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Vishal Jethwa joins Salaam Venky co-star Aneet Padda’s Shakti Shalini: Report

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Rising stars Aneet Padda and Vishal Jethwa are set to share the screen once again in the upcoming horror-comedy Shakti Shalini, part of the expanding Maddock Horror Comedy Universe (MHCU). The casting update comes soon after the announcement of the project and ahead of its scheduled shoot, which is expected to begin in March 2026.

Shakti Shalini marks another collaboration for the duo after their earlier work together in Salaam Venky (2022), a film that brought attention to both actors with strong, grounded performances, and later in Saiyaara, which contributed to Aneet’s rise in mainstream cinema.

According to a report by India Today, Vishal Jethwa — who earned widespread notice for his role in Homebound — will play Aneet’s romantic partner in the film. The report further stated that the film is scheduled to start filming in March and is planned for release at the end of the year

Shakti Shalini first came into public view through an end-credits announcement in the film Thamma, signalling the next instalment within the horror-comedy slate. Set within the evolving genre universe that blends elements of humour with horror, the project has already begun generating industry interest.

The upcoming movie will see fans revisiting the chemistry between Aneet and Vishal — a pairing that has been noted since their first collaboration. Their reunion on screen is expected to bring a fresh dynamic, particularly as both actors have since expanded their range with varied roles.

Vishal’s rising profile follows critical acclaim for Homebound, which not only earned widespread praise but also secured an Oscar shortlist as India’s official entry for Best International Feature Film before missing the final nomination cut.

Also Read: Aneet Padda to begin Shakti Shalini shoot soon after final-year exams in December and January

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After Neeraj Pandey, Manoj Bajpayee addresses backlash over Ghooskhor Pandat title: “Not meant to be a statement about any community”

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Actor Manoj Bajpayee has responded to the controversy surrounding his upcoming Netflix film Ghooskhor Pandat following the filing of an FIR in Lucknow that accused the project of hurting religious and caste sentiments. Bajpayee reiterated that the film was not meant to target or offend any community, emphasising its fictional nature and his focus on portraying a character’s personal journey.

The FIR was registered at Hazratganj Police Station after complaints were filed alleging that the film’s title and promotional material defamed the Brahmin community by associating the term Pandat with corruption. The legal action came amid broader backlash that has included petitions seeking a stay on the film’s release in the Delhi High Court as well as social media boycott calls.

Sharing director Neeraj Pandey’s earlier statement on social media platform X (formerly Twitter), Bajpayee said he respected the emotions and concerns expressed by members of the public. “I respect the emotions and concerns people have shared, and I take them seriously. When something you are part of causes hurt to some people, it makes you pause and listen,” he wrote.

Bajpayee clarified that his involvement in Ghooskhor Pandat was rooted in storytelling rather than making any commentary on caste or community identity. “As an actor, I come to a film through the character and the story I am playing. For me, this was about portraying a flawed individual and his journey of self-realisation. This was not meant to be a statement about any community,” he added.

In the same post, Bajpayee referenced the care with which director Neeraj Pandey approaches his work, noting their professional relationship. “In my experience of working with Neeraj Pandey, there has been a consistent seriousness and care in how he approaches his films,” he wrote.

He also pointed to the decision by the filmmakers to temporarily remove promotional material as a sign of their sensitivity to public sentiment. “The filmmakers have decided to take down the promotional material for the time being, in light of the public sentiment. This reflects the seriousness with which the concerns are being taken,” Bajpayee said.

I respect the emotions and concerns people have shared, and I take them seriously. When something you are part of causes hurt to some people, it makes you pause and listen. As an actor, I come to a film through the character and the story I am playing. For me, this was about… https://t.co/IGlQtLQeNs

— manoj bajpayee (@BajpayeeManoj) February 6, 2026

Director Neeraj Pandey had earlier issued his own statement, clarifying that Ghooskhor Pandat is a fictional cop drama and that the term Pandat is used simply as a colloquial name for a character, not as a representation of any caste, religion or community. He acknowledged that the title had caused hurt to some viewers and reaffirmed the decision to take down promotional content.

The controversy has expanded beyond public outcry, with legal petitions in the Delhi High Court arguing that associating a term historically linked with scholarship and spiritual authority with corruption amounts to collective defamation. The petitions contend such portrayal could harm the dignity and reputation of an identifiable community, challenging the boundaries of creative expression under India’s legal framework.

Also Read: Ghooskhor Pandat director Neeraj Pandey BREAKS SILENCE after petition filed against Manoj Bajpayee starrer: “We have decided to take down all promotional materials…”

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Rajpal Yadav before surrendering to Tihar Jail authorities, “There’s no other way out, there are no friends”

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Prolific legendary comedian Rajpal Yadav, who has given us decades of laughter, has gone to prison for a cheque bounce case of a meagre Rs 2.5 crores.

Rajpal surrendered to the Tihar Jail authorities in Delhi on Thursday after the Delhi High Court refused to grant him any relief in his cheque-bounce case. The actor had sought an extension of the deadline for his surrender. The request was declined.

When this writer asked the truly kind and generous Rajpal about his predicament, he sadly said, “Sir, kya karoon? Mere paas paise nahin hain (sir, what to do? I don’t have the money to pay back). Aur koi upaay nahin dikhta (can’t see another way out).”

When this writer asked him why he didn’t ask his super-rich friends –like Priyadarshan who has worked with Rajpal in dozens of films and earns over Rs. 20 crores per film—Rajpal said, “Sir, yahan hum sab akele hain (sir, we are all on our own over here). There are no friends. I have to deal with this crisis on my own.”

Also Read: Rajpal Yadav to surrender at Tihar Jail after Delhi HC rejects extension in cheque bounce case

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EXCLUSIVE: Bhabiji Ghar Par Hain! Fun On The Run to have two climaxes

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For more than a decade, Edit II’s Bhabiji Ghar Par Hain! has been more than just a television show - it has been a daily dose of comfort comedy, meme material, and pure chaos that audiences across generations swear by. With its iconic characters, endlessly quotable dialogues, and a brand of humour that feels both familiar and fresh, the show has carved out a legacy few sitcoms manage to achieve.

Now, that beloved madness is ready to hit the silver screen - the film Bhabiji Ghar Par Hain! Fun On The Run, which released today, promises to take everything fans love about the show.

What’s interesting is that the film will have not one but two climaxes. The audience will get to see two endings in each show, which is a rare occurrence, especially for a comedy. In an industry where predictability often sneaks into comedies, the makers are throwing in a curveball. Each climax is designed to flip the story on its head, keeping audiences guessing right till the very end. The result is a comedy that refuses to wrap up neatly when you think it will.

The film taps directly into the nostalgia factor while pushing the characters into a completely new storyline and setting. Viewers will meet the same Angoori Bhabi, Anita, Vibhuti, and Tiwari ji they adore - but this time, the situations are bigger, the stakes are higher, and the chaos is far more intense. The essence remains intact, but the canvas is wider, allowing the characters to explore their quirks in unexpected ways.

Speaking about the film, Shubhangi Atre, who reprises her much-loved role as Angoori Bhabi, shared, “The love audiences have given Bhabiji over the years is incredibly special. This film is our way of giving something more. The characters are obviously familiar, but the situations are completely new - and the journey is much more intense than anything we have done before. We cannot wait for our audiences to see what is in store for them!”

Echoing that sentiment, Vihaan Kohli, Co-Producer of Bhabiji Ghar Par Hain! Fun On The Run and Head of Content at Edit II, added, “The idea with the film was to honour the legacy of the show while doing something ambitious for the big screen. The double climax is not a gimmick - it reflects a storytelling choice that mirrors the madness and unpredictability the show has been known for.”

Also Read: SHOCKING mishap on Bhabiji Ghar Par Hain – Fun On The Run sets: 500-kg tree falls inches away from Ravi Kishan and Aasif Sheikh; producer reveals, “If my friend had not pushed Ravi away, his shoulder would have been CRUSHED”

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Ekta Kapoor announces Hoonur, Balaji Telefilms’ dedicated talent management vertical

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Balaji Telefilms has announced the launch of Hoonur, a new talent management vertical under Balaji Telefilms Digital, marking a strategic expansion of the company’s integrated entertainment ecosystem. The move reinforces Balaji’s long-standing focus on artist development, career planning, and structured representation across television and digital platforms.

Designed to operate in an increasingly platform-driven entertainment landscape, Hoonur aims to offer focused representation that brings together talent development, content strategy, brand alignment, and audience engagement. The vertical is positioned to provide artists with long-term career direction while creating access to diverse creative and commercial opportunities.

The initiative will be led by Mohammed Nagman Lateef, an industry professional with over 11 years of experience in talent management and entertainment strategy. Nagman previously founded and led Iconic Entertainment, where he built a reputation for progressive artist representation and career-led management. His appointment signals Balaji Telefilms’ intent to adopt a more structured and forward-looking approach to talent management.

Speaking about the vision behind Hoonur, Ekta Kapoor, Joint Managing Director, Balaji Telefilms, said, “At Balaji, we have always believed that every artist deserves the right environment to grow. Talent thrives when it is supported by a platform that understands its individuality and long-term potential. With Hoonur, we are creating a curated space where artists receive focused attention, strategic guidance, and opportunities that are aligned with who they are and where they can go. It’s about shaping meaningful journeys, not just managing assignments.”

Hoonur already represents a growing roster of talent across television and digital platforms. The portfolio includes names such as Madalsa Sharma, Sahil Uppal, Rohit Chandel, Simba Nagpal, Tejasswi Prakash, and Shubhangi Atre, among others.

Several artists managed by Hoonur are also part of The 50, one of India’s most anticipated upcoming reality television formats. Talent from the vertical featured on the show includes Urvashi Dholakia, Ridhi Dogra, Shiv Thakre, and Shiny Doshi.

Commenting on the broader industry relevance of the initiative, Nitin Burman, Chief Revenue Officer, Balaji Telefilms, said, “The industry today is moving toward deeper collaboration between content, platforms, and brands, with talent at the center of that ecosystem. Hoonur allows us to approach these relationships in a more cohesive and long-term manner. By aligning talent more closely with our content and digital network, we are strengthening how partnerships are built, how audiences are engaged, and how value is created across the ecosystem.”

With the launch of Hoonur, Balaji Telefilms continues to strengthen its integrated entertainment model by combining content creation, digital strategy, and talent representation, positioning itself to support the next generation of artists in a rapidly evolving media environment.

Also Read: Ekta Kapoor calls working with Mohanlal a “blessing” as Balaji debuts in Malayalam cinema with Vrusshabha

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Priyanka Chopra Jonas cast as female lead in Hrithik Roshan’s Krrish 4

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It is confirmed! Priyanka Chopra Jonas is back in Bollywood. Sources confirmed that she has been finalized for the female lead of the fourth segment of Hrithik Roshan’s Krrish.

For those who came in late, Priyanka played the lead in the last two instalments of Krrish. She then headed westwards for stardom and marriage. She is back in Indian cinema with SS Rajamouli’s Varanasi, and now into Bollywood with Krrish 4.

Her last Bollywood assignment was Shonali Bose’s The Sky Is Pink in 2019, after which she was finalized for Sanjay Leela Bhansali’s Gangubai Kathiawadi. But the role slipped out of Priyanka’s fingers at the last minute and went to Alia Bhatt.

This is where S S Rajamouli and Mahesh Babu stepped in.

A source in the know revealed what happened next: “Unlike the A-listers in Bollywood, Rajamouli and Mahesh Babu had absolutely no problem working with Priyanka. They treated her like the cinema royalty that she is, offered her the money that she gets in the West, which is much more than what she ever got for any Hindi film, and expanded her role when she stepped in.”

A source very close to the project revealed that Priyanka has become very close to Mahesh Babu, his wife Namrata and their daughter Sitara.

“This is Priyanka’s gateway into Bollywood via Telugu cinema. She has chosen to represent Indian cinema on a global platform through Rajamouli’s cinematic universe,” informed a hotshot Bollywood filmmaker who confessed that he was “briefed” not to sign Priyanka Chopra when he wanted to make a female action-hero film with her.

Also Read: Mahesh Babu, Priyanka Chopra Jonas, and SS Rajamouli open up about Varanasi; Director recalls James Cameron’s message after RRR

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Anurag Kashyap REACTS to being named in Epstein Files, denies any link: “Clickbaits in my name are more popular than my films”

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Filmmaker Anurag Kashyap has publicly responded after his name surfaced in the so-called Epstein Files, a set of documents tied to the late financier and convicted sex offender Jeffrey Epstein that have been widely circulated online and have drawn global attention.

In recent days, digital copies of unverified court records, emails and other material linked to Epstein’s network have reignited debate about numerous public figures whose names appear in the files. Among them, Kashyap — known for acclaimed films such as Gangs of Wasseypur and Black Friday — was referred to in one of the email exchanges as a “Bollywood guy” and a “famous Bollywood director.”

