Bollywood
Aditya Chopra makes way for Salman Khan, moves Alpha from April 17th for Battle of Galwan!
Yash Raj Films’ highly awaited Alia Bhatt headlined film Alpha is currently in intense post-production stage that will take a few more months to finish. So, as soon as YRF heard that Salman Khan is ready with his next Battle of Galwan, the company immediately vacated April 17th that was kept as a placeholder date for Alpha’s release.
When Alpha moved from December 25th to April 17th, Yash Raj Films had informed that the VFX of Alpha needed more time to be worked upon to present this action entertainer in its best visual form to the audience.
“YRF announced April 17th as a placeholder date earlier because it’s a very good release window and no film had announced earlier. Now, Aditya Chopra has learnt that Salman’s Battle of Galwan was eyeing the same release window. The two go back a long way and he immediately decided that he would leave April 17th for Salman. YRF should announce the new release date of Alpha soon after the company assesses the film release calendar of the industry for next couple of months,” informs a senior trade source in the know.
Directed by Shiv Rawail of global streaming hit The Railway Men fame, Alpha pairs superstar Alia Bhatt with the rising star of Bollywood Sharvari. Anil Kapoor and Bobby Deol also star in pivotal roles. Alia and Sharvari will go toe to toe against Bobby in the movie.
Also Read: SCOOP: Release date of Salman Khan-starrer Battle Of Galwan expected to be revealed with the teaser on December 27
read moreCourt rejects Vikram Bhatt and wife Shwetambari Bhatt’s bail again in Rs. 30 crore fraud case
In a major development in the Rs. 30-crore fraud case involving filmmaker Vikram Bhatt, a court in Udaipur on December 24 rejected the bail applications of Bhatt and his wife, Shwetambari Bhatt. This marks the second time that the court has turned down their plea for bail, citing the need for further investigation in the matter.
According to court observations, the probe is still at a crucial stage, with the possibility of more arrests and interrogations. Given the seriousness of the allegations and the ongoing investigation, the court held that granting bail at this juncture would not be appropriate.
The case was filed by Udaipur-based Dr. Ajay Murdia, founder of the Indira Group of Companies, who has accused the Bhatt couple and others of cheating him of approximately Rs. 30 crore. Dr. Murdia alleged that he had invested the amount with Vikram Bhatt for the production of multiple films, including a biopic based on his late wife, Indira. He further stated that he was promised profits ranging between Rs. 100 crore and Rs. 200 crore, but no returns materialised, prompting him to approach the authorities.
The investigation has already led to multiple arrests. Co-producer Mehboob Ansari and a vendor identified as Sandeep were taken into custody prior to the arrest of the Bhatt couple. Vikram Bhatt and Shwetambari Bhatt were arrested in Mumbai on December 7 and subsequently produced before a court in Udaipur on December 9. They were initially sent to police custody before being remanded to judicial custody for 14 days.
The case first came to light after Rajasthan Police detained the couple in Mumbai in connection with the cheating allegations. At the time, Udaipur Police had sought a transit remand to bring them to Rajasthan for further investigation. Police officials had then indicated that the accused were required for questioning in relation to the alleged financial irregularities.
The FIR in the case was registered at the Bhopalpura police station in Udaipur under charges of cheating and other relevant offences. Investigators are currently examining financial transactions, agreements, and the alleged misuse of funds, while also questioning other individuals linked to the project.
Neither Vikram Bhatt nor Shwetambari Bhatt has issued an official statement addressing the allegations so far. With the court refusing bail once again, the case continues to unfold, and further developments are expected as the investigation progresses.
Also Read: Vikram Bhatt and wife Shwetambari sent to 7 days’ police custody in fraud case
read moreSCOOP: ‘Sandese Aate Hain’ gets retitled as ‘Ghar Kab Aaoge’ in Sunny Deol starrer Border 2
One of the most iconic patriotic songs of the 1990s, ‘Sandese Aate Hain’ from Border (1997), continues to hold a special place in the hearts of Indian audiences. With Border 2 slated for a grand theatrical release in January 2026, expectations have been high regarding how the makers plan to revisit the emotional core of the original film. Now, Bollywood Hungama has learnt an interesting detail about the much-anticipated song’s recreation.
According to information accessed from the censor certificate, the recreated version of ‘Sandese Aate Hain’ in Border 2 will be retitled ‘Ghar Kab Aaoge’. While the melody is expected to evoke the same emotional resonance associated with the original, the change in title suggests a renewed narrative perspective aligned with the sequel’s storyline. The censor details further reveal that the song has been cleared without cuts and will have a runtime of three minutes and 23 seconds.
The original ‘Sandese Aate Hain’ became synonymous with the pain of separation, longing, and patriotism, striking a deep chord with audiences across generations. Its lyrics, picturisation, and emotional weight elevated Border beyond a conventional war film. Naturally, the decision to recreate such a beloved track comes with immense expectations, and the retitling to ‘Ghar Kab Aaoge’ appears to emphasise the personal cost of duty and the emotional bond between soldiers and their families.
Border 2 sees Sunny Deol returning to the franchise as the leading man, marking his comeback to the war drama that defined a significant phase of his career. In the sequel, he will be seen essaying the role of Lt. Col. Fateh Singh Kaler. Varun Dhawan will portray Major Hoshiar Singh Dahiya, while Diljit Dosanjh steps into the role of Indian Air Force officer Fg Offr Nirmal Jit Singh Sekhon. Ahan Shetty will be seen as Indian Navy officer Lt Cdr Alfred Noronha.
The film also features Mona Singh, Medha Rana, Sonam Bajwa, and Anya Singh in pivotal roles as the wives of the respective officers, adding an emotional domestic layer to the larger-than-life war narrative. Additionally, multiple cameo appearances by actors from the original Border are expected, further strengthening the film’s nostalgic appeal.
Slated to release on January 23, 2026, coinciding with India’s Republic Day weekend, Border 2 aims to balance scale, emotion, and legacy. With ‘Ghar Kab Aaoge’ set to serve as a musical bridge between the past and the present, all eyes are now on how the makers reinterpret a song that defined an era.
Also Read: Akshaye Khanna, Suniel Shetty to make cameos in Border 2? Here’s what we know!
read moreEXCLUSIVE: Kumar Mangat Pathak CONFIRMS Jaideep Ahlawat's entry in Drishyam 3: "We have got a BETTER actor than Akshaye Khanna and most importantly, we have got a better person than Akshaye"
Sometime back, Bollywood Hungama broke the internet as it exclusively spoke to Kumar Mangat Pathak over Drishyam 3’s casting. The reputed producer complained of Akshaye’s unprofessionalism and also revealed that he plans to sue the Dhurandhar actor. He also confirmed that Jaideep Ahlawat has replaced Akshaye.
Kumar Mangat Pathak told Bollywood Hungama, “Drishyam is a very big brand. It doesn’t matter whether he is in the film or not. Now, Jaideep Ahlawat has replaced him. By the grace of God, we have got a better actor than Akshaye and most importantly, we have got a better person than Akshaye as well. I had produced one of the first films of Jaideep's career, Aakrosh (2010).”
The producer then said, “I have suffered losses because of Akshaye Khanna’s behaviour. I am going to take legal action. I have already sent him a legal notice; he’s yet to reply to it.”
Kumar Mangat Pathak revealed, “When Akshaye heard the script in his Alibaug farmhouse, he liked it so much that he told us, ‘Yeh Rs. 500 crore ki film hai. Maine life mein aisi script nahin suni hai’. He even hugged director Abhishek Pathak and the writer. Then, we had negotiations, after which we agreed on the fees. We even signed the agreement. He even got an advance while we paid the designer for his clothes. And then 10 days before his shoot, he declined to work on the film.”
The producer further stated, “He insisted that he would like to wear a wig. But Abhishek convinced him that it wouldn’t be practical, as it would result in continuity issues since Drishyam 3 is a sequel. He understood his point and agreed to let go of that demand. However, the chamchas around him advised him that he would look smarter if he donned a wig. So, he again requested the same. Abhishek relented and was even ready to discuss this point with him. But then, he informed us that he doesn’t want to be a part of the film at all.”
Kumar Mangat Pathak expressed astonishment over Akshaye’s demand for a wig. He said, “I was shocked. Drishyam 3 begins where Drishyam 2 ended. How can his character suddenly get hair? Is there any technology in the world that can grow hair within minutes?”
Also Read: EXPLOSIVE: Kumar Mangat Pathak BLASTS Akshaye Khanna – “He insisted on a wig, signed an agreement, took advance and left Drishyam 3 just 10 days before the shoot; he has STOPPED taking my calls; success has gone into his head after Dhurandhar…I have sent him a legal notice”
read moreSalman Khan rings in 60 at Panvel farmhouse; Dhoni dances, a few miss the bash
Salman Khan’s 60th birthday bash at his farmhouse in Panvel, on the outskirts of Mumbai, turned out to be a relatively subdued affair. Among the notable guests were cricketer M.S. Dhoni and his wife.
“They stayed for quite a while, and Dhoni even danced to Salman’s songs,” one of Salman’s prominent guests told me on Saturday morning. “The party wrapped up a while ago. In fact, guests are still trickling out, with many staying over at the farmhouse. However, Dhoni and his wife left for Mumbai after the celebrations.”
A director-friend described the party as “subdued but fun.” “There was a lot of booze, but Salman didn’t drink. He kept saying, ‘I can’t believe I am 60. I don’t feel it.’ All of us kept reassuring him that he didn’t look his age.”
Salman’s parents, though frail and initially reluctant to travel, made it to Panvel for the celebrations. Salman’s father, Salim Khan, insisted he was celebrating both Christmas and his son’s birthday—and wore a Santa cap to prove his point.
The turnout was relatively modest considering it was the superstar’s 60th birthday. His fellow Khan superstars, Aamir Khan and Shah Rukh Khan, are currently away on their New Year vacations. In fact, Aamir told me he was keen to attend Salman’s birthday bash but had prior commitments.
Noticeably absent were some of Salman’s closest director-friends. Kabir Khan, Sanjay Leela Bhansali, and Ali Abbas Zafar—three filmmakers who have contributed significantly to Salman’s career—were missing from the celebrations. Even Apoorva Lakhia, who is directing Salman’s current project, could not attend as he was reportedly putting the finishing touches on The Battle of Galwan trailer until 2 a.m. on December 27.
Also Read: 12 Salman Khan quotes on his 60th birthday
read moreEXPLOSIVE: Kumar Mangat Pathak BLASTS Akshaye Khanna - "He insisted on a wig, signed an agreement, took advance and left Drishyam 3 just 10 days before the shoot; he has STOPPED taking my calls; success has gone into his head after Dhurandhar…I have sent him a legal notice"
Since a few days, there have been reports that Akshaye Khanna is not a part of Drishyam 3. Bollywood Hungama also reported on the same on December 26, creating a stir online. Now, Drishyam 3’s producer Kumar Mangat Pathak has spoken exclusively to Bollywood Hungama to set the record straight. The reputed producer complained of Akshaye’s unprofessionalism and also revealed that he plans to sue the Dhurandhar actor. He also confirmed that Jaideep Ahlawat has replaced Akshaye.
Kumar Mangat Pathak began by saying, “We had signed an agreement with Akshaye Khanna. His fees also got locked after a lot of renegotiations from his side. He insisted that he would like to wear a wig. But (director) Abhishek Pathak convinced him that it wouldn’t be practical, as it would result in continuity issues since Drishyam 3 is a sequel. He understood his point and agreed to let go of that demand. However, the chamchas around him advised him that he would look smarter if he donned a wig. So, he again requested the same. Abhishek relented and was even ready to discuss this point with him. But then, he informed us that he doesn’t want to be a part of the film at all.”
Kumar Mangat Pathak added, “There was a time when Akshaye was nothing. That’s when I made Section 375 (2019) with him. Even then, so many people told us not to work with him because of his unprofessional behaviour. His energy on set is absolutely toxic. Section 375 got him recognition. Later, I signed him in Drishyam 2 (2022). He has got all the big offers only after Drishyam 2. Uske pehle woh 3-4 saal tak ghar pe baitha hua tha.”
He remarked, “Also, it’s important to note that the Drishyam franchise is fronted by Ajay Devgn. Chhaava is a Vicky Kaushal film along with Akshaye. The same goes for Dhurandhar – it's Ranveer Singh’s film. If Akshaye does a solo film, it won’t even collect Rs. 50 crores in India. Forget the lifetime, if he thinks he has become a superstar, then he should try mounting a superstar budget film with some studio and see who greenlights his film with that kind of budget. Some actors do ensemble cast films and after those movies become big hits, they start thinking that they are the star. That’s exactly what has happened with him. He thinks he’s a superstar now. Success has gone into his head. He told us, ‘Dhurandhar is working because of me’. He needs to understand that multiple factors worked in favour of Dhurandhar.”
Kumar Mangat Pathak then revealed, “When he heard the script in his Alibaug farmhouse, he liked it so much that he told us, ‘Yeh Rs. 500 crore ki film hai. Maine life mein aisi script nahin suni hai’. He even hugged Abhishek and the writer. Then, we had negotiations, after which we agreed on the fees. We even signed the agreement. He even got an advance while we paid the designer for his clothes. And then 10 days before his shoot, he declined to work on the film.”
