Bollywood
Assi set for digital premiere on ZEE5 on April 17 after theatrical run
After sparking conversation and earning critical acclaim during its theatrical run, Assi is set for its digital premiere on Hindi ZEE5 on 17th April. Directed by Anubhav Sinha and produced by Benaras Media Works and T-Series Films, Assi features a powerful ensemble cast including Taapsee Pannu, Mohammed Zeeshan Ayyub, Kani Kusruti, Revathy, Manoj Pahwa, Kumud Mishra, Naseeruddin Shah, Supriya Pathak, and Seema Pahwa.
A hard-hitting courtroom drama, Assi follows a lawyer (Taapsee Pannu) who takes on a brutal rape case, confronting not just the crime but the systemic apathy surrounding it. In a striking moment, the film underscores a grim reality—nearly 80 rape cases reported in a single day—amplifying the urgency of its narrative. It traces the journey of a survivor and her partner (Kani Kusruti and Mohammed Zeeshan Ayyub), whose lives are shattered by violence, as they navigate trauma, societal judgment, and an unforgiving legal system. Anchored in the reality of rising sexual violence and delayed justice, Assi shines a light on the emotional and social aftermath often left unspoken.
Raw and unflinching, the film goes beyond the courtroom to explore the human cost of such crimes—the resilience it demands and the silence it challenges. Its honesty and emotional depth struck a chord with audiences in theatres, and it now aims to reach a wider global audience on ZEE5.
Kaveri Das, Business Head – Hindi ZEE5 and Chief Channel Officer, &TV, said, “Assi is the kind of film that naturally sparks quiet, difficult, yet necessary conversations. At Hindi ZEE5, we are committed to stories that invite reflection and meaningful engagement without being overtly didactic. We believe cinema can create space for such moments, leaving a lasting impact well beyond the screen”.
Director and Co-Writer Anubhav Sinha added, “Assi is not just a film, it’s a reflection of the times we live in. We wanted to tell a story that doesn’t shy away from uncomfortable truths, while also focusing on the resilience of the human spirit. I’m glad that with Hindi ZEE5, the film will now reach an even wider audience and get the merit it deserves”.
Taapsee Pannu shared, “Playing this character was one of the most challenging experiences for me as an actor. Assi is not an easy watch, but it’s an important one. It’s a story that needs to be told with honesty and sensitivity, and I hope audiences connect with its intent and message as it reaches them on Hindi ZEE5”.
With its gripping narrative and powerful performances, Assi is a thought-provoking film that lingers long after the credits roll.
Don’t miss the digital premiere of Assi on 17th April, only on Hindi ZEE5.
Also Read: What should Taapsee Pannu do to return to the big league? Trade experts share their views: “She needs to reinvent herself like Shah Rukh Khan and offer audience something new. Had she done intense love story like Tere Ishk Mein, it would have worked for sure”
read moreEXCLUSIVE: No direct-to-OTT release for Maatrubhumi; Salman Khan determined to bring his film to cinemas
On Saturday, April 11, Bollywood Hungama reported that, following directives from the Ministry of Defence, China will not be named in the Salman Khan-starrer Maatrubhumi. The news went viral in no time and became not just a trending Bollywood topic but also national news. Meanwhile, murmurs began circulating that the film might not be released in cinemas and that the makers were considering bringing it directly to an OTT platform. Bollywood Hungama has now learned that there is no truth to this chatter.
A source told Bollywood Hungama, “Salman continues to be a mega star and he has mounted Maatrubhumi on a grand scale. It’s a film for the big screen and hence, he and director Apoorva Lakhia are committed to releasing the film theatrically once the issues surrounding the film are resolved.”
An industry insider commented, “There’s a general misconception among certain people that there’s no censorship on OTT. Hence, they feel that if Salman Khan opts to skip a theatrical release, he’ll be able to drop the film on OTT without any problem. However, that’s not how it works. Every film that releases directly on streaming platforms also goes through the certification process, just like any theatrical film. So, even for a direct-to-OTT premiere, the government must clear the film before it can be presented to the public.”
On April 11, Bollywood Hungama quoted a source who said, “Earlier, the film was inspired by a real event. But as per the request of the Ministry of Defence, Salman Khan and director Apoorva Lakhia reshot the film by adding a fictional spin to the story. Accordingly, he reshot nearly 40% of the film as he added some romantic scenes, backstory, etc. The makers submitted the new cut, hoping that they would get the NOC. But the Ministry still has apprehensions.”
The source added, “One of the requests to Salman Khan is that China shouldn’t be mentioned in the film. This was communicated to the makers in advance. The cut of Maatrubhumi, which was submitted earlier this month, has no mention of China.” The source further said that only those in the core team of Maatrubhumi are aware as to how the neighbouring country has been depicted or mentioned without naming it.
Also Read: Why has Salman Khan’s Maatrubhumi not locked its release date yet? Here’s what we know!
read moreSaiyaara Team Reunites: Mohit Suri, Akshaye Widhani, Ahaan Panday and Aneet Padda return for an intense romance laced with heart-tugging music
Earlier in the day, Bollywood Hungama broke the news about director Mohit Suri, actor Ahaan Panday and producers Yash Raj Films reuniting for another romance. The news is now confirmed by the banner. After the phenomenal success of Saiyaara that became the all-time highest grossing love story in the history of Indian cinema, the celebrated team of Mohit Suri, producer Akshaye Widhani (CEO of Yash Raj Films) and breakout Gen Z stars Ahaan Panday and Aneet Padda are set to reunite for an intense romance. The yet-untitled film promises a cinematic experience that blends heartfelt storytelling with unforgettable melodies.
Released to unprecedented acclaim and audience love, YRF’s Saiyaara emerged as one of the defining musical blockbusters of its time. It collected a staggering close to Rs. 338 crores nett in India and about Rs. 580 crores gross worldwide — an extraordinary achievement for a romantic musical with absolute newcomers. Its soul-stirring soundtrack dominated streaming charts for months, even after its release, further reinforcing the film’s pop cultural impact in India and worldwide, especially amongst the youth of today.
Ahaan Panday and Aneet Padda, the Saiyaara pair became sweethearts of Gen Z. Ahneet, as their fans lovingly call them, are set to return with this film, bringing with them the infectious charm, authenticity in acting & scintillating chemistry that made their performances in Saiyaara so memorable.
Mohit Suri said, “It’s always been love stories for me … overwhelming — when emotions are so unbound, self-consuming and become impossible to ignore. Love is supposed to be felt intensely and that’s why I naturally gravitate towards this as a storyteller. The film explores this unabashedly... So coming back with the same team from Saiyaara feels incredibly special, maybe it was always written in the stars. Reuniting … coming back home … but with a renewed creative hunger. This time I feel like a newcomer... excited, anxious about this story and I hope my music will again touch people like I have always strived for through my films.”
Akshaye Widhani added, “Mohit and our collaboration is built on a shared creative pulse and an ambition to tell stories that touch the hearts of people. With Mohit, it’s never just about making a film — it’s about chasing a feeling, a piece of music, a moment that lingers long after the screen fades to black. Saiyaara was one such moment that we will cherish forever. As we come together again, we’re searching for something even more honest, more vulnerable and more enduring with our second collaboration. We are thrilled to have Ahaan and Aneet in our film as the most-loved Gen Z pair reunite for a Mohit Suri romance.”
The Ahaan-Aneet starrer YRF film is set to go on floors later this year and will be eyeing a 2027 theatrical release worldwide.
Also Read: Mohit Suri reveals he rejected Ahaan Panday multiple times for Saiyaara: “I didn’t find him like Krish Kapoor at all”
read moreRanveer Singh's new visual grammar screams supremacy: the man who shocked Bollywood with flamboyance now rules it with finesse
There was a time when Ranveer Singh dressed as if fashion itself were a live performance. He wore the impossible, the theatrical and the outrageous with a kind of joy that very few male stars in Hindi cinema have ever possessed. His style was not merely loud; it was disruptive. It challenged the safe, repetitive masculinity that Bollywood men have long hidden behind. And in 2022, when he did the now-iconic PAPER magazine nude shoot, he took that defiance to its most extreme form, turning his own body into a statement of confidence, provocation and total fearlessness.
Now, in the post-Dhurandhar phase, the visual grammar has changed. The harem pants, exaggerated silhouettes and riotous prints have made way for sharply cut suits, bandhgalas and tailored eveningwear. Recent public appearances have underlined that shift, with Ranveer stepping out in a black bandhgala and embracing a visibly more controlled, understated public image. Even commentary around him has begun to note that his clothes, media presence and overall demeanour have evolved in this phase.
And that is exactly why this moment is so fascinating. Because this is not a story of a star becoming boring. It is the story of a star becoming precise.
Ranveer Singh’s earlier flamboyance was never accidental. It built a myth. It told the world that here was an actor who would not enter the room quietly, who would not dilute himself to appear acceptable, who would not perform masculinity in the bland, pre-approved way expected of mainstream male stars. He made eccentricity aspirational. He made risk glamorous. He made self-expression masculine without making it defensive.
That phase mattered. But what we are seeing now may matter even more.
The new Ranveer wardrobe signals something bigger than a style correction. It signals arrival. The man who once had to fight for attention now no longer needs to chase it. The spectacle has done its job. The personality is established. The star image is sealed. And when a star reaches that point, power often begins to express itself differently. Not through excess, but through control.
That is what this current phase looks like: control.
A great suit on Ranveer Singh is not just a suit. It is a message. It says he knows exactly who he is. It says he no longer needs to prove that he is fearless; the world already knows that. Once you have worn the wildest prints, the most outlandish ensembles and even stripped away clothing altogether for an artistic statement, dressing with restraint does not look like compromise. It looks like command.
This is why the shift feels so effective. The old flamboyance was the language of disruption. The new finesse is the language of authority. And Bollywood should pay attention to that distinction.
For years, stars have been boxed into predictable visual identities: the rugged macho man, the polished gentleman, the relatable boy-next-door. Ranveer broke that grid open. He proved that a leading man could be camp, playful, ornamental, sensual and unpredictable without losing stardom. Now, by pivoting into a more refined, tailored aesthetic, he is proving something else: reinvention is most powerful when it does not erase the past but absorbs it. That is why this new chapter works. It carries the memory of the old one.
When Ranveer wears a bandhgala today, it does not feel like he has been tamed. It feels like the same flamboyant force has been distilled into sharper form. The peacock has not vanished. It has simply learned the power of stillness. And that, in many ways, is a far more intimidating kind of charisma. Because flamboyance grabs attention. Finesse holds it.
There is also something deeply cinematic about this transition. The phrase the boy has become a man can often sound simplistic, even cliché. But in Ranveer’s case, it lands because the shift is visible without being loudly announced. The public is watching a star move from exuberance to assurance, from kinetic energy to composed magnetism. The change is not about age alone. It is about stature. This is what happens when an actor grows into legacy.
Ranveer Singh’s style evolution after Dhurandhar should not be read as a retreat from boldness. It is boldness wearing better tailoring. It is rebellion with posture. It is flamboyance that no longer needs to shout because it has already changed the conversation. And that is why this is such a winning phase for him.
Anyone can dress loudly. Very few can make restraint look this powerful. Ranveer Singh can, because he earned it.
Also Read: Ranveer Singh meets wheelchair cricketer Bhima Khunti; latter calls him “real star” in heartfelt post!
read moreKartik Aaryan starrer Naagzilla to release during Valentine’s Day weekend 2027
The much-anticipated fantasy comedy Naagzilla, backed by Dharma Productions and Mahaveer Jain Films, has officially been postponed from its earlier release date. Starring Kartik Aaryan in the lead, the film was initially slated to hit theatres on August 14, 2026, coinciding with the Independence Day weekend — a lucrative slot for big-ticket Bollywood releases.
However, the makers have now decided to push the film’s release, with the new target being the Valentine’s Day weekend on February 12, 2027.
Naagzilla, directed by Mrighdeep Singh Lamba, is a VFX-heavy project, with the actor playing a shape-shifting serpent.
The film marks a significant collaboration between Kartik Aaryan and filmmaker-producer Karan Johar, along with producer Mahaveer Jain. It has already generated considerable buzz for its unique concept and scale.
With its new release plan aligning with the Valentine’s Day weekend, Naagzilla is now expected to target a different audience segment, banking on its blend of fantasy, comedy, and romance to draw viewers to cinemas.
The film’s postponement also means that it won’t be clashing with the Sunny Deol starrer Lahore 1947, which is slated to release on August 13. Directed by Rajkumar Santoshi, the movie is produced under the banner of Aamir Khan Productions.