Speaking to Hindustan Times, Kashyap strongly denied any involvement or association with Epstein or the events mentioned in the documents. “I’ve no clue about this. I get invitations as a speaker, about 15 a month. I rarely respond,” Kashyap said, underlining that he often receives invitations from various organisations and forums. “Also, I have never been to Beijing in my life,” he added, referring to the alleged event location noted in the circulated files.

Commenting on the nature of the documents and the accompanying speculation, the filmmaker questioned their credibility. “It’s some random email, that’s self-explanatory. The clickbaits in my name are more popular than my films,” Kashyap said, dismissing sensational headlines that have linked him to Epstein-related activities.

At the heart of the current controversy are millions of pages of materials released by the US Department of Justice connected to investigations into Epstein’s criminal network. The renewed public release of these files has led to a wave of global commentary as researchers and journalists sift through the documents.

Other Indian filmmakers, including Mira Nair and Nandita Das, have also been highlighted in the files, but analysts have cautioned against concluding without corroborative records.

Also Read: Anurag Kashyap defends Yash’s Toxic teaser amid backlash; calls it “cultural hypocrisy”

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Hrithik Roshan lays down HRX Films rulebook: "You are a FOOL if you bypass the director!"; points out secret ingredient behind global success of RRR and Aamir Khan's films in China: "Integrity, conviction, unadulterated vision"

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In an interview with BrandEquity, Hrithik Roshan spoke in detail about what it takes for a story to earn a greenlight under HRX Films. He also explained why, for him, the final stamp always comes down to the director’s complete adoption of the script.

Talking about his banner, Hrithik Roshan said, “HRX Films is a division of FilmKraft because that is the main school that I learned from. So, HRX Films operates under FilmKraft and it is the sweet spot between the commercial thinking of that school or my dad's school and content that is high on emotions, high on the nuances and HRX Films is about creating that sweet spot that brings both of these together.”

He explained, “Some big commercial films I have done are a community experience where you have the entire theatre clapping. But then there are some films that you watch just by yourself, and you feel fulfilled, you cry, and it changes you from the inside. It's cathartic and that catharsis, shall I say, I never get in a highly commercial banger of a film. That cathartic journey is always missed. So, HRX Films is an attempt to bring these two together and try to see if we can hit that sweet spot.”

Hrithik credited his cousin brother Eshaan, who identifies “the names, the scripts, the directors” and puts them through an in-office filtration, before it reaches Hrithik Roshan. He revealed, “There are times when I don't like the script, but he likes it a lot. So, he waits 6-8 months and brings it back to me. By that time, I have changed a little bit in my life and I am in a better position to actually recognize the beauty of the script.”

Hrithik then opened up about producing Storm and praised director Ajitpal Singh of Tabbar fame, “When I met Ajit, I just fell in love with him and his creative mind. I, honestly, told him, 'Whatever you will make I am with you'”.

On the question of creative control, Hrithik’s stance is blunt: “You are a fool if you think that you can inject your genius ideas without the acceptance of the director into his film…If you try to push something, bypassing him or forcing him to accept something that he doesn't feel fits into his film, you are being a fool. You are being unintelligent and you are self-sabotaging yourself because only the director will know what the entire painting is going to look like and whether that colour or that stroke is correct or wrong.”

Finally, Hrithik argued that Indian content is increasingly global, from the reach of Raj Kapoor and Mithun Chakraborty in Russia to the performance of Aamir Khan’s films in China, and the worldwide ripple of RRR. He pointed out the common ingredient in all these films – “There is an ingredient of integrity, conviction and a vision that is unadulterated. They are very truthful to the vision of that one director.”

Also Read: Hrithik Roshan vs Jr NTR comes home this Republic Day; War 2 gets its world TV premiere on Star Gold

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Ghooskhor Pandat director Neeraj Pandey BREAKS SILENCE after petition filed against Manoj Bajpayee starrer: “We have decided to take down all promotional materials…”

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Filmmaker Neeraj Pandey has issued an official clarification following the filing of a writ petition in the Delhi High Court seeking a stay on the release and streaming of the upcoming Netflix film Ghooskhor Pandat. The petition alleges that the film’s title and promotional material are offensive and defamatory to the Brahmin community.

In a statement shared publicly, Pandey asserted that Ghooskhor Pandat is a fictional cop drama and that the term “Pandat” refers only to a colloquial nickname of a fictional character, not to any caste, religion or community.

“Our film is a fictional cop drama, and the term ‘Pandat’ is used simply as a colloquial name for a fictional character. The story focuses on an individual’s actions and choices and does not comment on or represent any caste, religion, or community,” Pandey said.

The director further emphasised his responsibility as a storyteller and stated that the film was created with sincere intent and purely for entertainment. “As a filmmaker, I approach my work with a deep sense of responsibility – to tell stories that are thoughtful and respectful. This film, like my earlier work, has been created with sincere intent and solely to entertain audiences,” he added.

Acknowledging the concerns raised by a section of viewers, Pandey said the team understands that the title has caused hurt and confirmed that all promotional material has been taken down temporarily.

“We understand that the title of the film has caused hurt to some viewers, and we genuinely acknowledge those feelings. In light of these concerns, we have decided to take down all promotional materials for the time being, as we believe the film should be experienced in its entirety and understood in the context of the story we intended to tell, rather than judged on partial glimpses,” the statement read.

The legal challenge, filed on February 5, 2026, by Mahender Chaturvedi, seeks a stay on the film’s release and streaming, arguing that the title Ghooskhor Pandat associates a term traditionally linked with scholarship and spirituality with corruption, thereby harming the dignity of the Brahmin community. The plea also raises concerns about collective defamation and communal harmony.

 

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Ghooskhor Pandat, which features Manoj Bajpayee in the lead role as a police officer nicknamed “Pandat,” was announced as part of Netflix’s 2026 content slate. Netflix India and the streaming platform have not issued a separate response to the petition so far. “I look forward to sharing the film with audiences soon,” Pandey concluded.

 Also Read: Petition filed in Delhi HC to stay Manoj Bajpayee starrer Ghooskhor Pandat over offensive title claim

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Manoj Bajpayee replaces Govinda in Bhagam Bhag 2: Report

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Bhagam Bhag 2, the sequel to one of Bollywood’s enduring comedies, has seen a notable change in its cast as production advances toward a scheduled start. Reports emerging from industry sources indicate that Manoj Bajpayee will join stars Akshay Kumar and Paresh Rawal for the follow-up, while original cast member Govinda is not expected to return.

The original Bhagam Bhag (2006) featured Akshay Kumar, Govinda and Paresh Rawal in memorable comic roles and became a cult favourite over the years. As the sequel moves closer to production, the casting list is shifting. According toa report by Variety India, acclaimed actor Manoj Bajpayee is set to take on a significant role alongside Kumar and Rawal.

Govinda, who played one of the lead comic roles in the first film, is reportedly not part of the new instalment. The report noted that discussions with him did not materialise into a confirmed role for Bhagam Bhag 2, and the casting change marks a departure from early expectations.

The sequel will be directed by Raaj Shaandilyaa, known for his work on commercially successful comedies. Filming is expected to begin soon in Mumbai, with the production following an accelerated schedule after months in development.

Meenakshi Chaudhary has been reported as the female lead opposite Akshay Kumar, adding fresh talent to the ensemble. In bringing Bajpayee into the fold, the makers appear to be balancing nostalgia with new creative energy.

Bhagam Bhag was directed by Priyadarshan and featured a story that mixed slapstick humour with situational comedy, rooted in a theatre troupe’s misadventures. Its success has made the sequel one of the more anticipated comedy projects in recent years.

While exact plot details for Bhagam Bhag 2 have not been officially disclosed, the casting developments suggest the film will aim for a blend of familiar dynamics and new character interactions. As preparations continue, more details on the storyline and supporting cast are expected to emerge, offering clearer insight into how the sequel will pay homage to its predecessor while charting a new course for contemporary audiences.

Also Read: Petition filed in Delhi HC to stay Manoj Bajpayee starrer Ghooskhor Pandat over offensive title claim

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Farah Khan develops double-role concept for Shah Rukh Khan in Main Hoon Na 2: Report

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After the anticipation around Shah Rukh Khan’s upcoming film King reaches its peak, fresh reports suggest that the actor’s next project could be a sequel to one of his most beloved films, Main Hoon Na. According to an exclusive from Pinkvilla, discussions between Khan and filmmaker Farah Khan are progressing, pointing to Main Hoon Na 2 as a strong contender for his post-King slate.

Shah Rukh Khan and Farah Khan to reunite If realised, this sequel would mark a reunion between Shah Rukh Khan and Farah Khan after nearly 12 years. Their collaborations in the past — including Om Shanti Om (2007) and Happy New Year (2014) — delivered significant box office results and helped define the commercial cinema of their respective eras.

Sources quoted in the report say Farah Khan has devised an “exciting double-role concept” specifically for Khan. “Farah Khan has cracked an exciting double-role concept for Shah Rukh Khan, which has excited the superstar,” one insider told Pinkvilla. “The idea is said to elevate the emotion and entertainment quotient of the sequel, while SRK will explore two contrasting characters.” Main Hoon Na original cast to return for sequel According to the report, the sequel will retain the emotional core of the original while expanding its scope. The central narrative is expected to revolve around a new threat to India, blending elements of patriotism with action and comedy — a combination that helped make the 2004 original memorable. “The film will be a patriotism galore, with the original cast returning,” the source added.

The screenplay is being shaped under writer Aakash Kaushik, with the core story reportedly coming from Shah Rukh Khan himself. In addition to the return of some original cast members, the production team is also considering introducing new faces, preserving nostalgia while broadening the film’s appeal.

Production timelines are yet to be confirmed. Insiders indicate that Shah Rukh Khan is expected to hear the complete narration after he finishes shooting King, which is scheduled to wrap around May 2026. After the narration, Khan will make a final decision on whether to green-light Main Hoon Na 2.

This cautious approach reflects the gravity of attempting a sequel to a film that holds a special place for fans of Hindi cinema. The original Main Hoon Na blended action, drama, and light-hearted moments to become a cultural touchstone, and expectations around its follow-up are similarly high.

While Main Hoon Na 2 remains in an advanced development phase rather than actively in production, industry watchers see the reports as a strong indicator of where Shah Rukh Khan’s career may head after King.

Also Read: Next On Netflix 2026: 23 years after Kal Ho Naa Ho, Shah Rukh Khan, Saif Ali Khan reunite for Kartavya; Mismatched: Season 4 helmed by Jayeshbhai Jordaar director Divyang Thakkar

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MAMI unveils new logo and brand identity; launches year-round MAMI Independent initiative

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Mumbai Academy of the Moving Image (MAMI), a leading institution dedicated to celebrating Indian and world cinema since 1997, today unveiled a new logo and brand identity, marking the beginning of a renewed chapter for one of India’s most influential and celebrated film organisations.

Rooted in the belief that cinema is an art form that is of the people and for the people, that brings people together and sparks meaningful dialogue, the rebrand reflects MAMI’s evolution into a festival shaped by its community, powered by diverse voices and driven by the belief that stories connect the human race. While remaining deeply anchored in Mumbai, MAMI continues to engage with cinema from across India and the world.

Coinciding with this moment of renewal, MAMI also announced MAMI Independent, a new year-round initiative designed to provide a vital platform for bold, contemporary independent cinema from India and internationally. The programme will present weekly screenings on the big screen, offering sustained visibility to films that often struggle to find space within mainstream exhibition circuits.

 

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MAMI Independent represents a significant step towards building a stronger ecosystem for independent cinema. The initiative will provide filmmakers with a platform to present their work to engaged audiences, while fostering meaningful dialogue between filmmakers, cinephiles, industry professionals and emerging talent. The screenings aim to expand audiences for independent films and create opportunities for discovery, conversation, and potential distribution. The programme will showcase films that break away from the mould, stories that rise from the margins, challenge conventions and invite audiences not just to watch, but to feel, question and reflect. Often created with limited resources but driven by immense passion, these films are frequently overshadowed by the volume of mainstream releases. MAMI Independent seeks to bring them out of the shadows and into the spotlight they deserve.

Beginning 25th February 2026, audiences in Mumbai can attend weekly screenings every Wednesday at 7 p.m. at PVR Lido, Santacruz, featuring a curated selection of independent feature films, documentaries, shorts, and experimental works from India.

Shivendra Singh Dungarpur, Festival Director, MAMI Mumbai Film Festival states “I am excited to launch the new face of MAMI with a new logo and brand identity for the Mumbai Film Festival that reflects our belief that cinema is about people, about ideas and sparking conversations, and that the festival is about the storytellers and the public, that come together as a community to make the Mumbai Film Festival a celebration of film.”

MAMI Independent will commence on 25 February 2026, with details of the screening slate and monthly calendar to be shared through MAMI’s official channels. The initiative reinforces MAMI’s commitment to nurturing cinematic excellence, supporting independent filmmakers, strengthening the connection between storytellers and audiences, and enabling new pathways for films to reach wider audiences.

Together, the new brand identity and the launch of MAMI Independent reaffirm MAMI’s dedication to creative freedom, the discovery of new voices, and the continued positioning of Mumbai as a vital meeting ground for Indian and global cinema.