Kumar Mangat Pathak stated, “Drishyam is a very big brand. It doesn’t matter whether he is in the film or not. Now, Jaideep Ahlawat has replaced him. By the grace of God, we have got a better actor than Akshaye and most importantly, we have got a better person than Akshaye as well. I had produced one of the first films of Jaideep's career, Aakrosh (2010).”
The producer then said, “I have suffered losses because of his behaviour. I am going to take legal action. I have already sent him a legal notice; he’s yet to reply to it.”
Finally, Kumar Mangat Pathak expressed astonishment over Akshaye’s demand for a wig. He said, “I was shocked. Drishyam 3 begins where Drishyam 2 ended. How can his character suddenly get hair? Is there any technology in the world that can grow hair within minutes?”
Also Read: Jaideep Ahlawat replaces Akshaye Khanna in Ajay Devgn starrer Drishyam 3
read moreJaideep Ahlawat replaces Akshaye Khanna in Ajay Devgn starrer Drishyam 3
The much-anticipated third instalment of the Drishyam franchise appears to be undergoing a significant casting shake-up. If industry buzz is to be believed, Akshaye Khanna has exited Drishyam 3, and the makers have roped in Jaideep Ahlawat as his replacement in the Ajay Devgn-led thriller.
Not too long ago, reports had hinted at possible issues between Akshaye Khanna and the makers of Drishyam 3. While there was no official confirmation at the time, the latest developments suggest that the actor has indeed stepped away from the project. Reports now claim that Jaideep Ahlawat, who has been receiving widespread appreciation for his performances in Pataal Lok Season 2 and The Family Man Season 3, has been finalised to take his place.
Akshaye Khanna has been enjoying a strong resurgence at the box office, thanks to back-to-back projects where he portrayed layered, grey characters. He was recently seen as Aurangzeb in Chhaava and followed it up with a pivotal role in the recently released Dhurandhar. The latter, in particular, has reportedly performed exceptionally well at the box office, drawing both critical acclaim and audience appreciation for Khanna’s performance. According to industry sources, this renewed success may have prompted the actor to revise his remuneration.
Insiders suggest that the differences between Akshaye Khanna and the Drishyam 3 team were primarily related to fees, along with certain creative disagreements. However, it is worth noting that neither the actor nor the filmmakers have issued any official statement addressing these claims so far.
With Jaideep Ahlawat now said to be on board, the makers seem keen on maintaining the franchise’s tradition of introducing formidable new characters. Akshaye Khanna had joined Drishyam 2 as IG Tarun Ahlawat, a character that was not part of the original film and played a crucial role in elevating the narrative stakes. Now it is believed that Jaideep’s character in Drishyam 3 is also likely to be introduced afresh, rather than being a direct continuation of Khanna’s role.
Given Jaideep Ahlawat’s track record of portraying intense, morally complex characters, expectations are high regarding how his presence could add a new dimension to the suspense drama. While an official announcement is awaited, this casting change has already sparked considerable curiosity around Drishyam 3, which remains one of the most awaited Bollywood sequels in the pipeline.
Also Read: Rajat Kapoor gets honest about his limited role in the Drishyam franchise: “There’s no arc, I’m still standing behind Tabu”
read moreBREAKING: Mumbai's BIGGEST birthday billboard - Being Human lights up Sea Link for Salman Khan's 60th, an honour reserved for the RARE few
Mumbai doesn’t hand out its biggest “respect signals” casually. And when the Bandra-Worli Sea Link, one of the city’s most iconic, most visible landmarks, glows with a tribute, it instantly becomes more than just a birthday wish. It becomes a statement.
On the eve of Salman Khan turning 60 tomorrow (December 27), Being Human has put up a striking, larger-than-life salute at the Sea Link, turning the nightly skyline into a celebration of a man who has remained a constant in India’s pop culture for decades. In a city where stars come and go with Friday box office swings, Salman has built something rarer: longevity that feels personal to generations, across single screens, multiplexes, and now the social-media age.
What makes this moment especially notable is the venue itself. The Sea Link isn’t just a bridge—it’s Mumbai’s postcard, a symbol of the city’s pace and pride. Very few initiatives or messages get honoured in this manner at this location, and that scarcity is precisely what elevates the gesture. When a tribute appears here, it’s because it’s meant to be seen, remembered, and talked about by commuters, by fans, and by the city at large.
For Salman Khan, the tribute also fits the larger picture. Being Human has long been associated with philanthropy and public impact, and this Sea Link moment blends stardom with that identity: a reminder that beyond the superstar image is a brand and a presence that has extended into social work, youth aspiration, and cultural influence.
At 60, Salman Khan isn’t just being wished. He’s being showcased on Mumbai’s biggest canvas. And that, in itself, is an achievement very few ever receive.
Also, all eyes are now on Salman Khan’s next big-screen move. The superstar is set to headline Battle Of Galwan, and going by the buzz, the teaser is expected to drop on his birthday, making December 27 not just a landmark personal milestone, but also a date that could double up as the next major announcement moment for fans. If that teaser arrives as expected, it will be the perfect one-two punch: Mumbai’s skyline celebrating the man, and the man returning the love by unveiling a glimpse of what’s next.
Also Read: 12 Salman Khan quotes on his 60th birthday
read moreEXCLUSIVE: Ratan Jain on January 2026 re-release of Kis Kisko Pyaar Karoon 2: "I'm NOT blaming anybody; big films will get supported…will announce new date next week"
The comic caper Kis Kisko Pyaar Karoon 2, starring Kapil Sharma, managed to get a near-unanimous positive reaction from the audience. The film was appreciated for Kapil's performances and also for its jokes that landed well, a rarity in today's times. A few hours ago, the makers of the film announced that ‘its theatrical run was impacted by limited screen availability due to ongoing multiplex takeovers by other releases’. Hence, it’ll be withdrawn from cinemas and will be re-released in January 2026.
Bollywood Hungama spoke exclusively with Ratan Jain of Venus Worldwide Entertainment. He also categorically made it clear, “I am not blaming anybody. If the other film is working well, they would obviously not want to reduce their shows. Yeh unka haq hai. I am not blaming the multiplexes either, as they were justified in their stand. They will always support a big film or one that is excelling successfully.”
When asked about the exact date for the re-release in January 2026, Ratan Jain said, “By Monday or Tuesday, I’ll announce the date.”
Besides Kapil Sharma, Kis Kisko Pyaar Karoon 2 starred Manjot Singh, Hira Warina, Tridha Choudhary, Parul Gulati, Ayesha Khan, Akhilendra Mishra, Vipin Sharma, Sushant Singh, Jamie Lever, Smita Jaykar, Supriya Shukla and the late Asrani. Written and directed by Anukalp Goswami, it tells the story of a man who dreams of marrying his girlfriend. But he ends up marrying three women three times, while his girlfriend disappears.
Kis Kisko Pyaar Karoon 2 is presented by Star Studio18 and Venus Worldwide Entertainment in association with Abbas Mustan Films Production, and is produced by Ratan Jain, Ganesh Jain and Abbas-Mustan.
The original film, Kis Kisko Pyaar Karoon (2015), was directed by Abbas-Mustan. In an exclusive interview with Bollywood Hungama, Anukalp Goswami said, “I expressed the desire to direct the film. They supported me fully…When the film went on floors, Abbas-Mustan and their brother and editor Hussain bhai (Hussain A Burmawala) were present. The trio told me, ‘Tujhe kisi cheez ki tension lene ki zaroorat nahin hai’. They also provided me with a great team. Thanks to these efforts, we were able to deliver a fine product.”
Also Read: Kapil Sharma’s Kis Kisko Pyaar Karoon 2 set for re-release in January 2026
read moreIs Shah Rukh Khan joining Rajinikanth in Jailer 2? Details inside!
Veteran actor Mithun Chakraborty has set social media abuzz with remarks hinting that Shah Rukh Khan could appear alongside Rajinikanth in the upcoming Tamil film Jailer 2, slated for a June 2026 release. In a recent interview, Chakraborty not only confirmed parts of the star-studded cast but also described his own role in the film, a sequel to Rajinikanth’s 2023 blockbuster Jailer.
While speaking with Siti Cinema, Chakraborty remarked that his next project was Jailer 2, “where everybody is against me.” He went on to list several prominent actors, saying, “Rajinikanth, Mohanlal, Shah Rukh Khan, Ramya Krishnan, Shiva Rajkumar, all their characters are against me.”
If true, this would mark the first time Shah Rukh Khan and Rajinikanth share screen space in a theatrical film. Though both superstars appeared in the 2011 movie Ra.One — in which Rajinikanth’s character Chitti from Enthiran was featured — they never directly acted opposite each other. Fans have been eagerly awaiting an official collaboration between the two icons, and Chakraborty’s comments have reignited excitement.
Directed by Nelson Dilipkumar and produced by Sun Pictures, Jailer 2 reunites Rajinikanth with his 2023 co-star Ramya Krishnan. Earlier reports and actor statements have also hinted at the involvement of other celebrated artists, including Mohanlal, Shiva Rajkumar, Vidya Balan and additional supporting cast members, suggesting a multi-layered narrative with several key characters.
Jailer 2 is expected to expand on the action and dramatic elements that made the first instalment popular. At the time of writing, there has been no official announcement from the Jailer 2 production regarding Shah Rukh Khan’s role.
Also Read: Nora Fatehi’s name surfaces for special song in Rajinikanth’s Jailer 2 amid growing buzz
read moreEXCLUSIVE: The REAL reason Akshaye Khanna exited Drishyam 3 – Rs. 21 crore fee demand and more
A few days ago, the makers of Drishyam 3 announced that their highly anticipated film will be released on October 2, 2026. The press note mentioned the name of the leading actors of the film – Ajay Devgn, Tabu, Shriya Saran and Rajat Kapoor. Akshaye Khanna’s name was missing and it raised eyebrows. The actor is on a high after Dhurandhar and hence, fans were looking forward to seeing him in the next part of Drishyam, especially when he rocked the show in Drishyam 2 (2022). Meanwhile, reports emerged that he had walked out of the third part due to remuneration differences. Bollywood Hungama has now found more information about what led to his exit.
A source told Bollywood Hungama, “Akshaye was menacing as the villain in Chhaava, while he stole the show, and how, in Dhurandhar. He has become the next big thing. Realizing the same, he decided to revise his fees. Accordingly, he asked for Rs. 21 crores from the makers of Drishyam 3.”
The source continued, “The makers of Drishyam 3 were taken aback. They tried to reason with him that if he’s paid a bomb, the film would go over-budget. But Akshaye Khanna felt that he was justified in his demand. He knew that his presence now significantly enhanced the excitement for a film.”
Meanwhile, another source said, “We also heard that there were a few more fronts where Akshaye Khanna and the makers had a disagreement as well. One of them was that Akshaye suggested that he'd like to wear a wig. The makers were not comfortable with the idea, probably because he was without a wig in the second part.”
The earlier source then said, “Since Akshaye Khanna’s demands were not met, he decided to walk out of Drishyam 3. Of course, he wished the makers well. The parting happened on a good note and the makers hope to collaborate with Akshaye in future when they’ll be on the same page.”
Also Read: Akshaye Khanna walks out of Drishyam 3 over remuneration differences after Dhurandhar success: Report
read moreSunny Deol and Bobby Deol to host special screening of Ikkis in loving memory of their father Dharmendra
Sunny Deol and Bobby Deol are set to host a deeply emotional and special screening of the film Ikkis on Monday, December 29, in loving memory of their beloved father, the late legendary actor Dharmendra. It is the last movie of the late actor, which he completed shooting and dubbing before his demise on November 24 at the age of 89.
The private screening will be held at a multiplex in Mumbai and is expected to be attended by close family members, friends from the film fraternity, and a few specially invited guests who shared a close bond with the iconic star. The family has also invited members from the media for the special occasion.
Dharmendra remains one of the most towering and beloved figures in Indian cinema. With a career spanning over six decades, he redefined stardom with his effortless charm, emotional depth, and unmatched versatility, leaving behind a legacy that continues to inspire generations of actors and filmmakers.
The special screening of Ikkis stands not just as a cinematic event, but as a heartfelt homage by two sons honouring the memory of a father whose impact transcended films and fame. The Deol family’s gesture serves as a reminder that legends never truly fade—they live on through stories, memories, and the love they leave behind.
Produced by Dinesh Vijan’s Maddock Films, Ikkis is directed by Sriram Raghavan. The movie is based on the sacrifice of the Second Lieutenant Arun Khetarpal in the 1971 India-Pakistan war. The film will see Agastya Nanda essay his character while it will also star Jaideep Ahlawat and Simar Bhatia in key roles.
Also Read: Dharmendra’s last interview on Ikkis few months before his demise, “To do this film is my way of paying tribute to India’s armed forces”
read moreAfter Housefull 5’s 18-star cast, Welcome To The Jungle ups the scale with 24 actors
After assembling 18 actors for Housefull 5, Bollywood’s ensemble trend has grown even bigger with Welcome To The Jungle, which brings together a massive 24-member cast - Akshay Kumar, Suniel Shetty, Paresh Rawal, Arshad Warsi, Raveena Tandon, Jacqueline Fernandez, Disha Patani, Lara Dutta, Tusshar Kapoor, and several others. The scale of Welcome To The Jungle signals a clear step up in ambition when it comes to multi-starrer projects in mainstream Hindi cinema.
