenges involved in mounting large-scale war scenes without relying on green screens.

Director Anurag Singh revealed that one of the biggest challenges was shooting the action entirely on real locations rather than in controlled studio environments. The film was shot across locations such as Dehradun and Jhansi, often in extreme weather conditions, with large crews and complex staging.

He explained, “Shoot-wise, the most challenging were the action sequences. Because the scale increases. Your three–four-person crew becomes a 400–500-person unit sitting there. Because the scale increases. You are shooting on actual locations, not on green screen – in places like Dehradun or Jhansi. There is freezing cold or unbearable heat, and you have to do action from morning till evening.”

According to Singh, war sequences demand a level of coordination that goes far beyond standard action choreography. Each shot involves multiple departments working in sync — from explosives and stunts to crowd movement and actor positioning — leaving little margin for error.

“There are many elements in action. So many things have to come together. It has to work like clockwork for one shot to land correctly. You are doing blasts; you have to place explosives. How will people react, which actor will be at what distance, how much fire will come out – you know, all these people are working together to… And it is war. It’s not just two people’s action; behind them, 500 more people are running around, firing is going on, all this is happening. So doing action at that scale was quite difficult,” he added.

Another significant challenge was handling elements that cannot be practically recreated, particularly aerial combat. Singh noted that while the film aimed for realism, certain components, such as fighter planes, had to be created using visual effects — requiring careful integration to maintain believability.

“The second tricky part was that some things are not available today. If you talk about planes, the planes will obviously be VFX. You know, it’s not like you have actual planes with you that you can fly and shoot, so that has to be VFX. So now, how do you bring that up to a certain level and translate it on screen – these were all very challenging things,” he said.

Despite the technical demands, Singh emphasised that emotional authenticity remained central to the action design. Sequences such as Varun Dhawan’s trench combat and Sunny Deol’s tank battles were planned to feel raw and grounded, without allowing spectacle to overshadow character-driven moments.

He pointed out that strong performances help maintain emotional weight even in large-scale set pieces. “Emotions, what happens is, if you have taken good actors and your scenes are well written, you know those will translate,” Singh noted, adding, “We were talking about the actors – just now we spoke about Ahan (Shetty) being a very sincere boy, we know Varun (Dhawan) is a very good actor, we talked about Sunny (Deol) sir being a very emotional person, and Diljit (Dosanjh) paaji whose connection with people is also from the heart.”

Produced by Bhushan Kumar, Border 2 builds on the legacy of the 1997 classic by combining expansive action with grounded emotional storytelling. As the makers explain, the aim was not just to recreate war on a larger canvas, but to ensure that every explosion, movement and visual effect served the human stories at the centre of the film.

Also Read: Border 2 Box Office: JUMPS QUITE WELL on Saturday, crosses Rs. 20 crores mark, will aim to enter 300 CRORE CLUB today

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Makers of the The Kerala Story 2: Goes Beyond unveil character posters of Ulka Gupta, Aishwarya Ojha and Aditi Bhatia

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The makers of The Kerala Story 2: Goes Beyond have unveiled the character posters of its leading women — Ulka Gupta, Aishwarya Ojha and Aditi Bhatia — offering the first detailed visual insight into the film ahead of its release.

The newly released posters present intense close-ups of the actors, with half their faces covered by a burqa while the other half reveals visible bruises and tear-streaked expressions. The imagery suggests emotional and physical trauma, setting a sombre tone and indicating the difficult circumstances their characters navigate in the narrative.

Sharing the posters on social media, the makers wrote, “—”, keeping the focus on the visuals rather than revealing plot details at this stage.

 

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Directed by National Award-winning filmmaker Kamakhya Narayan Singh, The Kerala Story 2: Goes Beyond is positioned as a continuation of the first film, expanding its narrative scope. The sequel revolves around the story of three Hindu women whose lives take a troubling turn after they enter relationships that eventually expose a larger, calculated process of religious conversion.

Produced by Vipul Amrutlal Shah and co-produced by Aashin A Shah under the banner of Sunshine Pictures, the film follows the 2023 release The Kerala Story, which sparked widespread discussion upon its release.

With the character posters now out, the makers have begun their promotional rollout while keeping the storytelling details largely under wraps. The Kerala Story 2: Goes Beyond is scheduled to release in cinemas on February 27, 2026.

Also Read: The Kerala Story 2: Goes Beyond to release on February 27, 2026; teaser out

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Ram Charan and Upasana Kamineni Konidela welcome twins, blessed with a son and a daughter

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Actor Ram Charan and wife Upasana Kamineni Konidela have been blessed with twins. The actor’s father and megastar Chiranjeevi took to social media to announce the arrival of their son and daughter. He also added that both the mother and babies are doing well.

And excited Ram Charan says, "Being blessed with three children fills me with gratitude. I'm thankful to all our fans, loved ones and well-wishers, who have stood by us and supported us through every moment."

And Upasana shares, “My father always believed that clarity of intention and faith go hand in hand. Today, I feel incredibly blessed to be a mother of three, exactly as we envisioned. Our hope is to raise children who are strong yet compassionate, aware that privilege carries responsibility - and that true legacy lies in giving back.”

With immense joy and a heart full of gratitude, we are happy to share that @AlwaysRamCharan and @upasanakonidela have been blessed with twins - a baby boy and a baby girl. Both the babies and the mother are healthy and doing well. ✨

Welcoming these little ones into our family…

— Chiranjeevi Konidela (@KChiruTweets) January 31, 2026

While Ram Charan and Upasana’s first pregnancy was a natural surprise, Upasana had opted to freeze her eggs in her late twenties and early thirties. With the blessing of twins now, the moment marks Ram Charan and Upasana’s second time embracing parenthood, following the birth of their first child, daughter Klin Kaara Konidela, in 2023.

Also Read: Ram Charan on not perceiving his legacy as a ‘burden’: “I stayed ignorant of that pressure and just worked”

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Firing reported outside Rohit Shetty’s Juhu residence; police investigate

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Early Sunday morning, unidentified individuals fired several gunshots outside the home of Bollywood filmmaker Rohit Shetty in the Juhu area of western Mumbai, prompting an immediate police response and a detailed investigation.

According to police sources, the incident occurred at around 12:45 am, when multiple rounds were discharged near Shetty’s residential building. Initial reports indicate that four to five shots were fired, though the precise number of rounds remains under verification by authorities.

Mumbai Police, along with crime branch teams, responded swiftly to the scene. Security around the building was heightened, and investigators cordoned off the area as a precautionary measure. Forensic experts and ballistic teams were reportedly brought in to collect evidence, and CCTV footage from the surrounding area is being reviewed to trace the movements of the suspects.

#WATCH | Mumbai, Maharashtra | Police and forensic teams reach Director Rohit Shetty's residence, after an incident of firing was reported outside his residence. Further details awaited. pic.twitter.com/h1wVhtCtY7 — ANI (@ANI) January 31, 2026

Officials said no injuries were reported in the incident, and there were no immediate signs of damage to residents. It was also not immediately clear whether Shetty was present inside the residence when the shots were fired.

A senior police official was quoted saying, “Someone fired on the building. Zonal police and crime branch teams are investigating,” underscoring that the probe is at an early stage and that all possible leads are being examined.

So far, there has been no claim of responsibility for the firing, and authorities are yet to determine a clear motive. Local residents shared that the sudden sound of gunshots late at night startled several people in the vicinity, highlighting concerns about safety in high-profile neighbourhoods. Police have assured continued vigilance in the area as the investigation progresses.

Also Read: Big Boy Toyz lists Shilpa Shetty, Rohit Shetty’s luxury cars for auction; deets inside!

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EXCLUSIVE: It’s a wrap for the Mumbai schedule; Kartik Aaryan-starrer Naagzilla heads to Delhi for final three-week shoot

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Bollywood Hungama has been at the forefront in delivering exclusive news about one of the most-awaited films of 2026, Naagzilla, starring Kartik Aaryan. We are now back with another interesting piece of information – the shoot is steadily progressing and is expected to be completed this month, that is, February 2026.

A source told Bollywood Hungama, “Director Mrighdeep Singh Lamba shot a month-long schedule in Mumbai with Kartik Aaryan. Yesterday, on January 31, the Mumbai schedule was wrapped up. 70% of the shoot is now complete.”

The source added, “The team of Naagzilla are heading to Delhi this month, that is, February 2026, where a three-week-long schedule will take place. The completion of the Delhi leg will mark the wrap of the film.”

Naagzilla is produced by Karan Johar’s Dharma Productions and Mahaveer Jain’s Mahaveer Jain Films (with Mrighdeep Singh Lamba as a partner). The fantasy comedy features Kartik as a shape-shifting naag and, reportedly, Ravi Kishan essays the role of the antagonist. Also, as per reports, Sreeleela is the female lead. Interestingly, she is also paired opposite Kartik Aaryan in his other 2026 film, the untitled musical saga, directed by Anurag Basu.

The source further revealed, “Naagzilla went on floors on November 1, 2026, and within four months, the shoot will be wrapped up, thanks to advance planning and dedication of the cast and crew. This was a challenging and one-of-a-kind film and in between, Kartik went all out to promote his Christmas release, Tu Meri Main Tera Main Tera Tu Meri (2025; also produced by Karan Johar). At the same time, he gave more than a hundred per cent to Naagzilla as well. Once the shoot is completed, Mrighdeep Singh Lamba’s complete focus would be on post-production and ensuring that their labour of love turns out to be an exciting and fascinating piece of cinema for the audiences.”

Also Read: Ravi Kishan to play antagonist in Kartik Aaryan-starrer Naagzilla

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SCOOP: Aditya Roy Kapur and Karan Johar team up for a horror thriller; on floors in May 2026

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Karan Johar is all set to step into the world of creature comedy with the Kartik Aaryan led Nagzilla, followed by a creature thriller with director Sandeep Modi, which will also be led by Kartik. And now, we have an exclusive scoop. Reliable sources have confirmed that Karan Johar is all set to make a pure horror thriller next, and the film is presently in the casting stage.

A source shared with Bollywood Hungama, "Karan Johar has locked a horror thriller for his banner, Dharma Productions and has roped in Aditya Roy Kapur to play the lead character. Adi read the script and didn't take long to come on board. It's a unique project, and everyone at Dharma is bullish about the theatrical prospects of the genre."