Also Read: Manoj Bajpayee delighted as The Fable wins Special Jury Prize at MAMI Mumbai Film Festival 2024: “It reflects the film’s power and the dedication of everyone who made it possible”

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Yami Gautam Dhar joins Dhurandhar: The Revenge, wraps shoot ahead of sequel release: Report

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Actress Yami Gautam Dhar has completed filming her portions for the highly anticipated sequel Dhurandhar: The Revenge, as per a report by NDTV. Her cameo appearance in the Dhurandhar franchise’s second instalment was shot over several days and has now been wrapped up as the team moves into post-production ahead of the film’s scheduled March 19, 2026, release.

Dhurandhar, directed by Aditya Dhar and featuring Ranveer Singh in the lead, became the highest grossing Hindi film ever. The sequel, Dhurandhar: The Revenge, brings back the core ensemble while expanding the story world introduced in the original.

According to the report, Yami’s cameo was filmed over four to five days and is expected to carry narrative importance rather than being a purely decorative appearance. Sources cited by the publication and other outlets indicate that her role, though brief, contributes meaningfully to the sequel’s arc.

Yami was last seen in the film Haq, where her performance received positive audience and critical response.

Dhurandhar also stars Akshaye Khanna, Sanjay Dutt, Arjun Rampal, R. Madhavan and Sara Arjun, among others, and is directed by Aditya Dhar under the banners of Jio Studios and B62 Studios.

Also Read: Dhurandhar tops Netflix charts in UAE, Bahrain, and Oman; ranks in Saudi Arabia and Kuwait after ban on its theatrical release in Gulf countries

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Petition filed in Delhi HC to stay Manoj Bajpayee starrer Ghooskhor Pandat over offensive title claim

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A writ petition has been filed in the Delhi High Court seeking a stay on the release and streaming of the upcoming Netflix film Ghooskhor Pandat, with the petitioner alleging that the film’s title and promotional material collectively defame the Brahmin community.

The plea was filed on February 5, 2026, by Mahender Chaturvedi, who describes himself as an acharya devoted to the study and teaching of Indian scriptures, philosophy and spiritual traditions. Submitted through Advocate Vineet Jindal, the petition seeks a writ of mandamus directing relevant authorities — including the Union of India and Netflix India — to restrain the film’s release and streaming until the legal challenge is resolved.

At the core of the petition is an objection to the film’s title, Ghooskhor Pandat, which the petitioner says links the term “Pandat” (a variant of Pandit, traditionally associated with scholarship, ethical conduct and spiritual guidance) with ghooskhor (a word connoting bribery and corruption). The plea argues that this association harms the dignity, reputation and cultural identity of the Brahmin community and also affects the petitioner’s personal vocation.

According to the plea, the title and promotional material are stereotyping and vilifying an entire religious and social group. It asserts that such portrayal amounts to collective defamation and is communally offensive in a manner that could disrupt public order and social harmony.

The petition contends that the impugned material violates fundamental rights protected under Articles 14 (equality before law), 21 (protection of life and personal liberty) and 25 (freedom of conscience and religion) of the Constitution of India. While acknowledging the right to freedom of speech and expression under Article 19(1)(a), the plea notes that this right is subject to reasonable restrictions under Article 19(2) in cases of hate speech, defamation or content that may disturb communal harmony.

 

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The petitioner also criticised the absence of an effective regulatory framework for OTT platforms, arguing that gaps in existing oversight enable the promotion of content that could incite communal tensions or harm social cohesion. He has sought interim relief in the form of a stay on the film’s release pending a full hearing of the case.

Netflix India and the makers of Ghooskhor Pandat have not yet publicly responded to the petition or backlash. The film features Manoj Bajpayee in the lead role as a police officer nicknamed “Pandat,” and was unveiled by Netflix as part of its 2026 content slate at a recent industry event.

Also Read: “Ghooskhor Pandat allows the story to unfold through action and setting,” say makers as the thriller arrives on Netflix 2026

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Rajpal Yadav to surrender at Tihar Jail after Delhi HC rejects extension in cheque bounce case

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The Delhi High Court on Thursday dismissed Bollywood actor Rajpal Yadav’s last attempt to postpone his surrender in a long-running cheque bounce case, prompting the actor to say he will report to jail authorities later in the day to begin serving his sentence.

Yadav, who was present in court, had sought additional time to address the outstanding payments owed to the complainant, Murli Projects Private Limited, but the bench, led by Justice Swarana Kanta Sharma, refused to grant any further extensions. The court said it would hear him only after he surrendered to the jail authorities, noting that Yadav had previously been directed to surrender on Wednesday but failed to do so.

Senior advocate Abhijat, appearing for Yadav, informed the court that a payment of Rs 25 lakhs would be made on the same day and that a tentative repayment schedule had been agreed between the parties. However, the bench declined to consider the plea, emphasising that previous leniency had already been extended and that Yadav had not fulfilled assurances given to the court.

The actor’s sentence stems from a May 2024 conviction in a cheque bounce case, in which a sessions court sentenced him to six months’ imprisonment; the High Court later suspended the sentence on an assurance that Yadav would pursue a settlement with the complainant. That arrangement ultimately failed, with Yadav missing various deadlines to pay the agreed-upon dues.

On February 2, the High Court had directed Yadav to surrender within two days after rejecting his explanation for the delayed payment, including a claim that an earlier demand draft contained a typographical error. The court noted that Yadav had not taken steps to rectify the error or make significant progress toward settling the matter.

Following the refusal of his latest plea, Yadav’s counsel confirmed that the actor will surrender at Tihar Jail today, which is Thursday, after which he can seek further relief or file applications in relation to his case.

The High Court’s ruling illustrates the judiciary’s limited tolerance for repeated non-compliance with court orders in financial disputes under the Negotiable Instruments Act.

Also Read: Rajpal Yadav remembers Asrani: “He was a complete actor in himself”

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Vadh 2 advance bookings open: Sanjay Mishra and Neena Gupta make a heartfelt appeal to fans, watch

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Vadh 2, one of the most anticipated thriller mystery films of 2026, brings back respected and seasoned actors Sanjay Mishra and Neena Gupta to the big screen. As the release nears, the actors have made a heartfelt appeal to the audience to watch Vadh 2 in theatres. Advance bookings for the film, releasing on February 6, 2026, are now open.

Ever since the trailer dropped, the film has kept audiences intrigued and eagerly waiting for its release.

 

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Written and directed by Jaspal Singh Sandhu and produced by Luv Ranjan and Ankur Garg’s Luv Films, the spiritual sequel has quickly become one of the most talked-about and awaited releases of 2026.

The excitement around the film reached a new high following its Gala Premiere at the 56th IFFI in 2025, where it was met with resounding applause, once again cementing Mishra and Gupta’s status as true stalwarts of Indian cinema.

A Luv Films presentation, Vadh 2 is written and directed by Jaspal Singh Sandhu and produced by Luv Ranjan and Ankur Garg. The film is slated for a theatrical release on 6th February 2026.

Also Read: Vadh 2 actor Sanjay Mishra gets emotional at NSD; recalls learning by watching Irrfan Khan

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EXCLUSIVE: March gets emptier; after Pati Patni Aur Woh Do, Gabru also postponed; Sunny Deol starrer won’t release on March 13

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In November 2025, Bollywood Hungama was the first one to break the news that Salman Khan has an entertaining and extended cameo in Sunny Deol-starrer Gabru. We now bring to you another exclusive news about this film – the release has been pushed and it won’t arrive next month.

A source told Bollywood Hungama, “Gabru was scheduled to release in cinemas on March 13. But now, the makers have decided to push the release. The makers are considering a few options and are expected to lock a date soon. Once done, they’ll make an official announcement.”

While the reason behind the delay is not known, a trade source said, “The holy month of Ramzan will be underway in mid-March, which could limit footfalls from a section of the audience. Moreover, the much-awaited films Dhurandhar: The Revenge and Toxic are set to clash on March 19. Sunny Deol’s track record has strengthened after the blockbuster success of Border 2 and Gadar 2 (2023). Hence, it makes sense to arrive at a time when a larger number of moviegoers will be available to catch the film on the big screen.”

Gabru is directed by Shashank Udapurkar and produced by Vishal Rana. In November, Bollywood Hungama carried a quote of a source who said, “There was a requirement of a star and the makers knew that Salman Khan fit the bill completely. Salman was approached and he loved the part and its contribution to the film. He quietly shot the film more than a year ago and it has shaped up well. His cameo in Gabru is all heart. It is adorable and also highly entertaining. He has 3 scenes in total and hence, it’s an extended special appearance.”

Sometime back, Bollywood Hungama revealed that the Ayushmann Khurrana-Sara Ali Khan-Wamiqa Gabbi-Rakul Preet Singh starrer Pati Patni Aur Woh Do, which was to release in cinemas on March 4, has also been postponed. With Gabru also pushed, trade, industry and even moviegoers now wonder if any film, other than Dhurandhar: The Revenge and Toxic, would arrive in cinemas in the month of March. A clearer picture on this front is expected to emerge in a few days.

Also Read: Next On Netflix 2026: Ikka actor Tillotama Shome reveals, “A fly crawled into Sunny Deol’s EYE; he STILL didn’t stop the shot…he reasoned, ‘I didn’t want to spoil your take'”

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Rhea Chakraborty thanks Hansal Mehta, Anil Kapoor and Vijay Varma as she returns to sets after 7 years

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Actress Rhea Chakraborty seems to be slowly taking back control of her life and career. After facing one of the most challenging phases personally and professionally, the actress is now set to return to acting after 7 long years with the recently announced Netflix drama Family Business. The project marks an important milestone in Rhea’s journey, symbolising resilience, strength, and a renewed sense of purpose.

Returning to the set after such a long break left the Jalebi actress deeply emotional. Being back in front of the camera reminded her of her early days in the industry, when she arrived in Bombay as a young 17 year old girl with nothing but dreams and determination. Over the years, Rhea has experienced both success and setbacks, but her passion for acting never faded.

Reflecting on her journey, Rhea shared an emotional note on her official Instagram handle. She wrote, “7 years have passed since I went to set ..But I’m still the same girl who came to Bombay at 17 with a dream to be an actor. A part of me moved on, but a part of me stayed and waited. And I’m here, once again in my chapter2 It seems Life is what happens to you while you’re busy making other plans (sic).” Her words resonated strongly with fans, who praised her honesty and courage.

 

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Rhea further expressed her heartfelt gratitude to director Hansal Mehta, the makers of Family Business, and her co stars Anil Kapoor and Vijay Varma for supporting her during this new chapter. She acknowledged their faith in her talent and thanked them for giving her the opportunity to restart her acting journey.

With Family Business, Rhea Chakraborty is not just making a comeback, but also reclaiming her space in the industry, proving that perseverance and self belief can lead to powerful new beginnings.

Also Read: BREAKING: Rhea Chakraborty makes a comeback after 5 years with Anil Kapoor-Vijay Varma’s Netflix original, Family Business

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EXCLUSIVE: Ayushmann Khurrana-Sara Ali Khan-Wamiqa Gabbi-Rakul Preet Singh starrer Pati Patni Aur Woh Do postponed; won’t release on March 4

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Ayushmann Khurrana treated the moviegoers with an entertaining performance in the horror comedy Thamma (2025). His next, Pati Patni Aur Woh Do, was all set to release on Holi and Bollywood Hungama has learned that there has been a change in the plan.

A source told Bollywood Hungama, “Pati Patni Aur Woh Do will not arrive in cinemas on March 4 as planned. This is because the post-production is not yet complete and a song also remains to be shot. The makers are clear that they have made a special film and don’t want to rush through the process. They want to devote time and effort into ensuring that the final product turns out to be entertaining as well as enticing for the audience. Hence, they decided to postpone the release. A new release date is expected to be announced soon.”

With the March 4 date up for grabs, it remains to be seen whether any film will step in and claim the coveted slot. A trade expert explained, “The holy month of Ramzan will be underway then, and the much-awaited Dhurandhar: The Revenge and Toxic are also slated to arrive two weeks later on March 19. Plus, the semi-finals and finals of the 2026 Men’s T20 World Cup will be played between March 4 and 8. But at the same time, Holi falls on a Wednesday, which means any film releasing on March 4 could benefit from a five-day extended weekend and then enjoy a clean two-week run. All eyes are now on who decides to grab the vacant date.”

Besides Ayushmann Khurrana, Pati Patni Aur Woh Do stars Sara Ali Khan, Wamiqa Gabbi, and Rakul Preet Singh. Directed by the popular filmmaker Mudassar Aziz, the film introduces audiences to the world of Prajapati Pandey, setting the stage for a quirky, vibrant narrative filled with drama, comedy, and romance. The film is produced by Bhushan Kumar and Renu Ravi Chopra, with creative production led by Juno Chopra.

The earlier part, Pati Patni Aur Woh (2019), was also directed by Mudassar Aziz and it starred Kartik Aaryan, Ananya Panday and Bhumi Pednekar. The comic caper was a success, collecting Rs. 86.89 crores. Hence, expectations are immense from Pati Patni Aur Woh Do as well.