Welcome To The Jungle recently wrapped its year-end shooting schedule in Mumbai, marking an important milestone for the large-scale production. To announce the wrap and extend Christmas wishes, Akshay Kumar shared a behind-the-scenes video featuring the cast.
The clip hinted at Akshay being seen in two different avatars in the film — a younger and an older version — adding intrigue to the project. Announcing the wrap, the actor wrote, “Wishing one and all a very Merry Christmas from the giant cast of Welcome to the Jungle! In cinemas 2026. Never have I ever been part of something so big… none of us have. We can’t wait to present our gift to you. It’s a wrap, people! Well done, gang. Such a huge effort from everyone involved in making this happen. From our big family to yours at home, we wish you nothing but the best for 2026.”
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With its 24-actor ensemble and a 2026 theatrical release locked in, Welcome To The Jungle stands out as one of the largest multi-starrer films currently in the pipeline, reflecting the industry’s growing appetite for scale-driven, ensemble-led spectacles.
Also Read: Akshay Kumar supports two different looks in new Welcome To The Jungle video: “Never have I ever been part of something so big”
read moreRanveer Singh did not quit Don 3 because of Dhurandhar success, but creative differences: Report
Recent industry rumours that Ranveer Singh walked out of Farhan Akhtar’s highly anticipated film Don 3, following the massive success of his blockbuster Dhurandhar, have been challenged by multiple reports. Sources cited in the PinkVilla say the narrative linking his departure to Dhurandhar’s box-office performance is not accurate.
Allegations suggested that Ranveer’s growing clout after Dhurandhar — which has been breaking records across India — led him to distance himself from Don 3 to avoid repeating back-to-back gangster roles. The Free Press Journal report notes that Farhan Akhtar was among the early supporters of Ranveer’s career, backing him at a time when several projects were stalled or shelved.
However, India Today’s recent report has stated that the claim he quit Don 3 because of Dhurandhar’s success is unfounded. The evolving situation reportedly stems from creative disagreements and scheduling factors, not a simple decision driven by box-office momentum. Neither Ranveer nor the Don 3 production team has issued an official statement on the specifics of his involvement or departure.
Don 3, a continuation of Farhan Akhtar’s iconic franchise originally revived with Shah Rukh Khan in 2006 and 2011, has seen casting changes in recent months. While the search for a new lead continues amid uncertainties, Dhurandhar has kept Ranveer’s profile at a high point, with its strong performance at the ticket windows contributing to the ongoing conversation around his next career moves.
Also Read: Ranveer Singh quits Don 3 amid Dhurandhar’s blockbuster run?
read moreDharma Productions calls Homebound plagiarism claims “baseless and unfounded”
Dharma Productions has firmly denied allegations of plagiarism surrounding its film Homebound after author and journalist Puja Changoiwala accused the makers of copying her 2021 novel of the same name. The controversy erupted just days after the movie was shortlisted for the Best International Feature Film category at the 98th Academy Awards.
Changoiwala sent a legal notice in October claiming that significant portions of the film’s second half — including scenes, dialogue, narrative structure and sequence of events — closely mirror her book. She also argued that Homebound shares not just a title but substantial creative elements, and is seeking legal remedies that include a potential injunction and damages.
A statement from Dharma Productions, shared by Mid-Day, said, “The allegations of copyright infringement are baseless and unfounded, and Dharma Productions categorically denies the same. Homebound is an officially licensed adaptation inspired by the New York Times article by Basharat Peer, with all requisite rights lawfully acquired and due credit duly provided. A legal notice has been received and duly responded to by Dharma Productions’ legal counsel.”
It further read, “Dharma Productions has become aware through media reports of an alleged pre-suit mediation before the Bombay High Court — however, no formal communication has been received to date. We take such allegations seriously and are exploring legal action at our end to protect the integrity of our film.”
The film, directed by Neeraj Ghaywan and starring Ishaan Khatter, Vishal Jethwa and Janhvi Kapoor, is set against the backdrop of the COVID-19 migrant exodus. While Homebound continues to attract attention for its awards prospects, the copyright dispute adds a new legal dimension to its public conversation.
Also Read: Oscar-shortlisted Homebound faces copyright suit; deets inside!
read moreTiger Shroff and Lakshya lead 100+ dancers for high-energy track in Lag Jaa Gale: Report
Tiger Shroff and Lakshya are gearing up to shoot a major dance-off sequence for their upcoming film Lag Jaa Gale, with a large production number scheduled to be shot at Mukesh Mills in Colaba starting December 24, 2025. The sequence is being described by insiders, quoted by a Mid-Day report, as a full-scale dance battle designed to showcase contrasting performance styles between the two actors.
The report stated that choreographer Ganesh Acharya has crafted the routine, which involves over 100 professional dancers and is expected to be wrapped up by December 29. The beat-driven number is reportedly structured to highlight Tiger’s explosive, athletic dance approach alongside Lakshya’s more fluid and relaxed style, with rehearsals underway for the past three weeks.
The dance face-off adds a new layer of excitement to Lag Jaa Gale, a revenge action-drama produced by Dharma Productions and directed by Raj Mehta. The film also stars Janhvi Kapoor, with whom Tiger Shroff shares screen space for the first time in this project. Lag Jaa Gale is among the high-profile Hindi cinema releases lined up for 2026. Tiger’s commitment to intense choreography and physical performance has been a defining feature of his career.
Reportedly, the creative team is aiming for the dance-off sequence to stand out as one of the year’s most talked-about musical moments.
Also Read: Tiger Shroff and Janhvi Kapoor to headline Raj Mehta’s Lag Jaa Gale, backed by Karan Johar: Report
read moreAnand Bakshi’s son SLAMS ‘Saat Samundar Paar’ remix credits in Tu Meri Main Tera Main Tera Tu Meri; calls added lyrics “mismatch”
Rakesh Anand Bakshi, son of the late lyricist Anand Bakshi, has publicly criticised the makers of Tu Meri Main Tera Main Tera Tu Meri over the way credits were attributed for the remix version of the iconic song ‘Saat Samundar Paar.’ He took to Instagram on December 24 to challenge the decision to list Karan Nawani as a co-lyricist alongside his father for the track’s updated version.
The original ‘Saat Samundar Paar,’ composed by Viju Shah and written by Anand Bakshi, was featured in the 1992 film Vishwatma and remains a beloved classic. In the new remix, released as part of Kartik Aaryan and Ananya Panday’s film, the credits name both Bakshi and Nawani, the latter of whom has performed the remake and reportedly added only minimal lyrical content.
Rakesh objected to this shared credit, arguing that adding one or two lines to an existing lyrics sheet does not justify co-lyricist status. He pointed out that music credits already distinguish between “original” and “additional” components, and said the same should apply to lyrics to preserve the contribution of original writers. “The producer and/or publisher should not claim credit for any writer, singer, etc. as co-lyricist for adding one or two lines to the original lyrics,” he wrote.
He further described the newly added lyrics as a mismatch with the spirit of his father’s original writing, asserting they disrupt the continuity and intent of the verse. In his post, Rakesh tagged the music label Saregama Music and the artist, urging the industry to reform crediting practices used on streaming platforms.
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The remix has drawn mixed responses from audiences, with some fans and netizens criticising it for failing to live up to the original’s appeal. The film Tu Meri Main Tera Main Tera Tu Meri is scheduled for theatrical release on December 25, 2025.
Also Read: Tu Meri Main Tera Main Tera Tu Meri expected to release in single screens on December 26; major victory for Dharma as Raj Mandir to play Kartik Aaryan-starrer; Kis Kisko Pyaar Karoon 2 suffers due to unstoppable Dhurandhar wave
read moreTu Meri Main Tera Main Tera Tu Meri expected to release in single screens on December 26; major victory for Dharma as Raj Mandir to play Kartik Aaryan-starrer; Kis Kisko Pyaar Karoon 2 suffers due to unstoppable Dhurandhar wave
The last big film of 2025, Tu Meri Main Tera Main Tera Tu Meri has released today in cinemas. Bollywood Hungama was the first ones to report about its struggles in getting screens due to the Dhurandhar wave that just refuses to subside. In this report, we bring to you an update on the same and also of that of holdover and other new releases.
An exhibition source told Bollywood Hungama, “Many single-screen cinemas will continue playing Dhurandhar today. Its distributors were of the belief that the film is doing exceptionally well and also, a new week starts only from Friday, December 26. As a result, they didn’t allow many cinemas to reduce shows of their film and accommodate Tu Meri Main Tera Main Tera Tu Meri. Meanwhile, the in-house distribution team of Dharma Productions is trying its best to secure a greater number of screens from tomorrow.”
As of 8:00 am on December 25, single-screen cinemas of Mumbai like Regal, Gold Cinema Santacruz, Gold Cinema Dadar, Gold Cinema Thane, Gold Cinema Borivali, Chitra, Plaza, Roxy, New Excelsior, Kasturba, Citylight, MovieMax Andheri East, MovieTime Suburbia, Mukta A2 Orion Santacruz, etc. will only play Dhurandhar on December 25. However, these cinemas haven’t opened plans from December 26, leading to hope that these cinemas will divide shows between the two films. On the other hand, cinemas like Anand, MovieTime Star City and MovieTime Dahisar have declined to screen Tu Meri Main Tera Main Tera Tu Meri and will continue with Dhurandhar even in the coming weekend.
Last week, we reported how PVR Le Reve in Bandra was one of the few single screen in the whole of India to play Avatar: Fire And Ash. This week, it’ll be a rare theatre to play Tu Meri Main Tera Main Tera Tu Meri, at 3:35 pm daily.
Amid this uncertainty, good news has come from Jaipur for the team of Tu Meri Main Tera Main Tera Tu Meri. The iconic Raj Mandir will play Dhurandhar today, but from tomorrow, it’ll only play the Kartik Aaryan-Ananya Panday starrer in all shows. It’s a major victory for Dharma and has given hope that they’ll be able to similarly procure single screens in Mumbai and other cities as well.
Holdover and new releases
With a big film like Tu Meri Main Tera Main Tera Tu Meri struggling for screens, the smaller and regional films stand even less chance. The Hindi version of Mohanlal’s Vrusshabha has been released in only three cinemas in Mumbai. The same goes for the new Marathi release, Gotya Gangster. Vande Bharat Via USA has managed to get a decent number of screens in Gujarat, but this Gujarati film, starring a popular actor like Malhar Thakkar, could have got more shows had it come on some other date. This has made the trade wonder – like Ikkis, why weren’t these regional films postponed?
As for holdover releases, the scenario is shocking. Kapil Sharma’s Kis Kisko Pyaar Karoon 2 has underperformed but was getting audiences steadily. Yet, from December 25, it will play only in the 105-seater of Gaiety-Galaxy called Gossip. A trade insider said, “The film ran house full yesterday in the night show at Inox R City Ghatkopar. We understand that cinemas are struggling in accommodating two 3 hour plus films like Dhurandhar and Avatar: Fire And Ash along with Tu Meri Main Tera Main Tera Tu Meri. But the way this film got a raw deal in Week 2 is plain disappointing, especially when it has received appreciation.”
Tere Ishk Mein, too, has suffered, and is currently shown only in 2 cinemas of Mumbai.
However, Avatar: Fire And Ash has managed to stand in front of Dhurandhar. Despite underperformance, it has found an audience. As of 10:00 pm on December 24, it sold 86,000 tickets for Christmas Day in the national chains, which is praiseworthy.
Also Read: EXCLUSIVE: In a RARE development, Tu Meri Main Tera Main Tera Tu Meri front-row seats priced HIGHER than back rows at PVR Oberoi Mall, Goregaon and yet SOLD OUT
read moreRanbir Kapoor starrer Animal set for Japan release in 2026; Rs 1000 crores mark back in play amid Dhurandhar storm
Ranbir Kapoor and Sandeep Reddy Vanga’s Animal is returning to theatres in a new market two years after its original release, with a Japanese release date now confirmed. The makers announced that the action drama will open in cinemas across Japan on February 13, 2026.
Production house Bhadrakali Films shared a specially designed poster for the Japanese audience on X (formerly Twitter), featuring Ranbir Kapoor’s intense portrayal of Ranvijay Singh, alongside a Japanese tagline that translates to “This man cannot be stopped.” The announcement highlighted the film as a memorable cinematic experience beyond its initial home market.
この男は誰にも止められない。🔥 Kono otoko wa Darenimo Tomerarenai🔥 The most talked-about, debated, and unforgettable cinematic experience is coming to Japan.🪓
Animal releases in Japanese theatres on February 13, 2026. 🇯🇵🇮🇳#Animal #AnimalinJapan #AnimalTheFilm #RanbirKapoor… pic.twitter.com/0ppdkqtd0W
— Bhadrakali Pictures (@VangaPictures) December 24, 2025
Animal was originally released in India in December 2023 and became a significant commercial success. It earned around Rs 553 crores net domestically and approximately Rs 915 crores worldwide, finishing its initial run among the top-grossing Indian films of all time.