The source also informs that the film will go on floors in May 2026, and a top tier female lead is in advanced talks to lead it with Aditya Roy Kapur. "The prep work has already begun at Dharma, but the director's name has been kept under wraps for now," the source further told Bollywood Hungama.

Aditya Roy Kapur and Karan Johar have previously worked together on Ok Jaanu, and this will mark their reunion, though the genre is nothing like their last. Also Read: Karan Johar announces week-long digital detox; quips, “May the universe give me the strength”

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Dhurandhar tops Netflix India chart within 24 hours of streaming release; Aditya Dhar REACTS!

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After setting cinema halls buzzing with its theatrical release on 5 December, Dhurandhar, led by Ranveer Singh in a full-throttle avatar, has sparked a fresh wave of frenzy on its Netflix launch, dancing its way to FA9LA like Rehman Dakait and charging straight to the No. 1 spot on Netflix in India within 24 hours of its streaming premiere.

Reacting to the film’s chart-topping run on Netflix, director Aditya Dhar said, “Seeing Dhurandhar hit #1 on Netflix is incredibly gratifying. The film was made to be experienced with passion - on the big screen or at home. I’m grateful to audiences who watched it in theatres and to those discovering it for the first time worldwide.”

From packed theatres to living rooms turning into front-row seats, viewers are diving back in to relive the adrenaline, while a whole new audience is discovering the drama, scale and energy that made Dhurandhar a crowd favourite, fuelled entirely by audience love from its theatrical run to its explosive Netflix debut.

 

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Dhurandhar, now streaming exclusively on Netflix.

Also Read: Is Netflix version of Dhurandhar different from theatrical cut? Here’s what we know

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Salman Khan secures interim order against Abhinav Kashyap in defamation suit: Reports

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A Mumbai civil court has temporarily restrained filmmaker Abhinav Kashyap and others from making or publishing any statements against Bollywood star Salman Khan and his family while hearing a defamation lawsuit filed by the actor. The order, reportedly, was issued on Friday as interim relief in the matter.

The defamation suit, filed in a city civil court, names Kashyap, Komal Mehru, Khushboo Hazare and various social media platforms as defendants. According to the reports, Salman Khan has sought a permanent injunction against further comments and damages of Rs 9 crores, alleging that statements made in a series of interviews and podcasts were “scandalous, false, and grossly defamatory.”

Judge P.G. Bhosale granted the interim ad-interim ex-parte order, noting that while freedom of speech is a constitutional right, it does not permit the use of “abusive or threatening language” against an individual. “Nobody can and nobody should make any defamatory statements against anybody’s family,” the court said, adding that each person’s privacy and reputation deserve protection.

The lawsuit centers on about 26 video interviews and podcast episodes published between September and December 2025, during which Kashyap reportedly made remarks against Khan and his family members. According to the suit, the content targeted both the actor’s professional integrity and personal character.

As part of the interim direction, the court has temporarily barred the defendants from making, uploading, publishing, reposting, hosting or circulating any further allegedly defamatory content about Khan and his family until they appear before the court and file their responses to the notice of motion.

Also Read: BREAKING: Salman Khan’s CULT flick Tere Naam to re-release in PVR Inox on February 27

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Border 2 show cancelled in Valsad as ceiling collapses at multiplex; no casualties

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A potential major accident was narrowly averted at Rajhans Multiplex in Valsad after a portion of the auditorium ceiling collapsed just before the screening of Border 2. The incident occurred while entry for the 9:00 a.m. show was underway, moments before the film was scheduled to begin.

According to media reports, a section of the POP (Plaster of Paris) ceiling located near the front of the screen suddenly fell inside Screen 1. The collapse took place during an ongoing show, triggering panic among moviegoers present inside the auditorium. Given the seriousness of the situation, the cinema management immediately cancelled the show and evacuated all patrons from the premises.

Fortunately, no injuries or casualties were reported. At the time of the incident, the audience was still in the process of entering the hall, which helped prevent what could have been a far more serious outcome. Officials confirmed that all viewers were safely escorted out, and the area was secured shortly thereafter.

The incident has once again raised concerns around cinema hall safety and infrastructure maintenance, particularly in older or heavily used properties. Further details regarding structural checks or inspections at the multiplex are awaited.

The incident inevitably brings back memories of one of India’s most tragic cinema-related disasters — the Uphaar Cinema fire in Delhi. On June 13, 1997, during a 3:00 p.m. screening of Border, a fire broke out in the basement transformers of the Green Park theatre. The tragedy claimed 59 lives due to asphyxiation, while over 100 people were seriously injured in the ensuing stampede.

Also Read: After the blockbuster success of Border 2, trade experts predict Sunny Deol’s Lahore 1947 will also open with a bang: “The combination of Sunny and Rajkumar Santoshi have NEVER gone wrong”

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Ananya Panday and Lakshya’s Chand Mera Dil rescheduled; set for summer release on May 8, 2026

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The wait for Dharma Productions’ highly anticipated romantic drama, Chand Mera Dil, just got a definitive timeline. In a fresh update from the makers, the film—starring Ananya Panday and Lakshya—is now officially scheduled to hit the silver screen on May 8, 2026.

Directed by Vivek Soni (known for Meenakshi Sundareshwar), the film is being touted as an "intense musical love story." This project has seen a slight shift in its release window; while it was previously eyeing an April 10, 2026 release, the makers have now settled on the May date to capitalize on the lucrative summer holiday period.

Chand Mera Dil has been a topic of conversation since its initial announcement in November 2024. At that time, producer Karan Johar shared the first-look posters with the evocative tagline: "Pyaar mein thoda paagal hona hi padta hai" (One has to go a little crazy in love). Since then, fans have been eager to see the fresh pairing of Ananya Panday and Lakshya on screen.

The film is backed by a powerhouse production team, including Karan Johar, Apoorva Mehta, and Adar Poonawalla, marking one of the major theatrical releases under the new Dharma-Poonawalla partnership.

Also Read: Chand Mera Dil set PHOTOS LEAKED: Lakshya rides into romance with Ananya Panday in traditional attire

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SCOOP: Rajkumar Santoshi heads to Manali to narrate Ghatak 2 to Sunny Deol

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Last week was significant for Sunny Deol and also the industry at large as Border 2 fulfilled all expectations and created a rampage at the box office. The actor, currently in his favourite place, Manali in Himachal Pradesh, is having a relaxed time and enjoying the success of the film, as evident by his Instagram post and Story. However, he is expected to be joined by an old friend and frequent collaborator, Rajkumar Santoshi, for a special reason. Bollywood Hungama has learned that the veteran filmmaker will narrate the second part of their much-loved 1996 flick, Ghatak, to Sunny.

A source told Bollywood Hungama, “Rajkumar Santoshi has cracked an idea which he feels is apt to be made as Ghatak 2. He informed Sunny Deol about it. Sunny got interested in the pitch and asked Mr Santoshi to join him in Manali. Accordingly, the filmmaker left for the Himalayan hill station. He’s expected to meet the actor today, January 31, and narrate the script.”

The source continued, “It now remains to be seen what Sunny feels about the subject. If it excites him, they will take it forward, based on the dates and other factors. Sunny is clear that just because Gadar 2 (2023) and Border 2 were blockbusters, he’ll not be signing a sequel of any of his past classics and cash in on the trend. He feels that this would amount to cheating the audience. Mr Santoshi also thinks on the same lines.”

Sunny Deol and Rajkumar Santoshi have worked thrice, in Ghayal (1990), Damini (1993) and Ghatak (1996). All three were huge hits and have a lot of recall value. Interestingly, Sunny’s next, Lahore 1947, is also directed by Rajkumar Santoshi. This time, Aamir Khan has come on board as its producer. And that’s not all. In October 2025, Bollywood Hungama reported that Rajkumar is also committed to doing Jaat 2. The first part, Jaat (2025), also starred Sunny Deol.

Also Read: After the blockbuster success of Border 2, trade experts predict Sunny Deol’s Lahore 1947 will also open with a bang: “The combination of Sunny and Rajkumar Santoshi have NEVER gone wrong”

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It’s a wrap! Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna conclude shooting for Cocktail 2; Homi Adajania shares update

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Director Homi Adajania has officially wrapped the shoot of his upcoming film Cocktail 2. On January 30, 2026, the filmmaker took to social media to share the update, marking the end of filming with a celebratory post featuring the cast and crew.

Sharing a group picture from what appeared to be the film’s wrap celebration, Adajania wrote in the caption, “Cocktail2 shoot wrapped I may be biased, but this one feels a tad special / Big love to my fab crew & cast for tolerating the absurdity that I am. Love you guys.”

The post drew quick reactions from fans and members of the film’s team. Actor Kriti Sanon responded in the comments section with a playful note, writing, “Love you Homsterrrr.” Another user echoed the growing anticipation around the project, commenting, “Please announce the film officially now with the poster or teaser, we are so excited for the release.”

 

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The image shared by Adajania captured a high-energy wrap party moment, with actors Shahid Kapoor, Rashmika Mandanna and Kriti Sanon seen celebrating alongside the director and producer Dinesh Vijan. The candid frame reflected a relaxed and informal atmosphere, with the cast and crew visibly enjoying the milestone after completing the shoot.

Adding a visual nod to the film’s title, the background featured a large celebratory cake with “COCKTAIL” written on it, reinforcing the occasion. Playful text overlays such as “Love you fools” and “Fun was had!” further highlighted the camaraderie on set. From Shahid Kapoor’s animated expression to Rashmika Mandanna and Kriti Sanon’s laughter, the image conveyed the sense of closeness within the team.

Speaking of the film earlier, Kriti opened up about working with Shahid and Rashmika, and how Cocktail 2 differs from the original in an interview with Zoom. “I think Cocktail 2 just happened at the right time. I was craving for it. I wanted to explore that young, urban, fun space of a rom-com. And yes, it’s a sequel, but it’s more of a vibe sequel. The story, characters, and their backstories are completely different. Everything is new, except for the vibe of Cocktail and, of course, Maddock Films and Homi Adajania—that remains the same,” she explained.