Naagzilla is directed by Mrighdeep Singh Lamba, who is known for helming the three films in the successful Fukrey franchise. The film stars Preity Mukhundhan opposite Kartik.
Also Read: Prime Video’s It Starts Here event: Mrighdeep Singh Lamba reveals, “Naagzilla is Hera Pheri meets Fukrey in an icchadhaari world”
read moreEXCLUSIVE: Farah Khan, Pratik Gandhi, Patralekhaa feature in hilarious cameos in Rajkummar Rao-Sanya Malhotra starrer Toaster
On April 15, adding to the festive cheer of Poila Baisakh and Vishu, Rajkummar Rao and Patralekhaa’s maiden production venture, Toaster, premieres on Netflix. The film’s quirky and intriguing trailer has already given audiences a taste of its offbeat world and has succeeded in generating considerable curiosity. At first glance, one might assume that the narrative revolves chiefly around Rajkummar Rao’s hilariously miserly character and Sanya Malhotra’s presence in the chaotic setup. However, that is only one part of the film’s larger comic design. Going by the recent trend of surprise appearances and unexpected casting twists, Toaster seems to have more than a few delightful tricks up its sleeve.
One such appearance is by Farah Khan, who is already visible in the trailer and has instantly added to the buzz. But there’s more in store. A source told Bollywood Hungama, “Pratik Gandhi appears in a scene in the film. That’s not all. Patralekhaa, the producer of the film and also Rajkummar Rao’s real-life wife, will be seen in a scene in the film. Both of them, along with Farah Khan, further add to the madness.” With these special appearances, Toaster promises an extra dose of unpredictability and fun.
In an interview with Hindustan Times in February 2025, Patralekhaa said, “Stepping into production is an organic extension of my love for storytelling. I wanted to create a space where inspiring stories could thrive. Raj and I have always been passionate about cinema, and through production we hope to champion stories we genuinely believe in. One of my motivations was to bring to life the kind of stories I want to see on screen.”
She also confessed, “As an actor, you’re focused on your performance, but as a producer, you’re responsible for everything from script development to execution…Raj and I have always had a great professional understanding, and this project only reinforced that. He has been incredibly supportive of my transition into production.”
Also Read: Toaster: Abhishek Banerjee sports a new look in Rajkummar Rao’s production debut
read moreForce 3 makers unveil intrigue-filled announcement video with John Abraham and Harshvardhan Rane as filming begins
Force 3, starring John Abraham, Harshvardhan Rane and Tanya Maniktala, is deep into its first schedule. Directed by Bhav Dhulia of Khakee: The Bihar Chapter and The Freelancer fame, the third instalment of the successful action-thriller franchise promises to pack a punch.
Produced by John Abraham’s JA Entertainment and Sheel Kumar’s Karolina Corporation, Force 3 will see Harshvardhan Rane, who has recently delivered two back-to-back box office hits, make an entry into the franchise. While John Abraham will reprise his role as ACP Yashvardhan Singh, Rane’s character is still under wraps. Meanwhile, Tanya Maniktala, who impressed audiences with her performance as Lata in Mira Nair’s A Suitable Boy, will be seen as the film’s female lead.
Talking about producing and starring in Force 3, John Abraham said, “Force has always been a franchise I’ve believed in deeply. What makes it special for me is that it has a certain grit and a strong identity that audiences have connected with over the years. With Force 3, we’re taking that legacy forward in a big way. I’m also really excited to introduce Harsh as an action hero. He has the presence, the energy and the hunger for it, and I think audiences are going to enjoy watching him in this space.”
Producer Sheel Kumar added, “My relationship with John and JA Entertainment goes back many years. Coming together for Force 3 feels both familiar and deeply special. I’ve believed in the Force franchise from the very beginning, and Force 3 is a film that comes from a place of trust, comfort and a shared conviction in the story that we want to tell.”
Harshvardhan Rane, who joins the cast in this instalment, said, “It’s an honour to be part of a film like Force 3, which gives me the chance to step into an intense, hardcore action space and bring that brute force alive on screen. John sir is truly cut from a different cloth and has carved his own path in the Indian film industry. To be part of Bhav Dhulia’s grand cinematic vision, alongside John sir, is something I feel genuinely privileged about.”
Tanya Maniktala, who joins the Force franchise, said, “I’m thrilled to be a part of Force 3. It’s exciting to share screen space with two actors who bring both charm and such strong presence to the screen. What makes this even more special for me is the role I get to play in the story. Being part of a franchise like this is a big moment, and I’m looking forward to giving it everything I have.”
Bhav Dhulia, said, “Having assisted the late Nishikant Kamat on Force and worked with John during that time, this film feels like coming home in many ways. There is history here, there is emotion here, and that makes Force 3 even more special for me. I fell in love with the script the moment I read it, and I’m truly looking forward to bringing this story to life with John, Harshvardhan and Tanya.”
Force 3 is produced by Sheel Kumar, Shahbaz Alam, John Abraham, Sandeep Leyzell and Minnakshi Das. The film is written by Simaab Hashmi and is a Ravi Basrur Musical, with lyrics by Irshad Kamil. Force 3 is all set release theatrically on 19th March, 2027.
Also Read: Harshvardhan Rane recalls being delivery boy amid Force 3 shoot in Gujarat; pens emotional note
read more52 Blue first look out: Neha Dhupia steps into raw, deglam avatar in debut international film
The first look and trailer of Neha Dhupia’s debut international film 52 Blue has been officially revealed, offering audiences a striking glimpse into one of the most transformative roles of her career. Known for her versatile performances, Neha steps into an entirely new space with this project, appearing in a raw, deglam avatar for the very first time on screen.
Directed by acclaimed Egyptian filmmaker Ali El Arabi, 52 Blue is a poignant coming-of-age story that follows a young Indian football enthusiast’s journey as a migrant worker to the 2022 FIFA World Cup in Qatar. The film explores themes of identity, aspiration, and resilience, set against a deeply emotional family backdrop.
The film also stars Adil Hussain, who plays Neha’s husband, marking their first on-screen collaboration. In a significant departure from her previous roles, Neha will be seen portraying the mother of a young man, bringing depth and emotional gravitas to a character that anchors the narrative.
Shot extensively in Kochi, India, 52 Blue traces the journey of Ashish (Yadav Shashidhar), a young boy growing up under the isolating control of his father on a remote island home. With the quiet strength and support of his mother, and inspired by the memory of his late brother, Ashish eventually finds the courage to break free. His journey takes him across borders as he sets out to meet his idol, Lionel Messi, at the FIFA World Cup in Qatar 2022 - marking his first encounter with the larger world beyond his confined upbringing.
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Produced and directed by Ali El Arabi under his banner Ambient Light, based in Cairo and Los Angeles, the film is executive produced by Tariq Al-Naama, with Krysanne Katsoolis, Joe Matthews, and Katara Studios serving as co-producers.
Sharing her thoughts on the project and her character, Neha Dhupia said, “52 Blue has been one of the most deeply moving and transformative experiences of my career. When I first read the script, what stayed with me was the quiet strength of the mother she doesn’t speak loudly, but her presence shapes her son’s entire world. Playing a mother to a young man for the first time was both challenging and incredibly fulfilling, because it required me to tap into emotions that are raw, instinctive, and deeply human."
Neha further adds, "The deglam aspect of the role was never a concern for me; in fact, it was liberating. It allowed me to completely shed any layers of vanity and immerse myself fully into the life of this woman—her silences, her resilience, and her unconditional love. There’s something very powerful about portraying a character who finds strength in vulnerability."
Neha continues, "Working with Ali El Arabi has been a revelation. His storytelling is so honest and rooted, and he creates an environment where you feel completely safe to explore and push your boundaries. Shooting in Kochi, in such a unique and intimate setting, added so much authenticity to the film. At its heart, 52 Blue is a story about dreams, about breaking free, and about the invisible forces like a mother’s belief that shape who we become. I feel incredibly grateful to be a part of a film that is so universal in its emotions yet so personal in its storytelling. It’s a story that I believe will resonate with audiences across cultures and borders.”
Also Read: Neha Dhupia DENIES joining Karan Johar’s The Traitors season 2, says she is busy with “double date”
read moreWhy has Salman Khan’s Maatrubhumi not locked its release date yet? Here's what we know!
Salman Khan’s upcoming film Maatrubhumi: May War Rest in Peace is reportedly facing uncertainty around its release despite significant changes to its narrative and tone. The war drama, which was initially expected to arrive in April and later reportedly shifted to June, is now said to be stalled amid regulatory complications. According to a Mid-Day report, the film has not yet been submitted to the Central Board of Film Certification for certification. The makers are currently assessing the next steps required before proceeding further with the release process.
“At this stage, after making the necessary changes, the team is trying to understand what would be the next steps to ensure its smooth release. No department, whether the Ministry of Defence, the Indian Army, or the CBFC, has seen the film yet,” a source revealed.
Film originally linked to the Galwan Valley conflict
Maatrubhumi was initially conceptualised as a retelling of the 2020 Galwan Valley clash between Indian and Chinese troops. However, the direction of the project reportedly changed after the release of its teaser in December 2025.
The teaser drew sharp reactions from the Chinese state-affiliated publication Global Times, which accused the film of “distorting facts.” Following the response, Indian authorities are said to have informally advised the makers in February to remove explicit references to China and the Galwan conflict, citing improving diplomatic relations between the two countries. Soon after, the film was rechristened Maatrubhumi, signalling a shift in its positioning. Makers shift focus towards relationships and family narrative There were also reports suggesting that director Apoorva Lakhia had reshot portions of the film. However, sources clarified that the project was not rewritten from scratch. “Maatrubhumi has not been rewritten from scratch or reshot. In the Mumbai leg, the team shot additional parts depicting family sequences and love stories of a few supporting characters. Now, the makers have shifted the film’s focus on family and relationships, making it a human drama,” a source said.
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At the same time, portions of the war narrative remain part of the film’s structure. “That said, a bit of the war portions have been retained. But if you remove references to China and Galwan, what is the conflict about? That’s the central question they’re grappling with,” the source added.
With the film yet to be screened for key authorities and its central conflict undergoing redefinition, the release timeline for Maatrubhumi currently remains uncertain.
Also Read: Salman Khan’s Maatrubhumi undergoes major sanitising; no China mention in new version
read moreSCOOP: After Saiyaara, Mohit Suri and Ahaan Panday's next is a twisted love story for Aditya Chopra
In 2025, Saiyaara redefined the box office, as the film marked the launch of two superstars - Ahaan Panday and Aneet Padda. The film went on to become the biggest launch pad of the modern era, and ever since, there has been curiosity to learn more about Ahaan Panday. The young superstar signed his second feature film with YRF and Ali Abbas Zafar, and the film is presently on the floor.
And now we have learnt that Ahaan's next after the Ali Abbas Zafar directorial will be a twisted love story with Saiyaara director Mohit Suri. "Mohit Suri was initially looking to make an older guy and younger girl love story. But when the logistics didn't work out, he decided to redesign the project for his leading hero Ahaan Panday. The script organically flew to perfection, and gave Mohit the wings to come up with a rather twisted love story," a trade source shared with Bollywood Hungama on anonymity.
The source promises that this isn't a project designed to capitalise on the popularity of Saiyaara. "If YRF wanted to cash in on Saiyaara, they would have made Saiyaara 2. This is a rather twisted love story of jilted lovers, and in a space very different from Saiyaara. Ahaan is excited to reunite with his mentor - Mohit Suri, under the production of Aditya Chopra."
While a portal reported about the collaboration, this article serves as an additional update on the plot and world of the film. Ahaan's character will be intense and gritty, away from the soft and lovable part. "After a loverboy, Ahaan is playing a gangster, and a gritty lover in his second and third film. He is curating his career with versatility. Ranbir Kapoor and Shah Rukh Khan are his idols, and he is following their career trajectory by going slightly dark."
The Mohit Suri and Ahaan Panday reunion film will go on floors in August 2026, once Ahaan is done shooting for Ali Abbas Zafar's gangster romance.
Also Read: Mohit Suri reveals he rejected Ahaan Panday multiple times for Saiyaara: “I didn’t find him like Krish Kapoor at all”
read moreBrahmastra 2 to move forward after Ramayana, says Namit Malhotra at CinemaCon 2026
Namit Malhotra has confirmed that Brahmāstra Part Two is moving ahead, though it will take shape after work on Ramayana is completed. The producer shared the update during the global promotional launch of the mythological epic at CinemaCon 2026 in Las Vegas, where he appeared alongside actor Yash.