With the Japanese release, the film now has an opportunity to push its worldwide total closer to, or beyond, the Rs 1000 crores mark. This benchmark has taken on added significance as Dhurandhar—the Ranveer Singh–led thriller directed by Aditya Dhar—has overtaken Animal’s global tally and is expected to finish its run between Rs 1000 crores and Rs 1100 crores globally.
Indian films have shown promising returns in Japan in recent years. RRR reportedly grossed over ¥2.4 billion (about Rs 150 crores) there, while KGF: Chapter 2 also delivered strong box office returns. If Animal replicates similar performance, it could significantly bolster its global revenue.
Directed by Sandeep Reddy Vanga, Animal features Ranbir Kapoor alongside Rashmika Mandanna, Anil Kapoor, Bobby Deol and Triptii Dimri in pivotal roles. Though commercially successful, the film drew debate for its depiction of violence and themes critics labeled as problematic. Supporters, including the director, maintained that those elements were intentional aspects of creative expression.
Also Read: EXCLUSIVE: “Single Papa is a vital balance to films like Animal, Kabir Singh and Dhurandhar,” says Ankur Rathee
read moreNight Song collaborates with Aamir Khan Productions for Happy Patel: Khatarnak Jasoos; first track 'Banda Tere Liye' out!
Night Song, the full-spectrum music company known for shaping immersive soundscapes across celebrated films and series including Scam 1992, Jigra, Coke Studio’s renowned release ‘Khalasi’, The Buckingham Murders, Maati Season 1 and many more, announces its latest collaboration on the upcoming film Happy Patel: Khatarnak Jasoos. Co-founded by Achint Thakkar and Parth Pandya, Night Song has composed and produced the music for the spy-comedy backed by Aamir Khan Productions, marking actor-comedian Vir Das’ directorial debut. The film is set to release on 16 January 2026.
For Happy Patel: Khatarnak Jasoos, Night Song was tasked with creating a sonic world that balances a spy drama with comedy, giving each track its own identity and purpose. The music amplifies the film’s narrative beats while keeping the tone fresh, witty, and engaging, ensuring every moment, from action to humor, is enhanced by the score.
A standout from the album is 'Banda Tere Liye,' a high-energy, cliche bending track that flips a familiar Bollywood trope by turning the man into the spectacle. Conceived as a rare male-led ‘anti-item song’ envisioned by director Vir Das, it positions the male character at the center of performance, an uncommon narrative choice in mainstream cinema. The creative process began not with a tune, but with the bold hook line itself, around which Night Song built the melody, rhythm, and sonic world. Blending club, funk, and alt-pop, the song is elevated by an earthy Indian instrumental hook that roots it in a rustic, almost village market place like setting, giving it a fresh, unexpected flavor.
Speaking about the collaboration, Night Song founders Achint Thakkar and Parth Pandya shared in a joint statement, “Creating the music for Happy Patel: Khatarnak Jasoos was an exciting challenge for us. Each track was crafted to serve the story while staying true to our sound. Genre-bending songs like 'Banda Tere Liye' will hopefully go on to shape culture, while our Marathi rap Fckta Apan is sure to stick in the listener’s mind. We’re glad to have partnered with Vir, Kavi & Aamir Khan on a film that gave us so much creative freedom.”
Vir Das and Kavi Shastri, directors of Happy Patel, shared in a joint statement, “Night Song is a team we’ve wanted to collaborate with for a long time, and with Happy Patel, that opportunity finally came together. The album gave us the space to explore multiple genres within a single body of work, and they took our musical vision and elevated it in the best possible way. This certainly won’t be the last collaboration between us, and Night Song.”
The collaboration with Happy Patel: Khatarnak Jasoos marks an important milestone for Night Song as it continues to expand its footprint across Indian cinema, working with leading production houses while carving out a strong creative identity of its own.
The soundtrack of Happy Patel: Khatarnak Jasoos features 12 tracks, including 5 full-length songs and 7 songettes.
Also Read: Happy Patel Khatarnak Jasoos Trailer: Vir Das headlines quirky spy caper; return of Imran Khan and cameo of Aamir Khan add to the excitement
read moreSharvari’s all-white ballet look gets a pop-culture twist with an Emily in Paris–bag
Fashion’s current obsession with softness, volume and translucence finds a natural expression in Sharvari’s all-white look, worn with an ease that feels instinctive rather than styled. The ensemble pairs a fitted bralette with a balloon, ballet-inspired skirt, its rounded silhouette introducing movement and drama through lightness rather than excess. Leaning into fashion’s fascination with fluid form and sculptural proportion, the look feels considered yet effortless, delicate in appearance, but anchored by structure.
The styling follows a similarly restrained approach. Hair is worn loose and natural, makeup kept fresh and minimal, allowing Sharvari’s features and the lightness of the outfit to take centre stage. There’s an effortlessness to the way she carries the look, lending it a quietly confident, undeniably alluring finish.
What elevates the look into recognisable fashion territory is the accessory. Sharvari carries the Kate Barton clear acrylic fishbowl bag, a sculptural, conversation-starting piece that has already secured its place in pop-culture fashion lore. The bag made its memorable appearance on Emily in Paris (Season 5, Episode 5, “Bonjour, Paris!”), instantly cementing its status as a cult object prized for its playful, art-driven design.
Set against the softness of the white ensemble, the bag adds a sharp, editorial contrast. It introduces wit and fashion intelligence, grounding the look in a globally relevant style conversation and signalling awareness of one of the season’s most talked-about accessories.
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The bralette and skirt, both by @pinkporcupines, reinforce the look’s balance of structure and ease, a pairing that feels intentional, contemporary and quietly sexy. Worn with restraint and confidence, the styling makes a strong case for simplicity done well, where clean silhouettes and one unmistakable statement piece come together to leave a lasting impression.
Also Read: Boss Babe Alert! Janhvi Kapoor, Ananya Panday, Sharvari, Suhana Khan, Simar Bhatia: 5 Divas who slayed the power suit trend
read moreSharman Joshi REACTS to rumoured 3 Idiots sequel; says, “Last time the reports came, it turned out…”
Nearly 16 years after 3 Idiots became one of Bollywood’s most beloved films, talk of a possible sequel has once again stirred excitement among fans. With recent reports suggesting that a follow-up could be in the works, actor Sharman Joshi, who played Raju Rastogi in the original, has shared his reaction to the speculation.
In an interview, Joshi made it clear that while he hopes a sequel happens, he has not received any official confirmation. “I so hope that happens, but I have not been informed yet,” he told Hindustan Times, responding to rumours about the next chapter. He pointed out that similar buzz has surfaced in the past, only to turn out to be unrelated.
“On more than a couple of occasions, there has been buzz that the 3 Idiots sequel is happening. The last time the reports came, it turned out to be for an ad campaign. Let’s see, hopefully this time it’s true.” When asked whether he knows if the story would pick up where the original left off, Joshi admitted he has no details yet. “I am in no position to know, but only the master, Raju sir, Abhijat (Joshi, writer) sir and Aamir would be working on it if there is potential,” he said, referring to director Rajkumar Hirani, writer Abhijat Joshi and co-star Aamir Khan.
Joshi also shared a light-hearted memory from his audition days, recalling how he learned about landing the role of Raju. He said he was working out in the gym when Hirani called with the final news, joking that the director told him not to expect to see his gym body for three years. “I think of 3 Idiots, and a smile comes on my face. That film felt like a fairytale, from the time I heard the story till today,” Joshi added.
While an official announcement about the sequel is still awaited, recent reports suggest that the script may be ready and that production could begin in 2026, with the original cast possibly reuniting.
Also Read: 3 Idiots sequel to be titled 4 Idiots, makers in search for a fourth lead to accompany Aamir Khan, R Madhavan and Sharman Joshi: Report
read moreDhurandhar 2 locked for March 19, 2026, Eid release in five languages
As Dhurandhar continues to rewrite box office history with its Hindi-only release and has emerged as the biggest Indian film phenomenon of recent times, the unprecedented audience response, particularly the strong demand from South Indian markets, has now set the stage for an even bigger sequel.
The makers have officially announced Dhurandhar 2, slated for a grand Eid 2026 release on March 19, 2026, with the film set to release simultaneously in Hindi, Telugu, Tamil, Kannada and Malayalam, marking its five-language pan-India and global rollout.
Despite releasing only in Hindi, Dhurandhar witnessed exceptional traction across South India through word-of-mouth, social media virality and repeat viewing. South distributors and exhibitors consistently flagged strong audience demand for dubbed versions, with fans actively calling for the film to be made available in regional languages. Taking cognisance of this organic demand not just in South India but South Indian audiences globally, the makers have decided to expand the franchise’s footprint with Dhurandhar 2, ensuring audiences across regions can experience the film in their local language from day one.
Directed by National Award-winning filmmaker Aditya Dhar and produced by Jio Studios and B62 Studios, Dhurandhar 2 promises to scale up both narrative ambition and cinematic spectacle, charting the next phase in this action entertainer’s journey.
Currently in post-production, Dhurandhar 2 is shaping up to be the most anticipated Indian release of 2026, arriving this Eid, bigger and truly pan-India. Mainstream release beyond the diaspora audience in some overseas territories is also being explored.
The storm is set to return. This time, everywhere.
Also Read: Adivi Sesh BREAKS silence on Dacoit’s CLASH with Dhurandhar 2 on March 19, 2026: “I wish the sequel is world’s BIGGEST hit; jin logon ko Dhurandhar 2 ka ticket na mile, woh Dacoit dekhne aa jaaye!”
read moreEXCLUSIVE: Tanishk Bagchi of Saiyaara fame turns producer with 'MJF NXT' initiative of Mahaveer Jain Films along with Divyansh Jain
Mahaveer Jain Films is thrilled to present 'MJF NXT', a platform for emerging creative talents in the entertainment industry landscape. The inaugural association under 'MJF NXT' brings together acclaimed music director Tanishk Bagchi [Saiyaara being his latest chartbuster] and dynamic young producer Divyansh Jain, joining forces to produce multiple films with MJF NXT. With a focus on creating young, joyful, musical films, the talented duo plans to set up a distinct line of new projects.
Mahaveer Jain Films is currently producing a diverse range of films with top creative names like Naagzilla with Kartik Aaryan, directed by Mrighdeep Singh Lamba, in partnership with Dharma Productions. They are also a part of Yeh Prem Mol Liya; after Uunchai (2022), they have reunited with legendary director Sooraj R Barjatya for this family entertainer, starring Ayushmann Khurrana, Sharvari, and Anupam Kher. It is jointly produced with Rajshri Films.
Thirdly, they are making White, an international cast and crew backed thriller with Siddharth Anand. It stars Vikrant Massey as Gurudev Sri Sri Ravi Shankar. Side Heroes, a friendship film with Imtiaz Ali, starring Varun Sharma, Abhishek Banerjee, and Aparshakti Khurana, is also a film to watch out from Mahaveer Jain Films. Recently, they announced they are making ace filmmaker Ram Madhvani’s next, starring Tiger Shroff. Lastly, they are also a part of a jungle adventure film with iconic musician Arijit Singh and his wife Koyel Roy Singh.
Mahaveer Jain Films (Mrighdeep Singh Lamba & Amit Upadhyay, along with Kavin Shah & Bala Sahab Darade) aims to strengthen more filmmakers and support upcoming talents in the industry, enhancing the entertainment ecosystem.
It would be interesting to look forward to an exciting slate of films from 'MJF NXT' that promises to captivate audiences, champion emerging talent, and deliver fresh, joyful storytelling across genres.
Also Read: Tanishk Bagchi drops new track ‘SEEN’, a moody anthem blending heartbreak with late-night vibes
read moreOscar-shortlisted Homebound faces copyright suit; deets inside!
Homebound, the Hindi film recently shortlisted for the 98th Academy Awards, has become the subject of a legal dispute. Journalist and author Puja Changoiwala has initiated legal action against Dharma Productions and Netflix Entertainment Services India, alleging that the film unlawfully copies her 2021 novel of the same name.
Changoiwala, whose book Homebound was published in 2021, says she took action only after her lawyer issued a formal notice to Dharma Productions, which she claims was not adequately addressed by the production house. She points out that both the novel and the film draw from the same real-life event — the COVID-19 migrant exodus of 2020 — but argues that the similarities extend far beyond the shared backdrop.
“In the second half of the film, I discovered that the producers have not only misappropriated the title of my book, but have also blatantly reproduced substantial portions of my novel — including its scenes, dialogue, narrative structure, sequence of events, and other creative expressions,” Changoiwala said in an email cited by The Free Press Journal.
According to Changoiwala, her legal team sent a scene-by-scene legal notice to Dharma Productions on October 15, outlining the alleged infringements. She asserts that the producers did not acknowledge the claimed violation and continued to promote and distribute the film on Netflix.
Changoiwala has since filed an application with the Maharashtra State Legal Services Authority under Section 12A of the Commercial Courts Act, 2015. This step is a mandatory pre-litigation step before a commercial suit can be filed in the Bombay High Court. Her court application seeks remedies including a permanent injunction against distribution of the film, removal of the allegedly infringing material, a change of title, and monetary damages for copyright infringement.
Changoiwala defended her decision to pursue legal action despite the stature of the respondents: “I know I’m challenging powerful entities by taking this step, but I believe it’s important for writers to defend their work when it’s misappropriated and exploited without their consent.”