Also Read: Makers of Cocktail 2 lock September 2026 release to avoid overlap with Shahid Kapoor’s O’ Romeo: Report

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BREAKING: Salman Khan’s CULT flick Tere Naam to re-release in PVR Inox on February 27

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Over the years, Tere Naam (2003) has become a cult film for movie buffs due to its subject, evergreen songs and the performance and hairstyle of lead actor, Salman Khan. As a result, there has been a huge demand for its re-release for a long time. The success of films like Kabir Singh (2019), Animal (2023), Ek Deewane Ki Deewaniyat (2025), Tere Ishk Mein (2025), etc. have further fuelled this demand since these films are considered to be in the same zone as Tere Naam. Moreover, the generation that was either not born or missed watching the film in cinemas has also been consistently demanding a re-release of Tere Naam. It has now come to light that their wish will be fulfilled in less than a month.

Yesterday, January 30, PVR Cinemas revealed that they plan to bring Tere Naam back into cinemas on February 27. As expected, the announcement has led to a wave of jubilation among fans of the superstar and the film.

In 2024, Bollywood Hungama spoke to trade experts and exhibitors on this aspect. Trade veteran Taran Adarsh said, “If the film were released in the present day or had been released even a few years ago, people would have gone crazy.” He also jokingly remarked, “The film is alive even because of memes.”

Trade analyst Atul Mohan had explained, “The audience that liked Kabir Singh and Animal would love Tere Naam. Bhai yeh sab filmein pehle hi kar chuke hai!”

Film exhibitor and distributor Akshaye Rathi had opined, “Tere Naam is a cult film. I remember so many youngsters across the country sporting Salman Khan’s hairstyle! It is truly a hallmark of a movie and a star which has resonated in a huge way. If it does re-release with the correct campaign, there’s a lot that can happen.”

Distributor and exhibitor Raj Bansal had exulted, “If it re-releases, it can do wonders.” Girish Johar, producer and film business analyst, in agreement, had stated, “Tere Naam has fantastic music and it was a one-of-its-kind love story at that point in time. I think it has a good chance to do well on its re-release.”

This was also the time when Bollywood Hungama exclusively reached out to producer Sunil Manchanda and asked him if there was any chance that Tere Naam might be re-released. He had told us then, “We haven’t discussed it yet, but we could look at the possibilities. We’d have to study the market and see if it’s worth giving it another round in cinemas and then take it from there.”

More re-releases in February

Tere Naam is not the only film which will have a re-run in February. On February 6, PVR Inox will re-release Shah Rukh Khan’s 2002 film Devdas (2002). Interestingly, the period musical was also re-released in November 2025, as part of the celebrations of Shah Rukh Khan’s 60th birthday. On February 13, Mani Ratnam’s gritty thriller, Yuva (2004), will have a re-release. All three of these films are being released as part of the Valentine’s Day celebrations

Also Read: Salman Khan sports Rs. 3.91 crore Rolex Daytona ‘Rainbow’; luxury watch steals the spotlight at Stebin Ben and Nupur Sanon’s wedding bash

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Priyadarshan to direct Bhoot Police 2 without Saif Ali Khan, Arjun Kapoor: Report

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Veteran filmmaker Priyadarshan is reportedly set to direct the sequel to the 2021 horror-comedy Bhoot Police, with significant changes to its cast and production approach. According to industry reports, Priyadarshan has been brought on board with a substantial fee of Rs 21 crores to lead the project, underlining confidence in his creative vision for the franchise’s next chapter.

Sources familiar with the development told entertainment portal Pinkvilla that while Bhoot Police 2 will maintain the core blend of humour and supernatural elements that defined the first film, it will not feature the original leads — Saif Ali Khan and Arjun Kapoor. “While the sequel retains the core idea of a horror-comedy, the casting will see a complete refresh. Saif Ali Khan and Arjun Kapoor will not be returning for the second instalment,” the source said.

“The idea is to reinvent the franchise with a new duo. The makers are looking at two actors — one senior and one junior — to create an interesting combo. It’s a proper horror-comedy, staying true to the genre but with more of a theatrical treatment,” the insider added.

Bhoot Police, directed by Pavan Kirpalani, originally starred Saif Ali Khan, Arjun Kapoor, Jacqueline Fernandez and Yami Gautam. The film garnered attention for its light-hearted take on ghost-hunting and became popular among audiences on OTT platforms following its 2021 release.

Priyadarshan, known for his work on films such as Hera Pheri, Hungama and Hulchul, is also juggling multiple projects including Bhooth Bangla and Haiwaan, both slated for 2026 releases. Bhooth Bangla — featuring Akshay Kumar — has already locked its theatrical date and marks a reunion between Kumar and the director after more than a decade.

Also Read: Makers of Haiwaan wish Priyadarshan on birthday, share exciting BTS glimpses

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Big Boy Toyz lists Shilpa Shetty, Rohit Shetty’s luxury cars for auction; deets inside!

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Big Boy Toyz (BBT) has expanded its footprint in India’s luxury automobile space with the launch of Auction House by Big Boy Toyz, a platform positioned as a premium marketplace for high-value collectible assets. Among the key highlights of the launch is the listing of celebrity-owned luxury vehicles, including cars previously owned by actor Shilpa Shetty and filmmaker Rohit Shetty.

The newly launched auction platform currently features Shilpa Shetty’s Mercedes-Maybach GLS 600 and Rohit Shetty’s Mercedes-Benz CLA 200D, bringing celebrity provenance into the spotlight as part of BBT’s larger push to formalise India’s luxury collectibles market. The platform aims to bring cars, watches, elite number plates and other exclusive assets under a single, verified ecosystem.

The launch of the Auction House was marked by a record-setting sale, with the VIP number plate DDC 0001 being auctioned for Rs 2.08 crores. The winning bidder, Kiran Kolipakula from Guntur, Andhra Pradesh, underscored a growing appetite for high-value luxury assets beyond India’s metro cities.

Commenting on the launch, Jatin Ahuja, Founder and Managing Director of Big Boy Toyz, said, “For nearly two decades, Big Boy Toyz has been built on one simple promise: trust. People have trusted us with the most valuable cars in the country.” He added that the success of the DDC 0001 auction reinforced the need for transparency and verification when dealing with assets of such scale and value.

According to the company, Auction House by Big Boy Toyz has been designed to support both sellers and buyers, offering curated access to affluent collectors while ensuring end-to-end transaction support. Celebrity-owned vehicles, such as those belonging to Shilpa Shetty and Rohit Shetty, are positioned as assets that carry both luxury appeal and cultural relevance.

In addition to automobiles, the platform also features premium watches, elite number plates and rare mobile numbers, with plans to expand into categories such as art, collectibles and luxury real estate in the future.

Also Read: ED alleges Shilpa Shetty’s husband Raj Kundra held Rs 150 crores in bitcoins; court summons him in money laundering case

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Is Netflix version of Dhurandhar different from theatrical cut? Here’s what we know

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A source close to the makers of Dhurandhar has issued a clarification amid reports suggesting that the film’s Netflix version had been edited or altered after its theatrical run. Addressing the speculation around the reported nine-minute difference, the clarification states that the streaming version remains unchanged in terms of content.

“It is the same as the theatrical / CBFC-approved version. As with all theatrical films, the three-minute runtime difference is due to elements such as interval plates or in-theatre ad requirements that do not carry over to digital platforms. This is business as usual and standard practice when films transition from cinemas to streaming,” the source said.

The statement comes after online chatter questioned whether scenes from Dhurandhar had been trimmed or censored for its OTT release. According to the clarification, the perceived runtime variation is not the result of creative edits or content removal, but a technical adjustment that typically occurs when films move from theatrical exhibition to digital platforms.

In cinemas, films often include interval cards, censor slates, or theatre-specific placeholders that are redundant on OTT platforms. These elements are removed during the digital master preparation, leading to minor runtime differences without impacting the narrative or approved cut of the film.

The source further emphasised that such adjustments are routine across theatrical-to-digital releases and should not be misconstrued as post-release edits. The clarification aims to put to rest concerns about the integrity of the film’s streaming version.

Dhurandhar recently premiered on Netflix following its theatrical run, drawing attention not only for its content but also for discussions around its runtime. With this clarification, the source has reiterated that viewers on streaming platforms are watching the same CBFC-cleared version that was screened in theatres.

Also Read: Will Border 2 cross the lifetime of Gadar 2 and emerge as Sunny Deols HIGHEST grosser? Trade experts make predictions: “Family crowd, that hesitated to watch Dhurandhar, have no such qualms for this film”

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EXCLUSIVE: Kennedy to FINALLY release; Sunny Leone, Anurag Kashyap, Rahul Bhat to launch trailer at Kala Ghoda Arts Festival 2026

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Fans of Anurag Kashyap have been eagerly waiting for his much-loved film, Kennedy, to release. Bollywood Hungama has learned that the acclaimed thriller will finally see the light of day in a month or two. Moreover, the trailer of the film will be launched at the Kala Ghoda Arts Festival 2026 in Mumbai.

As per the schedule uploaded on the website of Kala Ghoda Arts Festival, the trailer will be unveiled on Sunday, February 8 at Cross Maidan in South Mumbai. Anurag Kashyap, along with the film’s star cast – Sunny Leone and Rahul Bhat – will be present and the trio will indulge in an interaction about the film in the presence of several attendees. The schedule mentions that this exciting event will bring ‘the festival to a powerful cinematic close’.

Kennedy premiered at the 2023 Cannes Film Festival and was also screened in the sprawling Nita Mukesh Ambani Cultural Centre as part of the Jio MAMI Mumbai Film Festival the same year. It is produced by Zee Studios, Ranjan Singh and Kabir Ahuja. In 2025, Anurag Kashyap made his displeasure clear after the release was delayed. He told The Hollywood Reporter, “Where is Kennedy? And whose hands is Kennedy in? It’s in the hands of some people who’ve never made films before. The people who made Kennedy in the studio are all gone… The people who are there, the directive given to them is to up the share prices, generate profits, cost recovery... That’s all there is. Nobody is interested in films. It doesn't matter if Kennedy went to Cannes; it doesn't matter if it had such a massive reception at festivals. Forget outside India, they've seen the reception in India, but where is the film?”

The fact that the trailer is being launched has given hopes that the release of the film is also in the offing very soon. It now remains to be seen whether it releases next month or in March and whether it arrives in cinemas or directly on an OTT platform.

Other highlights at Kala Ghoda Arts Festival 2026 Besides Kennedy trailer launch, many other film-related events will take place at the Kala Ghoda Arts Festival this year. On February 1, R Balki will indulge in a chat about movies and food and it'll be followed by the screening of his film Cheeni Kum (2007). Two more similar interactions that will stand out are that of the team of Jhankaar Beats (Sujoy Ghosh, Rahul Bose, Sanjay Suri, Shayan Munshi, Rangita Pritish Nandy) on February 6 and the team of Tanvi The Great (Anupam Kher, Shubhangi Dutt, Ankur Suman and Abhishek Dixit) on February 4. The screenings of both films will take place before the discussion.