The announcement has renewed interest in the planned continuation of the Astraverse, nearly four years after the first film was released in 2022 and teased a larger narrative centred on Dev and Amrita.
Speaking about the sequel’s timeline, Malhotra indicated that the next chapter of the franchise will follow once Ramayana reaches completion. Astraverse to continue after Ramayana wraps up Malhotra’s update marks one of the clearest indications yet about the future of the Astraverse since director Ayan Mukerji began hinting at further developments after the release of Brahmāstra.
The first instalment starred Ranbir Kapoor, Alia Bhatt and Amitabh Bachchan, and concluded with a reveal that set up the backstory of Dev and Amrita, laying the groundwork for the trilogy’s second part.
Speculation around the sequel had intensified in October 2025 after Mukerji shared pictures from a mountain trip. Fans noticed what appeared to be a script in his hands, along with hashtags referencing Part 2 and Om, though the filmmaker did not confirm details at the time.
Malhotra’s latest comments now suggest that development on the sequel remains part of the long-term plan. Ramayana campaign begins globally with early footage reveal At CinemaCon 2026, Malhotra and Yash launched the international promotional campaign for Ramayana by presenting early footage and material from the film. Describing the scale and ambition of the project, Malhotra said the experience of working on the film felt like an “Avatar meets Gladiator moment.”
The film features an ensemble cast led by Ranbir Kapoor as Ram and Sai Pallavi as Sita, with Yash portraying Ravana. The cast also includes Sunny Deol as Hanuman and Ravi Dubey as Lakshman. Other actors appearing in the film include Kajal Aggarwal, Rakul Preet Singh, Arun Govil, Kunal Kapoor, Adinath Kothare, Sheeba Chaddha and Indira Krishnan.
With Ramayana positioned as a major global-scale mythological adaptation and Brahmāstra 2 expected to follow after its completion, Malhotra’s update offers the strongest indication yet that the Astraverse storyline remains in active planning.
Also Read: Namit Malhotra says Ramayana will feel ‘new’ to global audiences; calls it “the first story of the universe”
read moreHai Jawani Toh Ishq Hona Hai First look: Varun Dhawan is caught in a double love twist with Pooja Hedge and Mrunal Thakur
The much-anticipated first look of Hai Jawani Toh Ishq Hona Hai has finally been unveiled on April 14, and it promises a full-blown dose of entertainment, romance, and signature comedy. Marking the return of veteran filmmaker David Dhawan, the film starring Varun Dhawan, Pooja Hegde, and Mrunal Thakur seems to carry all the ingredients of a classic Bollywood crowd-pleaser.
Interestingly, this outing marks David Dhawan’s 46th directorial venture, and he reunites with producer Ramesh Taurani and Tips Films to deliver what appears to be a high-energy entertainer packed with humour and drama. The first look opens on a quirky and unexpected note. Told from the perspective of two toddlers, the narrative device instantly adds intrigue and a playful tone, setting the stage for what follows.
As the teaser unfolds, it gradually introduces the film’s vibrant world and its lead characters— Varun Dhawan is seen as Jass, while Mrunal Thakur and Pooja Hegde step into the roles of Bani and Preet, respectively. The teaser hints at a classic case of romantic chaos, with Varun’s character seemingly caught in a complicated love triangle. Adding to the intrigue, the toddler narration suggests a “double trouble” situation, implying dual identities or overlapping relationships, a trope often associated with David Dhawan’s brand of storytelling.
The visual tone of the first look is bright, colourful, and unapologetically larger-than-life, aligning perfectly with the filmmaker’s legacy of delivering mass entertainers. Complementing the visuals is the film’s pulsating title track, which hints at yet another chart-topping album—continuing the successful musical collaboration between David Dhawan and Tips.
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At a time when audiences are increasingly seeking light-hearted, escapist cinema, Hai Jawani Toh Ishq Hona Hai positions itself as a feel-good theatrical experience designed to bring back the joy of big-screen Bollywood.
Backed by Tips Films Ltd and co-produced by Maximillian Films (UK), the film is slated for a theatrical release on May 22, 2026. If the first look is anything to go by, this could well be one of the most entertaining releases of the summer.
Also Read: SCOOP: Makers of Varun Dhawan-starrer Hai Jawani Toh Ishq Hona Hai plan to prepone release from June 12 to May 22
read moreEk Din's 39-day advance booking gamble shows Bollywood is rewriting the release playbook
On April 11, it emerged that the advance bookings of Ek Din, starring Junaid Khan and Sai Pallavi, had been opened a remarkable 39 days before release. The rollout was not nationwide in the conventional sense, but it was visible enough to spark discussion: bookings were live in nearly 20 cities, with just one show per cinema opened so far. That is not standard Hindi-film release behaviour. It is a strategy designed to create a headline before the film creates a verdict.
And that is precisely why Ek Din matters beyond Ek Din.
This is not just about one film trying something unusual. It is about a Hindi film industry that increasingly seems terrified of letting a movie arrive quietly, breathe naturally and earn its stature over time. Today, attention is treated like inventory: scarce, unstable and always under threat. The result is an industry that wants to pre-sell importance before the public has actually decided whether the film deserves it. A release is no longer enough. It must now be framed as an event, signalled as an event, and marketed as an event weeks before it has proved that it is one.
That is where the desperation shows.
Opening ticket sales 39 days in advance is not merely a booking decision. It is a psychological operation. It tells the trade that something unusual is happening. It tells audiences that this film is not to be treated like an ordinary Friday title. It tells the market to start watching early. In other words, the strategy is not only about selling seats. It is about selling significance. In a healthier theatrical ecosystem, significance would emerge from music, trailer recall, cast pull, reviews, word of mouth or the public mood. In a nervous ecosystem, significance has to be engineered in advance.
None of this automatically makes the move foolish. In fact, one can argue that it is intelligent. In an age of fractured attention, why should producers wait passively for the final week? Why not plant curiosity early, test market responsiveness, build city-wise chatter and convert a film’s release into a slow-burn conversation rather than a last-minute burst? Those are fair questions.
The industry is operating in a climate where perception often precedes performance. Box office discourse begins before Friday morning. Social media verdicts form before the first show ends. Narratives about buzz, acceptance, urban appeal, mass disconnect, or surprise underperformance are assembled with alarming speed. In such an atmosphere, early booking becomes another weapon in the perception war. It is no longer just distribution. It is image construction. The message is simple: look here first, so that by the time the film actually arrives, it already carries the aura of public interest.
And aura, in today’s Bollywood, is half the battle.
What makes the Ek Din move especially revealing is its restraint. Only one show per cinema has been opened in most places. That means this is not a brute-force attempt to flood the market. It is a calibrated attempt to create a signal. The signal matters more than the initial volume. The industry understands that even limited early activity can produce discussion, screenshots, curiosity and trade headlines. In that sense, the booking window is functioning less like a consumer convenience and more like a media device.
That is why the larger takeaway is not whether Ek Din sells a few hundred or a few thousand early tickets. The larger takeaway is that Bollywood increasingly wants to front-load importance. It wants audiences to feel that a film matters before they have actually encountered it. It wants to reduce uncertainty by manufacturing inevitability. But cinema history rarely rewards that instinct forever. A film can be advertised as an event, ticketed as an event and discussed as an event. Yet if the audience does not emotionally experience it as an event, the illusion collapses very quickly.
Theatres do not open early because the time has changed. They open early because confidence did.
And perhaps that is where the Hindi film industry finds itself in 2026: not short of ambition, not short of ideas, but deeply short of patience. Ek Din may still justify this bold move. It may even benefit from it. But the bigger truth remains: when a film opens bookings 39 days in advance, Bollywood is not just selling tickets. It is showing how crucial it has become to capture attention early.
Also Read: EXCLUSIVE: Aamir Khan tries a BOLD new release strategy – opens Ek Din’s advance bookings 39 days before release; Raipur delivers the BIGGEST surprise
read moreAhaan Panday to play gangster in Ali Abbas Zafar’s next, Jimmy Sheirgill joins cast: Report
Following the success of Saiyaara, breakout actor Ahaan Panday is set to step into a markedly different space with his second feature film. As per a report by Variety India, the actor will portray a gangster in filmmaker Ali Abbas Zafar’s upcoming action-romance.
The role signals a shift from Ahaan’s debut performance as a troubled musician dealing with past trauma in Saiyaara. For the new project, the actor has reportedly undergone intensive preparation that includes hand-to-hand combat and weapon training to align with the physical demands of the character’s aggressive screen presence.
The report also states that Jimmy Shergill has joined the cast in a pivotal role. The film marks his return to a collaboration with Yash Raj Films after more than two decades. One of his most notable earlier associations with the banner remains Mohabbatein, in which he appeared alongside Shah Rukh Khan.
Details about the storyline and other casting elements have not been officially confirmed at this stage. However, the project is being described as a high-energy action-romance centred on a love story set against a violent backdrop. Production on the film began in Mumbai on April 3 and is scheduled to continue there through the month. Reportedly, the next leg of the shoot is expected to take place in London in May. The makers are aiming to wrap filming by July, with a theatrical release planned for early 2027.
Also Read: Ahaan Panday reveals intense 7-hour daily training routine for next with Ali Abbas Zafar: “There’s a certain physical requirement”
read moreSCOOP: Kartik Aaryan and Luv Ranjan's next to go on floors in October 2026
Kartik Aaryan is among the busiest actors of B-Town, signing on for films left, right, and centre. While he is presently juggling between Anurag Basu's next film and Kabir Khan's directorial, we have exclusive scoop that Kartik and Luv Ranjan have been meeting off late to strategise on their next collaboration after the historic success of Pyaar Ka Punchnama Franchise and Sonu Ke Titu Ki Sweety.
Reliable sources confirm that Kartik Aaryan has given a go-ahead to Luv Ranjan's next film, and it will go on floors towards the end of 2026. "Luv Ranjan has been keen to partner with Kartik Aaryan for a while now, and the duo have been jamming on multiple subjects over the last 6 months. After multiple rounds of discussions, they have finally locked in on an exciting idea, which falls right in the world of the Punchnama franchise. Kartik has okayed the script and has tentatively allotted dates from the end of 2026, starting in October," a source shared with Bollywood Hungama, adding further that Kartik too has been keen on this reunion for the longest time, as he believes his mentor gets the best out of him.
Luv Ranjan too is excited for this, as he is teaming up with his protege after a long gap, and is confident of creating a big impact with the next. "Luv Ranjan is doing what he does best - making a romantic comedy. Earlier, he was planning to make an action film, but all those plans were dropped when he was organically drawn towards a hilarious concept. He started developing it, and the role has turned out perfect for Kartik's image."
Kartik has 3 films lined up for release in the next 12 months - Nagzilla, Anurag Basu's next and Kabir Khan directorial. He kicks off Captain India and Luv Ranjan's film from June and October, respectively.
Also Read: Kartik Aaryan is currently learning how to fly a plane for Captain India
read moreSonu Nigam sells agricultural land parcels worth Rs 1.95 crore in Raigad: Report
Singer Sonu Nigam has sold agricultural land parcels worth Rs 1.95 crore in Maharashtra’s Raigad district through four separate transactions registered on April 7, 2026, according to property registration records reviewed by CRE Matrix. The parcels, spread across more than 1.9 hectares of paddy fields in Mauje Savele in the Karjat region, were acquired by a mix of investors and local buyers. The cluster of transactions reflects continuing demand for agricultural land in areas within driving distance of Mumbai, where interest in agri-tourism and green energy-linked land use has been rising.
The largest transaction involved a 0.718-hectare parcel identified as Hissa No. 1B. It was purchased for Rs 75 lakhs by Anil Prabhaker Kadu, Nitin Prabhaker Kadu and Anthony Thomas George Vaz. The deal attracted a stamp duty payment of Rs 4.5 lakhs.
In another transaction, Nitin Prabhaker Kadu acquired a 0.607-hectare portion marked Hissa No. 1A for Rs 50 lakhs, with stamp duty amounting to Rs 3 lakhs. A separate 0.405-hectare parcel comprising Hissa No. 1A and 2 was jointly purchased by Anil Prabhaker Kadu and Anthony Thomas George Vaz for Rs 50 lakhs.
The fourth and smallest parcel measured 0.208 hectares and formed part of Hissa No. 1B. It was acquired by Gaurav Gautam and Nidhi Upadhyay for Rs 20 lakhs, with stamp duty of Rs 1.2 lakh paid on the transaction.
All four agreements were registered on the same day, indicating a structured sale of multiple land holdings in the locality. The Karjat belt has been attracting attention due to improving connectivity and its proximity to Mumbai, factors that continue to support interest in agricultural and second-home investments in the region.