As of now, neither Dharma Productions nor Netflix has issued a detailed public response to the allegations. The film Homebound, directed by Neeraj Ghaywan and starring Ishaan Khatter, Vishal Jethwa, and Janhvi Kapoor, continues its awards campaign while the legal process unfolds.
Also Read: Gurinder Chadha hosts London screening of Neeraj Ghaywan’s Homebound, hopes for Oscar glory and shares fun anecdotes with Karan Johar
read moreEXCLUSIVE: In a RARE development, Tu Meri Main Tera Main Tera Tu Meri front-row seats priced HIGHER than back rows at PVR Oberoi Mall, Goregaon and yet SOLD OUT
Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, is all set to release tomorrow. The advance booking has picked up since Monday night and the romcom is all set to take a decent start at the box office. Interestingly, an interesting development has happened, probably for the first time ever, with Tu Meri Main Tera Main Tera Tu Meri.
It’s generally understood that in most multiplexes, the front-row seats are priced the lowest, and the ticket rates steadily rise as you move towards the middle and back rows. But in the case of PVR Oberoi Mall Goregaon East, the unthinkable has happened. Here, you’ll have to shell out a higher price if you want to see the musical entertainer in the first three rows. But your ticket will be cheaper if you select the middle or the back rows!
For the 8:00 am and 10:45 am show of Tu Meri Main Tera Main Tera Tu Meri on December 25, the first three rows, which come under the Classic category, are available for Rs. 370. But the Prime Class tickets are sold for Rs. 290.
For the 1:50 pm show of the film, Classic seats are sold for Rs. 430 while Prime Class tickets are available for Rs. 350. For the shows at 4:55 pm, 8:00 pm and 11:05 pm, one will have to shell out Rs. 540 for Classic seats and Rs. 460 for Prime Seats.
Interestingly, despite the tickets being in the front row and despite the higher rates, most of them are sold out or almost full. An exhibition source explained to Bollywood Hungama, “Since the tickets of the front row were fast-filling, the dynamic pricing came into play, and its rates went up.”
However, the exhibition source agreed, “This is unusual and probably happened for the first time ever as far as I remember.”
Also Read: Tu Meri Main Tera Main Tera Tu Meri faces copyright trouble; Trimurti Films moves Bombay HC against Karan Johar’s Dharma Productions over ‘Saat Samundar Paar’ use
read moreChiranjeevi–Mohanlal collaboration confirmed; Bobby Kolli reunites with megastar
Chiranjeevi and director Bobby Kolli, who earlier collaborated on Waltair Veerayya, are all set to reunite for their second project together. Multiple sources reveal that Mohanlal will join Chiranjeevi for the first time in his career. The two legends have long expressed deep admiration for each other’s work and often meet socially whenever they are in the same city.
Surprisingly, no one has previously attempted to bring Mohanlal and Chiranjeevi together on screen, making this collaboration a historic first for Indian cinema.
Shedding more light on the project, a source reveals, “Chiranjeevi plays the lead, while Mohanlal makes a powerful entry midway through the film—much like Amitabh Bachchan’s iconic appearance in Andha Kanoon.”
Also Read: Chiranjeevi and Venkatesh reunite for a high-energy dance number in Mana Shankara Vara Prasad Garu
read moreAkshaye Khanna walks out of Drishyam 3 over remuneration differences after Dhurandhar success: Report
Akshaye Khanna is currently enjoying a strong career resurgence, thanks to his power-packed performance in Dhurandhar. The actor has been widely praised for his restrained yet impactful screen presence, and the success of the recently released Ranveer Singh–starrer spy drama has firmly placed him back in the spotlight. Adding to this momentum, Khanna was also part of another blockbuster of 2025 — Chhaava as the lead antagonist— further consolidating his standing as one of the most reliable performers in the industry today.
With this renewed demand, it comes as little surprise that Akshaye Khanna has reportedly revised his remuneration. However, this fee hike may have had a ripple effect on one of the most anticipated films currently in production — Drishyam 3. For the unversed, Akshaye played a crucial role in Drishyam 2, the Hindi adaptation of the popular Malayalam thriller franchise led by Ajay Devgn and Tabu. His character added a significant narrative layer to the sequel, with audiences eagerly anticipating his return in the third installment.
However, according to a report by Bollywood Machine, the makers of Drishyam 3 were reportedly not prepared to meet Akshaye Khanna’s revised fee expectations. The report further claims that apart from financial negotiations, there may also be creative differences between the actor and the makers, which could have contributed to his reported decision to step away from the project.
That said, the situation may still be fluid. The same report suggests that this may not be a final call, as Akshaye Khanna is said to be in ongoing discussions with the makers to arrive at a mutually agreeable solution. Whether the actor ultimately continues with the franchise remains to be seen, but his involvement would undoubtedly add to the further intrigue surrounding the film.
Meanwhile, Drishyam 3 has already generated considerable buzz. Recently, the makers unveiled an announcement video featuring Ajay Devgn’s voiceover, teasing audiences about what lies ahead in the next chapter of the much-loved thriller. The film is being made simultaneously in Malayalam, with the original version expected to release first. The Hindi adaptation is slated to hit cinemas on October 2, 2026 — a date that holds special significance for the Drishyam franchise.
In addition to Ajay Devgn, Drishyam 3 will also star Tabu, Shriya Saran and Ishita Dutta in key roles. As fans await further updates, all eyes are now on whether Akshaye Khanna will return to the franchise that played a pivotal role in his recent cinematic journey.
Also Read: Akshaye Khanna, Suniel Shetty to make cameos in Border 2? Here’s what we know!
read moreThalapathy Vijay, Bobby Deol starrer Jana Nayagan gets Hindi title Jan Neta as makers gear up for Pongal release
The makers of Thalapathy Vijay’s upcoming and much-anticipated film Jana Nayagan have officially announced its Hindi title as Jan Neta. Alongside the title reveal, it has been confirmed that Zee Studios will handle the film’s release across North India, marking a significant step in positioning the project as a major pan-Indian theatrical event. The film is scheduled to hit cinemas worldwide on January 9, 2026.
To mark the announcement, a new poster featuring Thalapathy Vijay and Bobby Deol was unveiled. The visual presents an intense face-off between the two actors, set against a backdrop of fire, destruction and large-scale unrest. The imagery points towards a narrative rooted in political conflict and ideological confrontation, suggesting that the drama will extend beyond physical action into questions of power, belief and consequence.
In the poster, Vijay appears in a rugged, restrained avatar, projecting a grounded and resolute presence, while Bobby Deol is seen in a commanding, militaristic look that adds weight and tension to the conflict. The setting, complete with helicopters and widespread chaos, hints at a story unfolding on a national scale, with political and emotional stakes at its core.
KVN Productions, which is backing the film, shared the poster on social media with the caption, “Aavoo together bhaiya bhaiya to witness his one last dance.” The project has already generated strong momentum, with reports of record-breaking pre-sales in several overseas markets, reflecting the significant anticipation surrounding the film’s release.
Aavoo together bhaiya bhaiya to witness his one last dance 🔥@ZeeStudios_ has bagged the North India theatrical rights ♥️#JanNeta#JanNetaFromJan9#Thalapathy @actorvijay @KvnProductions #HVinoth @hegdepooja @anirudhofficial @thedeol @_mamithabaiju @Jagadishbliss @LohithNK01… pic.twitter.com/mJmz3LJ1tO — KVN Productions (@KvnProductions) December 23, 2025
Jana Nayagan holds particular significance as it is being positioned as Thalapathy Vijay’s final film, adding an emotional layer to the already high expectations. With Zee Studios leading the North India distribution, the film is expected to see a wide and robust release across the Hindi-speaking belt.
The film is directed by H. Vinoth, known for his politically charged and layered storytelling, and features music composed by Anirudh Ravichander. The ensemble cast includes Pooja Hegde, Mamitha Baiju, Prakash Raj, Gautham Vasudev Menon, Priyamani and Narain, contributing to the film’s expansive narrative canvas.
Further building anticipation, the film’s audio launch is scheduled to take place on December 27 in Malaysia. Produced by Venkat K. Narayana under the KVN Productions banner, Jana Nayagan, aka Jan Neta, is set for a grand theatrical release on January 9, 2026, coinciding with the Pongal festive weekend.
Also Read: Thalapathy Vijay to attend full-scale Jana Nayagan audio launch in Malaysia on December 27
read moreRanveer Singh quits Don 3 amid Dhurandhar's blockbuster run?
Ranveer Singh is riding high on the success of Aditya Dhar’s Dhurandhar, which continues its strong run at the box office. Trade estimates suggest that the action thriller is on track to cross Rs 600 crores nett, with its fourth week expected to push the lifetime collection close to Rs 700 crores nett. Amid this momentum, reports have emerged that the actor has decided to step away from the Farhan Akhtar and Ritesh Sidhwani’s much-anticipated project, Don 3.
According to a report by Pinkvilla, the massive success of Dhurandhar has prompted Ranveer to reassess his upcoming projects. The actor is reportedly clear about exploring diverse roles and is keen to collaborate with filmmakers such as Sanjay Leela Bhansali, Lokesh Kanagaraj and Atlee. At the same time, he is said to be cautious about being seen in back-to-back gangster or crime-driven films, particularly since Dhurandhar has already firmly established him in that space.
This is cited as one of the key reasons behind his decision to prioritise Pralay, directed by Jai Mehta. Singh is reportedly eager to fast-track the project and bring it on floors sooner than originally planned.
About Pralay
Currently titled Pralay, the Applause Entertainment-backed zombie thriller is described as a gripping human drama centred on a man’s relentless attempt to save his family amid widespread chaos. As per the report, following his exit from Don 3, Singh became personally involved in aligning dates and schedules to ensure that Jai Mehta’s film progressed quickly.
Kriti Sanon in Don 3
For the uninitiated, Farhan Akhtar and the Don 3 team had earlier confirmed Kriti Sanon as the film’s leading lady. The action-packed thriller is expected to be mounted on a grand scale, with extensive filming planned across several European locations.
While Ranveer Singh’s reported exit from Don 3 marks a major development for the franchise, it also reflects the actor’s careful approach to shaping the next phase of his career. With Dhurandhar continuing its blockbuster run, Singh appears focused on diversifying his choices and backing projects that offered him fresh creative challenges.
Also Read: Ranveer Singh to Krystle D’Souza: Dhurandhar team reacts to Nick Jonas’ viral dance video on ‘Shararat’
read moreAnaconda (2025) slithers into India with 1,000+ screens amid Dhurandhar wave
The holiday season just got a lot more dangerous—and hilarious. While the Indian box office is currently being dominated by the "Ranveer-storm" of Dhurandhar, a massive reptile is gearing up to claim its share of the Christmas pie. Sony Pictures’ Anaconda (2025) is set for a massive release across India, securing 1,000+ screens despite the heavy competition. This meta-reboot is proving to be a top priority for exhibitors, driven by a combination of high-concept humor and the star power of its lead duo.
Despite the crowded theatrical window, several factors have tilted the scales in favor of this creature-comedy. Directed by Tom Gormican (The Unbearable Weight of Massive Talent), the film follows two friends (played by Jack Black and Paul Rudd) attempting to film an amateur remake of the 1997 classic, only to encounter a real, massive predator. Early reactions from global premieres have been surprisingly positive.
At a crisp 95–99 minutes, the film allows for more frequent showtimes per day, a major win for multiplexes looking to maximize footfall. To ensure a truly pan-India reach, the film is releasing in English, Hindi, Tamil, and Telugu.
'ANACONDA' TO HAVE 1,000+ SCREEN RELEASE ACROSS INDIA – CHRISTMAS 2025 RELEASE... #Anaconda is set for a 1,000+ screen count across #India, even amidst the #Dhurandhar wave. Rave international reactions, strong brand nostalgia, a crisp 90-minute runtime, an aggressive marketing… pic.twitter.com/cpcLaC6LoS
— taran adarsh (@taran_adarsh) December 23, 2025
The film slithers into Indian cinemas on Thursday, December 25, 2025, clashing with a Bollywood film, Tu Meri Main Tera Main Tera Tu Meri. By opting for a Christmas Day opening, the distributors are tapping into the peak holiday spirit.
While the 2025 version is a comedy, early viewers have reported a "shocking amount of Easter eggs" from the original 1997 film and its sequels, suggesting that longtime fans of the franchise will have plenty to look for. On the other hand, the latest reviews highlight Steve Zahn as the "real scene-stealer," with his performance being cited as one of the funniest of the year.
Also Read: Tom Gormican and Kevin Etten reveal how they turned Anaconda into a wild mix of comedy, chaos and high-stakes adventure
read moreSalman Khan-owned Being Human Clothing announces 50% sale ahead of actor's 60th birthday
Being Human Clothing, the fashion and lifestyle brand founded by Salman Khan, has announced a special birthday sale to mark the actor’s birthday on December 23. Titled “Sale So Big, It’s Readyyy”, the limited-period offer includes discounts of up to 50 per cent across stores and online platforms.
To support the sale, the brand has launched a new campaign called “Cake Fake B’Day For Real,” which puts a playful spin on birthday celebrations. The campaign focuses on surprise and fun rather than traditional birthday moments, reflecting Salman Khan’s public persona.