Also Read: Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi and Rakul Preet Singh starrer Pati Patni Aur Woh Do to release on Holi, first poster unveiled

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Kapil Sharma takes subtle dig at Lawrence Bishnoi’s gang

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Comedian-actor Kapil Sharma delivered an unexpected comment about gangsters targeting him while speaking at an event held in Mumbai on Tuesday evening, touching on a sensitive subject that has followed him since the attacks on his overseas business.

During the course of the conversation, Kapil made a tongue-in-cheek remark saying, “Ek do mulkon ke gangster bhi lage hue hain aaj kal.” Many in the audience interpreted the comment as an indirect reference to Lawrence Bishnoi’s gang, whose associates have reportedly been linked to multiple attacks on Kapil’s Canada-based restaurant, Kap’s Café, in Surrey, British Columbia.

Realizing the sensitivity of his comment — and that the event was being broadcast live — Kapil laughed and asked the videographers present to cut that segment from the recording, before noticing the cameras were still rolling.

Kap’s Café, which Kapil opened in 2025 with his wife Ginni Chatrath, has been struck by gunfire on three occasions in four months — in July, August and October of last year — causing property damage but no reported injuries. Associates allegedly linked to the Bishnoi network, including Goldy Dhillon and Kuldeep Sidhu, have on social media claimed responsibility for the attacks and issued warnings to the general public to stay away from the location.

Earlier comments by Kapil on the firing incidents also highlighted his perspective on the local policing environment. At a press interaction for Kis Kisko Pyaar Karoon 2, he noted that the attacks had been taken up at the federal level in Canada, saying, “When our case happened, it went to the federal government… Just like we have our Central Government here, the matter was discussed in the Canadian Parliament.”

On the professional front, Kapil was last seen in Kis Kisko Pyaar Karoon 2 and continues as host of The Great Indian Kapil Show on Netflix.

Also Read: Next On Netflix 2026: Navjot Singh Sidhu hails Sunil Grover’s Aamir Khan mimicry: “Imitation karne waala jisko imitate kar raha hai, usse bada ho gaya hai”; adds, “Will not die till I see The Kapil Sharma Show performers being bestowed with Padma Shri”

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BALD and bold: Anil Kapoor to transform like never before in King; Shah Rukh Khan-starrer to release on evergreen actor’s birthday; his fifth Christmas release after Welcome, AK vs AK…

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The evergreen actor Anil Kapoor has been consistently giving fine performances and this year will be no different. However, in 2026, we’ll see him experimenting with his looks like never before. On January 3, his web series, Family Business, was launched at the ‘Next On Netflix 2026’ event, in which he can be seen sporting silver hair. Meanwhile, in the much-awaited film King, the actor will be going bald, as per reports.

According to an article in Box Office Worldwide, Anil Kapoor, who’s known for his youthful appearance and hairstyle, will be sporting a bald look in the action entertainer. This is something he has never done before in his four decades of acting career. The article also carried a quote from a source who said that going bald is essential for his character in King.

King is led by Shah Rukh Khan and besides the superstar and Anil Kapoor, it also stars some of the most significant names of the industry like Deepika Padukone, Suhana Khan, Abhishek Bachchan, Rani Mukerji, Jaideep Ahlawat, Abhay Verma, Arshad Warsi, Raghav Juyal, Akshay Oberoi, Jackie Shroff, Karanvir Malhotra and others. It is directed by Siddharth Anand of Pathaan (2023) and War (2019) fame. Interestingly, Anil also featured in an important role in Siddharth’s last film, Fighter (2024).

King releases on December 24, 2026. Hence, this is the fifth film of Anil Kapoor that releases in the Christmas week. His first release on the festival was Mr Azaad, which was released on December 23, 1994. Trimurti, which incidentally also starred Shah Rukh Khan, arrived in cinemas on December 22, 1995. Then, the comedy classic Welcome was a Christmas release, as it was released in theatres on December 21, 2007. Lastly, the unique black comedy AK vs AK was also released on December 24, but it premiered directly on Netflix.

Meanwhile, December 24 holds added significance for the evergreen actor, as it’s also his birthday. Now, with King locked for a December 24 release, it remains to be seen whether the date proves lucky for Anil at the box office.

Also Read: Netflix unveils Family Business: Anil Kapoor and Vijay Varma face off in Hansal Mehta’s corporate power drama

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Dhurandhar tops Netflix charts in UAE, Bahrain, and Oman; ranks in Saudi Arabia and Kuwait after ban on its theatrical release in Gulf countries

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Ranveer Singh-starrer Dhurandhar continues to draw strong viewership on OTT, cutting across borders despite facing theatrical restrictions in key regions. The Aditya Dhar directorial is currently trending at No. 1 on Netflix across several territories, including India, Pakistan, Bahrain, Oman, and the UAE, highlighting the film’s sustained post-theatrical momentum.

As per Netflix’s latest weekly rankings, Dhurandhar debuted at the top position in Pakistan during the January 26–February 1 tracking period. The film has similarly secured the No. 1 spot in multiple other markets, reinforcing its wide appeal on streaming platforms.

In other Gulf regions, where the film did not receive theatrical clearance, Dhurandhar has also managed to chart prominently on Netflix. The film is currently ranked No. 7 in Saudi Arabia and No. 3 in Kuwait, indicating significant viewer interest even in territories where its cinema release was restricted. Meanwhile, Netflix viewing data for Qatar is currently unavailable on the platform’s official website, making it difficult to ascertain the film’s exact standing there.

The OTT success stands in contrast to the film’s earlier challenges in the Middle East. Dhurandhar was banned across all six Gulf Cooperation Council (GCC) countries—the UAE, Saudi Arabia, Qatar, Oman, Kuwait, and Bahrain—owing to objections raised over its geopolitical themes. The film, which centres on an undercover RAW agent, was denied theatrical certification after regional authorities reportedly flagged its portrayal of Pakistan as sensitive.

The ban significantly limited the film’s theatrical reach in Middle Eastern markets, traditionally considered crucial for Hindi cinema. However, Dhurandhar continued to perform steadily in India and select international territories and has now found a renewed audience through its digital release, where streaming norms differ from cinema regulations.

Dhurandhar released theatrically on December 5, 2025, and premiered on Netflix on January 30, 2026, even as it continues its theatrical run in select markets. The film’s strong streaming performance follows closely on the heels of the announcement of its sequel, Dhurandhar: The Revenge. The makers recently unveiled the teaser and a poster confirming a March 19, 2026 release.

Directed once again by Aditya Dhar, the sequel is slated to clash at the box office with Yash’s highly anticipated film Toxic: A Fairy Tale For Grown Ups.

Also Read: SCOOP: Dhurandhar 2 OTT rights EXPLODE to Rs. 150 cr; Ranveer Singh creates yet another RECORD as Jio Hotstar wins big!

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Mirzapur: The Movie to hit theaters on September 4; Amazon MGM Studios and Excel Entertainment unveil release date

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One of India’s most iconic OTT franchises makes its long-awaited leap to cinemas. The makers announced September 4 as the theatrical release date of Mirzapur: The Movie, promising audiences a larger-than-life cinematic experience rooted in the gritty world they love. The film brings back iconic characters of Mirzapur — Kaleen Bhaiya (Pankaj Tripathi), Guddu Pandit (Ali Fazal), and marks the much-anticipated comeback of Munna Bhaiya (Divyenndu), one of the franchise’s most loved characters. Now, for the first time ever, the cult saga of Mirzapur steps into cinemas, transforming its beloved world into an epic big-screen experience.

The ensemble cast also includes Jitendra Kumar, Ravi Kishan, Abhishek Banerjee, Rasika Duggal, Shweta Tripathi, Shriya Pilgaonkar, Harshita Gaur, Sushant Singh, Mohit Malik, Sheeba Chadha, Rajesh Tailang, Kulbhushan Kharbanda, Sonal Chauhan, Pramod Pathak and Anangsha Biswas.

 

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Amazon MGM Studios, and Excel Entertainment present an Excel Entertainment Production, directed by Gurmmeet Singh and written by Puneet Krishna. The film releases in cinemas on September 4, 2026.

Also Read: Ali Fazal announces wrap of Mirzapur: The Film final schedule: “We brought our A game when the camera rolled up”

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Vivek Oberoi files suit in Delhi HC against AI-generated misuse and fake social accounts

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Actor and entrepreneur Vivek Oberoi has approached the Delhi High Court, filing a civil suit seeking protection of his personality and publicity rights amid alleged widespread misuse of his identity through fake social media accounts, unauthorised merchandise and AI-generated content.

In the petition filed through advocates Sana Raees Khan and Pranay Chitale, Oberoi asserts that his name, image, voice, likeness and other distinctive attributes associated with him are being exploited without his consent for commercial and other gains. The suit names entities such as Collector Bazar, ZoomMantra and Indiancontent among the defendants, alongside unidentified individuals labelled as John Doe.

Oberoi’s legal team has sought a permanent injunction to restrain infringement of his personality rights, alleging that the defendants are actively impersonating him on platforms such as Instagram by operating fake accounts using his identity. The plea also highlights the sale of unauthorised merchandise — including posters, T-shirts and postcards bearing his name and likeness — on various e-commerce sites.

A significant aspect of the suit focuses on the alleged misuse of artificial intelligence and deepfake technology. Oberoi contends that AI-generated content has been used to create misleading and derogatory depictions of him, including superimposing his face onto objectionable imagery and spreading facts that he says are false. The petition describes this as potentially harmful to his reputation, creating public confusion about fake endorsements and diluting his personal identity.

Oberoi has argued that unchecked use of generative AI poses a serious risk to personality and publicity rights, leading to “public confusion regarding false endorsements, dilution of personal identity, infringement of privacy and erosion of an individual’s exclusive right to commercially benefit from their persona.”

Because such activities are widely accessible online, the actor has described it as nearly impossible to identify every infringer individually. In light of this, he has sought an omnibus ‘John Doe’ injunction to cover unknown persons found violating his rights.

Claiming that he has already suffered and is likely to suffer irreparable harm to his goodwill, reputation and business interests, Oberoi has urged the High Court to order the removal of unauthorised posts, merchandise and content, and to restrain further misuse of his identity in any form.

Also Read: Vivek Oberoi, Mona Singh, Sunny Leone, Lauren Gottlieb and other celebs share intimate glimpses from their Christmas 2025 celebrations

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Badshah makes history as first Indian Rapper to play at NBA All-Star Celebrity Game 2026

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Indian hip-hop star Badshah is set to achieve a major international milestone as he becomes the first-ever Indian rapper to participate in the Ruffles NBA All-Star Celebrity Game. The high-profile event will take place on February 13, 2026, at the Kia Forum in Inglewood, California, and will be broadcast exclusively on ESPN as part of the NBA All-Star Weekend celebrations.

Marking his debut at the globally followed fan-favourite game, Badshah will represent India on an international sporting stage, joining a diverse roster of celebrities spanning music, film, television, and professional sports. Known for his larger-than-life persona and cross-cultural appeal, the rapper is expected to bring his signature energy to both the court and the surrounding festivities.

Badshah’s appearance at the NBA All-Star Celebrity Game caps off an eventful period in his career. Over the past year, he has expanded his global footprint by becoming the first rapper worldwide to co-create a Maybach Eyewear range and the first Asian rapper to announce a headline show at London’s The O2. He also led one of the largest Indian hip-hop tours across North America, attended Paris and New York Fashion Weeks, collaborated with international artists such as Davido, and launched his own pizza and vodka brands.

Speaking about the opportunity, Badshah said, "I'm beyond excited to be part of this incredible event and take Indian hip hop center court during NBA All-Star Weekend. Basketball has always been one of my biggest passions, and playing on the same court as legends from the NBA, NFL, Hollywood and music is truly an honour. The NBA represents a powerful mix of sport, culture and self-expression, and as basketball's fan base continues to grow in India, it's exciting to represent that energy on a global stage. I can't wait to bring my energy, my game and some unforgettable moments for fans around the world!"

The 2026 Celebrity Game line-up includes well-known entertainment and sports personalities such as actor and comedian Keegan-Michael Key, rapper GloRilla, producer DJ Mustard, actor Simu Liu, Emmy-winning actor Rome Flynn, Chinese star Dylan Wang, and Olympic medallist Andre De Grasse, among others. Former NBA players and sports figures will also feature prominently, adding to the event’s crossover appeal.

Adding to the spectacle, the game will feature a halftime performance by K-pop group CORTIS and return segments such as the Green Carpet presentation and fan-favourite in-game highlights.

With Badshah’s participation, the 2026 Ruffles NBA All-Star Celebrity Game marks a significant moment for Indian pop culture on a global platform, further highlighting the growing intersection of music, sports, and international entertainment.

Also Read: Badshah hands over permanent homes to flood-affected families in Punjab’s Amritsar

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Delhi High Court asks MEA to issue order for legal representation of Celina Jaitly's brother in UAE

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According to ANI, the Delhi High Court has directed the Ministry of External Affairs (MEA) to issue an official order appointing a legal firm to represent actor Celina Jaitly’s brother, Major (Retd.) Vikrant Kumar Jaitly, who has been detained in the UAE since September 2024. The court also asked the MEA to ensure that the process is completed at the earliest and to file an affidavit if there are any issues in issuing the order.