Earlier this year, in February 2026, Sonu Nigam’s father Agam Kumar Nigam purchased a 1,197 sq m land parcel along with an existing ground-plus-one-floor residential and commercial structure at Madh Island for Rs 10 crores, according to documents accessed through Liases Foras.
The property, known as Mango Villa and located within Suchak Cooperative Housing Society Limited, includes a 2,329 sq ft IT structure across two levels and an additional 725 sq ft residential unit. The deal was registered on February 18, 2026, with stamp duty of Rs 50 lakhs and a registration fee of Rs 30,000. The sellers were Swapna Kak and Rani Doshi, also known as Rani Amar Verma.
Also Read: EXCLUSIVE: Sonu Nigam remembers his iconic song ‘Kal Ho Naa Ho’ as ISAMRA distributes WHOPPING Rs. 100 cr in royalties to 26,000 singers; Anup Jalota gets emotional; Sanjay Tandon recalls journey from Rs. 51,000 to 100 cr
read moreSCOOP: Varun Dhawan in talks for Vivek Ranjan Agnihotri's Operation Sindoor
Varun Dhawan left a mark in nationalist cinema with his sincere act in Border 2. Ever since, he has been flooded with offers in the zone of war and army films, but he is being very careful with what he picks next. With offers coming from all across the quarters – Dharma Productions, Maddock, Sajid Nadiadwala and Tips - we have exclusively learnt that Varun Dhawan is in talks with Vivek Ranjan Agnihotri and Bhushan Kumar for Operation Sindoor.
A reliable source told Bollywood Hungama, "Varun has been offered Operation Sindoor, and the actor has shown his interest in playing the lead. Bhushan Kumar and Vivek Ranjan Agnihotri went to Varun with the lead protagonist role in the film, and the actor has shown early interest in the subject. He is expected to hear the full narration soon and then take a call on the same."
The source further informs that Varun had taken a short break from acting recently to spend time with his daughter, Lara, and is now back in form to sign films and come back in action. "He is gearing up for the release of Hai Jawani Toh Ishq Hona Hai on May 22, and is looking to start a new film by July this year. He is meeting all writers and directors now, and is expected to lock his next very soon."
Varun has been talking to producer Bhushan Kumar for multiple projects after Border 2, and one of those is Operation Sindoor. Bhushan and Varun are looking to do a multi-film deal, and more updates on the same are awaited in the months to come.
Also Read: Bhushan Kumar, Vivek Ranjan Agnihotri announce Operation Sindoor, film based on India’s deep strikes inside Pakistan
read moreBorder 2 producer Nidhi Dutta wants to expand slate with fantasy adventure franchise and air force drama: Sources
Producer Nidhi Dutta is expanding her production slate with multiple projects across genres, including a planned fantasy adventure franchise. The move comes after the release of Border 2, which featured Sunny Deol and Varun Dhawan in leading roles earlier this year.
Shortly after Border 2 hit screens in January, Nidhi had confirmed that work on Border 3 is underway, continuing the legacy of the popular war drama franchise originally created by her father, filmmaker JP Dutta. However, sources indicate that the upcoming instalment is only one part of a broader expansion plan for the banner, JP Films.
In a notable shift, Nidhi is also developing a fantasy adventure franchise, marking a departure from the production house’s established focus on war and patriotic films. According to sources, “It's an ambitious franchise that will be shot across multiple locations throughout the country. Like in Border 2, Nidhi has been part of the writing process here. The casting process has begun, and the film is likely to go on floors later this year.”
At the same time, the producer continues to build on the banner’s association with armed forces narratives. Reports suggest that another project in development is a drama centred on the Indian Air Force. With the script reportedly finalised, casting for the film is currently in progress. An insider shared, “Nidhi wants to take this project on floors this year itself. This movie, along with Border 3, is aimed at expanding the producer's repertoire of films that focus on the Armed Forces.”
The diversification of projects indicates a conscious effort to balance newer genres with the studio’s established identity. While the fantasy venture introduces a different creative direction, the continuation of war-based stories ensures continuity with the legacy of Border and similar films.
On a personal note, sources also mention that this phase has been significant for Nidhi Dutta, following the arrival of her daughter, Sitara. The producer is said to view this period as an important milestone both professionally and personally, as she moves forward with multiple projects under development.
Also Read: EXCLUSIVE: Nidhi Dutta on casting for Border 2,”You think you’re choosing, but the heroes sitting up in heaven choose who gets into their footsteps”
read moreJackky Bhagnani acquires team Cheetahs in World Padel League, expands sports footprint
Actor-producer Jackky Bhagnani has expanded his footprint in the sports space by acquiring Team Cheetahs in the World Padel League. The move marks his growing involvement in promoting emerging sports in India, particularly padel, which has been gaining global popularity.
Bhagnani was recently seen attending a padel event on April 11, where he was joined by Vashu Bhagnani and Deepshikha Deshmukh. The acquisition positions Team Cheetahs alongside other teams in the league, including VB Realty Hawks, as the tournament continues to build momentum among sports enthusiasts. Speaking about the development, Jackky said, “To enter the World Padel League through Team Cheetahs feels like a monumental moment in my life. Padel has become one of the fastest-growing sports around the globe, and it brings me immense pleasure to bring it to India.”
He further added, “I have always been a strong believer in strength, agility and ambition, and Team Cheetahs represents it through and through. I couldn’t have been happier to be a part of this journey,” underlining his vision of contributing to the sport’s growth in the country.
The World Padel League has been steadily attracting attention for its efforts to popularise padel by offering a premium platform for players and audiences. Bhagnani’s association is expected to further boost visibility for the sport in India.
Known for his interest in fitness and sports, Jackky, along with his wife Rakul Preet Singh, was recognised as the Fit India Couple by the Ministry of Youth Affairs and Sports last year.
With this acquisition, Bhagnani signals a strategic step toward fostering a broader sporting culture, as Team Cheetahs looks to establish a strong presence in the league at both national and international levels.
Also Read: Jackky Bhagnani shares birthday wish for Shahid Kapoor; sparks collaboration buzz
read moreBhooth Bangla gets UA 16+ rating, runtime reduced to 164 minutes after revisions
The makers of Bhooth Bangla have finalised the film’s runtime at 164 minutes and 52 seconds after fresh voluntary edits were accepted by the Central Board of Film Certification on April 11. The horror comedy has been certified UA 16+ ahead of its theatrical rollout in India.
Earlier, the censor certificate issued on April 2 listed the film’s duration as 174 minutes and 57 seconds. Following additional revisions by the team, the runtime was reduced by 10 minutes and 5 seconds. The updated duration now stands at 2 hours, 44 minutes and 52 seconds.
As part of the latest changes, the makers trimmed as many as 63 scenes. While several cuts involved only a few seconds, the longest removal lasted 72 seconds from a sequence in the song ‘O Sundari.’ Another 27 seconds were removed from the song ‘O Re O Sawariya.’
During the initial certification process, the Examining Committee had also suggested a few modifications. An obscene word at the 26th minute was replaced, while another set of objectionable words around the one hour mark was asked to be changed. Towards the end of the film, an obscene word appearing in the subtitle was removed. A denigrating reference to women in the first half was replaced, and the makers were instructed to include disclaimers relating to religious and superstitious references in the narrative.
After these changes were implemented, the film received its censor certificate on April 2.
The film is scheduled to arrive in cinemas on April 16 with paid previews, while advance bookings are set to begin on April 14. The updated runtime brings the final version closer to its theatrical release as anticipation builds around the Akshay Kumar starrer.
Also Read: EXCLUSIVE: CBFC replaces obscene words in Bhooth Bangla; makers voluntarily bring down the film’s length by 10 minutes post-certification
read moreAnanya Birla's Birla Studios and Vodafone Idea Limited launch Reel Se Real Star acting talent platform
Birla Studios, in collaboration with Vodafone Idea Limited, today announced the launch of Reel Se Real Star, a first-of-its-kind, mobile-first acting talent discovery platform designed to democratize entry into India’s entertainment industry. With a vision to identify and launch, Reel Se Real Star removes traditional barriers of geography, access, and industry connections – opening the doors of cinema to anyone with a smartphone. The property is built on a simple but powerful idea: talent can come from anywhere, and everyone deserves a stage.
Reflecting on the vision behind the platform, Ananya Birla, Founder and Chairperson of Birla Studios, noted: “Talent does not always get the opportunity it deserves— and that gap has kept far too many aspirants out of the spotlight. With the reach of digital infrastructure today, Birla Studios’ creative vision, and Vodafone Idea’s strong national footprint expanding this platform beyond conventional access points, we have the ability to create access at scale. We have a real opportunity to rethink how industries open their doors. ‘Reel Se Real Star’ is our attempt to do that by building a platform where anyone, from anywhere, can be discovered, and opportunity isn’t limited by circumstance. Because ultimately, everyone’s talent deserves a real shot at being seen.”
By leveraging Vodafone Idea’s digital reach and Birla Studios’ creative and cultural vision, the platform aims to build India’s most authentic and diverse acting talent pipeline, connecting untapped and deserving talent from across the country to mainstream entertainment.
Abhijit Kishore, CEO of Vodafone Idea, added, “Connectivity is most meaningful when it creates opportunity. ‘Reel Se Real Star’ breaks traditional industry barriers by bringing the audition room straight into the hands of the aspiring actors nationwide. Leveraging our robust network, expansive digital reach of over 200 million users and Birla Studios’ creative vision, we are democratizing talent discovery across India. Our goal is simple: to ensure potential isn’t limited by geography and can be discovered from anywhere – be it the bustling metro cities or remotest of the villages. We aren't just building a platform, we’re giving millions a real shot at their dreams.
The nationwide initiative enables aspiring actors across India to showcase their craft through a fully digital, app and web-led journey. Participants can upload their auditions directly, eliminating the need for industry referrals. At its core, Reel Se Real Star blends mass audience participation with expert mentorship as participants will be guided and evaluated by directors of repute and leading creative voices, ensuring credibility and craft excellence. The winners will receive a breakthrough opportunity — a role in a feature film, working alongside an established director. The program will go live for participation on the Vi app in the coming months. For now, users can register their interest on Birla Studios’ or Vi’s websites.
Also Read: SCOOP: Ananya Birla’s Birla Studios in talks with Anees Bazmee, Shoojit Sircar, Neeraj Pandey
read moreArijit Singh has cast Nawazuddin Siddiqui’s daughter Shora, but what exactly are they making?
Fans were heartbroken when Arijit Singh announced that he won't be doing playback singing anymore. Over the years, Hindi music lovers have enjoyed his songs, which have been an integral part of Hindi cinema. After that news came out, there was some buzz about Arijit Singh turning film director. He has cast Shora Siddiqui, the daughter of popular actor Nawazuddin Siddiqui.
We have some more tea for all those wondering what Arijit Singh is making. He was recently shooting in London with his actors; it's a film that he is producing and directing. A source told Bollywood Hungama, “It's a concept that Arijit had in mind, and he thought it's best to make it and back it himself, so that the creative freedom lies with him, which is extremely important for a creative artist.”
The story revolves around three youngsters, one of them played by Shora Siddiqui, each coming from very different strata of society. What makes it interesting is how their worlds, shaped by privilege, struggle, and circumstance, collide and cross paths.
As they navigate their individual journeys, the film explores how class, opportunity, and environment shape choices, ambitions, and even morality. Despite their differences, you get a bird's-eye view of three different lives.
At its core, the story isn’t just about three individuals; it’s about the contrast of their worlds, which we see all around, mainly in big cities.
It's unclear if Arijit will release this himself or give it to a big production house once it's ready. “We don't know as of now. Right now, he is backing it, that's all I can say, but you never know what will happen in the future,” the source told BH.
Also Read: Siddharth Nigam reveals performing risky stunts and suffering injuries for Kaptaan: “I performed all my action sequences myself”
read moreAsha Bhosle accorded full state honours as last rites will take place at Shivaji Park in Mumbai
The last rites of legendary playback singer Asha Bhosle are currently underway at Shivaji Park in Mumbai, where the iconic artist is being accorded full state honours. The solemn ceremony has drawn a large gathering of political leaders, members of the film fraternity, and countless admirers who have assembled to bid a final farewell to one of Indian cinema’s most celebrated voices.
Earlier in the day, her mortal remains were kept at her residence in Lower Parel, allowing the public to pay their last respects. Since morning, fans and well-wishers have been arriving in large numbers, reflecting the immense impact she had across generations of music lovers.