A screening of Ardh Satya (1983) will be held on February 2 followed by a discussion with key members of the team. The discussion will be moderated by Nandita Puri, the ex-wife of Ardh Satya's lead actor, the late Om Puri.

The teams of Tu Yaa Main, Kohrra: Season 2 and Do Deewane Sheher Mein will indulge in promotional events on February 1, February 4 and February 7, respectively. On February 6, Vir Das will promote his memoir, 'The Outsider: A Memoir For Misfits'. On February 7, the legendary Gulzar will talk about poetry, cinema and more with Sathya Saran. While Usha Uthup will have a concert on February 7, Monali Thakur and Farhan Akhtar will perform live on February 8. Interestingly, these performances will take place at the Asiatic Library Steps.

On February 4, Tannishtha Chatterjee and Sharib Hashmi will stage the play, Breast Of Luck. On February 1, Saiee Manjrekar will be the muse for Dolly Jain for a saree-draping session. Lastly, Regal Cinema will screen interesting films like Sabar Bonda (2025), The Seven Year Itch (1955) and Sholay – The Final Cut (1975) on February 5.

Also Read: Anurag Kashyap calls Ranveer Singh-starrer Dhurandhar “brilliant” despite “propaganda dialogues,” says “Aditya Dhar is honest. Not an opportunist”

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The Kerala Story 2: Goes Beyond to release on February 27, 2026; teaser out

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The Kerala Story 2 is a film from the house of Vipul Amrutlal Shah, who boasts a celebrated filmography featuring impactful films such as Aankhen, Namastey London, Singh Is Kinng, Force, Commando: A One Man Army, Holiday: A Soldier Is Never Off Duty, and many more. He is a name behind films that have significantly shaped the Indian film industry. With The Kerala Story, he has once again proven his fearless approach as a filmmaker, something that has been consistently evident throughout his body of work.

Carrying fear, fury, and truth in every frame, the teaser of The Kerala Story 2- Goes Beyond has signaled a stark escalation from the first chapter. Directed by National Award winner Kamakhya Narayan Singh, the film brings to the forefront the harrowing story of three Hindu girls, played by Ulka Gupta, Aishwarya Ojha, and Aditi Bhatia, whose lives take a terrifying turn after they fall in love with three Muslim boys, relationships that gradually reveal a calculated agenda of religious conversion.

What begins as trust, affection, and emotional vulnerability soon spirals into manipulation and entrapment. The teaser lays bare the chilling reality of how love is weaponised, identities are stripped away, and belief becomes a battleground. The atmosphere is tense, unsettling, and charged with unease, each visual soaked in dread and suppressed rage.

The teaser focuses on how the girls will not bear the consequences but give it back to them. The Kerala Story 2: Goes Beyond is not just about suffering anymore. This time, the girls do not remain silent victims of circumstance. These women refuse to simply endure the consequences of deception. They rise. They fight back.

Echoing through the teaser is the slogan that defines the film’s soul and spirit: “Ab Sahenge Nahi… Ladenge!”

Following the massive impact of The Kerala Story, which shook audiences nationwide with its bold narrative, the sequel promises to push boundaries even further, going beyond comfort, beyond silence, and beyond denial. Directed by Kamakhya Narayan Singh, The Kerala Story 2- Goes Beyond is produced by Vipul Amrutlal Shah, co-produced by Aashin A Shah under the banner Sunshine Pictures. The film is slated to release in cinemas on February 27, 2026.

Also Read: ‘The Kerala Story 2: Goes Beyond’ Motion Picture Sends Chills, Teaser Set for Jan 30

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Yeh Dil Aashiqanaa returns this Valentine’s Day! Karan Nath, Jividha Sharma starrer to rerelease on February 13

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Romance is all set to get a nostalgic makeover this Valentine’s season as the 2002 film Yeh Dil Aashiqanaa gears up for a theatrical re-release nearly 24 years after its original run. True Entertainment P Ltd has officially announced that the film will return to cinemas on February 13, 2026, just in time to celebrate love on the big screen.

Originally released in 2002, Yeh Dil Aashiqanaa starred Karan Nath and Jividha Sharma in the lead roles and was directed by Kuku Kohli, best known for helming several popular hits including Phool Aur Kaante. The announcement was accompanied by the unveiling of a re-release trailer, which offers audiences a glimpse of the film’s refreshed presentation while retaining its core emotional and dramatic appeal.

According to the makers, the film has been re-edited to better suit the sensibilities of today’s audiences, while preserving the essence of its larger-than-life romance and action-driven narrative. Set against a backdrop of love, sacrifice, and danger, the story revolves around Karan, a love-struck young man who is willing to go to any lengths for the woman he loves, Pooja. His journey takes a dramatic turn when he finds himself battling terrorists, determined to rescue and marry her against all odds.

Apart from Karan Nath and Jividha Sharma, Yeh Dil Aashiqanaa also features a notable supporting cast including Aditya Pancholi, Rajat Bedi, Johnny Lever, and Aruna Irani. Shailendra Mandowara of True Entertainment Pvt. Ltd. shared excitement about the re-release and shared, “At True Entertainment, we strongly believe that certain films belong only in theatres, and Yeh Dil Aashiqanaa is one of them. It has never been released on Satellite and OTT, and that was a conscious decision to bring it back to theatres for today audience. After the overwhelming response to the re-release of Tujhe Meri Kasam, bringing this film back felt like a natural step. This is about celebrating cinema that audiences still want to experience on the big screen.”

Director Kuku Kohli added, “Yeh Dil Aashiqanaa was made for the big screen - the scale, the music, the emotions, everything was designed to be experienced collectively in a theatre. I’m genuinely happy that a new generation will get the chance to discover the film the way audiences did in 2002. Romantic films have a huge audience base today and the film will cater to young viewers. Cinema has a long memory, and when a film connects honestly, it always finds its way back to the audience.”

The re-release of Yeh Dil Aashiqanaa is part of a growing trend of bringing back popular films from the past to theatres, allowing longtime fans to relive the experience on the big screen while introducing the story to a younger generation. With Valentine’s Day around the corner and nostalgia running high, the film’s return promises to strike a chord with audiences looking for old-school romance blended with action and drama.

As February 13, 2026 approaches, Yeh Dil Aashiqanaa is poised to remind viewers why its tale of fearless love continues to resonate even decades later.

Also Read: Karan Nath: “Karan Johar se mujhe ek SHIKAYAT hai ke unhone mujhe…”| Bigg Boss OTT

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9 minutes edited out of Dhurandhar on Netflix

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While there was talk of extended playing time with added footage, Dhurandhar-ites are disappointed to see footage trimmed on Netflix.

The playing time for Dhurandhar in the movie theatres was 3 hours and 34 minutes. It is reduced to 3 hours and 25 minutes on OTT. Hence nine minutes of playing time have been curtailed on the digital platform.

While no explanation is available officially, a source informs this writer that the decision to trim this epic film was taken unilaterally by Netflix without the director Aditya Dhar’s consent.

Dhurandhar released in theatres last year on December 5. The film is still running with quite a few shows all over the country. It has turned out to be the all-time highest Hindi grosser by earning close to Rs. 900 crores. Its worldwide figures easily surpassed Rs. 1300 crores gross.

Produced by Jio Studios and B62 Studios, Dhurandhar told the story of an Indian secret spy, played by Ranveer Singh, who infiltrates the underworld of Lyari in Karachi in order to nullify their anti-India terror activities. The film also starred Akshaye Khanna, Arjun Rampal, Sanjay Dutt, Sara Arjun, Rakesh Bedi among others in pivotal roles.

Also Read: Dhurandhar OTT release could feature uncut version, fuelling Netflix excitement

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Arijit Singh to get into politics post announcing retirement from singing

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If sources are to be believed, Arijit Singh has decided to take the precarious plunge into politics. There are conflicting rumours on his political plans, though.

According to a source very close to the singer, “He feels very close to West Bengal. He is going into politics for sure. But he hasn’t decided whether to start his own party, or join Mamata Banerjee, whom he is very close to. But yes, he is very keen to work for the betterment of the grassroots sections. For this, he thinks politics is the right platform.”

Arijit’s friend describes the singer as a “saint”. “He has earned millions and millions. But he doesn’t spend a penny on himself. He uses his wealth to quietly help the needy.”

Arijit Singh is one of the most admired singers to have emerged from the Indian entertainment industry after he entered the music scene in 2011. His popularity and liking goes beyond the borders of India.

The celebrated singer shocked his fans earlier this week both in India and outside when he announced that he would be taking retirement from singing. He, however, soon clarified that he will continue composing music for movies.

Also Read: Arijit Singh announces he’s stepping away from playback singing; says he is “calling it off”

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Imran Khan to make a comeback with Bhumi Pednekar

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Aamir Khan’s nephew Imran Khan, once a star in Jaane Tu…Ya Jaane Na, is missing in action for ten years. Back in 2010, Imran was seen as the Next Best Thing alongside Ranbir Kapoor. Imran had the best of roles rolling out at his feet. He decided to turn his back on stardom.

Imran is now all set for a comeback with a hush-hush project. Some digging revealed Imran’s return vehicle is a Netflix film. Imran Khan and Bhumi Pednekar will play a husband and wife in a marital crisis.

Imran made his big debut with uncle Aamir Khan’s production Jaane Tu…. Ya Jaane Na in 2008. The film turned out to be an instant success driven by the youth and Imran became overnight popular. He also gave other successful films, including Delhi Belly in 2011. However, his career then went through a downslide. His last role as the main lead was in Katti Batti in 2015. He made a minor comeback earlier this month in Vir Das’ Happy Patel: Khatarnak Jasoos.

Bhumi, on the other hand, makes her web series debut with Prime Video’s Daldal, which starts streaming from today.

Also Read: Bhumi Satish Pednekkar shares birthday moment with Imran Khan ahead of rom-com collaboration: “This is going to be a special year!”

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Alia Bhatt backs a new gen rom-com: Prime Video announces original film Don’t Be Shy

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Prime Video has officially announced its upcoming original film Don’t Be Shy, marking a landmark collaboration with Eternal Sunshine Productions, the banner founded by Alia Bhatt and Shaheen Bhatt. The coming-of-age romantic comedy was unveiled on January 30 and promises a warm, youthful take on love, friendship, and growing up.