A key moment in the campaign features actor-comedian Sunil Grover, who steps in to enact Salman Khan in a light-hearted sequence. This is followed by Salman Khan himself, tying the narrative together and leading into the birthday offer.
Speaking about the campaign, Ayaan Agnihotri, Executive Director at Four Aces Fashion House, Being Human Clothing, said, “This year’s “Cake Fake, B’Day for Real” campaign is our playful nod to the joy and energy that Salman Mamu brings into people’s lives. By taking the celebrations live with a 50% exclusive birthday sale in stores and online, we wanted to create a digital moment that fans everywhere can be part of—no matter where they are. It’s our way of saying thank you to everyone who continues to support the Being Human Clothing family and Salman Mamu.”
As part of the birthday celebration, Being Human Clothing is offering a flat 50 per cent discount across all exclusive brand stores, department stores, and multi-brand outlets. In addition, a minimum 50 per cent discount is available exclusively on the brand’s official website as part of the SKB Birthday Celebration.
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The sale applies to menswear, womenswear, accessories, and everyday essentials. Customers can shop from the brand’s range of comfortable, contemporary clothing designed for regular wear.
The Being Human Clothing Birthday Sale and SKB Birthday Celebration will be available for a limited period across offline stores nationwide and exclusively online at the brand’s website.
Also Read: Salman Khan steps up for Punjab flood victims with Being Human rescue aid
read moreBadshah becomes FIRST Indian to own ultra-rare Rolex Barbie Daytona
In a world where luxury is often measured in carats and rarity, Indian rapper and mogul Badshah has just performed the ultimate horological mic-drop.
Taking to Instagram from the sets of Indian Idol in December 2025, the ‘Paagal’ singer revealed his latest acquisition: the ultra-exclusive Rolex Daytona "Barbie." With this purchase, Badshah has officially become the first Indian to own this timepiece, solidifying his place in the upper echelons of global watch collectors.
This isn't just a watch you can walk into a boutique and buy. The "Barbie" Daytona is an off-catalogue piece, meaning it is reserved exclusively for Rolex's VIP clients and never appears on their website or in stores.
Exclusivity: Only 10 pieces are believed to exist globally. Design: Crafted in 18-carat yellow gold, the watch features a striking pink dial and a bezel adorned with 40 baguette-cut pink sapphires. Another 12 sapphires serve as the hour markers. The Price Tag: While the retail price is estimated at Rs 3.56 crores ($395,000), the sheer rarity has pushed its market value to a jaw-dropping Rs 9.02 crores to Rs 18 crores depending on the auction circle.
Badshah flaunted the watch with a signature witty rap caption: "Koi bar ni kamaai pe, Barbie kalaai pe, bar dete tod, launde aa jaate jo aayi pe." (No limits on the paycheck, Barbie on the wrist, breaking barriers...)
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By securing this piece, Badshah joins a microscopic "global club" of owners that includes some of the world’s most famous faces:
Lionel Messi: Spotted wearing it pitch-side at an Inter Miami match.
Mark Wahlberg: Known for his legendary "unobtainable" Rolex collection.
Drake: A frequent wearer of off-catalogue "Rollies."
The "Barbie" Rolex is just the latest "gem" in a lifestyle that defines royalty. Badshah’s love for the finer things extends far beyond his wrist. In late 2025, he became the first India-born musician to own the Rolls-Royce Cullinan Series II, joining the likes of SRK and Ajay Devgn.
Also Read: Jeetendra gets emotional on Indian Idol 16 tribute episode for late Dharmendra as Badshah recalls the icon’s legacy
read moreAkshaye Khanna, Suniel Shetty to make cameos in Border 2? Here’s what we know!
Fans of the 1997 hit Border are in for a surprise. Reports now say that actors Akshaye Khanna and Suniel Shetty, along with Sudesh Berry, are set to make cameo appearances in the upcoming sequel Border 2. The original Border was directed by J.P. Dutta and became one of India’s most popular war films. It starred Sunny De
Border 2 is directed by Anurag Singh and brings together a new generation of actors. The film stars Sunny Deol, Varun Dhawan, Diljit Dosanjh and Ahan Shetty in leading roles. According to reports, the makers have filmed short scenes with Khanna, Shetty and Berry. They are expected to reprise their original characters in the sequel, even though those characters did not survive in the first film.
A report by Mid-Day quoted a source saying, “Since Border 2 is also set against the backdrop of the 1971 India-Pakistan war, the characters from the original film will serve as their peers. Anurag and producer-writer Nidhi Dutta felt bringing the heroic characters from the 1997 war drama would make it a memorable experience. So, they incorporated this segment. The characters from the old and new films will cross paths at an event before the 1971 war begins. It’s a great idea as it not only brings the father-son duo of Suniel and Ahan on screen, but also harks back to the much-loved movie.”
Border 2 is scheduled to release in Indian theatres on January 23, 2026.
Also Read: Ahan Shetty talks about pushing physical limits for Border 2; recalls managing NDA training to 12-hour shoots in 40-degree heat
read moreLG India signs SEVENTEEN member JOSHUA as face for brand's Essential Series
K-pop star JOSHUA from the globally popular group SEVENTEEN has entered India’s advertising space as the face of LG Electronics India’s Essential Series. The collaboration, titled JOSHUA X LG, marks his first association with an Indian consumer brand.
LG India said the partnership reflects its focus on making everyday life simpler through practical home appliances. In the new campaign, JOSHUA represents the idea that small, thoughtful conveniences can help reduce daily effort and allow people to focus on what matters most. The campaign features products such as the LG Essential Washing Machine, highlighting ease of use and routine-based living.
JOSHUA’s association brings a lifestyle-led approach to the campaign, especially aimed at Gen Z and millennial consumers. His global presence and calm, relatable personality are expected to connect with Indian audiences who follow international pop culture while valuing simplicity in daily life. The collaboration also points to the growing influence of K-pop artists in the Indian market.
SEVENTEEN, which debuted in 2015, is currently among the most influential music groups worldwide. The group is celebrating its 10th anniversary in 2025, with its latest album HAPPY BURSTDAY debuting at No. 2 on the Billboard 200. SEVENTEEN has also ranked among the top three touring acts globally on Billboard’s 2025 Midyear Boxscore Top Tours chart.
As a key member of the group’s vocal unit, JOSHUA has been part of several chart-topping releases and international tours. Known for his composed stage presence and understated style, he has also explored solo work and global collaborations with international artists. His role in the LG campaign reflects a growing trend of global music icons shaping brand communication in India.
LG India has not shared further details on the duration of the association, but the campaign is expected to roll out across digital and other platforms in the coming weeks.
Also Read: Pink Sweat$ to drop remix version of ’17’ and feature K-pop group SEVENTEEN’s members DK and Joshua
read morePPL India takes Kapil Sharma, Netflix to Bombay HC over use of 3 songs without licence: Report
Phonographic Performance Ltd (PPL) India has approached the Bombay High Court in a copyright infringement case involving comedian Kapil Sharma’s Netflix show The Great Indian Kapil Show. The organisation claims that three songs were used without permission in Season 3 of the series, which aired between June and September this year.
A report by Mid-Day stated that according to the commercial suit filed on December 12, PPL India says the episodes included popular tracks without securing the necessary licences from the rights holders. The episodes in question featured ‘M Bole To’ from Munna Bhai MBBS (2003), ‘Rama Re’ from Kaante (2002), and ‘Subha Hone Na De’ from Desi Boyz (2011).
PPL India states the use of these songs amounts to “public performance/communication to the public” under the Indian Copyright Act, which requires a licence. Neither the producers nor Netflix obtained permission before using the music, the complaint alleges.
The organisation also highlighted that the show is first recorded before a live audience, where the songs are played audibly, and later streamed on Netflix. This, it says, adds to the extent of the alleged infringement. Prior to filing the suit, PPL India issued a cease-and-desist notice in early November, but claims the response from the show’s makers was only a holding reply and did not stop the use of its sound recordings.
PPL India has asked the High Court to stop the use of its copyrighted music without a licence, reveal any earnings from the allegedly unauthorised use, and consider appointing a court receiver to seize infringing materials. The matter is expected to come up in the commercial division of the Bombay High Court soon.
Representatives for Kapil Sharma, Netflix, and the production companies had not commented at the time of reporting.
Also Read: Kapil Sharma admits that he was sceptical of the plot of Kis Kisko Pyaar Karoon 2: “The idea of one man married to 3 women from different religious communities sounded too controversial”
read moreEXCLUSIVE: Minimum 2 shows in single screens, 5 shows in 2 screen cinemas, 6 shows in 3-screen multiplexes - Release strategy of Tu Meri Main Tera Main Tera Tu Meri REVEALED
Two days are left for the release of Tu Meri Main Tera Main Tera Tu Meri, starring Kartik Aaryan and Ananya Panday, and the excitement is slowly building up thanks to its fresh look, youthful appeal, music and casting. The advance booking of the film commenced over the weekend and in this article, Bollywood Hungama will inform readers about the demand put forward by Dharma Productions’ in-house distribution team in front of the single-screen theatres and multiplexes.
A trade source told Bollywood Hungama, “The team of Tu Meri Main Tera Main Tera Tu Meri are aware that Dhurandhar is still unstoppable and will continue to find a huge audience on Christmas, when their film will arrive in cinemas. They also know that Avatar: Fire And Ash has taken up several shows and screens. Hence, they have asked for fair and modest showcasing, keeping in mind the realities.”
The source continued, “The distribution team of Tu Meri Main Tera Main Tera Tu Meri has asked for a minimum of 2 shows in theatres with 1 screen. In 2-screen plexes, they have asked for 5 shows. Multiplexes with 3, 4, 5 and 6 screens need to play 6, 8, 12 and 14 shows a day, respectively. Lastly, for multiplexes with 7 screens and more, the team of the film have asked for 16 shows. This is the minimum number of shows that they have requested.”
The source then said, “Despite these fair demands, the team of the film is struggling to get the desired number of shows. As of 9:00 am on December 23, only theatres with 4 more screens and more have opened bookings, that too in just one screen. Single-screens and 2 and 3-screen cinemas are yet to commence ticket sales as negotiations are still going on. Thankfully, Avatar: Fire And Ash didn’t get a release in single screens and hence, these theatres need to divide shows only between Dhurandhar and the romcom. But even that is proving to be a challenge as the demand for Dhurandhar is just not subsiding even after 18 days. Moreover, both Dhurandhar and Avatar: Fire And Ash are more than 3 hour films. So in multiplexes, dividing shows between the three films will also prove to be a challenge.”
An industry insider commented, “We have seen distributors being unreasonable and forcing cinemas to give 100% showcasing to their films. Keeping that in mind, kudos to Karan Johar and his team for being reasonable and practical and not asking for too many shows. Also, Tu Meri Main Tera Main Tera Tu Meri features a rising star like Kartik Aaryan and it belongs to a genre that has a lot of takers. Hence, we hope that cinemas give this film a chance.”
Also Read: Tu Meri Main Tera Main Tera Tu Meri faces copyright trouble; Trimurti Films moves Bombay HC against Karan Johar’s Dharma Productions over ‘Saat Samundar Paar’ use
read moreKriti Sanon joins Supply6 as investor and brand ambassador after Rs 9.1 crores seed funding
Bengaluru-based D2C nutrition brand Supply6 has roped in actor and entrepreneur Kriti Sanon as its brand ambassador and investor, marking a strategic association rooted in her experience as a consumer of the brand’s products.
According to the company, the partnership evolved organically after Sanon began using Supply6’s offerings as part of her daily routine. Her continued engagement with the products eventually led to discussions around a deeper collaboration, aligning with her growing interest in the health and wellness space.
Founded in 2019 by Vaibhav Bhandari and Rahul Jacob, Supply6 focuses on addressing everyday nutritional gaps through routine-based consumption rather than trend-driven fitness solutions. Its product portfolio includes a daily nutrition drink, zero-sugar electrolytes and protein-based wafers. Sanon was first introduced to the brand through its zero-sugar electrolyte product, Supply6 Salts, which became a regular part of her routine.
The company stated that the association aims to strengthen its connection with urban consumers by emphasising simple, consistent habits such as hydration and balanced nutrition. Commenting on the partnership, co-founder Vaibhav Bhandari said Sanon’s transition from consumer to investor closely reflects the brand’s philosophy. He added that the collaboration will help Supply6 reach its next phase of growth by expanding its consumer base with a message grounded in everyday wellness.
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Kriti Sanon, who has increasingly invested in consumer-facing businesses, said Supply6’s focus on practical nutrition drove her decision to join the company. She noted that the products were easy to integrate into daily life and that her trust in the brand’s science and intent developed over time, investing a natural progression.
The announcement comes shortly after Supply6 raised Rs 9.1 crore in a seed funding round led by Zeropearl VC, with participation from other investors. The company has also recently launched a Protein Wafer Bar containing 10 grams of protein, no maida and no added sugar. In addition, Supply6 is expanding its footprint in international markets, including the United States.
Supply6 had earlier onboarded former South African cricketer AB de Villiers as an investor and brand ambassador, strengthening its lineup of strategic partners as it scales its operations.