The matter was heard by Justice Purushaindra Kumar Kaurav, who observed that legal representation should be provided if Vikrant Jaitly has no objection to the law firm suggested for his case. The next hearing in the matter has been scheduled for February 10.

As per details shared in court, the law firm proposed by Celina Jaitly’s counsel has offered to represent Vikrant Jaitly on a pro bono basis in both Dubai and Abu Dhabi. The counsel also informed the court that the firm has already gathered the necessary information required to move ahead with the case. The court also noted that the suggested legal firm was among the options earlier proposed by Vikrant Jaitly himself.

Celina Jaitly has been seeking support for her brother’s case for several months. The latest direction by the court is expected to facilitate legal representation and further progress in the matter.

Also Read: Celina Jaitly pens heartbreaking tribute on Army Day for brother detained in UAE: “Families serve too, just without medals”

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SCOOP: Dhurandhar 2 OTT rights EXPLODE to Rs. 150 cr; Ranveer Singh creates yet another RECORD as Jio Hotstar wins big!

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Dhurandhar premiered on Netflix recently and has become the talk of the town again, spiking more interest in the sequel. But, in an interesting turn of events, the digital rights for Dhurandhar 2 have been sold to Jio Hotstar. Reliable sources have confirmed the development and informed that the decision was taken by Jio Studios to escalate their valuation of non-theatrical rights.

"Netflix wanted to buy both the instalments together at a sum of Rs. 175 crores prior to the release of the first part. But with immense faith in their product, Jio Studios waited for the first part release, and have secured a humongous deal of Rs. 150 crores for the second part alone. This is nearly double of what Netflix paid to acquire the first part," a trade source informed Bollywood Hungama.

The source further tells us that the digital rights for Dhurandhar Part One were sold for Rs. 85 crores, whereas the second one has fetched Rs. 150 crores. "The Rs. 150 crores received by Jio Studios is one of the biggest digital deals in the last few years, as the OTT players have generally slowed down on the acquisition front. But the blockbuster success of Dhurandhar, aided by demand from the audience, has pushed the players to pay a premium."

Dhurandhar 2 will premiere on Jio Hotstar in the month of May 2026

Also Read: Dhurandhar: The Revenge teaser out: Sequel promises to explore Ranveer Singh’s transformation from Jaskirat Singh Rangi to Hamza

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Unni Mukundan starrer PM Narendra Modi biopic Maa Vande wraps first schedule in Hyderabad

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The makers of the Prime Minister Narendra Modi biopic Maa Vande, starring Unni Mukundan, have successfully wrapped the film’s first schedule in Hyderabad. The announcement was made by the team through the release of behind-the-scenes pictures from the sets, offering an early glimpse into the making of the ambitious biographical drama.

The Hyderabad schedule began on an auspicious note with a traditional pooja, following which several key portions of the film were filmed. Marking the completion of this phase, the production team is now set to move into the next schedule in Kashmir. The BTS images shared by the makers also featured moments from the sets, including director Kranthi Kumar C.H. alongside Unni Mukundan.

Titled Maa Vande, the film is a biographical drama inspired by the life journey of Narendra Modi, tracing a story rooted in values, purpose, and resilience. The project was announced on the Prime Minister’s birthday in September and is being mounted on a grand canvas with international production standards and strong technical values.

The film is produced by Veer Reddy M. and written and directed by Kranthi Kumar C.H. Maa Vande brings together an acclaimed technical team comprising action director King Solomon, production designer Sabu Cyril, editor Sreekar Prasad, director of photography K.K. Senthil Kumar, and music composer Ravi Basrur. The collective body of work of the team includes landmark films such as Baahubali and Salaar, with Basrur’s music having defined the soundscape of KGF. Their association underlines the makers’ intent to deliver the biopic on a large-scale, cinematic platform befitting its subject.

Also Read: Unni Mukundan gets birthday surprise with special Maa Vande poster; actor to portray PM Narendra Modi in biopic

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Konkona Sen Sharma and Pratibha Ranta team up for Accused, Netflix's upcoming psychological thriller

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After backing several strong Indian originals, Netflix is now gearing up for a psychological drama-thriller titled Accused, set to release in 2026. The film features Konkona Sen Sharma and Pratibha Ranta in lead roles and promises an intense story driven by emotion, suspicion and personal conflict.

Set in London, the film follows a celebrated queer doctor whose life takes an unexpected turn after serious allegations are made against her. As things spiral, the situation begins to impact her personal and professional life, while her marriage is also put to test.The makers have described the project as a layered psychological drama that looks at perception, moral ambiguity and the emotional aftermath of being judged by society.

Accused is directed by Anubhuti Kashyap and written by Sima Agarwal and Yash Keswani. The film is backed by Karan Johar, Adar Poonawalla, Apoorva Mehta and Somen Mishra under Dharmatic Entertainment Production, with Parth Dholakia serving as executive producer. Apart from Konkona and Pratibha, the film also features Sukant Goel and Aditya Nanda in key roles. Netflix has unveiled the teaser for the film, giving a glimpse into its tense and emotionally charged world. With a strong cast and a serious theme, Accused is expected to be one of Netflix’s notable Indian releases in 2026.

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EXCLUSIVE: Hansal Mehta shuts down Succession parallels for Family Business; calls it “lazy comparisons”

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Soon after Netflix announced Family Business as part of its Next On Netflix 2026 India slate, the upcoming corporate drama began drawing comparisons to global shows such as Succession and Billions. Director and co-creator Hansal Mehta has now addressed the chatter, firmly rejecting the parallels and calling them “lazy comparisons.”

Responding to the early reactions, Mehta said, “Lazy comparisons. Liking Succession or Billions doesn’t make every story about power or families a remake. It’s the same as calling every crime saga The Godfather, or every political drama House of Cards.”

He added that while a corporate setting may invite superficial similarities, Family Business is neither inspired by nor adapted from Succession. “A corporate backdrop may invite surface-level comparisons, but Family Business is not adapted from, inspired by, or remotely similar to Succession in its story, plot, or characters. It is a wholly original Indian series, drawn from multiple Indian corporate battles and family dynamics unique to our culture,” Mehta said.

Acknowledging his admiration for international shows in the genre, Mehta clarified that the Netflix series stands on its own. “I’m a huge admirer of both shows, but our show has its own identity, rooted in a very different socio-cultural, emotional, and economic world.”

 

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Family Business is positioned as a high-stakes drama centred on a corporate succession war within one of India’s most powerful business families. The story follows a visionary billionaire who handpicks a successor, only to reclaim control months later, triggering a ruthless battle for power marked by betrayal, fractured alliances and long-buried secrets.

Created by Hansal Mehta and Niren Bhatt, and directed by Mehta, the series is produced by Abundantia Entertainment and True Story Films. The ensemble cast includes Anil Kapoor, Vijay Varma, Akash Khurana, Rhea Chakraborty, Neha Dhupia, Anant Nag, Kanwaljit Singh, Raima Sen, Madhoo Shah and others.

With its announcement already sparking debate, Family Business is set to arrive on Netflix in 2026.

Also Read: Netflix unveils Family Business: Anil Kapoor and Vijay Varma face off in Hansal Mehta’s corporate power drama

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The Great Indian Kapil Show season 5 confirmed; Taskaree makers react as Emraan Hashmi series wins attention at Next On Netflix 2026

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While one leans on comedy and celebrity-driven conversations, the other explores the tense, procedural world of airport customs and international crime.

After four seasons that brought together film personalities and audiences across age groups, The Great Indian Kapil Show is set to return with a new season that expands what the makers describe as its comedy universe into a “mastiverse” of humour, conversations and unscripted moments. Led by Kapil Sharma, the show blends celebrity interviews with sketch comedy, improvisation and audience interaction, a format it plans to continue with renewed energy in the upcoming season.

Sharing their thoughts ahead of Season 5, the team behind The Great Indian Kapil Show said, “The Great Indian Kapil Show has always been about laughter that brings people together across ages and moments. Over the past four seasons, our association with Netflix has been an incredibly fulfilling journey, allowing the show to grow and evolve while staying rooted in its warmth, spontaneity and joy. With a brand-new season on the way, the TGIKS parivaar is excited to bring back its signature humour, fresh energy and even more unforgettable conversations. This partnership has helped take Indian humour to audiences around the world, and we are deeply grateful for the trust, collaboration, and continued love and support.”

Season 5 is directed and creatively produced by Anukalp Goswami, and created by Kapil Sharma. The show is produced by Akshit Lahoria and Gurjot Singh under K9 Films Private Limited and BeingU Studios Private Limited, with Sol Production LLP as co-producer. Kamna Menezes and Fazila Allana serve as co-producers. The returning cast includes Kapil Sharma, Archana Puran Singh, Navjot Singh Sidhu, Sunil Grover, Krushna Abhishek, and Kiku Sharda.

Alongside comedy, Netflix is also spotlighting crime drama Taskaree: The Smuggler’s Web, now streaming on the platform. Set in the high-pressure environment of airport customs, the series follows Superintendent Arjun Meena, a principled officer leading an elite task force tasked with stopping a surge in contraband trafficking. The team’s mission centres on dismantling a global smuggling syndicate headed by the notorious kingpin Bada Choudhary, placing them at the centre of a high-stakes national security operation.

Reflecting on the show’s reception, the team behind Taskaree: The Smuggler’s Web shared, “Taskaree marked the beginning of the year for us, and the overwhelming love it received from audiences not just in India but globally has been truly rewarding. Starting the year with a story rooted in a world which everyone is aware of and yet no one knows of, and seeing it resonate so strongly, has been deeply gratifying for the entire team. Partnering with Netflix allowed us to take this high-stakes world to a wide and engaged global audience.”

The series is created by Neeraj Pandey, who also directs alongside Raghav M Jairath and B.A. Fida, and is produced by Friday Storytellers. The cast includes Emraan Hashmi as Arjun Meena, along with Sharad Kelkar, Amruta Khavilkar, Nandish Singh Sandhu, Anurag Sinha, and Zoya Afroz.

Together, the two titles reflect Netflix’s continued focus on varied Indian storytelling — from light-hearted comedy driven by conversation and familiarity to grounded crime dramas rooted in institutional settings — catering to a wide spectrum of viewers on the platform.

Also Read: Zoya Afroz recalls working in silence before getting Taskaree break: “When the moment arrives, that preparation speaks for itself”

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Saif Ali Khan and Rasika Dugal to star in crime drama Kartavya, first look unveiled at Next On Netflix 2026

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Netflix has announced Kartavya, a new crime drama starring Saif Ali Khan and Rasika Dugal, as part of its Next On Netflix India 2026 slate. The platform also shared the first glimpses from the project, marking the first on-screen collaboration between the two actors.

Set in the heartland of India, Kartavya follows a police officer who finds himself at a moral crossroads when his family’s safety comes under threat. As external pressures mount and danger closes in, the story examines how far a man is willing to go to uphold his duty while navigating personal loss, fear, and truth.

The makers described Kartavya as a story rooted in the intersections of law, family, and responsibility. Calling it their second collaboration with Netflix and director Pulkit after Bhakshak, the team said the project reflects their shared intent to tell grounded stories that resonate emotionally. They highlighted Saif Ali Khan’s portrayal of a morally complex police officer, describing the character as layered and intense, shaped by difficult choices rather than clear absolutes.

 

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Directed and written by Pulkit and produced by Gauri Khan under the banner of Red Chillies Entertainment, Kartavya features a strong supporting cast including Sanjay Mishra, Saurabh Dwivedi, Zakir Hussain, and Manish Chaudhari.

Rasika Dugal’s inclusion in the cast has drawn attention, pairing two performers known for their nuanced screen presence. The first look offers brief but telling glimpses—Saif appears in uniform against a backdrop of escalating tension, while Rasika’s restrained, gritty expressions hint at a character with emotional depth and narrative weight. Though specific plot details remain under wraps, the visuals suggest a story driven by conflict rather than spectacle.

Kartavya is scheduled to release on Netflix in 2026.

Also Read: Hello Bachhon teaser at Next On Netflix 2026; Viineet Kumar Siingh leads Physics Wallah-inspired drama

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Hello Bachhon teaser at Next On Netflix 2026; Viineet Kumar Siingh leads Physics Wallah-inspired drama

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Netflix has announced Hello Bachhon, a new drama series headlined by Viineet Kumar Siingh, as part of its Next On Netflix India 2026 slate. The streaming platform also unveiled the first teaser of the series at the showcase event.

Based on the real-life journey behind the education platform Physics Wallah, Hello Bachhon tells the story of an unassuming physics teacher who goes on to impact millions of students across India. The series traces how his belief in accessible education challenges an exam-driven system and empowers students from modest backgrounds to pursue careers in medicine and engineering.

Positioned as a grounded, character-led drama, the show focuses on the emotional and ethical struggles of building something meaningful within a highly competitive education ecosystem. Through the lens of its central character, the series explores the pressures faced by students, families, and educators navigating ambition, commerce, and limited opportunities.