Prominent leaders including Maharashtra Deputy Chief Minister Devendra Fadnavis visited to offer floral tributes, alongside State Cultural Affairs Minister Ashish Shelar and legislators Sunil Shinde and Prasad Lad. The state funeral honours underscore the cultural significance of Asha Bhosle’s unparalleled contribution to Indian music.
Members of the film industry, spanning veterans of the 1990s to younger artists, have also been present at the ceremony, paying homage to the singer whose voice defined countless eras of Bollywood music. Known for her extraordinary versatility, Asha Bhosle’s repertoire ranged from classical and folk to cabaret and contemporary hits, making her one of the most dynamic playback singers in the history of Indian cinema.
The singer had passed away on Sunday at the age of 92 at Breach Candy Hospital. According to official statements, she was admitted on Saturday evening after suffering from severe exhaustion and a chest infection. Despite the efforts of a specialised medical team, her condition deteriorated rapidly due to age-related complications, eventually leading to multi-organ failure.
Fondly known as Ashatai, she was honoured with prestigious awards including the Padma Vibhushan and Maharashtra Bhushan. As her final rites proceed with state honours, the nation collectively mourns the loss of a timeless voice whose legacy will continue to resonate for generations to come.
Also Read: Photos: Tabu, Asha Parekh, Sachin Tendulkar, and Zanai Bhosle pay last respects to the late Asha Bhosle
read moreAmul Topical pays heartfelt tribute to Asha Bhosle: “Sabka dil chura liya aapne”
Amul, the iconic Indian dairy brand known for its insightful topicals, has paid a heartfelt tribute to the legendary playback singer Asha Bhosle following her sad demise on April 12, 2026. The tribute, shared on social media, beautifully encapsulates the singer's immense contribution to Indian music and her universal appeal.
Amul Topical for Asha Bhosle The topical features an illustration of two versions of Asha Bhosle, each representing a different facet of her legendary career. On the left, she is seen as the quintessential stage performer, with her hand raised in her signature dramatic pose and a microphone in her hand. On the right, she is depicted as the dedicated studio singer, reading from a music sheet in front of a recording microphone. The topicals perfectly captures the essence of her versatility and her ability to touch hearts both on stage and in the studio.
The caption for the topical, in Hindi, reads: "Sabka dil chura liya aapne," which translates to "You have stolen everyone's heart." This simple yet powerful sentence resonates with the millions of fans across the globe who have been mesmerized by her voice. The topical also includes the text "Asha Bhosle 1933-2026" at the bottom, marking the end of an era.
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Asha Bhosle: A legacy like no other Asha Bhosle's passing has left a void in the Indian music industry that can never be filled. Her career spanned over seven decades, during which she sang over 12,000 songs in various Indian languages. Her collaborations with music directors like R.D. Burman, O.P. Nayyar, and Shankar-Jaikishan produced some of the most memorable songs in Indian cinema history.
Asha Bhosle passed away at the age of 92 due to age-related complications. Her death was a shock to the industry and her fans, who have been expressing their grief and condolences on social media. The singer was awarded the Dadasaheb Phalke Award, India's highest award in cinema, in 2000, and the Padma Vibhushan, the country's second-highest civilian honor, in 2008.
Her funeral was attended by many prominent figures from the film industry and politics, including Shah Rukh Khan, Amitabh Bachchan, and Prime Minister Narendra Modi, who expressed his sadness at the passing of the legendary singer. In recent years, Asha Bhosle had been living in Mumbai.
Also Read: Priyanka Chopra pens heartfelt tribute to Asha Bhosle after her passing at 92: “Losing a piece of your childhood”
read moreSreeleela becomes the new face of Santoor as brand targets younger audiences
Santoor, a name long linked with a distinct identity, is signalling a fresh shift with actor Sreeleela stepping in as the new face of the brand. The move marks a noticeable change in how the legacy beauty brand is choosing to engage with today’s younger consumers.
Known for her youthful energy and strong connect with Gen Z and millennial audiences, Sreeleela brings a distinctly contemporary presence to the brand — one that reflects evolving ideas of beauty and self-care rooted in confidence.
While Santoor has traditionally been associated with a specific beauty narrative, this shift points to a broader, more inclusive conversation around everyday beauty and personal care for younger consumers. Details of the campaign featuring Sreeleela are expected to be revealed in the coming days.
Also Read: Sreeleela on staying rooted despite the fame, “It is a journey where you are constantly learning, unlearning, and relearning”
read moreChand Mera Dil title track release pushed by a day in tribute to Asha Bhosle
Dharma Productions has postponed the release of the title track of Chand Mera Dil by a day as a mark of respect following the passing of legendary playback singer Asha Bhosle. The song, featuring Ananya Panday and Lakshya, was earlier scheduled to release on April 13.
The decision comes as Asha Bhosle’s last rites are set to be held on the same day. Announcing the postponement, the production house shared a statement explaining the reason behind the move.
The statement read, “In honour of a legacy that has shaped generations, and with deep respect for the passing of the legendary Asha Bhosle, we are pushing the release of the Chand Mera Dil title track by a day. This decision has been made as a mark of heartfelt respect and remembrance for Asha Bhosle, whose lasting impact on music continues to inspire generations.”
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Asha Bhosle passed away at the age of 92 after being admitted to Breach Candy Hospital following cardiac and respiratory complications. She had reportedly not been keeping well for the past few months and was brought to the hospital in a critical condition before being shifted to the Intensive Care Unit on Saturday night. She died on Sunday afternoon, with her family later confirming that her last rites would take place the following day in Mumbai.
Also Read: Asha Bhosle passes away at 92: 10 defining songs that shaped her extraordinary musical legacy
read moreAkshay Kumar leases Andheri duplex for Rs 1.44 lakh monthly rent: Report
Akshay Kumar has leased out his duplex apartment in Andheri West to pilot Anny Divya, one of India’s youngest wide-body aircraft commanders, according to property registration data reviewed by CRE Matrix.
The duplex flat is located on the 11th and 12th floors of the Sky Pan building in the Oberoi Complex on New Link Road. The apartment also includes an attached terrace. The property has been licensed at a starting monthly rent of Rs 1.44 lakh. The agreement was registered on April 7, with the lease tenure fixed at 24 months and the rent effective from March 1.
Registration records identify the landlord as Akshay Kumar Bhatia, the actor’s legal name. The leave and license agreement reportedly does not include a rent escalation clause. In a notable departure from common practice in Mumbai’s rental market, the deal also does not include a security deposit.
Stamp duty and registration charges for the agreement totalled Rs 9,700. Of this amount, Rs 8,700 was paid as stamp duty and Rs 1,000 as registration fees. The payment was processed through State Bank of India and registered with the Inspector General of Registration office in Mumbai on April 7.
Speaking of the professional front, Akshay is currently busy with the promotions of Bhooth Bangla, scheduled to release on April 16.
Also Read: Akshay Kumar pulls playful prank on Wamiqa Gabbi in Bhooth Bangla BTS video
read moreAsha Bhosle dies at 92; last rites to be held tomorrow
Legendary playback singer Asha Bhosle has died at the age of 92 following health complications. She had been admitted to Breach Candy Hospital on Saturday after experiencing cardiac and respiratory issues and was later shifted to the Intensive Care Unit the same night.
According to sources, the singer had not been keeping well for the past few months and was brought to the hospital in a critical condition. Despite medical attention, she passed away on Sunday afternoon.
As per a report by Hindustan Times, her son Anand Bhosle confirmed the news. The family has informed that her last rites will be conducted tomorrow in Mumbai.
Asha Bhosle was widely regarded as one of the most versatile voices in Indian cinema, with a recording career that spanned several decades and thousands of songs across multiple languages and genres. Her work ranged from classical-based compositions to cabaret numbers, ghazals, pop experiments and regional music, making her one of the most distinctive playback singers in the history of Indian film music.
Also Read: Tabu reveals Asha Bhosle gifted her a guitar on her birthday : “Some moments stay with you forever”
read morePM Narendra Modi wishes Asha Bhosle a speedy recovery after hospitalisation
Prime Minister Narendra Modi has extended his wishes for the recovery of veteran playback singer Asha Bhosle following news of her recent hospitalisation. The 92-year-old singer is currently undergoing treatment for exhaustion and a chest infection, according to a statement shared earlier by her granddaughter Zanai Bhosle.
Taking to X, the Prime Minister expressed concern about her health and conveyed his support. He wrote: “Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery.”
Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery. — Narendra Modi (@narendramodi) April 12, 2026
His message comes amid widespread concern from across the film and music fraternity after initial reports about the singer’s hospitalisation surfaced earlier in the day. The clarification from her family later confirmed that she is receiving treatment for exhaustion and a chest infection, while requesting privacy as doctors continue to monitor her condition.
My grandmother, Asha Bhosle due to extreme exhaustion and suffering a chest infection has been admitted to hospital and we request you to value our privacy. Treatment is ongoing and hopefully everything will be well and we shall update you positively. — Zanai Bhosle (@ZanaiBhosle) April 11, 2026
Several members of the film industry have also shared messages wishing her a quick recovery, reflecting the deep respect she continues to command across generations of artists and audiences.
Widely regarded as one of India’s most influential playback singers, Asha Bhosle has had a career spanning decades and thousands of recordings across languages and genres. Messages of support continue to pour in as fans and well-wishers await further updates on her health.
Also Read: Asha Bhosle hospitalised due to exhaustion and chest infection, says granddaughter Zanai Bhosle
read moreAsha Bhosle hospitalised due to exhaustion and chest infection, says granddaughter Zanai Bhosle
Hours after initial reports suggested that veteran singer Asha Bhosle had been hospitalised following a cardiac episode, her granddaughter Zanai Bhosle shared an update clarifying that the 92-year-old singer is currently receiving treatment for extreme exhaustion and a chest infection.
In a message posted on social media, Zanai requested privacy for the family while confirming that treatment is ongoing and that they remain hopeful about her recovery.
She wrote, “Extreme exhaustion and suffering a chest infection has been admitted to hospital and we request you to value our privacy. Treatment is ongoing and hopefully everything will be well and we shall update you positively.”
The clarification comes shortly after earlier reports had circulated about her hospitalisation, prompting concern among fans and members of the film and music industry. Zanai’s statement provided reassurance that the singer is under medical care and being closely monitored.
Several members of the film fraternity responded to the update with messages of support and prayers for her recovery. Anupam Kher commented, “Will pray for her good health,” while Shabana Azmi wrote, “Wishing her a quick recovery and sending you a big hug.” Sanjay Kapoor also shared his wishes, writing, “Wishing her a speedy recovery.”
Widely regarded as one of India’s most influential playback singers, Asha Bhosle has remained deeply respected across generations of listeners. News of her hospitalisation led to an outpouring of concern online, with fans continuing to share messages of support as they await further updates on her health.
Also Read: Asha Bhosle, 92, hospitalised after suffering cardiac arrest: Report
read moreAsha Bhosle, 92, hospitalised after suffering cardiac arrest: Report
Veteran playback singer Asha Bhosle was admitted to Breach Candy Hospital on Saturday after reportedly suffering a cardiac arrest. The 92-year-old singer is currently undergoing treatment in the hospital’s Emergency Medical Services unit.
According to reports citing hospital sources and news agency IANS, the singer experienced the cardiac episode earlier in the day and was subsequently shifted to the south Mumbai hospital for immediate medical care. Doctor Pratit Samdani confirmed that she is receiving treatment in the emergency unit.
Further medical details about her condition have not been officially shared so far, and hospital authorities are yet to issue a detailed health bulletin.
Widely regarded as one of India’s most celebrated playback singers, Asha Bhosle has had a career spanning several decades and recorded thousands of songs across multiple languages and genres. Her contributions to Indian cinema and music have earned her enduring recognition both in India and internationally.
Updates on her condition are awaited as doctors continue to monitor her health.
Also Read: Tabu reveals Asha Bhosle gifted her a guitar on her birthday : “Some moments stay with you forever”
read moreAhaan Panday becomes first India brand ambassador for Davidoff Parfums
For the first time ever, Davidoff Parfums announces actor Ahaan Panday as its First Brand Ambassador for India, marking a historic milestone in the brand’s journey in one of its most dynamic markets. For decades, Davidoff has held a special place in India’s fragrance landscape. Recognized and widely admired, the brand has long held cult status across urban India, and is now embarking on a bold and exciting new chapter in its journey in the country.
Rooted in the pioneering spirit of founder Zino Davidoff, the brand has always stood for adventure, refinement, and living life with intensity. Through this partnership, Davidoff aims to strengthen its cultural presence in India and build ties with a new generation of fragrance enthusiasts.