Produced by Alia Bhatt and Shaheen Bhatt under Eternal Sunshine Productions, the film is co-produced by Grishma Shah and Vikesh Bhutani. Don’t Be Shy is written and directed by Sreeti Mukerji and centres on Shyamili ‘Shy’ Das, a 20-year-old who believes she has her life perfectly planned—until unexpected twists send everything spiralling out of her control.

Speaking about the collaboration, Nikhil Madhok, Director & Head of Originals, Prime Video, India, said, “We’re thrilled to collaborate with Alia Bhatt and Shaheen Bhatt on this extremely fun yet warm romantic comedy, with a remarkable character like Shy Das at its heart. Alia’s innate instinct for stories that are emotionally rich, deeply relatable, and immensely entertaining shines through in this young adult story about friendship, love, and growing up.”

 

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He further highlighted the film’s creative strengths, adding, “With a strong female-forward narrative, writing that’s fresh, relatable and humorous, and earnest characters, complemented by infectious music from Ram Sampath, Don’t Be Shy promises to be a delightful experience for audiences around the world.”

Alia Bhatt, co-founder of Eternal Sunshine Productions, also shared why the project resonated deeply with her. “At Eternal Sunshine, we’ve always wanted to back stories that feel honest and voices that feel their own,” she said. “This film immediately spoke to us because of its sincerity and coming-of-age lens and Sreeti’s passion and energy naturally fed into the spirit of the story.”

Calling the project a personal milestone, she added, “It’s an incredibly special project for me and for Eternal Sunshine. And with Prime Video, we found partners who consistently take bold creative calls and genuinely support distinctive storytelling, which felt like a natural meeting of minds, and the right place for this story to find its audience.”

With Don’t Be Shy, Prime Video and Eternal Sunshine Productions come together to champion a fresh, relatable narrative led by a young female protagonist, further strengthening the platform’s slate of original Indian films focused on authentic, contemporary storytelling.

Also Read: Alia Bhatt shares nostalgic 2016 memories, calls Shah Rukh Khan her favourite co-actor

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Imtiaz Ali film starring Diljit Dosanjh, Vedang Raina and Sharvari to release on June 12, 2026

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Filmmaker Imtiaz Ali has locked the theatrical release date for his next directorial venture. The yet-untitled film, starring Diljit Dosanjh, Vedang Raina, Sharvari, and Naseeruddin Shah, is scheduled to hit cinemas on June 12, 2026. Backed by Applause Entertainment and Window Seat Films, the project is currently in its post-production stage.

Written and directed by Imtiaz Ali, the film is being positioned as a story rooted in love, longing, and the emotional complexities of human relationships — themes that the filmmaker is widely celebrated for. Shot extensively across Mumbai and Punjab, the film blends urban and cultural landscapes, staying true to Ali’s storytelling sensibilities that often bridge personal journeys with evocative settings.

One of the major highlights of the project is the fresh pairing of Diljit Dosanjh, Vedang Raina, and Sharvari, who will be sharing screen space together for the first time. Their coming together has generated curiosity among audiences, especially given the contrasting acting styles and generational appeal they bring to the table. Naseeruddin Shah’s presence further adds gravitas to the ensemble, promising layered performances.

Described as a contemporary and witty narrative, the film is expected to explore emotional depth while retaining Imtiaz Ali’s signature blend of introspection, humour, and romance. Music, as always in an Imtiaz Ali film, is set to play a central role. The project reunites the celebrated trio of A R Rahman, Irshad Kamil, and Imtiaz Ali, whose past collaborations have delivered some of Hindi cinema’s most iconic and emotionally resonant soundtracks.

The film is produced by Applause Entertainment, Window Seat Films, and Mohit Choudhary.  While the title and further plot details remain under wraps, the announcement of the release date has already set expectations soaring.

With a fresh cast combination, a proven creative team, and a summer 2026 release window, Imtiaz Ali’s next is shaping up to be one of the most keenly awaited romantic dramas on the big screen.

Also Read: Imtiaz Ali and team kick off shoot of Diljit Dosanjh, Sharvari, Vedang Raina starrer in Punjab

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SCOOP: Shah Rukh Khan & Siddharth Anand film a jaw-dropping Rs. 50 crore action sequence for King

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Siddharth Anand is the biggest action director of Hindi Cinema, who is known for tentpoles like Pathaan, Bang Bang, War and Fighter among others. The filmmaker is presently busy shooting for the Christmas 2026 release, King which is led by Shah Rukh Khan and Suhana Khan with Deepika Padukone, Abhishek Bachchan and Rani Mukerji among others.

The film is among the most awaited of the year, and we hear that Siddharth Anand is leaving no stone unturned to make this a spectacle for the audiences. Reliable sources confirm that Sid has mounted an unimaginable action sequence at real locations of Europe and that has costed the production team Rs 50 crore. A source told Bollywood Hungama, "King is one of the most expensive action films of Indian Cinema and is going all out to ensure a theatrical experience for ages. One of the key action moments of the film was shot in Europe and the team has spent an earth-shattering amount of Rs 50 crore for a 10 day action packed schedule. It costed them 5 crore per day to shoot for this action sequence,"

The sequence was shot in Europe in the presence of Shah Rukh Khan, Abhishek Bachchan and an entire team hired to perform some of the high-octane stunts for the screen. "Shah Rukh has also supervised the entire action, as he is very fascinated with the idea of developing something humongous for the big screen. He helped Sid in planning this entire sequence at real locations of Europe, and the execution aspect was also done with perfection."

King's shoot will be wrapped up by June 2026, and the makers are set for a Christmas release. The estimated production budget of King is in the range of Rs 350 crore, excluding the marketing expenses, making it one of the most expensive of modern times in this genre

Also Read: Siddharth Anand promises to “raise the bar” with Shah Rukh Khan’s King in Fighter’s second anniversary post

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YRF goes for a controlled release strategy for Mardaani 3 - the box office underdog franchise is riding on a terrific trailer and decent buzz before release day!

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Rani Mukerji’s Mardaani 3’s hard-hitting message about saving girl child of our country, has connected every audience due to its incredibly strong trailer.

The only female-led hit franchise of India has always been an underdog at the box office. It has managed to spring a surprise with the earlier two parts due to the incredible stories they said about brutal social crimes against women that resonated deeply with the audience of our country.

This time, Rani Mukerji’s Mardaani 3 trailer has broken the internet. Bollywood Hungama has learnt that YRF is focussing on a clinical controlled distribution strategy keeping occupancy in mind.

Bollywood Hungama has information that Yash Raj Films has opted for a controlled release strategy for Mardaani 3, launching the film across 1200 screens with a focus on long-term playability. The release is concentrated in metro markets with limited shows per cinema, allowing occupancies to build steadily. Designed as a marathon rather than a sprint, the strategy gives word of mouth time to grow before the film expands to a wider audience.

Historically, all films in the Mardaani franchise have delivered 2.5x–3.0x multiples of their opening weekend, with growth driven by audience response and strong word of mouth.

The release is focused primarily on metro and urban markets, where the Mardaani franchise has consistently found its most engaged and discerning audience.

Single screens with very large seating capacities have not been booked in the initial week of release as YRF wants to screen the film in cinemas that have lower seating capacity to permit word of mouth to build over opening weekend. YRF is allowing audience reactions and word of mouth to build momentum before expanding the film to a wider market, underlining confidence in the content and its long-term theatrical playability.

A film like Mardaani 3 working at the box office is important because diverse films becoming hits shows that the industry is healthy and that audiences are supporting all types of cinema. It keeps a wide audience base engaged and is also important for theatrical business health to be good.

Mardaani 3 focusses on a new issue of how young girls aged 8-9 years, from low income groups, are kidnapped for a specific reason from across our country. The makers have hidden the plot thus far brilliantly. What is positive is how Mardaani 3 has got people interested in a cluttered environment and it has decent to good buzz, a rarity for female-led films post the pandemic.

Directed by Abhiraj Minawala and produced by Aditya Chopra, Mardaani 3 is scheduled to release in theatres worldwide tomorrow. January 30, 2026. Rani Mukerji is also celebrating 30 years of her glorious career with Mardaani 3, a milestone moment that has galvanised the entire film industry to come out and celebrate her legacy.

Also Read: Madras High Court grants anti-piracy injunction to protect Rani Mukerji’s Mardaani 3 ahead of release

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Mahesh Babu starrer Varanasi locks release date; to release in April 2027

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One of the most anticipated Indian films in recent times, Varanasi, starring Mahesh Babu and Priyanka Chopra Jonas, has officially locked its theatrical release date. The big-budget spectacle, directed by S. S. Rajamouli, is slated to hit cinemas on April 7, 2027, a date that coincides with major regional festivals such as Gudi Padwa, Ugadi, and other New Year celebrations across India.

The release date announcement has further heightened excitement around the film, which also marks Priyanka Chopra Jonas’ return to Indian cinema after a long hiatus. The reason behind choosing the date is not just a couple of occasions which falls on April 7 but also an extended series of holidays since April 14 is marked as Ambedkar Jayanti whereas April 15 will be Ram Navami. Considering the celebratory tone that the entire week will carry, the makers have decided to lock April 7 as the apt release date for the upcoming entertainer. Interestingly, Varanasi will also be releasing in multiple languages simultaneously.

Since the unveiling of its announcement teaser last year, Varanasi has generated immense buzz, with audiences eager to witness Mahesh Babu and Priyanka Chopra Jonas sharing screen space for the first time in what is being described as a high-octane fantasy action-adventure drama.

Adding to the scale of the project is a formidable supporting cast led by Prithviraj Sukumaran, who plays a pivotal role in the narrative. The film boasts an impressive technical team, with M. M. Keeravani composing the music, Mohan Bingi handling production design, P. S. Vinod as director of photography, Bikkina Thammiraju on editing duties, and V. Srinivas Mohan overseeing visual effects.

Varanasi is also making history on the technical front. The film is the first Indian film and the first non-English film to be shot in the 1.43:1 IMAX format, underlining Rajamouli’s ambition to deliver a visually immersive cinematic experience on a global scale.