 

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Sharing their thoughts, the team behind Hello Bachhon said the series is rooted in the idea that learning should be dignity-driven and accessible to all, regardless of circumstance. They added that the show goes beyond the story of an education platform to examine the belief and resolve required to stand up against entrenched systems. Partnering with Netflix, they noted, allows the story to reach audiences globally while remaining deeply Indian in its context and emotions.

Hello Bachhon has been created by Abhishek Yadav and is directed by Pratish Mehta. The writing team includes Abhishek Yadav, Ankit Yadav, Vernaali, and Sandeep Singh, with Vijay Koshy and Shreyansh Pandey serving as executive producers. Alongside Viineet Kumar Siingh, the series also stars Vikram Kochhar and Girija Oak Godbole in key roles.

The show is slated to premiere on Netflix in 2026.

Also Read: Karan Kundrra, Tejasswi Prakash enter Dubai’s elite world in Netflix reality show Desi Bling; teaser unveiled at Next On Netflix 2026

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Bhuvan Bam’s Dhindora returns with season 2, announced at Next On Netflix 2026

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Netflix has announced the second season of Dhindora, the popular comedy series created by and starring Bhuvan Bam, as part of its Next On Netflix 2026 India slate. The announcement marks the return of one of India’s most successful creator-led shows, which first found its audience on YouTube before expanding to a wider streaming platform.

Dhindora 2 brings back Bam’s eccentric on-screen family, with the story once again driven by everyday chaos and heightened humour. This time around, Titu Mama finds himself pulling the family into a situation fuelled by pride, panic, and questionable decision-making. The new season promises to build on the familiar tone of the original while pushing the characters into bigger and more layered circumstances.

Reflecting on the journey of the series, the team behind Dhindora said, “With Dhindora Season 2, we’re returning to a world that audiences embraced with immense love in its first chapter. What began on YouTube as a deeply relatable, character-driven comedy has grown into a larger, more layered story, while staying true to the humour, heart, and chaos that define the Dhindora universe. Bringing the series to Netflix allows us to introduce these characters and their journey to an even wider audience, while retaining the cultural specificity and storytelling voice that made the show resonate so strongly. We’re excited for both long-time fans and new viewers to experience this next chapter.”

 

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The writing team for Dhindora 2 includes Bhuvan Bam, Abbas Dalal, Hussain Dalal, Chetan Dange, Gopal Dutt, Shubham Dubey, Anant Dubey, with Rohit Raj and Bhuvan Bam serving as producers. Rohit Raj and Arvin Bhandari are credited as executive producers. Bam continues to headline the series, reprising his multiple characters that have become central to the show’s identity.

The announcement comes as Netflix marks a decade of its presence in India. Speaking at the slate unveiling, Monika Shergill, Vice President – Content, Netflix India, said, “Ten years of Netflix in India isn’t a milestone we mark alone. It’s a story we’ve written together with creators who took bold risks, actors and technicians who brought those visions to life, partners who built with passion, teams who kept raising the bar, and above all, audiences who welcomed these stories with curiosity and openness. A decade of streaming has reinforced a simple truth: there is no single way to tell Indian stories, and no single audience to serve. India is one nation, made up of many Indias. Our work begins and continues with embracing all of them.”

With Dhindora 2, Netflix continues to deepen its focus on creator-led storytelling, bringing digital-first narratives into the mainstream while preserving their original voice. The second season is slated to premiere on Netflix as part of its 2026 lineup.

Also Read: Chumbak teaser out: Neena Gupta, Sumeet Vyas, Deven Bhojani lead old-Mumbai comedy-drama announced at Next On Netflix 2026

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Next On Netflix 2026: 23 years after Kal Ho Naa Ho, Shah Rukh Khan, Saif Ali Khan reunite for Kartavya; Mismatched: Season 4 helmed by Jayeshbhai Jordaar director Divyang Thakkar

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Shah Rukh Khan and Saif Ali Khan rocked the show with their bromance in Kal Ho Naa Ho (2003). A few years later, they hosted the Filmfare Awards and its jokes and gags are remembered even today. And nearly 23 years after the romcom, both have joined hands yet again. Saif Ali Khan announced at the ‘Next On Netflix 2026’ event that his next, Kartavya, is produced by SRK’s banner, Red Chillies Entertainment.

At the event, Saif Ali Khan came on stage to announce Hum Hindustani, co-starring Pratik Gandhi. He said, “It feels like being at home. Netflix India and I started together with Sacred Games. It was amazing. Netflix stands for high quality. I remember we shot a film for Netflix and it went for quality control. You have to shoot with certain cameras. There's a certain standard set when we shoot for Netflix.”

He added, “This time, to get to do a film like this, to work with Pratik, and work with an incredible production house like Emmay Entertainment was also special. Also, how India became the world's largest democracy was an exciting story to tell.”

Saif Ali Khan was asked about his other upcoming Netflix title. He replied, “We just finished doing a movie called Kartavya, which is really great. Shah Rukh's company, Red Chillies, has produced it. It's going to be coming out soon. It's a lovely flick made by a director called Pulkit.” A glimpse of Kartavya was also unveiled later on.

Meanwhile, Mismatched: Season 4 was announced with a dance performance by its lead and supporting actors – Rohit Saraf, Prajakta Koli, Rannvijay Singha, Vidya Malvade, Taaruk Raina, Vihaan Samat and Ahsaas Channa – and it got a roaring response. Interestingly, while the earlier seasons were directed by Akarsh Khurana and Nipun Dharmadhikari, Season 4 will be helmed by Divyang Thakkar, of Jayeshbhai Jordaar (2002) fame.

Also Read: Next On Netflix 2026: Ikka actor Tillotama Shome reveals, “A fly crawled into Sunny Deol’s EYE; he STILL didn’t stop the shot…he reasoned, ‘I didn’t want to spoil your take'”

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Ananya Birla launches Birla Studios to back culturally relevant, commercial films

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Birla Studios has been created with the intent to create high concept, prestige-driven, commercial cinema. It will focus on stories that seamlessly balance broad audience reach with artistic distinction, championing culturally relevant narratives and storytelling.

Rooted in Ananya Birla’s belief in cinema as a medium of expression, the studio is committed to curating cinema that creates immediate emotional connection while leaving an indelible mark. With a strong emphasis on creative ambition and commercial viability, Birla Studios aims to shape films that are both meaningful and widely engaging.

“We are all stories. Cinema is one of the most powerful mediums through which those stories are told. At its most powerful, cinema creates an immediate connection while leaving a lasting resonance. At Birla Studios, our focus is on curating a slate of films that balance cultural significance with strong entertainment value and a conscious stand to nurture new talent, while exploring genres, amplifying fresh voices and diverse perspectives. As we put this slate together, we’ve been deeply encouraged by the kindness and receptiveness of everyone across the industry. It would be a privilege to play even a small part in taking Indian cinema forward,” said Ananya Birla.

Birla Studios is shaping a multi-language slate that spans stories in Hindi, Gujarati, Malayalam amongst other regional languages and international English language cinema, reflecting its ambition to engage audiences across borders and cultures. Stay tuned for further announcements as the studio reveals its upcoming projects.

Launched in 2026, Birla Studios is a film studio focused on building high-concept, commercial cinema. The studio is driven by a belief in stories that endure, prioritizing depth, craft, and long-term relevance. Genre-agnostic in approach, Birla Studios backs films with strong commercial appeal while nurturing promising talent, emerging voices and bold ideas. With an emphasis on scale, storytelling ambition, and thoughtful execution, the studio aims to create cinema that balances cultural specificity with universal reach.

Also Read: Ananya Birla launches beauty brand LOVETC with Janhvi Kapoor as brand ambassador

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Chumbak teaser out: Neena Gupta, Sumeet Vyas, Deven Bhojani lead old-Mumbai comedy-drama announced at Next On Netflix 2026

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At its Next On Netflix 2026 India slate announcement, the streaming platform unveiled Chumbak, a new original series that turns the spotlight on neighbourhood life and the bonds that quietly shape everyday living. Along with the announcement, Netflix also dropped the show’s teaser, offering a glimpse into a world driven by shared meals, laughter, arguments, tears, and enduring companionship.

Set in an old row-house neighbourhood in Mumbai, Chumbak explores a space where neighbours are more than polite acquaintances. The series follows five families whose lives are closely intertwined, forming a surrogate family over time. Anchored by a young author and an eccentric family support group, the narrative captures moments of humour, vulnerability, and collective resilience as the characters navigate life’s everyday challenges together.

The makers describe Chumbak as a return to the warmth of community living. Sharing their excitement, the team behind the series said, “We’re so excited to finally introduce Chumbak to the world. This has been a truly collaborative journey, with an infectious energy on set that came from working so closely together every day. That spirit has translated beautifully on screen, and we can’t wait for audiences to experience Chumbak on Netflix this year.”

The series is written and directed by Aatish Kapadia, with Jamnadas (JD) Majethia serving as producer. Known for their work rooted in everyday relationships and family dynamics, the creative team brings a familiar yet reflective tone to the show’s storytelling.

 

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Chumbak features an ensemble cast led by Neena Gupta, alongside Deven Bhojani, Amyra Dastur, Anant V Joshi, Sumeet Vyas, Manasi Parekh, Arjun Bijlani, Helly Shah, Sumeet Raghavan and Sandeepa Dhar. Together, the cast portrays characters whose lives overlap in unexpected ways, shaped by proximity, shared histories, and emotional dependence.

Speaking at the slate announcement, Monika Shergill, Vice President – Content, Netflix India, reflected on the platform’s evolving relationship with Indian storytelling. She said, “Ten years of Netflix in India isn’t a milestone we mark alone. It’s a story we’ve written together with creators who took bold risks, actors and technicians who brought those visions to life, partners who built with passion, teams who kept raising the bar, and above all, audiences who welcomed these stories with curiosity and openness. A decade of streaming has reinforced a simple truth: there is no single way to tell Indian stories, and no single audience to serve. India is one nation, made up of many Indias. Our work begins and continues with embracing all of them.”

With Chumbak, Netflix continues to expand its slate of slice-of-life originals, focusing on stories rooted in shared spaces and emotional familiarity. The series is slated to premiere on Netflix later this year.

Also Read: Next On Netflix 2026: Ikka actor Tillotama Shome reveals, “A fly crawled into Sunny Deol’s EYE; he STILL didn’t stop the shot…he reasoned, ‘I didn’t want to spoil your take'”

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Not just Animal Park, is Sandeep Reddy Vanga planning a part 3 of Animal too?

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Sandeep Reddy Vanga’s Ranbir Kapoor-starrer blockbuster Animal may be getting even bigger than originally planned. While Animal Park, the second instalment of the franchise, is still in the scripting stage, strong industry buzz suggests that Vanga could be contemplating expanding the narrative into a three-part saga.

Though there has been no official announcement yet, sources familiar with the development indicate that the filmmaker’s creative ambitions for the sequel may have outgrown the idea of a simple two-part structure. “Vanga’s original plan was to tell the story in two films,” a source close to the project told this writer. “But while writing the second part, he realised the narrative had far more depth and material than could be contained in just one more instalment. That’s when the possibility of a third part entered the picture.”

If this plan moves forward, Ranbir Kapoor is expected to remain the common thread across all three films. Interestingly, insiders suggest that the antagonist may not be constant through the trilogy, with different villains potentially driving the conflict in Animal Park and a possible third film, allowing each chapter to explore new dimensions of the story.

At the moment, all decisions remain contingent on the final scripting of Animal Park. However, if the speculation proves true, Animal could well evolve into one of the most expansive character-driven franchises in recent Hindi cinema, redefining how dark, adult-themed narratives are mounted on a blockbuster scale.

Also Read: Ranbir Kapoor on Animal Park says: “It will be bigger, bolder, and more engaging”

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EXCLUSIVE: Adivi Sesh-Mrunal Thakur starrer Dacoit to release on April 10; makers of Pan-India action entertainer realign strategy amid multiple big releases

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The exciting teaser of Dacoit was launched with much fanfare in December in the presence of its lead actors, Adivi Sesh, Mrunal Thakur and Anurag Kashyap. The Pan-India action entertainer was scheduled to release on March 19, 2026 and Bollywood Hungama has now exclusively learned that Dacoit has been pushed.

A source told Bollywood Hungama, “With March witnessing multiple releases and announcements, the makers of Dacoit have thoughtfully realigned the film’s release plans, shifting the date to April 10. It was earlier set to arrive alongside Dhurandhar: The Revenge and Toxic: A Fairytale For Grown-Ups, making it a time when multiple highly anticipated films were slated to release together. The team holds great respect for both Dhurandhar as well as Toxic and their creative teams, and firmly believes that every theatrical release deserves its own moment with audiences.”

Trade sources believe that postponing the release date of Dacoit, previously described by the makers as a ‘gold fish’ among larger releases, reflects the maker’s confidence in the film’s content and its ability to strike a chord with the audiences. The source added, “Staying true to that thought, the decision to move to April 10 comes from a place of fairness and clarity, ensuring that Dacoit gets its due spotlight while audiences can enjoy all films on their own terms. It also reflects strategic planning and thoughtful timing, focused on the film’s theatrical experience.”