Sharing his excitement, Ahaan Panday said, “Davidof parfums is one of those brands I’ve always associated with memories growing up. Cool water was probably the first perfume I ever tried, to now be named Davidoff’s first Brand Ambassador for India feels incredibly special, and a little surreal. I’ve always seen Davidoff as a symbol of confidence and staying true to who you are. That mindset really resonates with where I am in life right now, which makes this association even more meaningful and I’m proud to be a part of it.”
Ahaan Panday brings a fresh energy to the brand in India, embodying the contemporary Davidoff man: self-assured yet carefree, ambitious yet grounded, bold in spirit yet refined in style. With a strong connection to Gen Z and millennial audiences, combined with his natural charisma and global outlook, makes him a compelling local ambassador to translate Davidoff Parfum's “gentleman adventurer” philosophy into the Indian cultural landscape.
The appointment coincides with the introduction of Davidoff’s latest global fragrance launch, Cool Elixir: The New Oud Treasure, a bold, long-lasting composition that reinterprets freshness with depth and intensity. Featuring a noble oud accord layered with lavandin absolute and rose oxide, Cool Elixir reflects Davidoff’s evolution towards more sensorial, elevated expressions of modern masculinity, while staying true to the brand’s iconic freshness heritage.
With Ahaan Panday at the forefront, Davidoff parfums embarks a confident new era for the brand in India
Also Read: Mohit Suri reveals he rejected Ahaan Panday multiple times for Saiyaara: “I didn’t find him like Krish Kapoor at all”
read moreInside Karan Johar’s interaction with Meryl Streep and Anne Hathaway in Tokyo, watch
Karan Johar’s recent visit to Tokyo has sparked fresh interest online after a glimpse of his interaction with Meryl Streep and Anne Hathaway during the promotional tour of The Devil Wears Prada 2 surfaced on social media. The short preview, shared by Twentycs India, offers an early look at their meeting, while the full conversation is expected to be released soon.
The filmmaker, who has often spoken about his admiration for the original The Devil Wears Prada, described the interaction as a memorable moment. He met the two actors during the Tokyo leg of the sequel’s promotional schedule, where they were engaging with media and audiences ahead of the film’s release.
While details of their conversation remain under wraps for now, the brief glimpse suggests a relaxed and cheerful exchange between the three. The interaction has already generated curiosity among viewers, particularly given Johar’s long-standing appreciation for the film and its characters.
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Adding a personal touch to the occasion, Johar appeared to have chosen his outfit keeping the setting in mind. He was seen wearing a floral ensemble that subtly reflected the seasonal cherry blossom backdrop associated with Japan at this time of year. According to early reactions shared around the meeting, Meryl Streep is believed to have complimented his look, a moment that further delighted fans following the update.
Photos from the visit were earlier shared by Johar on social media, offering a preview of the interaction and hinting at the larger conversation yet to be released. With the full video still awaited, the meeting has added another layer of anticipation for audiences interested in seeing the filmmaker’s exchange with two of the franchise’s most recognisable stars.
Also Read: Karan Johar’s Tokyo dump features floral look he wore while meeting Meryl Streep and Anne Hathaway for The Devil Wears Prada 2
read moreVijay Varma’s Brij Bhatti walks out of Ranveer Allahbadia’s podcast in new Matka King promo
Vijay Varma as Brij Bhatti, the OG entrepreneur, the Matka King, strolls into Ranveer Allahbadia's podcast with a matka, a deck of cards, and the kind of 60s swagger that commands the room. In Prime Video’s most electrifying video asset yet, Ranveer is at his curious best, and Brij Bhatti is firing back with the confidence of a man who built an empire on the game of Matka by his own rules. The energy is unreal, the conversation gets sharper, and just when it hits the peak, Ranveer asks that one question, the one that pushes the Matka King over the edge.
In the most dramatic moment, Brij Bhatti looks Ranveer dead in the eye and says, “Tujhe asli matke ka paani pilata hun”, and walks straight out. What did Ranveer ask that made the Matka King leave? Watch the video asset now and find out!
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Created and written by Abhay Koranne and created, written, directed by Nagraj Popatrao Manjule, Matka King features Vijay Varma, Kritika Kamra, Sai Tamhankar, Siddharth Jadhav, Bhupendra Jadawat, and Gulshan Grover in lead roles, along with Vineet Kumar Singh, Bharat Jadhav, Girish Kulkarni, Jamie Lever, Kishor Kadam, Cyrus Sahukar, Arpita Sethia, Sambhaji Tangade, Ishtiyak Khan, Sanjivv Jotangia, and Simran Ashwini in pivotal roles. Produced by Siddharth Roy Kapur, Nagraj Popatrao Manjule, Gargi Kulkarni, Ashwini Sidwani, and Ashish Aryan, under the banner of Roy Kapur Films, Aatpat, and SMR Entertainment, the series is set to premiere exclusively on Prime Video in India and across 240 countries and territories worldwide on April 17.
Also Read: EXCLUSIVE: Nagraj Manjule says Vijay Varma pushed scenes “beyond our limits” in Matka King; calls the Prime Video show “game of details”
read moreRavie Dubey calls Ranbir Kapoor “quiet and deeply committed” while working on Ramayana
Actor Ravie Dubey recently shared his experience of working with Ranbir Kapoor on the upcoming film Ramayana. The film has already generated strong interest after its first glimpse was unveiled. Ranbir Kapoor’s look from the project has received attention online. Viewers have responded positively to his appearance and screen presence in the early visuals from the film.
Ravie Dubey praises Ranbir Kapoor’s approach on set Speaking about their collaboration, Ravie Dubey described Ranbir Kapoor as calm and focused during the shoot. He said, “Ranbir has an incredible aura. He’s quiet, graceful, and deeply committed. He carries a very soft energy, and I think that’s something everyone who meets him would feel.”
His comments reflect his experience of working closely with the actor during the making of the film. Cast brings together key characters from the epic In Ramayana, Ranbir Kapoor plays Ram, while Ravie Dubey will be seen as Lakshman. Sai Pallavi is set to portray Sita. The casting of the trio has drawn attention since the film’s early announcements. The project continues to remain one of the most talked about upcoming titles.
Audiences are now waiting to see how the characters and their relationships are presented on screen as the film moves closer to release.
Also Read: Moti Sagar, son of Ramanand Sagar, reacts to Ramayana teaser, calls Ranbir Kapoor “a class actor”
read moreEXCLUSIVE: Aamir Khan tries a BOLD new release strategy - opens Ek Din's advance bookings 39 days before release; Raipur delivers the BIGGEST surprise
On March 23, several moviegoers using ticket-booking apps were taken by surprise when they noticed that advance bookings for Ek Din, slated for release on May 1, had already begun. At first, many assumed it was a technical glitch, as ticket sales usually open just a few days, or at best a week, before a film’s release. However, it soon became clear that this was no error and that the makers had indeed decided to open bookings for the Junaid Khan-Sai Pallavi starrer, that too 39 days in advance.
Bollywood Hungama surveyed the film’s ticket sales across major centres in the country and found that tickets for Ek Din are currently on sale in nearly 20 cities. In all cinemas, tickets have been opened for only one show so far.
Delhi-NCR takes the cake, with Ek Din's advance booking opening in 24 screens, followed by Mumbai with 11 screens. In Chandigarh and Pune, tickets are available in 3 theatres each. Meanwhile, the advance booking has opened in one screen each in Ahmedabad, Jaipur, Surat, Vadodara, Indore, Bhubaneswar, Amritsar, Dehradun, Guwahati, Udaipur, Prayagraj, Raipur, Patna, Gorakhpur, Jalandhar, etc.
What has come as a pleasant surprise is that despite such an unusually early start to advance sales, and despite Ek Din not being a front-loaded film, the response has already been encouraging. Though the film appears to cater more to an urban, multiplex audience, it has also managed to generate curiosity in B centres. The biggest surprise has emerged from Raipur. As of 8:00 am on April 11, 46 tickets had already been sold at PVR City Center Raipur, an impressive number given the circumstances. PVR Palladium Mall Ahmedabad follows with 37 tickets sold, while Inox Orion Mall Gorakhpur has sold 18 tickets. Several cinemas in Mumbai and Delhi-NCR, too, have already sold around 20 tickets each.
As per data accessed by Bollywood Hungama, more than 520 tickets have already been booked across the country. This has happened despite the makers doing negligible promotion around the opening of advance sales. Interestingly, Ek Din is produced by Aamir Khan, a filmmaker long associated with bold and path-breaking release strategies. Opening the film’s advance booking nearly 40 days before release appears to be yet another unconventional move from his playbook.
Also Read: Ek Din song ‘Konichiwa’ is pure travel romance magic — Sai Pallavi & Junaid Khan steal the show with their chemistry
read moreSalman Khan's Maatrubhumi undergoes major sanitising; no China mention in new version
The suspense over Salman Khan-Chitrangda Singh’s much-awaited film, Maatrubhumi, continues. The film was announced as Battle Of Galwan and was rechristened to Maatrubhumi earlier this year. The film is based on the 2020 conflict between India and China and since the relations between the two countries have improved recently, the Ministry of Defence had reservations about the film’s content. We have now learned from a trusted source that as per the directive of the Ministry, China may not be mentioned in the film.
A source told Bollywood Hungama, “Earlier, the film was inspired by a real event. But as per the request of the Ministry of Defence, Salman Khan and director Apoorva Lakhia reshot the film by adding a fictional spin to the story. Accordingly, he reshot nearly 40% of the film as he added some romantic scenes, backstory, etc. The makers submitted the new cut, hoping that they would get the NOC. But the Ministry still has apprehensions.”
The source added, “One of the requests to Salman Khan is that China shouldn’t be mentioned in the film. This was communicated to the makers in advance. The cut of Maatrubhumi, which was submitted earlier this month, has no mention of China.” However, only those in the core team of Maatrubhumi are aware as to how the neighbouring country has been depicted or mentioned without naming it.
It now remains to be seen how the issue gets resolved and when the film is able to be released in cinemas. Bollywood Hungama had earlier reported that Maatrubhumi might arrive on May 15. However, due to the present situation, that seems unlikely.
Meanwhile, Salman Khan is expected to start shooting for Dil Raju's next. It co-stars Nayanthara and is directed by Vamshi Paidipally. Salman also has Raj-DK’s superhero film in his kitty.
Also Read: Salman Khan drops romantic track ‘Mera Jee Nahi Bhara’ from Maatrubhumi starring Zeyn Shaw and debutante Abhishrri Sen
read moreSara Arjun attends Bhasma Aarti at Shree Mahakaleshwar Temple after Dhurandhar The Revenge crosses Rs 1000 crores in Hindi: “I am overjoyed”
Actor Sara Arjun visited the sacred Shree Mahakaleshwar Temple in Ujjain on April 11. She attended the famous Bhasma Aarti after the strong box office performance of her recent film Dhurandhar The Revenge, which crossed Rs 1000 crores in the Hindi language.
The milestone placed the film in the Rs 1000 crores club. It also marked an important moment in Sara Arjun’s career, as the project is her first film as a female lead. Sara Arjun reacts after attending Bhasma Aarti Speaking to ANI after the temple visit, Sara shared her emotions about the experience. She said she felt a deep sense of joy after attending the ritual. “I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed,” she said.
Her visit came soon after the film’s major box office achievement.
#WATCH | After attending Bhasma Aarti, actor Sara Arjun says, "I have no words. I had the calling, and then I came here. There is no better feeling than this in this world. I am overjoyed..." https://t.co/5vHVwh2JVT pic.twitter.com/V9qZYNhB3B — ANI (@ANI) April 11, 2026
In the film, Sara Arjun plays the character Yalina opposite Ranveer Singh, who appears as Hamza. While she worked in several projects as a child artist earlier, the Dhurandhar duology marked her first appearance as a leading actor in a major commercial film.
The success of the film has brought fresh attention to her performance and screen presence. Casting director Mukesh Chhabra on selecting Sara Arjun In an earlier conversation with Bollywood Hungama, casting director Mukesh Chhabra shared details about the casting process. He said the team wanted a fresh face for the role. He explained that he and director Aditya Dhar were clear from the beginning about their approach. They wanted someone who looked natural in the film’s world and carried no prior screen baggage.
Chhabra said the team conducted more than 1,200 auditions before finalising Sara Arjun. He added that there was some initial concern about her looking slightly young for the part. Another look test with different makeup helped address that doubt.
Her selection eventually became one of the notable casting decisions of the film.