While the makers are keeping further plot details tightly under wraps, first-look posters of the film’s three principal characters were unveiled ahead of the title launch event in Hyderabad. Mahesh Babu will be seen as Rudra, Priyanka Chopra Jonas essays the role of Mandakini, while Prithviraj Sukumaran appears as Kumbha. The character reveals offered a glimpse into the mythic and larger-than-life world that the film aims to explore.

With a festive release date, a powerhouse cast, and Rajamouli at the helm, Varanasi is shaping up to be one of the biggest theatrical events of 2027, setting expectations sky-high well ahead of its release.

Also Read: REVEALED: Varanasi title row resolved – Telugu version renamed Rajamouli’s Varanasi; original title retained for other versions

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Delhi High Court grants Jr NTR protection over name, image and ai misuse; recognises his celebrity status

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The Delhi High Court has passed an order protecting the personality and publicity rights of acclaimed actor Nandamuri Taraka Rama Rao Jr. (Jr NTR), marking a significant legal development amid growing concerns over digital misuse and AI-generated content involving public figures.

The order follows a petition filed by the actor, citing widespread unauthorised and commercial exploitation of his identity across various platforms. Taking note of the submissions, the Court granted protection to Jr NTR’s personality rights, restraining unauthorised use of his name, image, likeness, and associated attributes.

As part of the relief, the Court extended protection to the unauthorised commercial use of identifiers such as “NTR”, “Jr. NTR”, “NTR Jr.”, “Tarak”, “Nandamuri Taraka Rama Rao Jr.”, “Jr. Nandamuri Taraka Rama Rao”, as well as popular sobriquets including “Man of Masses” and “Young Tiger”. The protection also covers his image, likeness, and related persona. The Court directed that any unauthorised usage, if found, must be taken down in accordance with applicable laws.

Importantly, at a prima facie stage, the Hon’ble Court expressly recognised that Jr NTR has attained celebrity status in India, having built immense goodwill and reputation over the course of a successful career. The Court observed that his name, image, and likeness are uniquely associated with him in the public domain, entitling him to proprietary rights over his personality and related attributes.

The Court further noted that personality and publicity rights form an integral part of the right to life and freedom under Articles 19 and 21 of the Constitution of India, and are enforceable under existing legal frameworks including the Copyright Act, 1957 and the Trade Marks Act, 1999.

In addition, intermediary platforms have been directed to treat the plaint as a statutory complaint under the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021, and to act upon identified infringing links within the prescribed timelines.

The order also includes directions against unidentified and anonymous entities, commonly referred to as John Doe defendants, restraining any person from misappropriating or exploiting Jr NTR’s personality rights through merchandise, digital content, morphed visuals, AI-generated material, or other technological means for commercial gain or misuse.

The ruling highlights the judiciary’s evolving approach to safeguarding individual identity in the digital age and reinforces the responsibility of platforms and third parties to ensure lawful and respectful use of a public figure’s persona. Any misuse that harms or damages the actor’s reputation, the Court observed, would attract serious legal consequences under the law.

Also Read: Anil Kapoor to duel with Jr NTR in Prashanth Neel’s Dragon

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EXCLUSIVE: Mardaani 3 release strategy REVEALED – Ticket prices at par with Saiyaara, 2 shows in 2-screen theatres from 3:00 pm onwards, no more than 6 shows per day in any theatre under any circumstances

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Mardaani 3 is all set to release tomorrow, January 30, and the excitement is there due to the popularity of the series and Rani Mukerji’s towering presence in the lead role. Yash Raj Films, the producers as well as the distributors of the film, have decided to not flood the cinemas with excessive shows of the film, trade sources have confirmed to Bollywood Hungama.

A source told Bollywood Hungama, “As per the requirement list shared by the distribution team of YRF, cinemas have been asked to play Mardaani 3 at the ‘same normal admission rates’ as their 2025 sleeper blockbuster, Saiyaara. In short, Mardaani 3’s tickets would be available at normal price and not at popular or blockbuster rates.”

The source continued, “YRF has also made it clear that in three-screen cinemas, Mardaani 3 should have 4 shows with the earliest show not playing before 10:00 am. In four-screen theatres, there should be 5 shows from 10:00 am onwards. In cinemas with 5 screens or more, there should be 6 shows. Surprisingly, two-screen plexes have been asked to play 2 shows and that too from 3:00 pm onwards. Hence, these cinemas can’t have shows in the morning or early afternoon. The directive clearly states that no cinema is allowed to play more than 6 shows per day under any circumstances.”

The source further said, “As for single screens, YRF distribution team will take a call on a case-by-case basis. What it means is that contrary to perception, some single screens do get elite crowds like PVR Le Reve Bandra, Chitra Cinema in Dadar etc. Hence, there’s a possibility that the YRF team will push for a show or two for Mardaani 3 in such cinemas.”

Despite reasonable demands, trade sources have said that show-sharing issues have cropped up between Mardaani 3 and last week’s big grosser, Border 2, in several single-screen and two-screen cinemas. The matter is expected to be resolved by Thursday evening.

Marathi films pushed ahead

Meanwhile, due to the sudden and unfortunate demise of Maharashtra’s Deputy Chief Minister, Ajit Pawar, the release of two Marathi films – Punha Ekda Sade Made 3 and Ranapati Shivray Swari Agra – has been postponed. Both were scheduled to arrive in cinemas on January 30. While Ranapati Shivray Swari Agra will now arrive next Friday, February 6, the makers of the much-awaited Punha Ekda Sade Made 3, starring Ashok Saraf, are yet to announce their new release date.

Also Read: Madras High Court grants anti-piracy injunction to protect Rani Mukerji’s Mardaani 3 ahead of release

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Dhurandhar OTT release could feature uncut version, fuelling Netflix excitement

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Earlier reports confirmed that Dhurandhar — the blockbuster spy thriller starring Ranveer Singh and Akshaye Khanna — is set to make its digital debut on Netflix from January 30 following a long and successful theatrical run.  Now, fresh industry chatter suggests that the makers are exploring the possibility of releasing an uncut version of the film on OTT, sparking even more excitement among fans who have been eagerly anticipating its online arrival.

While the official Netflix premiere date remains January 30 as per the earlier report, talk of a special cut has raised expectations that the Netflix version could offer something beyond what was seen in theatres.

Directed by Aditya Dhar, Dhurandhar has sustained audience interest weeks after its theatrical release on December 5, 2025, owing to its high-octane action, star cast, and sprawling espionage narrative. The film’s digital rights were acquired by Netflix as part of an exclusive deal that also includes its sequel, Dhurandhar 2, with the combined package reportedly valued at around Rs 130 crore.

Trade analysts believe the OTT release was deliberately positioned after an extended cinematic run to allow the movie to maximise its box office potential before moving to streaming. By delaying the Netflix debut until late January, the producers ensured that Dhurandhar enjoyed significant theatrical legs, giving audiences ample time to experience it on the big screen before its home release.

While the uncut-version talk has piqued viewer curiosity, neither Netflix nor the filmmakers have officially confirmed what form the OTT release will take. If a special cut does materialise for the streaming version, it could offer fans additional content or scenes that were trimmed for theatrical pacing, adding another layer of buzz around the highly anticipated digital premiere.

As Netflix prepares to roll out Dhurandhar for audiences worldwide, fan expectations are high — not just for the film’s gripping narrative and ensemble cast, but also for the possibility of experiencing the story in a more expansive format on OTT.

Also Read: Karan Johar celebrates mega box office run of Dhurandhar and Border 2: “Bollywood is back!”

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Delhi High Court rejects Sameer Wankhede’s defamation suit over Aryan Khan’s Netflix series The Ba***ds of Bollywood

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The Delhi High Court on Thursday dismissed the defamation suit filed by IRS officer Sameer Wankhede concerning his alleged depiction in the Netflix series The Ba***ds of Bollywood, directed by Aryan Khan. The court refused to hear the matter citing lack of jurisdiction and returned the plaint, allowing Wankhede to move the appropriate court.

While delivering the order, Justice Purushaindra Kumar Kaurav said that the plaint was being returned to the petitioner to approach a court of competent jurisdiction, adding that all pending applications stood dismissed. The ruling was passed during the hearing of Wankhede’s request for an interim injunction seeking to halt the streaming of the series.

During the course of arguments, the High Court identified two primary issues for determination — whether the suit was maintainable before the Delhi High Court and whether the allegedly objectionable portrayal in the series, when assessed in its full context, prima facie amounted to defamation rather than protected artistic expression.

Senior Advocate J Sai Deepak represented Sameer Wankhede in the matter. Shah Rukh Khan’s production banner Red Chillies Entertainment was represented by Senior Advocate Neeraj Kishan Kaul, while Netflix was represented by Senior Advocate Rajiv Nayyar.

The case stems from Wankhede’s claim that The Ba***ds of Bollywood contains a veiled portrayal of him through its depiction of a government officer, which he alleges has caused reputational damage. The officer has filed a Rs. 2 crore defamation suit, asserting that the series indirectly references the controversial 2021 Cordelia Empress cruise drug case, in which Aryan Khan was arrested and later cleared of charges.

Opposing the plea, Red Chillies Entertainment argued that the show does not depict Sameer Wankhede nor does it make any reference to the Cordelia cruise case. The production house maintained that the series is a work of fiction that broadly draws inspiration from the idea of overzealous law enforcement officers and falls within the ambit of creative and artistic expression.

With the Delhi High Court declining to grant relief on jurisdictional grounds, the legal battle is far from over. Wankhede may now approach the appropriate court to pursue his claims, while the series continues to remain available for streaming on Netflix.

Also Read: Delhi HC flags bias in Aryan Khan’s The Ba***ds Of Bollywood as Sameer Wankhede accuses Netflix show of targeting him

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Paresh Rawal Addresses Hera Pheri 3 Delay, Clarifies It’s Due to Technical Issues

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Recently, during his appearance on the Gujarati comedy YouTube series The Lavari Show, veteran actor Paresh Rawal spoke at length about the ongoing speculation surrounding Hera Pheri 3. The actor confirmed that the much-awaited third installment is definitely happening, but clarified that certain issues have temporarily stalled the film’s progress.

Hera Pheri remains one of the most iconic comedy franchises in Indian cinema, with Rawal’s Baburao Ganpatrao Apte continuing to enjoy cult status among fans. When asked about the status of the film, Rawal firmly stated, “Hera Pheri will hundred percent be made.” However, he added that the delay has been caused by technical complications rather than creative disagreements.