Dacoit is directed by Abhinay Deo, produced by Supriya Yarlagadda and backed by S S Creations and Suniel Narang Production. As for Dhurandhar: The Revenge, it is the sequel to the much-loved blockbuster, Dhurandhar (2025) and stars Ranveer Singh and others. Meanwhile, Toxic: A Fairytale For Grown-Ups, directed by Geetu Mohandas, is a multi-starrer, starring Yash of KGF fame, Nayanthara, Kiara Advani, Huma Qureshi, Tara Sutaria, Rukmini Vasanth, Akshay Oberoi and others.

Also Read: Adivi Sesh wraps final schedule of Dacoit ahead of its anticipated festive release in March: “This film has been an intense journey”

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BREAKING: Rhea Chakraborty makes a comeback after 5 years with Anil Kapoor-Vijay Varma's Netflix original, Family Business

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Rhea Chakraborty made a promising debut in Bollywood with Mere Dad Ki Maruti (2013) and followed it up with several interesting flicks. Sadly, her career took a backseat after she was accused for the suicide of actor Sushant Singh Rajput. Her offers dried up due to the negativity. But now, she is all set to make a comeback with Family Business.

The family and corporate web series was announced today at the 'Next On Netflix' event in Mumbai. Rhea Chakraborty came on stage and she was joined by Anil Kapoor, Vijay Varma, Nandish Singh Sandhu, Tena Desae, Akash Khurana, director Hansal Mehta and producer Vikram Malhotra.

Rhea Chakraborty's last release was the Amitabh Bachchan-Emraan Hashmi starrer Chehre (2021). In between, she also appeared as the host of two seasons of MTV Roadies. Hence, Family Business is her first release in 5 years.

Over the years, multiple investigations into the tragic death of Sushant Singh Rajput failed to establish any wrongdoing on Rhea Chakraborty’s part, and no charges relating to murder were proved against her. Despite this, the actor bore the brunt of intense media trials and public scrutiny, which derailed a once-promising career. Her casting in Family Business marks not just a professional comeback but also a significant moment of redemption, and one hopes this return opens the door to more meaningful roles and opportunities in the industry going forward.

Also Read: Rhea Chakraborty celebrates female friendship as she looks back at the challenging period of her life: “I survived the storm because of certain people in my life”

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Shah Rukh Khan starrer King goes global: Red Chillies, Marflix and YRF join hands for international release on Christmas 2026

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Shah Rukh Khan’s upcoming action thriller King has taken a major step forward on the global stage. Red Chillies Entertainment has officially announced a high-profile partnership with Marflix Pictures and Yash Raj Films to distribute the much-awaited film across international cinemas. The overseas release is locked for December 24, 2026, aligning with its much-anticipated Christmas theatrical rollout.

Making the announcement on X, Red Chillies Entertainment shared, “Red Chillies Entertainment and Marflix Pictures partner with Yash Raj Films to distribute the much awaited Shah Rukh Khan starrer #KING in International cinemas on December 24, 2026. This Christmas, Fear wears the Crown!” The announcement has further amplified excitement around the film, which has already been generating massive buzz among fans and trade circles alike.

Red Chillies Entertainment and Marflix Pictures partner with Yash Raj Films to distribute the much awaited Shah Rukh Khan starrer #KING in International cinemas on 24th December, 2026. This Christmas, Fear wears the Crown! #ItsKINGTime pic.twitter.com/Zaqh24NLAo

— Red Chillies Entertainment (@RedChilliesEnt) February 3, 2026

Last month, Shah Rukh Khan himself set social media abuzz when he dropped a special release date announcement teaser, confirming December 24 as the film’s theatrical release date. Since then, King has remained one of the most talked-about upcoming Bollywood projects, with anticipation steadily building around its scale, cast, and genre.

One of the biggest highlights of King is that it marks the theatrical debut of Suhana Khan. The film will see her sharing screen space with her father, Shah Rukh Khan, for the first time, making it a significant milestone for both. The father-daughter collaboration has added an emotional and celebratory dimension to the film’s release.

Directed by Siddharth Anand, King is mounted as a stylised action thriller and is produced by Gauri Khan, Siddharth Anand, and Mamta Anand under the banners of Red Chillies Entertainment and Marflix Pictures. The film is written by Sujoy Ghosh and features an impressive ensemble cast, including Deepika Padukone and Abhishek Bachchan in lead roles, with Anil Kapoor, Jackie Shroff, Arshad Warsi, and Rani Mukerji in supporting appearances.

Adding to its scale, the film’s soundtrack and background score are composed by Anirudh Ravichander and Sachin–Jigar, promising a high-energy musical experience. With a Christmas 2026 release, a global distribution strategy, and Shah Rukh Khan at the centre, King is shaping up to be one of the biggest cinematic events of the year.

Also Read: SCOOP: Shah Rukh Khan & Siddharth Anand film a jaw-dropping Rs. 50 crore action sequence for King

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FACT CHECK: Variety’s Rs. 50–60 cr. Dhurandhar: The Revenge music deal claim BUSTED - real figure is Rs. 27 cr.

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Reports around the music rights of Dhurandhar: The Revenge have been doing the rounds ever since the sequel’s scale and ambition came into focus. An exclusive report by Variety India recently claimed that the Ranveer Singh–Akshaye Khanna starrer had cracked a massive music deal worth Rs. 50–60 crore with music giant T-Series, calling it one of the costliest music rights acquisitions in the history of Hindi cinema. However, Bollywood Hungama has independently fact-checked the claim and found the reported figures to be significantly inflated.

According to a well-placed industry source close to T-Series, the actual amount paid for the music rights of Dhurandhar: The Revenge stands at Rs. 27 crores, nearly half of what has been widely reported. The deal, the source confirms, covers four languages — Hindi, Tamil, Telugu and Kannada, making it a comprehensive multi-lingual acquisition rather than a single-language music rights purchase. “The numbers doing the rounds are exaggerated,” the source told Bollywood Hungama. “The Variety report is inaccurate and demonstrates their weak grasp of the current dynamics of Bollywood music rights. It fails to factor in how multi-language deals are structured, bundled, and valued today. The real figure is Rs. 27 crores. It is still a very strong deal by industry standards, especially considering the evolving economics of music monetisation.”

While the corrected figure may not match the astronomical numbers initially reported, the deal remains a significant milestone for the franchise. For context, the first Dhurandhar had fetched Rs. 15 crores for its music rights. The sequel has almost doubled that value, underlining the franchise’s sharp rise in commercial credibility following the success of the first film.

Industry insiders point out that multi-language music rights are increasingly being bundled into a single deal, particularly for big-ticket pan-Indian films. This often creates confusion when headline figures are floated without clarity on language scope, revenue-sharing models, or backend clauses.

What remains undisputed is that Dhurandhar: The Revenge has become one of the most valuable music acquisitions of the year, reinforcing the film’s strong pre-release buzz and the continued dominance of T-Series in the music rights market. The combination of Ranveer Singh’s mass appeal, Akshaye Khanna’s gravitas, and the franchise’s expanding footprint across markets has clearly translated into solid commercial confidence.

As always, Bollywood Hungama will continue to track and verify industry deals to separate fact from speculation in an increasingly noise-driven news cycle.

Also Read: Dhurandhar: The Revenge teaser out: Sequel promises to explore Ranveer Singh’s transformation from Jaskirat Singh Rangi to Hamza

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Delhi HC permits Sameer Wankhede to take The Ba***ds of Bollywood suit to Mumbai court

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On February 3, 2026, the Delhi High Court granted former Indian Revenue Service officer Sameer Wankhede the liberty to pursue his defamation suit against the Netflix series The Ba***ds of Bollywood in a competent court in Mumbai, after holding that the national capital court lacks territorial jurisdiction to hear the matter.

Wankhede’s suit, which was originally filed in the Delhi High Court, alleged that the web series directed by Aryan Khan and produced by Red Chillies Entertainment and Netflix featured a character that bore resemblance to him and contained content he claimed was defamatory and harmful to his reputation.

During the latest hearing, Justice Vikas Mahajan allowed Wankhede’s application under the Civil Procedure Code, giving him permission to present his plaint before the City Civil & Sessions Court, Dindoshi in Mumbai. The court noted that the Delhi High Court did not have territorial jurisdiction over the case and directed both parties to appear before the Mumbai court on February 12, when Wankhede plans to institute the suit.

Wankhede’s original petition alleged that certain scenes in the first episode of The Ba***ds of Bollywood portrayed a character said to be based on him in a misleading or defamatory manner, particularly in relation to his role in high-profile law enforcement matters. He has sought the removal or restraint of specific scenes and damages, asserting that the depiction has damaged his reputation.

The high-profile dispute stems from The Ba***ds of Bollywood, a satirical series linked to events involving the prosecution of Aryan Khan in a 2021 cruise ship drugs case. Wankhede’s suit has gained public attention because of the personalities involved and the broader debate it raises about the limits of satire and fictionalisation in dramatised portrayals of real-life events and individuals.

Previously, the Delhi High Court had rejected Wankhede’s defamation plea on the ground of lack of jurisdiction, prompting the application to transfer the matter to a court in the appropriate place. With the latest order, the case will now proceed in Mumbai, where the defendants, including Red Chillies Entertainment and Netflix, will be required to respond.

Also Read: Delhi High Court rejects Sameer Wankhede’s defamation suit over Aryan Khan’s Netflix series The Ba***ds of Bollywood

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Amaal Mallik exposes the harsh economics of Bollywood music: “‘Sooraj Dooba hai’ earned Rs. 60–70 crores, I got almost nothing”

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Composer-singer Amaal Mallik has once again brought the spotlight on the long-standing issues plaguing the Hindi film music industry, particularly the lack of fair remuneration, ownership, and credit for composers and lyricists. In a candid interview with Pinkvilla, Amaal spoke at length about how artists continue to suffer despite creating commercially successful music.

Reflecting on one of his biggest hits, ‘Sooraj Dooba Hai’ from the 2014 musical Roy, Amaal revealed the stark imbalance between the revenue earned and what composers actually receive. “It earned Rs. 60–70 crore for the label, and I got nothing except publishing rights, which are negligible, not even close to Rs. 1 crore," he said. Emphasising why ownership matters, he added, “I want to make money to help people. That can only happen if I have rights or equal rights. Film music doesn’t give you that."

Opening up about his personal journey, Amaal shared how financial stability came late despite years of success. “Sixteen years later, I just bought a car for myself. I’ve never done anything for myself, it’s always been for people around me." He also highlighted the disparity between regional industries and Bollywood, stating, “There are composers in the South earning Rs 10–15 crore while retaining rights. In Hindi cinema, composers get Rs 2–3 crore and give everything up."

Amaal questioned the rigid structures of the industry, saying, “Everyone works in a straight line. Nobody asks why things can’t be structured differently or why credits can’t be fairer." He stressed that credit integrity matters deeply to him, adding, “No one can ever say I denied them credit on my songs."

Comparing Bollywood to global practices, he pointed out, “In the West, crediting systems are far more transparent. Here, even lyricists’ names disappear." He recalled how lyricists were forced to protest publicly: “Lyricists like Amitabh Bhattacharya, Kausar Munir and Manoj Muntashir had to make a video just to demand proper credit." He further noted, “They questioned why a composer could be credited on one label but not another.”

Amaal also spoke about creative opacity and professional setbacks. “You give 15–16 options, you and 10 other composers put your heart into it, and then songs are rejected without explanation. There’s no transparency," he said. Recalling a bitter experience, he added, “There was a time when I was working with someone on a film, and by the evening we were fighting a court case. I won’t name anyone, but that’s how it works.”

Revealing the cost of speaking up, Amaal concluded, “In the last five years, I was dropped from 40 to 45 films,” while asserting, “Even when I wasn’t visible, my music kept living on.”

Also Read: Bigg Boss 19 contestants Farrhana Bhatt and Amaal Mallik skip Dubai Bash; fly to Malta instead — fans smell a new collaboration

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Ramayana makers to reveal character looks at Gateway of India on March 27, 2026: Report

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Filmmaker Nitesh Tiwari and producer Namit Malhotra are planning a high-profile event to unveil the character looks from their much-anticipated adaptation of Ramayana: Part One, industry sources tell Mid-Day. The event is expected to take place on March 27 at the Gateway of India in Mumbai, coinciding with the festival of Ram Navami, and will showcase the looks of the principal cast from the ensemble-starrer.

The Ramayana adaptation, directed by Tiwari and produced by Namit Malhotra’s Prime Focus Studios, has generated substantial interest among both audiences and industry insiders, in part due to its ambitious scope and large ensemble. Ranbir Kapoor is set to portray Lord Rama, with Sai Pallavi as Sita and Yash in the role of Ravana. Other key cast members include Sunny Deol as Hanuman and Ravi Dubey as Lakshman, among others.