Also Read: Sara Arjun thanks “unsung heroes” of Dhurandhar duology in a heartfelt note; Yami Gautam Dhar calls her the future
read moreKapil Sharma, Neetu Kapoor, Sadia Khateeb’s Daadi Ki Shaadi to release on May 8; first poster out!
The makers of Daadi Ki Shaadi unveiled the film’s first poster on April 10 and announced its theatrical release date. The family entertainer will arrive in cinemas on May 8. The film stars Kapil Sharma, Neetu Kapoor, Riddhima Kapoor Sahni in her acting debut, and Sadia Khateeb. It is produced by Rtake Studios in association with BeingU Studios.
Key details about Daadi Ki Shaadi The project is written and directed by Ashish R Mohan. It is produced by Shraddha Agrawal and co-produced by Akshit Lahoria, Gurjot Singh, Ginni Kapil Sharma and Komal Shahani Mohan. The distribution will be handled worldwide by Panorama Studios. The poster also carries the logo of Netflix, which suggests the film may arrive on the platform after its theatrical run.
The makers have not shared the full story yet. The title hints at a late life wedding within a family. The idea itself brings a fresh angle. It also opens space for humour and emotional moments. Kapil Sharma’s presence points towards situational comedy. Neetu Kapoor appears to play the central role around whom the story revolves. The film seems to focus on how a family reacts to change across generations.
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What the Daadi Ki Shaadi poster shows The poster presents a bright and cheerful setting. A lush green background creates a light mood that matches the theme of a family celebration. Neetu Kapoor is placed at the centre of the frame. She appears joyful and confident. Kapil Sharma stands beside her with a warm expression. Sadia Khateeb is seen on the other side, adding a youthful energy to the composition.
The title is placed within a large fruit-bearing tree. This visual suggests ideas of family roots and growth. It also signals that relationships will remain at the heart of the story.
Riddhima Kapoor Sahni is visible on one side of the poster. Her presence marks her first appearance in a feature film. Another older male character stands opposite her. He is likely connected to the wedding storyline.
At the bottom, several supporting characters appear in a garden setting. Pink flowers and a fence frame the scene. The layout hints at a multi-generational family gathering and a festive atmosphere.
Also Read: Sadia Khateeb calls Daadi Ki Shaadi a ‘family vacation’; shares fun moments with Neetu Kapoor, Kapil Sharma and Riddhima Kapoor Sahni
read morePriyanka Chopra Jonas joins Bentley as global ambassador; debuts in new campaign shot in Los Angeles
Global star Priyanka Chopra Jonas has been announced as the new global brand ambassador for Bentley Motors, marking the beginning of a new collaboration between the actor-producer and the luxury automobile brand. The announcement is accompanied by a new campaign set to launch this weekend, with an extended film scheduled to premiere in the coming weeks.
The campaign introduces a fresh creative direction for Bentley, captured by Co-Creative Director Greg Williams. Shot in a documentary-style format, the film offers a more personal and conversational look at Priyanka’s journey, featuring candid reflections on her life, career, and creative outlook. The visuals were filmed at Sony Studios in Los Angeles, with the Bentley Continental GT subtly integrated into the narrative.
Priyanka Chopra Jonas joins a growing roster of global ambassadors associated with the brand, including Greg Williams and Mai Ikuzawa, who were appointed as Co-Creative Directors last year. The campaign positions her as part of Bentley’s broader effort to evolve its storytelling and connect with audiences through more authentic narratives.
Speaking about the collaboration, Priyanka said, “I’ve always been drawn to Bentley’s commitment to craftsmanship and storytelling, because there’s an intentionality behind every detail that feels rare. As someone who lives for the creative energy of being on set, this collaboration felt instinctive. It’s about shared values, but also about a shared appreciation for the process behind what we create.”
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Ben Whattam, Marketing Director at Bentley Motors, also commented on the association, stating, “Priyanka brings a fresh energy and authentic perspective that aligns with Bentley. The film’s relaxed style allows her voice and personality to come through naturally, creating something more authentic than traditional advertising.”
With a career spanning nearly 25 years, Priyanka Chopra Jonas has established herself as a prominent figure across film, television, and global entertainment. In addition to her work as an actor, she is also a producer, entrepreneur, and author. Beyond her professional achievements, she is associated with several social causes and serves as a UNICEF Goodwill Ambassador, advocating for education and child welfare.
The collaboration marks another global milestone for Priyanka Chopra Jonas, as she continues to expand her presence across international platforms and brand partnerships.
Also Read: Priyanka Chopra’s Bvlgari billboard on Sunset Boulevard sparks conversation on representation
read moreRanveer Singh agrees to rework apology over Kantara-related remark, case adjourned to April 23
Ranveer Singh on Friday told the Karnataka High Court that he is willing to file a revised affidavit of apology over remarks linked to the depiction of Chamundi Devi in Kantara, as per a Bar And Bench report. The submission was made before Justice M. Nagaprasanna during the hearing of a petition related to the controversy.
Ranveer Singh offers to file revised apology affidavit Senior Advocate Sajan Poovayya, appearing for the actor, told the Court that Singh had already filed an affidavit expressing regret. He added that the actor was ready to submit a revised version if needed. According to the affidavit, Singh said he did not realise at the time that his remarks could hurt the sentiments of devotees of the deity. He also stated that he respects all faiths and traditions.
Poovayya told the Court that Singh had conveyed his “deepest regret and unconditional apology” through the affidavit. He also said the actor had undertaken to visit the temple of the deity and offer prayers. The counsel further quoted Singh as saying that he grew up in a Sindhi household in Mumbai and was not aware of the sensitivities involved at the time of the incident. Complainant questions sincerity of apology The complainant, Prashanth Methal, argued that the affidavit did not reflect genuine remorse. He told the Court that actor and filmmaker Rishab Shetty had earlier advised Singh not to make such remarks. He requested the Court to direct the filing of a proper affidavit.
Poovayya responded that he was willing to discuss the wording of the apology with the complainant and submit a revised affidavit before the Court. Justice Nagaprasanna recorded the submission and adjourned the matter to April 23. Remarks at IFFI Goa led to controversy The case relates to a speech delivered by Singh at the International Film Festival of India in Goa. During the event, Singh praised Shetty’s performance in Kantara. While referring to the portrayal of the deity, he described Chamundi Devi as a “female ghost” and mimicked a moment from the film. The remarks later triggered criticism on social media.
Following a complaint, a Bengaluru magistrate ordered an investigation under the Bharatiya Nagarik Suraksha Sanhita, 2023. Based on the order, the High Grounds Police Station registered an FIR against Singh under provisions of the Bharatiya Nyaya Sanhita related to religious enmity, religious insult and public mischief.
Singh later approached the High Court, stating that his remarks were taken out of context and were meant only to appreciate Shetty’s performance. He also said there was no intention to hurt religious sentiments or create disharmony between communities.
Also Read: Ranveer Singh to submit unconditional apology affidavit in Kantara mimicry controversy; next hearing on April 10: Report
read moreMadras High Court dismisses plea to halt Dhurandhar The Revenge screening amid Tamil Nadu polls
The Madras High Court has dismissed a petition seeking to stop the screening of Dhurandhar The Revenge during the ongoing Tamil Nadu Legislative Assembly elections, declining to grant any interim relief at the admission stage.
Madras High Court refuses to halt screening of Dhurandhar The Revenge A Bench led by Chief Justice Sanjay A. Darmadhikari and Justice G. Arul Murugan dismissed the plea that sought to restrain the film’s exhibition across Tamil Nadu until the election results are declared.
According to a Bar And Bench report, the petition was filed by a resident of Madurai. It requested an ad-interim direction to stop the film’s screening in theatres and on OTT platforms during the Model Code of Conduct period. The Court, however, declined to intervene and dismissed the plea at the admission stage. Petition argued film could influence voters The petitioner argued that the continued screening of the film during the election period could disturb the principle of a level playing field. According to the plea, the film’s screening during the Model Code of Conduct period may influence voters. It was also argued that allowing the film to run during the sensitive election phase would go against the spirit of free and fair elections.
The Court did not find grounds to grant the requested relief. Film drew attention due to political undertones Dhurandhar The Revenge has been widely discussed in the run-up to the elections because of its perceived political themes. These concerns formed the basis of the challenge before the High Court. Despite the objections raised in the petition, the Court allowed the film’s screening to continue. Dhurandhar records strong box office performance Directed by Aditya Dhar and starring Ranveer Singh, the film has emerged as one of the biggest box office successes of 2026. It opened to strong numbers and entered the Rs 500 crores club within three days of release. The film continues to draw audiences in theatres across the country.
Also Read: Delhi High Court sends Dhurandhar The Revenge song dispute between Trimurti Films and B62 Studios to mediation
read moreYash Chopra Foundation launches YCF Scholarship 2026, offers up to Rs. 5 lakhs for children of Hindi film industry workers
The Yash Chopra Foundation (YCF), the philanthropic arm of Yash Raj Films, has announced the second edition of its YCF Scholarship Program, aimed at supporting the higher education aspirations of children from Hindi film industry families.
Launched for the academic year 2026–27, the initiative will provide financial assistance of up to Rs. 5 lakhs per student. The scholarship is open to children of registered Hindi film industry workers and YCF Saathi members, many of whom form an integral part of the industry’s ecosystem. The selection process will be based on a combination of academic merit and financial need.
The program covers both undergraduate and postgraduate courses across recognised institutions in India. While it continues to support creative and industry-aligned disciplines such as Film Studies, Media & Communication, Animation & Visual Effects, Cinematography, Direction, and Visual Arts, this year’s edition expands its scope to include postgraduate studies in Engineering, Medical & Paramedical Sciences, Business & Management, Law, and Information Technology.
The scholarship will cover tuition fees for eligible courses at NAAC-accredited, AICTE-approved, or government-recognised institutions, with the aim of reducing financial barriers to higher education.
Speaking about the initiative, Akshaye Widhani, CEO of YRF, said, “As we proudly launch the second year of the YCF Scholarship Program, we're thrilled to empower children of our Hindi film industry families to dream bigger and build sustainable futures through education. This year's scope of work reflects our deeper commitment to help the 60% of families from the fraternity who are facing education funding challenges, as revealed by our YCF Saathi survey. These scholarships are aimed to help secure brighter tomorrows for these children. We invite every eligible family to apply at the earliest and allow us to help their children secure a brighter future for themselves.”
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Insights from the YCF Saathi survey highlight that over 60% of film industry families face financial challenges in funding higher education. The scholarship initiative is designed to address this gap and enable long-term economic stability through access to quality education.
Selected candidates will undergo a structured, multi-stage evaluation process, including screening and personalised interviews. Financial aid will be disbursed directly to the respective institutions of successful applicants. Eligible candidates can apply through YCF’s official channels by following the prescribed application process.
Also Read: Yash Chopra Foundation launches ‘Saathi Program 2026’ to support film workers with monthly aid, healthcare and education benefits
read moreSCOOP: Makers of Varun Dhawan-starrer Hai Jawani Toh Ishq Hona Hai plan to prepone release from June 12 to May 22
Varun Dhawan began 2026 on a healthy note thanks to the success of Border 2. He is now gearing up for the release of Hai Jawani Toh Ishq Hona Hai, which belongs to the fun-and-frolic space that he is known for. Moreover, it reunites him with his father, David Dhawan, for the third time. Bollywood Hungama has learned that fans of Varun will be in for a treat, as the makers are planning to advance the release of the entertainer.
A source told Bollywood Hungama, “The makers are seriously considering bringing the film out on May 22 instead of June 12. They realized they could prepone the release by three weeks as the film is almost ready. Moreover, there’s limited competition in the second half of May and the summer holidays will be on. It’ll be an ideal time to attract youth and family audiences to the film.”
The source continued, “A final call will be taken very soon. If the new date is locked, the makers plan to make the official announcement about the change in a few days.”
Hai Jawani Toh Ishq Hona Hai also stars Pooja Hegde and Mrunal Thakur and is produced by Ramesh Taurani of Tips. A few days ago, it was announced that Tips will re-enter the distribution business with this film.
Interestingly, Hai Jawani Toh Ishq Hona Hai was earlier scheduled to be released on June 5. After Toxic was pushed to June 4, its date was changed to June 12. Hence, this will be the second time that the release date of the David Dhawan-directorial will be changed.
If Hai Jawani Toh Ishq Hona Hai indeed releases on May 22, it’ll avert a clash with Imtiaz Ali’s Main Vaapas Aaunga, starring Diljit Dosanjh, Sharvari and Vedang Raina. However, by arriving on the fourth Friday of May, it will end up clashing with Karan Johar’s intense romantic drama Chand Mera Dil, starring Lakshya and Ananya Panday, Anurag Kashyap’s Bobby Deol-starrer Bandar, and Milap Zaveri’s Tera Yaar Hoon Main.