Addressing reports of legal trouble and rumours suggesting that Akshay Kumar had sued him for Rs 25 crores, Rawal brushed aside the controversy in his trademark candid style. He said, “All this that had blown up in between that Akshay Kumar has sued me for Rs 25 crores, that is all okay yaa, it’s like kachva chaap agarbatti.” Through the remark, Rawal indicated that the issue has been exaggerated and is being misunderstood by the public. Explaining the reason behind the delay, the actor clarified that the matter lies between the producer and Akshay Kumar. He stressed that the issue has nothing to do with him personally and that he remains committed to the project. Rawal added that once the technical issue is resolved, the film will be signed and will move forward without further obstacles.

Paresh Rawal also made it clear that Baburao is central to the identity of the franchise. Emphasising his point, he said, “If they are going ahead with the idea of doing Hera Pheri without Baburao, then it will be a disaster.” His statement underlined the importance of the character and its deep connection with audiences.

Also Read: Paresh Rawal BREAKS silence on “propaganda” tag for The Taj Story: “I was ZAPPED by the research…I don’t like doing anything for the sake of sensationalism”

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Kohrra Season 2 trailer drops: Barun Sobti and Mona Singh step into a darker, deadlier mystery on Netflix

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Netflix has unveiled the gripping trailer of Kohrra Season 2, and the truth, this time, appears far murkier than ever. Premiering on February 11, the second season of the critically acclaimed investigative crime drama shifts its haunting gaze to Dalerpura, a town where secrets simmer beneath the surface and answers remain elusive.

The new season unpacks the murder of a woman, played by Pooja Bhamrrah, found dead in her brother’s barn. As the investigation deepens, suspicion falls on multiple individuals, including her husband, portrayed by Rannvijay Singha, while her brother, played by Anurag Arora, also finds himself at the centre of the unfolding mystery. With every revelation, the case grows more complex, hinting at a community bound together by silence.

Kohrra returns with fan-favourite Assistant Sub-Inspector Amarpal Garundi, played by Barun Sobti, who attempts to start afresh far from his roots in Jagrana. Now stationed under a new commanding officer, Sub-Inspector Dhanwant Kaur (Mona Singh), Garundi finds himself navigating not just a layered investigation but also an evolving professional dynamic. Dhanwant’s restrained, methodical, and no-nonsense approach forms a sharp contrast to Garundi’s instinct-driven and casual style, creating a compelling partnership as the two peel back the layers of a deeply tangled case.

Speaking about reprising his role, Barun Sobti said, “Garundi begins this season hoping to start afresh, but in a world like Kohrra, the past never quite lets go. The mystery this time is denser and more layered, and that complexity reflects in Garundi’s own journey. He’s more introspective, more guarded, and constantly negotiating with his own choices. Season 2 pushed me as an actor in new ways, and I’m excited for viewers to return to this world and experience how the story unfolds.”

Joining the series in a pivotal role, Mona Singh shared her experience of entering the intense world of Kohrra. “Stepping into the world of Kohrra was both exciting and daunting because of how thoughtfully it is written. Dhanwant is a woman of few words, but immense resolve. She’s navigating loss, responsibility, and the constant need to prove herself — often without saying much at all. It’s a role that demanded restraint, and I’m grateful to Sudip sir and the team for trusting me with it. I look forward to audiences experiencing her journey within the larger, quietly intense world of Kohrra.”

 

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Produced by A Film Squad Production in association with Act Three, Kohrra Season 2 is backed by producers Saurabh Malhotra, Sudip Sharma, Manuj Mittra, and Tina Tharwani. The new season also marks Sudip Sharma’s directorial debut, co-directing alongside Faisal Rahman. The series is created and written by Gunjit Chopra, Diggi Sisodia, and Sudip Sharma, ensuring continuity in its gritty, atmospheric storytelling.

With a cast that also includes Prayrak Mehta, the second season reinforces the show’s core theme — it takes a village to cover up a crime, and only a gust of truth to bring the house of cards crashing down.

Kohrra Season 2 begins streaming on February 11, exclusively on Netflix.

Also Read: Netflix’s Kohrra season 2 to stream from February 11

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FIR filed against Ranveer Singh over alleged insult to Chavundi Daiva tradition, case to be heard on April 8

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An FIR has been registered against actor Ranveer Singh at the High Grounds Police Station in Bengaluru for allegedly hurting Hindu religious sentiments and disrespecting the Chavundi Daiva tradition of coastal Karnataka, according to a report by NDTV. The case was filed on Wednesday, months after the incident that initially sparked controversy.

The complaint relates to an event held on November 28, 2025, during the closing ceremony of the International Film Festival of India (IFFI) in Goa. During the event, Ranveer Singh allegedly mimicked a Daiva performance inspired by Rishab Shetty’s film Kantara: A Legend – Chapter 1. The act reportedly drew sharp criticism on social media, with many users accusing the actor of mocking a sacred ritual deeply rooted in the cultural and religious practices of coastal Karnataka. Following the backlash, Ranveer Singh had issued a public apology through his Instagram Stories, expressing regret for hurting sentiments and clarifying that there was no intention to offend any community or tradition. Despite the apology, legal action has now been initiated in connection with the same incident.

The FIR has been registered under Sections 196, 299, and 302 of the Bharatiya Nyaya Sanhita (BNS). The complaint was filed by Prashanth Methal, a 46-year-old advocate based in Bengaluru. According to the complaint, the actor imitated expressions linked to Panjurli and Guliga Daiva in a crude and comical manner. It further alleged that Ranveer Singh referred to the revered Chavundi Daiva as a “female ghost,” which the complainant claimed amounted to a serious insult to religious beliefs and traditional practices.

The matter has since been referred to the 1st Additional Chief Metropolitan Magistrate (CMM) Court in Bengaluru. The court is scheduled to hear the case on April 8. As of now, there has been no response from the actor or his representatives regarding the registration of the FIR.

Also Read: Ranveer Singh continued dancing on Howrah Bridge despite leg injury during the shoot of Gunday, reveals choreographer Bosco Martis

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Madras High Court grants anti-piracy injunction to protect Rani Mukerji’s Mardaani 3 ahead of release

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In a significant development ahead of the theatrical release of Mardaani 3, the Madras High Court on Wednesday granted an ad-interim anti-piracy injunction to safeguard the copyright of the upcoming Hindi film starring Rani Mukerji. The order was passed in a suit filed by the film’s producer, Yash Raj Films, citing concerns over potential piracy before and after the release.

Justice Senthilkumar Ramamoorthy issued an interim order restraining internet service providers (ISPs) and cable television operators from any unauthorised broadcast, transmission, or dissemination of the film. The injunction aims to prevent the film from being unlawfully telecast or circulated online prior to its official release in theatres.

While passing the order, the Court observed that cases involving pre-release piracy carry the risk of irreversible injury to the copyright holder if unauthorised broadcast is not curbed at the earliest stage. The Court noted that once pirated content enters the public domain, the damage caused to the producer’s commercial interests cannot be undone.

At the same time, the Court also acknowledged concerns surrounding the broad scope of anti-piracy injunctions. It observed that such expansive orders could potentially affect the legitimate business interests of intermediaries, including ISPs and cable operators, who may not be directly involved in piracy-related activities.

Striking a balance between protecting intellectual property rights and safeguarding lawful commercial operations, the Court directed that the injunction would remain in force subject to Yash Raj Films furnishing an indemnity in favour of the respondents. This indemnity would cover any legitimate business losses that may arise due to the operation of the interim order.

The legal action was initiated by Yash Raj Films amid apprehensions that Mardaani 3 could be subjected to unlawful telecast or online circulation, a concern that has become increasingly common with high-profile film releases.

Mardaani 3 marks the third instalment in the Mardaani franchise, with Rani Mukerji reprising her role as a police officer, a character she previously portrayed in the earlier films released in 2014 and 2019. The film is directed by Abhiraj Minawala and is scheduled to hit cinemas on January 30, 2026.

Notably, the Madras High Court had recently passed a similar interim order restraining the unauthorised broadcast or dissemination of the Hindi film Happy Patel: Khatarnak Jasoos, underscoring the judiciary’s continued focus on curbing film piracy ahead of theatrical releases.

Also Read: EXCLUSIVE: CBFC replaces ‘bachhi’ with ‘ladki’ in Mardaani 3; modifies slapping visuals

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Rang De Basanti turns 20: Special screening planned in Mumbai for cast and crew

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Rakeysh Omprakash Mehra’s Rang De Basanti, widely regarded as one of the defining films of the 2000s, has completed 20 years since its theatrical release. The film, which hit cinemas on January 26, 2006, marked a turning point in contemporary Hindi cinema by blending youthful energy with political and social commentary. To commemorate the milestone, the makers have planned a special screening of the film for its cast and crew.

The screening will be held on January 30 in Mumbai and is expected to see a reunion of key members from the film. Director Rakeysh Omprakash Mehra will be present, along with actors Aamir Khan, Siddharth Suryanarayan, Soha Ali Khan, Kunal Kapoor and Atul Kulkarni. The event is being positioned as a closed gathering for the team to revisit the film two decades after its release.

Rang De Basanti featured an ensemble cast including Aamir Khan, R Madhavan, Siddharth Suryanarayan, Soha Ali Khan, Sharman Joshi, Kunal Kapoor, Anupam Kher and Atul Kulkarni in pivotal roles. Upon release, the film struck a chord with audiences across the country and went on to become a cultural talking point, particularly among younger viewers.

The film follows a group of carefree young friends whose lives take a dramatic turn when they participate in a documentary on Indian freedom fighters. As they portray revolutionaries on screen, they begin to confront contemporary issues such as corruption and injustice in their own lives, leading them to take decisive and life-altering actions. The narrative’s blend of idealism, disillusionment and activism contributed to the film’s lasting impact.

Over the years, Rang De Basanti has continued to be revisited and discussed for its themes, music and performances, maintaining its relevance long after its initial release. The 20th anniversary screening is expected to be a nostalgic moment for the team, offering an opportunity to reflect on the film’s journey and its place in Indian cinema.

As Rang De Basanti completes two decades, the anniversary serves as a reminder of a film that not only entertained but also sparked conversations — a legacy that continues to endure even 20 years later.