Also Read: Kriti Sanon on Tere Ishk Mein being called misogynistic, “That basically means the film made you think and feel and that is really important”
read moreSCOOP: Release date of Salman Khan-starrer Battle Of Galwan expected to be revealed with the teaser on December 27
Yesterday, Bollywood Hungama broke the exciting news that the much-awaited teaser of Battle Of Galwan will be unveiled on the birthday of its lead actor Salman Khan, that is, December 27. We now bring to you one more update about the film and its release plans.
A source told Bollywood Hungama, “If all goes well, the release date of Battle Of Galwan will be mentioned in the teaser. This increases the excitement for the promo even more as not just fans, but even the industry and trade are curious to know when Salman Khan will bring his grand war epic into the cinemas.”
Bollywood Hungama had earlier reported that Battle Of Galwan is expected to release in June or July. Later, we also said that Salman is also toying with the idea of bringing the film on Eid and thus reclaiming the slot usually reserved for his films since 2009.”
The source further said, “The team of the film is looking at multiple dates. Eid was and is still in consideration. But since Dhurandhar 2 has been announced for an Eid release, the chances now are remote. Salman Khan is a fair person and he is clear that he would not like to clash with any other film. He feels it's wrong that someone has taken up a date and he should bring his film on the same day. Hence, the team is trying to get a date which is vacant and appropriate for a grand film like Battle Of Galwan. They are now looking at all the summer months, between March and June.”
The source continued, “There have been murmurs in the trade that one of the biggies, scheduled for a release in the summer, might get pushed. The team of Battle Of Galwan is closely keeping an eye on it and whether the team can take up that date. If that doesn’t happen, they’ll look for some other date. The team is working hard on this front and expect to lock the release date in a day or two and mention the same in the promo. There’s a small chance that they might not find an apt release date in the next 3-4 days. In such a scenario, no release date will be mentioned in the teaser. But they hope to find a slot and make it known to the world with the promo.”
Besides Salman Khan, Battle Of Galwan also stars Chitrangda Singh. Salman plays the role of Colonel Bikkumalla Santosh Babu in this film, which is based on a chapter in the book ‘India’s Most Fearless 3’ (2022), authored by Shiv Aroor and Rahul Singh. It is directed by Apoorva Lakhia.
Also Read: EXCLUSIVE: Teaser of Battle Of Galwan to be unveiled on Salman Khan’s 60th birthday on December 27
read moreShahid Kapoor to wrap up O Romeo shoot with 10-day patch schedule in Mumbai: Report
As 2025 draws to a close, the year stands out as a surprising one for the Indian film industry, marked by several sleeper hits. While the year is set to end with Kartik Aaryan’s Tu Meri Main Tera Main Tera Tu Meri, anticipation around a slate of 2026 releases is steadily building. One of the most keenly awaited among them is Shahid Kapoor’s fourth collaboration with filmmaker Vishal Bhardwaj, O Romeo.
The makers appear keen to wrap up filming quickly, with the final leg of the shoot scheduled to begin on December 28. The team is unlikely to take a break for New Year celebrations, as Bhardwaj plans to kick off a 10-day patch shoot at Vrundavan Studios in Malad.
According to a report by Mid-Day, this phase will include action sequences and dialogue-heavy scenes. A source quoted by the publication revealed, “It’s a patch shoot, with some action and dialogue-heavy scenes lined up.” The report further stated that the first two days will largely focus on Shahid Kapoor’s portions, while co-stars Triptii Dimri and Randeep Hooda will not be required during this phase.
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Following a brief New Year break, the production is expected to resume with an additional eight-day shoot in January 2026. This schedule will reportedly involve crowd scenes and sequences using body doubles. “If required, the actors may be asked to report for a day or two,” the source added. Meanwhile, post-production work on the action thriller is already underway to ensure the film stays on track for its February 13 release.
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Produced by Sajid Nadiadwala under the Nadiadwala Grandson Entertainment banner, O Romeo is being positioned as a visually driven, high-octane action thriller with a strong romantic thread. The film also stars veteran actor Nana Patekar. The film is slated for a Valentine’s Day 2026 release.
Also Read: BREAKING: Sajid Nadiadwala’s Shahid Kapoor-starrer O Romeo expands ensemble with Vikrant Massey, Tamannaah Bhatia, Disha Patani
read moreVijay Ganguly breaks silence on Dhurandhar song ‘Shararat’ casting; says Tamannaah Bhatia was never considered
Choreographer Vijay Ganguly has addressed the recent buzz surrounding the song ‘Shararat’ from Dhurandhar, firmly clarifying that Tamannaah Bhatia was never under consideration for the sequence. His statement comes in response to headlines and online chatter suggesting that the actress was “rejected” for the song—a claim he has categorically dismissed.
Taking to social media, Ganguly expressed disappointment over how conversations around creative decisions often get distorted. He highlighted how selective framing and sensationalised language can divert attention away from the craft itself. “I genuinely enjoy conversations around cinema and the many layers that go into making a film. That said, I've often refrained from putting myself out there because, at times, words get selectively lifted, misquoted or sensationalised to serve headlines rather than the craft. It's unfortunate that instead of the conversation staying on the song and the creative intent behind ‘Shararat’, the focus has shifted to comparisons between two wonderful artists, with strong and reductive terms like ‘rejections’ being used - something that was never the spirit of what was shared,” he wrote.
Ganguly went on to reiterate the collaborative nature of filmmaking and urged for a more nuanced understanding of creative choices. “Cinema is collaborative. It thrives on respect, nuance and context. I hope we can keep the spotlight where it belongs - on the work and the many people who pour their hearts into it,” he added.
Putting speculation to rest, the choreographer clearly explained why Tamannaah Bhatia was not part of the discussion for ‘Shararat’. “To clarify: Tamannaah Bhatia was never under consideration because her star power is so significant it might have overwhelmed the specific needs of this scene. In Dhurandhar, the music is woven into a high-stakes moment where the tension is key. The makers opted for two performers to keep the focus on the story's progression. This choice was about protecting the film's atmosphere and ensuring the narrative remains the hero of the sequence,” Ganguly stated.
His clarification effectively counters claims of rejection, instead highlighting that casting decisions are driven by storytelling requirements and tonal balance, rather than notions of acceptance or refusal. The emphasis, according to Ganguly, was on ensuring that the song served the film’s tension and narrative momentum without distraction.
Meanwhile, Tamannaah Bhatia continues to receive widespread appreciation for her recent work. She was last seen in The Ba***ds of Bollywood, where her song ‘Ghafoor’ has been trending across social media platforms, reinforcing her strong screen presence and popularity.
With Ganguly’s statement now on record, the focus returns to the creative intent of Dhurandhar —underlining a key filmmaking truth that every casting choice is ultimately about serving the story, not sidelining star power.
Also Read: Ranveer Singh starrer Dhurandhar rewrites overseas box office records in 2025; is now the biggest overseas grosser of 2025, surpasses Saiyaara with USD 20.9 million
read moreDelhi High Court grants interim relief to R Madhavan, restrains misuse of actor’s image and AI-generated content
In a significant order aimed at curbing the misuse of celebrity identities in the digital space, the Delhi High Court on Monday, December 22, passed an interim injunction safeguarding the personality rights of actor R Madhavan. The court restrained the unauthorised commercial use of the actor’s name, image, and likeness, while also directing action against obscene and misleading content circulated online.
The ad interim order was passed by Justice Manmeet Pritam Singh Arora, who acknowledged the growing threat posed by deepfake technology and AI-generated content. The court barred the sale of merchandise and other commercial products that exploit Madhavan’s personality traits without consent and ordered the removal of objectionable material found to be infringing upon his rights.
Appearing for the actor, Senior Advocate Swathi Sukumar detailed how several defendants had allegedly circulated deepfake and AI-generated content, including fabricated trailers and misleading visuals falsely associated with Madhavan. It was submitted that such material not only misrepresents the actor but also risks causing reputational harm.
The court was informed that Madhavan had already taken steps to address the issue by approaching social media platforms to seek removal of the infringing content before filing the suit. This aspect gained significance in light of the judge’s earlier clarification that individuals seeking urgent relief against objectionable online content must first exhaust remedies available with digital platforms before invoking judicial intervention.
While granting relief, Justice Arora specifically ordered an injunction against the sale of unauthorised merchandise linked to certain defendants and extended protection against obscene content circulated using the actor’s identity. The court observed that misuse of a public figure’s persona—particularly through advanced technologies—raises serious legal and ethical concerns.
The order adds R Madhavan’s name to a growing list of public figures who have sought judicial protection for their personality rights amid the rapid rise of AI-driven impersonation. Similar legal actions have previously been initiated by personalities such as Pawan Kalyan, Sunil Gavaskar, Salman Khan, and Jr NTR, while courts have also extended protection to figures including Sri Sri Ravi Shankar, Nagarjuna, Aishwarya Rai Bachchan, Abhishek Bachchan, and Karan Johar.
Notably, Justice Arora has recently passed comparable orders in favour of journalist Sudhir Chaudhary and podcaster Raj Shamani, recognising the heightened vulnerability of well-known individuals to digital misuse.
The ruling in Madhavan’s case reinforces the judiciary’s evolving stance on personality rights in the age of artificial intelligence, underlining that public visibility does not dilute an individual’s right to dignity, reputation, and lawful control over their identity.
Also Read: R Madhavan on Akshaye Khanna grabbing attention for Dhurandhar, “I cannot be happier for Akshaye, he deserves every bit of the adulation”
read moreAkshay Kumar to host Wheel of Fortune as Sony brings global game show to Indian TV
Indian television may be on the cusp of its next major game-show moment. After Kaun Banega Crorepati redefined appointment viewing with Amitabh Bachchan at its helm, Sony Entertainment Television is now gearing up to introduce another globally recognised format to Indian audiences — Wheel of Fortune, with Akshay Kumar set to host.
The move is being seen as one of the most high-profile television developments of the year, with Sony placing its full weight behind the project. At the centre of this strategy is Akshay Kumar, whose casting is widely viewed as the cornerstone of the show’s Indian adaptation. Industry insiders suggest the channel is aiming to build a large-scale, family-friendly entertainment property that can resonate across age groups, regions, and viewing platforms.
For over two decades, Indian television’s game-show space has been largely synonymous with Kaun Banega Crorepati, proving that audiences gravitate towards intelligent formats when fronted by a trusted and familiar face. With Wheel of Fortune, Sony appears to be attempting a fresh reinvention of that space. Sources indicate that Akshay Kumar was always the first and only choice to lead the show.
Industry sources confirm that Sony has acquired the Indian rights to Wheel of Fortune, one of the longest-running and most successful game shows in global television history. The channel is expected to begin shooting by mid-January. While the format itself carries strong international credibility, it is Akshay’s association that has generated the most buzz within television circles.
“Akshay brings a rare combination of superstar credibility and everyday relatability,” a source revealed. “He connects effortlessly with both metro audiences and small-town India. He’s quick on his feet, naturally funny, warm with contestants, and never intimidating — which is exactly what a show like Wheel of Fortune needs.”
The project also marks Akshay Kumar’s return to mainstream television hosting after earlier successful stints. Sony is reportedly betting on his ability to elevate the format without overpowering it. Known for his humour, infectious energy, and instinctive crowd connect, Akshay is expected to play an active role in shaping the tone of the Indian adaptation.
Originally launched in the United States in the 1970s, Wheel of Fortune has been adapted in over 60 countries and continues to be one of the most recognisable game shows worldwide. Sources add that Sony is investing heavily in production design, featuring a visually grand set, a larger-than-life wheel, and immersive sound design aimed at delivering a premium prime-time viewing experience.
With a globally proven format and one of Bollywood’s most bankable stars at the forefront, Sony is positioning Wheel of Fortune as a potential prime-time leader — anchored by Akshay Kumar’s star power and broad-based appeal.
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read moreDrishyam 3 announcement video drops; Ajay Devgn Returns as Vijay Salgaonkar
Drishyam 3 has officially moved one step closer to the big screen, much to the excitement of fans who have been eagerly awaiting the next chapter of iconic thriller franchise starring Ajay Devgn. After the massive success of Drishyam (2015) and Drishyam 2 (2022), the makers have now unveiled an announcement video confirming the arrival of the third and final instalment.
Taking to Instagram, the team shared a gripping announcement video along with the caption, “Aakhri hissa baaki hai (The final chapter remains). In cinemas on 2nd October, 2026.” The video features Ajay Devgn reprising his much-loved role as Vijay Salgaonkar, delivering a powerful monologue that reflects on the lessons he has learned over the years. Vijay speaks about how truth can differ from person to person, asserting that his only unwavering truth is his family. He vows to never break, never accept defeat, and to remain the strongest pillar for his loved ones till the very end. The monologue is intercut with striking montages from earlier films and glimpses of new moments, hinting at yet another round of layered storytelling, moral dilemmas, and shocking twists that the franchise is known for.
The announcement also fulfils a promise made by Ajay Devgn earlier this month. During the trailer launch of De De Pyaar De 2, the actor had hinted that something special for Drishyam fans would be unveiled in December. “It (Drishyam 3) will get launched in December. Once that film is launched, we’ll be able to talk about it,” he had told at the event.