Also Read: Hai Jawani Toh Ishq Hona Hai: Tips Films re-enters distribution with Varun Dhawan starrer
read moreDelhi High Court sends Dhurandhar The Revenge song dispute between Trimurti Films and B62 Studios to mediation
The Delhi High Court has referred the copyright dispute over the song ‘Rang De Lal’ (Oye Oye) from Dhurandhar The Revenge to mediation. The case involves Trimurti Films and director Aditya Dhar’s production banner B62 Studios. Trimurti Films has alleged that the song in the film includes unauthorised use of music from ‘Tirchi Topiwala,’ a track from the 1989 film Tridev starring Sunny Deol. The company claims it holds the music rights to the original song.
Justice Tushar Rao Gedela observed that the dispute appears to be mainly financial in nature. According to a report by Bar and Bench, the court suggested that the parties could resolve issues related to royalty and compensation through mediation. It also ordered the appointment of a senior mediator to supervise the process.
Additionally, Trimurti Films argued that the use of the song, or a version that is substantially similar to it, in Dhurandhar The Revenge was done without the required licence. The complaint also covers the song’s theatrical use, its presence on digital platforms, and its use in promotional material linked to the film.
Senior Advocate Swathi Sukumar, appearing for Trimurti Films, told the court that the music’s use, including its standalone availability on digital platforms, was unauthorised.
Senior Advocate Akhil Sibal, representing Super Cassettes Industries Limited, which holds the audio rights to the film’s songs, opposed any interim relief for Trimurti Films. He argued that the company had approached the court with unclean hands. He claimed they had not disclosed earlier instances where similar songs from Tridev were used in other films.
Senior Advocate Ravi Prakash, appearing for B62 Studios, informed the court that Dhurandhar The Revenge has already been released in theatres. He also said the film is unlikely to arrive on OTT platforms before mid-May. The mediation process is expected to address the financial and licensing issues linked to the song’s use in the film. The matter will now proceed under the supervision of the court-appointed mediator.
Also Read: Dhurandhar The Revenge faces copyright suit over alleged unauthorised use of ‘Rang De Lal’
read moreEXCLUSIVE: Kiran Abbavaram 15 teaser poster unveiled; Zee Studios and Prerna Arora back a visually grand mytho-fantasy spectacle
In February 2026, it was announced that popular actor Kiran Abbavaram will lead Zee Studios and Prerna Arora's next big Pan-India film. Bollywood Hungama now exclusively brings you the teaser poster for this highly exciting, grand film, which currently has Kiran Abbavaram 15 as a working title.
This poster for Kiran Abbavaram 15 immediately signals mythic ambition and visual scale. The design places Kiran as a lone warrior in a mystical forest, while an enormous celestial face looms overhead, suggesting divinity, destiny, and an epic inner journey. The fiery dusk, glowing particles and mountain silhouettes create a rich fantasy texture rooted in Indian spiritual iconography yet mounted with Pan-India visual polish. Overall, the poster sells the mood before the plot: devotional, adventurous, larger-than-life, and clearly aiming for a big-screen event experience.
As per the makers, the film is based on the following idea – Beyond time and destiny, something ancient has chosen its protector who is not just rising, he'll rewrite the rules.
A source told Bollywood Hungama, “This is an epic mytho fantasy and the teaser poster's idea is to give viewers the correct impression of the film and its scale. Also, the makers have immense faith in Kiran Abbavaram’s talent and stardom. They are confident he can be the next big Pan-India star.”
The source further said, “A prominent Bollywood actress will be cast and her name will be unveiled soon. As for music, it'll be epic, orchestral and designed to elevate the narrative's scale. The idea is to blend traditional Indian sounds with a powerful Western symphonic structure for a fully immersive experience.”
The source continued, “The makers are currently in advanced discussions with some of the finest composers from Hollywood alongside leading Indian music talents, aiming to deliver a score that resonates globally.”
Co-produced by Keerthan and produced by Zee Studios, Umesh K Bansal and Prerna Arora, Kiran Abbavaram 15 goes on floors in October 2026. It is all set for a release in 2027.
Also Read: Prerna Arora on Jatadhara’s box office performance, “It could have done far better if…”; the film starts streaming on Amazon Prime Video
read moreShefali Shah teases something new with three-word post
Shefali Shah, known for her quietly powerful performances and discerning choice of roles, has long been a force in Indian cinema and OTT storytelling. From her breakout role in Satya to her widely acclaimed portrayal of DCP Vartika Chaturvedi in Delhi Crime, Shah has consistently leaned into narratives that are rooted, complex, and emotionally resonant. With films like Jalsa, Darlings, and Three of Us, she has further reinforced her position as one of the most dependable performers of her generation.
The actor has now stirred curiosity with a cryptic update on social media. In a recent Instagram post, Shefali Shah shared just three words — “new new new” — without any additional context. The brevity of the message has only amplified intrigue, with fans and industry watchers quickly reading between the lines and speculating about a potential new announcement.
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Given her recent body of work and growing global visibility, the post has sparked conversations around what could be next. Many believe it could hint at a fresh OTT project, especially considering the continued success of Delhi Crime, which brought international recognition to Indian streaming content. Others are guessing it might be a film collaboration or even a new creative direction, as Shefali has also been exploring writing and storytelling beyond acting.
What makes the speculation more compelling is her track record; she rarely takes on projects for the sake of visibility, instead choosing stories that stand out for their depth and intent. This has led audiences to associate her name with quality, making even the smallest hint of something new feel significant.
Also Read: Shefali Shah recalls first meeting with Ranveer Singh, calls him ‘Pure heart and Sheer madness’
read moreShraddha Kapoor in talks for Vicky Kaushal’s Mahavatar: Report
It has been a year since Vicky Kaushal impressed audiences with his performance in Chhaava. The film’s strong box office run left fans eager to see what he does next. One of his upcoming projects is Mahavatar, which marks his third collaboration with Maddock Films. However, the makers are still searching for the female lead opposite him.
Now, there is fresh buzz that Shraddha Kapoor has been approached for the role. According to Mid-Day, the actor is being considered as the possible leading lady in the ambitious project. A source told the publication, “Shraddha fits the brief perfectly. The team was keen on someone who brings star value and presence. Plus, the Vicky-Shraddha pairing will be fresh, and the makers are confident this combination will resonate with the audience.”
The report also stated that if things move forward as planned, director Amar Kaushik is expected to take the film on floors after June. The project is said to be one of the most ambitious films backed by Maddock Films so far.
Interestingly, this is not the first time a major name has been linked to the film. In December last year, the same publication reported that Deepika Padukone was also being considered for the role opposite Kaushal. According to the report, “The team has been looking for someone who can bring gravitas and emotional depth to the role written opposite Parashurama. Deepika fits that space perfectly. Conversations have begun, but they are still at an early stage. She is among the top names the studio has engaged with.”
If Shraddha Kapoor comes on board, it will mark another important collaboration between her and Maddock Films. She is already the face of the banner’s popular Stree franchise, which is a key part of its horror comedy universe. She is headlining the upcoming film Eetha, backed by the banner.
The film will be her fifth collaboration with Maddock Films and her first project with Vicky Kaushal, if confirmed. She is also expected to return in Stree 3. An official announcement regarding the casting of Mahavatar is still awaited. For now, the possibility of a fresh Vicky Kaushal and Shraddha Kapoor pairing has added to the curiosity around the film.
Also Read: Dinesh Vijan on casting Kriti Sanon, Vicky Kaushal, Shraddha Kapoor for Maddock Films-backed movies: “I only have two barometers”
read moreHansika Motwani files Rs 2 crores defamation suit against sister-in-law Muskan Nancy James amid legal battle
Hansika Motwani has initiated legal action against her estranged sister-in-law Muskan Nancy James by filing a defamation suit in a Mumbai sessions court, marking the latest development in an ongoing family dispute. The actor has sought damages amounting to Rs. 2 crores, along with a formal public apology and a court directive restraining James from making further statements against her.
The plea, filed through advocate Adnan Shaikh, alleges that Muskan Nancy James made defamatory accusations on social media, including claims of domestic violence involving Hansika and her brother Prashant Motwani. According to the petition, these allegations are baseless and have caused reputational harm.
Central to the dispute is an alleged financial transaction. Hansika Motwani has claimed that Muskan borrowed Rs. 27 lakhs during her marriage to Prashant Motwani and has failed to repay the amount despite repeated follow-ups. The suit contends that the allegations may have been made to avoid repayment of this loan.
The legal conflict follows an earlier FIR lodged by Muskan Nancy James against her husband and Hansika Motwani. In her complaint, James accused them of harassment, cruelty, and interference in her marriage, along with claims related to demands made during wedding functions. She also stated that the stress from the relationship contributed to her developing Bell’s Palsy.
Responding to these accusations, Hansika has denied any involvement, maintaining that she was not part of the couple’s household and had limited interaction with their personal matters. She has consistently asserted that she cannot be held accountable for the allegations made against her.
In addition to the civil suit, Hansika Motwani has also pursued criminal defamation proceedings against Muskan Nancy James before a magistrate’s court in Andheri under relevant provisions of the Bharatiya Nyaya Sanhita. She had earlier approached the Bombay High Court seeking to quash the FIR filed against her, with the court issuing notice on her plea.
A statement issued on her behalf emphasised that she had been wrongly implicated in the dispute and subjected to sustained defamatory coverage. It reiterated that her involvement in her brother’s marriage was minimal and that the allegations lack judicial backing.
The matter, which stems from the strained marriage between Prashant Motwani and Muskan Nancy James, is now expected to come up for hearing before the Dindoshi sessions court in due course.
Also Read: Hansika Motwani and Sohael Khaturiya granted divorce; no alimony sought, says lawyer
read moreBTS World Tour ‘Arirang’ to hit Indian theatres as PVR INOX announces exclusive screenings; deets inside
Continuing its commitment to bringing the world’s most iconic cultural moments to the big screen, PVR INOX Limited, India’s leading multiplex chain, announced the exclusive screening of the BTS World Tour ‘Arirang’. The cinematic event will feature live viewings and select re-broadcasts of the global icons' performances from Goyang on April 11 and Tokyo on April 18, 2026.
The release of ‘Arirang’ follows a series of highly successful and sold-out K-pop screenings at PVR INOX, including ‘Yet to Come in Cinemas,’ ‘Burn the Stage,’ and the 2025 HYBE Cine Fest. PVR INOX has consistently witnessed strong nationwide demand, often leading to additional shows and screens being added across cities. By securing the license for this tour, PVR INOX reinforces its position as the premier destination for experiential entertainment and youth culture in India.
The screenings will be hosted across an expansive network of 20+ cities including Delhi, Mumbai, Bengaluru, Kolkata, Gurugram, Pune, Ahmedabad, and Guwahati, catering to the immense demand from the Indian BTS ARMY.
Commenting on the announcement, Mr. Aamer Bijli, Lead Specialist – Innovation, Film Marketing, and Digital Programming, PVR INOX Limited, said, “At PVR INOX, we are constantly pushing the boundaries of what the cinema experience can be. BTS is more than just a musical act; they are a global phenomenon that resonates deeply with Gen Z and millennial audiences. By bringing the ‘Arirang’ tour to our screens, we are providing a communal space for fans to celebrate their idols with the best-in-class sound and visual technology that only a theatre can provide. We are also seeing a strong shift towards experiential cinema, where audiences are seeking immersive, shared experiences beyond traditional film viewing.”
PVR INOX has observed a significant shift in consumer behavior regarding concert films. Previous BTS screenings have seen nationwide sell-outs, leading to the addition of extra screens to accommodate the passionate fandom. There is also a notable rise in group bookings and fandom-driven participation, with audiences particularly Gen Z, urban professionals, and K-pop enthusiasts actively seeking communal viewing experiences. Screening Schedule & Locations:
April 11, 2026: Live from Goyang April 18, 2026: Live from Tokyo
Participating Cities: Delhi, Gurgaon, Faridabad, Chandigarh, Mohali, Dehradun, Bengaluru, Bhubaneswar, Lucknow, Ahmedabad, Vadodara, Surat, Mumbai, Pune, Nasik (Nashik), Ludhiana, Jalandhar, Ranchi, Indore, Kolkata, Jaipur, Udaipur, Raipur, Patna, and Guwahati.
Also Read: BTS announces new album release on March 20, confirms world tour plans; details inside!
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