Also Read: “Rang De Basanti was banned. We fought it out,” says Rakeysh Omprakash Mehra ahead of its 20th anniversary

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Rohit Shetty buys Rs. 4.57 crore GMC Hummer EV, adds a beast to his garage

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Filmmaker Rohit Shetty, known as much for his flamboyant action spectacles as for his enviable garage, has added yet another head-turner to his growing collection of luxury vehicles. The director has brought home a GMC Hummer EV, an all-electric behemoth priced at over Rs. 4.57 crore in India, making it one of the most expensive and visually striking cars owned by a Bollywood filmmaker.

While the Hummer EV’s sheer presence commands attention with its boxy silhouette, towering stance and futuristic detailing it feels particularly fitting for Shetty, whose cinema has long celebrated excess, scale and bravado. Powered by electric motors and boasting jaw-dropping performance figures globally, the Hummer EV represents the latest evolution of the iconic Hummer brand, blending brute strength with modern sustainability. But beyond the specs and price tag, the vehicle reflects a personal fascination that has been part of Rohit Shetty’s public persona for years.

Shetty’s love for cars is no secret. From frequently showcasing his automobiles on social media to weaving high-octane vehicular stunts into his films, the director’s passion for machines has often bled into his creative choices. His cop universe spanning Singham, Simmba and Sooryavanshi thrives on chase sequences, explosive entries and slow-motion shots of roaring engines, all hallmarks of a filmmaker who clearly enjoys the visceral thrill of automobiles.

 

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Over the years, Rohit Shetty has built a reputation for mounting action set-pieces that rely heavily on real vehicles rather than excessive digital enhancement. Whether it is cars flipping mid-air, convoys crashing through obstacles or heroes arriving in unmistakably muscular machines, his films have consistently used automobiles as extensions of character and power. In that sense, the arrival of a Hummer EV into his garage feels less like indulgence and more like a natural extension of his cinematic world. As Rohit Shetty gears up for his upcoming projects, the addition of a Rs. 4 crore electric SUV serves as a reminder that his fascination with cars goes far beyond the screen.

Also Read: SCOOP: John Abraham-Rohit Shetty film likely to be titled Maria IPS

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Archana Puran Singh reveals why she hid her marriage for 4 years

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Indian actress and television personality Archana Puran Singh has revealed that she kept her marriage to actor Parmeet Sethi a secret for nearly four years, citing industry pressures that once discouraged married women from pursuing acting careers.

Archana, known for her work in several iconic Bollywood films, married Parmeet Sethi in 1992. However, she chose not to make the marriage public at the time. Speaking recently, the actress said that during that phase in the film industry, marriage was often seen as a setback for female actors, leading to fewer opportunities. She described this mindset as a “nonsense trend” and said it played a major role in her decision to keep her marital status private while continuing to work. She also shared that the secrecy around the marriage was influenced by several personal and social challenges. Parmeet was younger than her, which contributed to resistance from family members, and there was disapproval from both sides regarding the relationship.

Over the years, the couple has become more open about their journey together. Archana and Parmeet now run a YouTube family channel where they share glimpses of their personal life. They have also launched a new series centered on conversations about their relationship, offering viewers an honest look at their experiences as a couple.

Archana’s comments have sparked renewed discussion about gender bias in the entertainment industry and the career pressures faced by women actors in the past. Her revelation highlights how industry norms have evolved over time, while also shedding light on the personal compromises many artists once felt compelled to make behind the scenes.

Also Read: Parmeet Sethi was a red flag when we married’: Archana Puran Singh on how he was unemployed, depressed and had lost his business

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Palash Mucchal lands in controversy again after cheating claims surface

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Palash Mucchal has once again landed in controversy, months after his alleged cheating scandal and breakup with Indian women’s cricket team vice-captain Smriti Mandhana. This time, Marathi actor and director Vindyan Mane has made serious allegations against the music composer, accusing him of cheating him of a large sum of money and being dishonest in his past relationship with Smriti.

According to Vindyan Mane, Palash took a total of ₹40 lakhs from him in connection with his upcoming project Nazaria. Mane claimed that he initially paid ₹12 lakhs to come on board as a producer for the film. Later, Palash allegedly took an additional ₹25 lakhs from him with the promise of giving him a role in the film as well. Mane stated that despite investing this amount, the project did not move forward and he did not receive his money back. Along with the financial allegations, Vindyan Mane also accused Palash of being unfaithful during his relationship with Smriti Mandhana.

Following the fresh accusations, Palash Mucchal made his first public appearance since the controversy. He was seen yesterday outside the Andheri court along with his team of lawyers. Dressed in a simple outfit, Palash reportedly visited the court to file a defamation case against Vindyan Mane, calling the allegations false and damaging to his reputation. He had earlier also addressed the issue briefly through a post on Instagram.

These claims have once again brought Palash into the spotlight, especially after the events of December 2025, when Smriti confirmed that she had called off her wedding with the composer. When asked by the paparazzi about his cancelled wedding with Smriti Mandhana, Palash chose not to comment. He avoided all questions and walked straight to his car, remaining silent on the matter.

Also Read: Cheating allegations surface against Palaash Muchhal after wedding with Smriti Mandhana called off

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Border 2 director Anurag Singh clarifies lighting issues, says corrections are underway

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While almost every component of Border 2 is being widely praised, a section of critics and audiences has expressed dissatisfaction with the dim lighting in the film’s climactic battle sequences.

Addressing the concern, director Anurag Singh explains, “The climax is not meant to be dark. It is set in the evening, but I think due to projection issues, it feels darker in some cinemas. In most theatres, it appears fine.”

Anurag confirms that corrective measures are already underway. “We have sent out a mail to all theatres explaining how to address this issue. Additionally, we are updating the print in theatres where the climax is appearing darker than intended.”

The director also spoke about the challenges of mounting the large-scale action set pieces. “Action is always tough to shoot. And action in a period war film is even more challenging. The trench warfare and tank sequences were particularly demanding. But like I said, I enjoy a good challenge.”

Also Read: 68 and still a hurricane! Sunny Deol 2.0 arrives as Border 2 proves the Dhai kilo ka haath still rules

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Team of Varun Dhawan breaks silence on viral Mumbai Metro Video; clarifies no fine or legal action

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The team of actor Varun Dhawan has issued a formal clarification addressing the viral Mumbai Metro video that made headlines around Republic Day, firmly stating that no fine, penalty, or legal action has been taken against the actor. The statement comes a day after Maha Mumbai Metro Operation Corporation Ltd (MMMOCL) publicly cautioned the actor over his behaviour inside a metro train during promotions for Border 2.

In an official statement released by Varun Dhawan’s team, they clarified, “We would like to address the recent reports regarding Varun Dhawan and the Mumbai Metro. We wish to clarify that no fine or penalty of any kind has been issued to Varun. The earlier post by the authorities has been taken down, and we appreciate their cooperation in clearing up this misunderstanding.” The team further emphasised that the actor holds the highest regard for civic rules as it read further, “Varun has the utmost respect for the city's rules and the Metro department’s efforts. We are happy to confirm that there are no pending issues, and we thank the media for sharing this accurate update”.

The clarification follows a video that surfaced on social media showing Varun Dhawan travelling in a Mumbai Metro train, where he was seen playfully hanging from grab handles and vertical poles meant for passenger support. The clip, reportedly shot during Border 2 promotions, quickly went viral, with many fans viewing it as a light-hearted celebrity moment.

However, MMMOCL took a serious stance and responded via its official X (formerly Twitter) handle, issuing a strongly worded advisory. The post cautioned that such behaviour could be punishable under provisions of the Metro Railways (Operations and Maintenance) Act, 2002, which covers nuisance and potential damage to public property. The advisory, while laced with humour, also warned of penalties or imprisonment depending on the gravity of the offence.

The Metro authority’s post was later taken down, paving the way for Varun’s team to clear the air. While the incident reignited conversations online about celebrity responsibility in public spaces and the influence stars wield over younger audiences, the actor’s team has now confirmed that the matter stands resolved.

With the clarification in place, the focus shifts back to Varun Dhawan’s professional commitments, as the actor continues to engage with audiences while reiterating his respect for public rules and institutions.

Also Read: Mumbai Metro issues public advisory over a viral video of Varun Dhawan playfully ‘hanging’ in the metro: ‘Hang out, but don’t hang there’

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Arijit Singh announces he’s stepping away from playback singing; says he is “calling it off”

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In a development that sent shockwaves across the Indian music industry, singer Arijit Singh announced that he would no longer be taking up new assignments as a playback vocalist. The celebrated singer shared the unexpected update through a heartfelt Instagram post on January 27, 2026, leaving fans and members of the film fraternity grappling with the possibility of a future without his voice in mainstream cinema.

In his message, Arijit wrote, “Hello, Happy new year to all. I want to thank you all for giving me so much of love all these years as listeners. I am happy to announce that I am not gonna be taking any new assignments as a playback vocalist from now on. I am calling it off. It was a wonderful journey.” Despite its calm and grateful tone, the announcement came as a major surprise given Arijit’s unparalleled presence in Bollywood music over the past decade.

 

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Soon after the post went live, social media was flooded with messages of disbelief, sorrow, and gratitude from fans who described Arijit as the emotional voice of a generation. Many credited his songs for becoming the soundtrack to their most personal moments, from heartbreak and healing to love and hope.

The industry response was equally emotional. Composer-singer Amaal Mallik, who has collaborated with Arijit on several popular tracks, shared a heartfelt message expressing both confusion and respect for the decision. He noted that film music would “never be the same” without Arijit Singh, while adding that he feels grateful to have been born in the singer’s era.

However, amid rising concern and speculation, Arijit has since offered further clarity. In a follow-up message shared via his locked X (formerly Twitter) account, the singer reassured fans that music remains central to his life. Reasserting his love for the art form, Arijit wrote, “God has been really kind to me. I am fan of good music and in future will be learning more and do more on my own as a small little artist. Thanks again for all your support. I still have to finish some pending commitments, will finish them. So you might get some releases this year. Just to be clear that I won't stop making music.”

From soulful romantic ballads to intense heartbreak anthems and spiritual compositions, Arijit Singh’s voice has become inseparable from contemporary Hindi cinema. While his decision signals a shift away from conventional playback singing, his clarification has offered relief to fans. Even as he charts a new, more personal musical path, Arijit Singh’s legacy in Indian film music remains firmly etched in history.

Also Read: Makers of Border 2 unveil ‘Ghar Kab Aaoge’ teaser, uniting Sonu Nigam, Arijit Singh, Vishal Mishra and Diljit Dosanjh in a landmark musical moment

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