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Adding to the buzz, Mohanlal recently announced the wrap of the Malayalam version of Drishyam 3. Industry chatter suggests that both the Hindi and Malayalam versions are progressing simultaneously, maintaining parallel development.
The Hindi version of Drishyam 3 also stars Shriya Saran, Ishita Dutta, Mrunal Jadhav, Kamlesh Sawant, and Rajat Kapoor in key roles, alongside Devgn and Tabu. With the final showdown between Vijay Salgaonkar and IG Meera Deshmukh set to unfold, expectations are sky-high for what promises to be an intense and emotionally charged conclusion. Drishyam 3 is slated for a theatrical release on October 2, 2026.
Also Read: EXCLUSIVE: Has Paresh Rawal signed Drishyam 3? Actor clarifies, “Not true. The makers did approach me…its script is VERY good…”
read moreEXCLUSIVE: Teaser of Battle Of Galwan to be unveiled on Salman Khan’s 60th birthday on December 27
2025 has been a milestone year for the three Khans – Aamir Khan, Shah Rukh Khan and Salman Khan. Aamir celebrated his 60th birthday on March 14 followed by SRK on November 2. Now, Salman Khan will turn 60 this Saturday, December 27, and as expected, fans are already in celebratory mood. What would make this year’s birthday extra special is that the teaser of his upcoming film, Battle Of Galwan, will be out on Salman’s big day.
A source told Bollywood Hungama, “The team of the film has been working on the teaser for some time. They feel that December 27 is an apt time to release the asset. It’ll introduce the world of Battle Of Galwan and give the audience an idea about the grandeur and scale of the film. It’ll also depict Salman Khan in all its glory, which the fans are sure to lap up.”
The source further said, “Before the teaser is out, the makers will be dropping one or two posters of Battle Of Galwan as well.” When asked about it, the source confessed that he doesn’t have clarity on that front. He said, “It should be out either on December 25 or December 26, and it’ll be followed by the launch of the teaser.”
Besides Salman Khan, Battle Of Galwan also stars Chitrangda Singh. Salman plays the role of Colonel Bikkumalla Santosh Babu in this film, which is based on a chapter in the book ‘India’s Most Fearless 3’ (2022), authored by Shiv Aroor and Rahul Singh. The film is inspired by the events of June 15, 2020, when Indian and Chinese soldiers clashed in the Galwan Valley during the COVID-19 pandemic. This confrontation was part of a larger border standoff along the Line of Actual Control (LAC). It is directed by Apoorva Lakhia of Shootout At Lokhandwala (2007) fame.
Also Read: Salman Khan starter Battle of Galwan first look to be unveiled on his birthday: Report
read moreYRF FY 2024-25 Results: Rs. 415.06 cr. Revenue, Rs. 67.61 cr. Profit; Net margin jumps from 6.25% to 16.29% as FY25 profits edge past FY24
For FY 2024-25, Yash Raj Films (YRF) has posted what is best described as a profit-led year. On a relatively modest topline of Rs. 415.06 crore, the studio has delivered a net profit of Rs. 67.61 crore, translating into a net margin of around 16.29%. For a privately held production house operating in an entertainment-driven business, this level of profitability on a mid-sized revenue base underscores a conscious shift towards tighter slates, disciplined cost structures and more efficient monetisation of content and library assets.
This performance stands in sharp contrast to FY 2023-24, when YRF reported a far heftier revenue of Rs. 1,020.73 crore but a slightly lower net profit of Rs. 63.8 crore, implying a net margin of just about 6.25%. In effect, topline is down nearly 59% year-on-year, but net profit is up around 6%, more than doubling margins. FY 2023-24 was driven by Tiger 3 and legacy monetisation, but clearly with a much heavier cost and participation load. FY 2024-25, by comparison, is a light-slate, high-yield year where the studio has traded scale for stability and sharper per-rupee profitability.
Over the twelve financial years from FY 2013-14 to FY 2024-25, revenue has swung from sub-Rs 250 crore in the Covid year to over Rs. 1,500 crore in the Pathaan windfall year – classic boom-and-bust for a hit-driven studio. Across this period, YRF’s top line has compounded at roughly 7–8% annually, but through sharp peaks and troughs rather than a smooth climb. Average annual revenue and profit stand at about Rs. 635 crore and Rs. 55 crore respectively, with an average net margin just under 9%.
Taken together, YRF’s last twelve years underline that it remains a classic hit-driven studio, but one with a far thicker safety net than before. FY 2024-25 shows that even on a mid-sized topline, disciplined costs, smarter monetisation and franchise IP like the Spy Universe can deliver near-peak margins. The challenge and opportunity now is to marry FY25-style profitability with FY23-scale revenues when Mardaani 3 and Alpha hit screens. If that happens, Yash Raj Films’ financial script over the next decade could be as compelling as its biggest blockbusters.
Also Read: Yash Raj Films to release Ikkis overseas; industry heavyweights Aditya Chopra and Dinesh Vijan collaborate for the FOURTH time in 2025
read moreRita Bhattacharya BREAKS SILENCE after Kumar Sanu’s Rs 50 crores defamation suit, calls for peace
Singer Kumar Sanu and his former wife Rita Bhattacharya are once again in the spotlight as a legal dispute unfolds years after their divorce. The veteran playback singer filed a defamation suit in the Bombay High Court against Bhattacharya, alleging that recent interviews she gave contained defamatory remarks that harmed his reputation and violated the terms of their divorce agreement.
In his petition, Sanu’s legal team, led by advocate Sana Raees Khan, has sought damages reported to be Rs 50 crores and has demanded that the interviews in question be taken down from various entertainment platforms. The suit claims that Bhattacharya’s statements breach a clause from their 2001 divorce settlement that prohibited either party from making allegations against the other in public.
Reacting publicly for the first time since the notice was issued, Bhattacharya described her shock at the legal action, particularly the financial demand involved. In an interview with ETimes, she said, “The paper he has sent me, he is asking for 50 crores. I don’t know how Sanu is dreaming that I have so much money. It is really sad. I’m shocked. He is filing a case against the mother of his three grown-up sons.”
The conflict partly stems from remarks made in media interviews and social media responses earlier this year, including reactions tied to comments by actor Kunickaa Sadanand about a past relationship with a married man. Bhattacharya and her son, Jaan Sanu, responded on social platforms, prompting further scrutiny and the subsequent lawsuit.
She further shared, “I never got a chance to talk to him. Neither my children ever got a chance to talk to him because he has always blocked us. I tried to call Sanu, but he never took our calls. We are blocked on his number." “I contacted his secretary and requested him to please stop this. It is a very big insult. My son was getting married, and the in-laws were asking questions. I requested many times. I have all the messages and recordings on my phone.”
Bhattacharya continued, “I am 63 years old, and again I have to fight in court. The first time he took me to court, I was pregnant with Jaan. Now again, at this age, I have to go through this. I will meet Sanu in the court after 31 years. This is very insulting. My children are not kids. They are grown-up men. My elder son will be 37, my second son will be 34, and Jaan is already 31. I don’t think it is their crime that they are answering people. They did nothing."
She also indicated she may pursue a counter-case, saying, “I will see him in court. And I will request Sanu with folded hands — just try to be a good human being and be the father of my three children. If you can’t love us, at least don’t disturb us and don’t harass us anymore."
In closing her remarks, Bhattacharya made a heartfelt appeal to her former husband, urging him to “be a good human being and be the father of my three children,” and asking that he stop what she described as harassment. The court is expected to hear the matter this month.
Also Read: Delhi HC grants interim protection to Kumar Sanu’s personality rights; orders takedown of infringing content
read moreNora Fatehi says she is “Alive and Well” after car accident caused by drunk driving: “That could have ended terribly”
Nora Fatehi recently opened up about the frightening moments surrounding the serious car accident she was involved in earlier this year, an incident that left her with a concussion and temporarily halted her professional commitments. Recalling the experience, the actor-dancer described how the crash unfolded suddenly, leaving her disoriented and shaken.
As previously reported, the accident occurred when a drunk driver rammed into the car Nora was travelling in while she was on her way to attend the Sunburn Festival in Mumbai, where she was scheduled to appear alongside DJ and music producer David Guetta. Following the collision, her team immediately rushed her to the nearest hospital. Doctors conducted a CT scan to rule out internal bleeding, after which she was diagnosed with a concussion and advised rest.
Speaking about the incident, Nora said, “Hey guys, I'm just coming here to tell you that I am okay. Yes, I was in a really serious car accident. A drunk person who was driving under the influence smashed my car, and unfortunately, the impact was quite severe, and it flung me across the car. I bashed my head on the window.”
Sharing her health update, Nora asserted, “I'm alive, and I'm well. Except for some minor injuries, swelling, and a slight concussion, I'm okay. I'm grateful for that. That could have ended terribly, but I came to say this to say that this is why you should not drink and drive.I hate alcohol to begin with. In fact, I am not someone who has ever liked the idea of alcohol or anything like that, such as drugs, weed, anything that puts you in a different state of mind... It is not something I promote or even enjoy being around.”
She further continued, “You should not drink and drive. It's 2025. I cannot believe that this is even a conversation. I can't believe that this is even a scenario that has to happen. At 3 p.m. in the afternoon, I could never imagine someone would be driving under the influence and putting people in harm's way. Having said that, I just want to let everyone know I'm okay. I'm going to be suffering from pain for some time, but, thank God I am alive.”
A day later, Nora marked a strong return to the spotlight as she joined David Guetta on stage at Sunburn Festival 2025, turning what could have been a subdued comeback into one of the most talked-about moments of the event. Her appearance went beyond a symbolic gesture, as the duo teased their upcoming global single ‘Fire Starter,’ which also features Ciara. A high-energy remix of the track was played live, offering fans an early preview and generating immediate buzz.
The timing of the appearance aligned with a significant phase in Nora’s international journey. She recently made her U.S. television debut on The Tonight Show Starring Jimmy Fallon, performing ‘What Do I Know’ (Just A Girl) with Shenseea, and also delivered a high-impact performance at UNTOLD Dubai. Together, these moments underline a steady expansion of her global footprint.
Also Read: Nora Fatehi likely to make surprise appearance at David Guetta’s India concert
read moreAvatar: Fire And Ash shows to be CUT by 30% on Christmas Day for Kartik Aaryan’s Tu Meri Main Tera; exhibitors pick Kartik as their first choice
As Dhurandhar is continuing to rule the box office in India, the battle for the Christmas 2025 period is getting intense between the Kartik Aaryan led Tu Meri Main Tera Main Tera Tu Meri and the James Cameron film, Avatar: Fire and Ash. And in a surprising turn of events, exhibitors have decided to reduce the show count of Avatar: Fire and Ash on Christmas Day to accommodate the Kartik Aaryan rom-com at their properties.
"Jio Star Studios (Distributor of Avatar: Fire and Ash in India for Disney India) has permitted exhibitors to move the Christmas Day programming for Avatar: Fire and Ash as the exhibitors had strong pressure from the stakeholders of Tu Meri Main Tera Main Tera Tu Meri headlined by Kartik Aaryan with Ananya Panday. The show reduction process has already begun at independent chains, and approx. 30 per cent of the shows will be reduced for Avatar: Fire and Ash on Christmas Day, which will give a very good release to the Kartik Aaryan film," a trade source shared with Bollywood Hungama.
The exhibitors are bullish on Tu Meri Main Tera Main Tera Tu Meri as it's a happy film featuring a young star like Kartik Aaryan, and it fits the bill for the family plans over the holiday period of Christmas and New Year. "There is strong demand for Tu Meri Main Tera among the youth, and they are expected to ensure a strong start for the film on the opening day despite competition. The audience demand is driving the showcasing and programming, as Avatar: Fire and Ash has clearly not fired the way it should have at the box office," the trade source told Bollywood Hungama.
In contrast, Jio Studios has not permitted any reduction in shows for Dhurandhar on Christmas Day. Exhibitors are adhering strictly to the original showcasing commitments for the film.
Also Read: EXCLUSIVE: CBFC censors 15 seconds of sexually suggestive scene in Tu Meri Main Tera Main Tera Tu Meri
read moreEmraan Hashmi resumes Awarapan 2 shooting in Rajasthan weeks after abdominal surgery
Emraan Hashmi has once again proved why he is considered one of the most committed and resilient actors in the industry. During a high-octane action sequence on the sets of Awarapan 2, Emraan reportedly suffered a serious abdominal tissue tear that required immediate medical attention and surgery. While most actors would have opted for an extended break, sources reveal that Emraan chose to return to the set much sooner than expected, driven by his dedication to the film, his role, and his audience.
According to sources, Emraan is currently back on location in Rajasthan, with the shoot proceeding under strict supervision. His action movements have been restricted and the schedule has been carefully revised to ensure his health is prioritised while the film continues to move forward smoothly.
His determination has reportedly deeply inspired the team, who are in complete awe of his passion and professionalism. Awarapan 2 is among the most awaited upcoming projects, and Emraan’s resolve to continue shooting despite the physical challenges has added even more emotional depth to the journey of the film. Fans, colleagues, and well-wishers are said to be rallying behind him as he delivers yet another powerful performance.
Also Read: Shabana Azmi on joining Emraan Hashmi starrer Awarapan 2, “My character comes in at a crucial juncture in the story”
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