The upcoming event, described by the report as a “grand showcase”, will reportedly bring together notable personalities from film, sports and public life, with invitations already being circulated. Senior leaders from both the state and central governments are expected to attend alongside actors and other industry figures.

According to the report, Ranbir Kapoor has personally invited close friends and family to witness the character look reveal. It will mark the first time the Ramayana universe of characters is presented in full form to the public, ahead of the official release of the film.

The event is seen as a strategic move to build anticipation for the epic film, which has been positioned as one of the most ambitious mythological adaptations in Indian cinema. The first part of Ramayana is slated for an IMAX release during Diwali 2026, with the story divided into two parts, the second of which is expected around Diwali 2027.

Also Read: IMAX chief calls Namit Malhotra’s Ramayana: Part 1 “the most anticipated global film this year”

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Dhurandhar: The Revenge teaser out: Sequel promises to explore Ranveer Singh’s transformation from Jaskirat Singh Rangi to Hamza

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The makers of Dhurandhar have officially announced the teaser of its sequel, titled Dhurandhar: The Revenge, confirming long-standing speculation around the next chapter of the spy-action franchise. The announcement was made today, February 3, marking the formal start of promotions for the film, which is slated for a theatrical release on March 19, 2026.

Directed by Aditya Dhar, Dhurandhar: The Revenge serves as the second instalment of the two-part series headlined by Ranveer Singh. The sequel announcement comes close on the heels of the first film’s OTT premiere on Netflix on January 30, further sustaining momentum around the franchise. It is worth mentioning here that hours before releasing the teaser, the makers dropped a poster, featuring Ranveer Singh, to confirm the March 19, 2026 release.

 

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Earlier reports had indicated that the teaser of the sequel had already been cleared by the Central Board of Film Certification (CBFC). As per the censor certificate, the teaser runs for a little over a minute and has been awarded an ‘A’ certificate. The title Dhurandhar: The Revenge was also officially listed on the certificate, confirming the name of the sequel.

Although the teaser was initially expected to be attached to the theatrical prints of Border 2, it did not play alongside the film, leading to speculation among fans. Addressing the delay earlier, Aditya Dhar had reassured audiences via Instagram Stories, writing, “Teaser will be out in a few days!” The official announcement now puts an end to the uncertainty surrounding its release.

Released theatrically on December 5, 2025, Dhurandhar emerged as one of the biggest Hindi box-office successes of the year. The spy action thriller, also starring Akshaye Khanna, Sanjay Dutt, Arjun Rampal and R. Madhavan, follows an undercover Indian intelligence agent who infiltrates Karachi’s criminal syndicates and political power structures to dismantle a terror network targeting India.

The film’s scale, stylised action sequences, patriotic undertone and Ranveer Singh’s intense performance struck a chord with audiences across mass belts and multiplexes alike. Its strong theatrical run, followed by a widely viewed OTT release, set high expectations for the sequel.

Produced by Jio Studios, Dhurandhar: The Revenge is expected to expand the narrative while raising both the emotional and action stakes. With the teaser announcement now official, the makers are expected to roll out further promotional material in the coming days.

Also Read: Ram Gopal Varma not sure how VFX driven Telugu action films will work after Dhurandhar: “In just a year or two, people’s tastes have changed completely because of Dhurandhar”

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Jio Studios acquires 50.1% stake in Oscar-winning Sikhya Entertainment

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Reliance Strategic Business Ventures Limited (RSBVL), a wholly owned subsidiary of Reliance Industries Limited (RIL), on February 3, 2026, acquired 50.1% equity stake in Sikhya Entertainment Private Limited (SEPL), one of India’s most globally recognised and awarded production houses, through a combination of primary and secondary transactions, for an aggregate cash consideration of Rs 150 crores. This acquisition enables Jio Studios, the media and content arm of RIL, to further consolidate its pre-eminent position in the media and entertainment sector.

Jio Studios has played a significant role in India’s entertainment ecosystem, connecting audiences globally and backing films with strong creative and commercial conviction. It has demonstrated a consistent ability to identify defining stories and build them for large audiences, producing landmark titles such as the highest grossing Indian film Dhurandhar, Laapataa Ladies, and the Stree franchise, among others, emerging as a key force in the country’s evolving content economy.

The collaboration of Jio Studios with SEPL, to co-create films and series for audiences in India and worldwide, brings together Jio Studios’ scale, reach, focus on building enduring intellectual property, nurturing creator-led ecosystems and long-term vision with SEPL’s proven track record of globally resonant, culturally rooted storytelling.

Founded by Guneet Monga Kapoor and Achin Jain, Sikhya Entertainment has, over the past decade, redefined what Indian storytelling can achieve on the world stage. Sikhya is the only Indian production house to have won both an Academy Award® and multiple National Film Awards, a distinction that underscores its rare global and domestic impact. Its Academy Award® wins include Period. End of Sentence. (Best Documentary Short Subject) and The Elephant Whisperers (Best Documentary Short Film), while its National Film Award-winning films include Masaan (Hindi), Soorarai Pottru (Tamil) and Kathal (Hindi), alongside recognition across major Indian and international platforms. Equally central to Sikhya’s identity has been its commitment to discovering and championing new talent, from debut and early-career filmmakers to emerging writers and performance-driven storytelling, while creating defining moments for some of India’s most celebrated actors. Its multilingual slate includes The Lunchbox, Masaan, Pagglait, Kathal and Kill, to name a few.

Speaking on the partnership, Jyoti Deshpande, President – Jio Studios (Media & Content Business, RIL), said, “Sikhya Entertainment has consistently delivered stories that are deeply Indian yet resonate globally. This association reflects our long-term belief in partnering with creators who combine creative excellence with cultural authenticity. Over the last seven years, Jio Studios has built a strong track record of producing and championing some of the most successful box office winners and critically acclaimed films alike, from the most recent phenomenon, Dhurandhar, to Stree 2 and Laapataa Ladies, which went all the way to the Oscars. I have known Guneet for a very long time and really admire her fire and tenacity. We are delighted to partner with Guneet, Achin and the Sikhya Entertainment team and by combining their distinctive storytelling legacy with Jio Studios’ scale, distribution, creative prowess and global ambition, we aim to give Indian stories the platform and pathways to reach audiences around the world.”

Guneet Monga Kapoor and Achin Jain, Sikhya Entertainment, shared, “We have always believed that stories have the power to connect people across cultures, geographies, and languages. At the heart of Sikhya's work is a deep belief in storytelling and in the people who bring these stories to life. Over the past decade, we have collaborated with bold new directors, writers, actors, and exceptional creative teams who continue to push the boundaries of independent cinema with honesty and ambition. For independent producers like us, driven by dreams and the audacity to turn those ideas into reality, this journey has been deeply rewarding. Partnering with Jio Studios allows us to take these stories to audiences around the world, while empowering us to champion emerging talent from across the country, where stories exist in every fabric and every thread. Jyoti Deshpande’s commitment to innovation and her instinct for bold ideas and creative risk make this partnership especially exciting. Together, we celebrate a Rising India, confident in its voice, unapologetic in its stories, and ready to shape the next chapter of cinema.”

Also Read: BREAKING: Jio Studios issues public notice; declares ‘FIRST and PARAMOUNT lien’ on Ali Abbas Zafar Films LLP’s commercial earnings

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Hussain Ustara’s daughter moves court to ban O’Romeo release; hearing on February 6

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A legal dispute has emerged ahead of the scheduled theatrical release of the Hindi film O’Romeo, with Sanober Shaikh, daughter of the late Hussain Ustara, filing a civil suit in a Mumbai court seeking to stop the movie from reaching audiences. The suit, filed on Monday, alleges that the film is an unauthorised biographical portrayal of her father and portrays his life inaccurately.

Sanober Shaikh’s lawsuit names O’Romeo producer Sajid Nadiadwala, director Vishal Bhardwaj and journalist-author Hussain Zaidi as defendants. She has requested a permanent injunction to prevent the release of the film on its planned date of February 13, 2026, or on any later date unless the court rules otherwise.

According to court documents, the petition argues that no prior consent was obtained from the plaintiff before the film was developed. It asserts that the movie was produced “with the intent of commercial and monetary gain” and is closely based on the biography of Hussain Shaikh, popularly known as Hussain Ustara.

In her filing, Sanober emphasised her concern over the portrayal of her father. She claimed the depiction could inflict “irreparable injury” on her and her family, including her children, who she said deserve “to live in the world in peace and in a good atmosphere.” She also argued that the release of the film could have “serious implication[s] on the plaintiffs’ family members” and could “besmirch the character of the dead person.”

 

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The lawsuit also mentions prior legal notices that were sent to the film’s makers before the suit was filed. In response to those notices, representatives of Bhardwaj and Nadiadwala Grandson Entertainment have denied that O’Romeo is a biographical portrayal, asserting that the film is “purely a work of fiction.”

As part of the relief sought, Sanober’s petition requests that the court order a pre-screening of the film and appoint an authorised individual, such as a court commissioner, to review the content before any public release.

 

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The matter is set to be heard by the civil court on February 6, with both temporary and permanent injunctions under consideration. The film, starring Shahid Kapoor and based on Hussain Zaidi’s book Mafia Queens of Mumbai, is slated to release in theatres on February 13.

Also Read: O’Romeo trailer launch: Vishal Bhardwaj fondly remembers the corporate era: “I made Haider way back in 2014. Mujhe nahin lagta ki aaj ke time mein Haider ka ‘H’ bhi banaya ja sakta hai”

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BREAKING: Mumbai Police files FIR against Dhurandhar The Revenge location manager for flying drone in high security Fort area of South Mumbai without permission

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A few days ago, leaked images from the sets of Dhurandhar The Revenge dropped online and quickly spread like wildfire. The images featured Sanjay Dutt and Arjun Rampal shooting in South Mumbai’s Ballard Estate. The locality can also be seen being transformed into Karachi’s Lyari locality. However, two days ago, the shoot was abruptly halted by the Mumbai Police for flying a drone without permission.

As per a report in Mumbai Mirror, a First Information Report (FIR) was filed against location manager Rinku Rajpal Valmiki under Section 223 of the Bharatiya Nyaya Sanhita (BNS) for “knowingly disobeying lawful orders from officials”. The FIR mentioned that the crew used drones but did not have permission. What added to the seriousness, as per the report, was that Fort is considered a high-security area of the city.

The Mumbai Mirror article then revealed on February 1, Sanjay Dutt had arrived on the set and was shooting a crucial scene of Dhurandhar The Revenge. He was wearing a white pathani suit and had a gun in his hand. The drone was meant to capture his dramatic walk. However, all of a sudden, the cops arrived and the shoot was stopped.

As per the Mumbai Mirror report, Zonal DCP Pravin Mundhe confirmed that an FIR has indeed been filed and that Rinku Rajpal Valmiki was arrested. The police sources told the tabloid that, though the line producers secured permission from the Maharashtra Film, Stage and Cultural Development Corporation Limited for the shoot, they did not secure permission to fly drones.

The article also carried a quote of a local resident, Sanjay Gurav, who revealed that the team of Dhurandhar The Revenge had blocked two parallel roads in Fort – Perin Nariman Street and Modi Street – for the shoot for three days, that is, January 30, January 31 and February 1.

Meanwhile, just some time back, the makers of Dhurandhar The Revenge dropped the much-awaited poster of the film, featuring Ranveer Singh in a gory and massy avatar. It reconfirmed that the sequel will indeed release on March 19 this year, as planned.

Also Read: Makers of Dhurandhar: The Revenge CONFIRM March 19, 2026 release; first poster featuring Ranveer Singh out!

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Makers of Dhurandhar: The Revenge CONFIRM March 19, 2026 release; first poster featuring Ranveer Singh out!

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As Dhurandhar continues its historic run in theatres, the makers Jio Studios and B62 Studios have now unveiled the first poster and title of the much-anticipated second instalment, Dhurandhar: The Revenge.

The striking poster presents Ranveer Singh in a dramatically transformed avatar from the first film. Standing centre-frame in a black trench coat with his hair loose against a blazing red backdrop, he appears explosive and menacing. Brimming with intensity, the visual signals higher stakes, fiercer action, and a far more ruthless chapter ahead.

Directed by Aditya Dhar, Dhurandhar currently stands as the biggest Hindi film of all time, cementing its cult and pop-culture status.

With Dhurandhar: The Revenge, the saga is set to escalate into an even bigger, bolder, and more formidable cinematic universe.

 

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The film releases in theatres on March 19, 2026, coinciding with Eid, Gudi Padwa, and Ugadi, and will arrive in Hindi, Telugu, Tamil, Kannada, and Malayalam—a strategic expansion driven by its massive demand across South India, positioning 2026 as The Year of Dhurandhar.

Dhurandhar: The Revenge is a high-octane spy-action thriller written, directed, and produced by Aditya Dhar, and produced by Jyoti Deshpande and Lokesh Dhar. Presented by Jio Studios, this B62 Studios production is gearing up for a cinematic storm from March 19, 2027.

Also Read: Ranveer Singh, Aditya Dhar and Jio Studios tease big Dhurandhar 2 update ahead of March 19 release

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